wood

tips for carving big cats: a large sculpture of a roaring lion shows the importance of accurate proportions when sculpting.

Tips for Carving Big Cats

Tips for Carving Big Cats 720 960 Simon O'Rourke

As a sculptor, there are certain subjects that Simon is known for, and often asked to create. Fictional characters and dragons are definitely in the top two. Another popular subject for sculptures is the lion. In fact, any big cat!
Over the years Simon has created many sculptures of big cats, including lions, tigers and cheetahs. A couple of those sculptures that people have especially enjoyed include The Guardian and the Sri Lankan Lion. Carving the same subject allows for a lot of learning and refining. Since Simon recently created the lion family photographed below, we thought we would share some of his tips for carving big cats…

Tips for carving big cats by simon o'rourke. Photo shows a lion family Simon created from two separate tree trunks. One shows a male lion twisted to look in the direction of the second trunk which shows a lioness climbing down the trunk to reach a cub.

A lion family diptych Simon created this year

Tips for Carving Big Cats: Research

The starting point for a realistic sculpture of a big cat, is research. The goal of that research is to understand the underlying structure of the animal. That includes the skeleton, how the muscles lie (and where), and how each individual body part is formed. For example, understanding the paws is an area of study in itself. This is important because the proportions of the animal are dictated by its skeleton and muscles. They also dictate what positions the big cat may be in, and the shape we see on the outside.
Other research includes things like texture and direction of the fur and how it contrasts between different parts of the body.
If you are looking for a good basic tutor, Deviant Art has a big cat blog series that is worth checking out.
Once you have a good understanding of anatomy, you can move forward with your sculpture.

tips for carving big cats: a large sculpture of a roaring lion shows the importance of accurate proportions when sculpting.

The skeleton abnd muscle structure determin the proportions and shape of the sculpture.

Tips for Carving Big Cats: Determining a Realistic Pose

Understanding the underlying structure of a big cat allows you to move forward into creating your sculpture. It’s important to consider what your big cat is doing; what’s the story behind the sculpture? Once you have a sense of the story, you can create the basic shape of the animal.
At this point there is sometimes a plot twist or two as Simon discovers cracks or cavities in the wood.
That was the case with the male lion. However, that cavity meant Simon moved the position of the legs slightly, which ultimately created more drama and a sense of story. So don’t worry if you have a surprise or two! With some creative thinking (whilst still considering the basic skeleton and muscle structure) a re-think can actually be a blessing in disguise!

A tree carving by chainsaw artist simon o'rourke. The photo shows a large male lion with his front paws on a pile of rocks. He is twisted to glance over his shoulder. This realistic pose is one of simon's tips for carving big cats.

How realistic that pose will appear is determined not just by the basic shape, but also by emphasis. Simon will often use the tip of a bar to emphasise an indent, curve or a flap of skin. These are the things that help to show which muscles are flexed or relaxed, and where the pose is causing the animal to stretch. They also show the size and shape of the muscles which help to give Simon’s big cat sculptures their sense of strength and power.

a chainsaw carving or a lion in process in a workshop.

This photo of the lion in process shows where Simon is choosing to emphasise specific dips, flaps and twists, such as the flank.

Tips for Carving Big Cats: Keep Looking at Your Reference

Especially with big sculptures, being right on top of the sculpture while you carve can mean you lose a sense of perspective. This means it’s important to keep stepping back and looking at your sculpture. Check the proportions. And always check it against your reference for the animal, whether that’s your rough sketches or a series of animal photos. This principle isn’t unique to big cats. Simon often also talks about the importance of this in carving faces which you can read more about in this blog about the golden ratio.

close up of a lion cub carved into a tree trunk by simon o'rourke

Tips for Carving Big Cats: Adding Texture

Once you are happy with the shape of your sculpture, you can begin to add details and texture. Those details are key in conveying the story of a sculpture. For example, in what direction are the eyes looking? If the mouth is open, is the nose smooth showing a more relaxed animal, or is it wrinkled in a snarl?

At this point, Simon will often use something like the Manpatools multicutter. In this video Simon uses the triangle cutter head effectively to create this striking Sri Lankan lion mane.

At this stage, Simon often also uses his favourite range of Saburrtooth burr bits to create texture. They are especially useful for smaller details like claws, eyes, nose, mouth and ears. However, they can also add subtle rounded shapes like cheeks, or the shape of a paw. They really make a big difference and help take his sculptures to a whole new level!

Tips for carving big cats: SImon O'Rourke uses a saburrtooth flame burr bit to create texture on a lion's face

Tips for Carving Big Cats: Practice Makes Perfect

Simon’s final tip is true of everything. If your first big cats aren’t what you want, don’t give up. Practice is are really the biggest factor in improving your big cat sculptures. It really is true that practice makes perfect!

Friday ramblings about my thought process while carving big cats!!

Posted by Simon O'Rourke – Tree Carving on Friday, 21 August 2020

Your Own Big Cat Sculpture

Do you have a favourite of the big cat sculptures Simon has made? Drop us a comment and let us know!
And if you would like to commission your own big cat sculpture, contact us via the form on www.treecarving.co.uk/contact/
We’re looking forward to hearing from you!

a roraring lion carved by simon o'rourke

 

 

moving wood sculpture of a dragon by simon o'rourke

English Open Chainsaw Competition Entries Through the Years

English Open Chainsaw Competition Entries Through the Years 1160 770 Simon O'Rourke

Can you believe it’s already the August bank holiday weekend?! Time is definitely doing funny things! This weekend is a landmark in the Chainsaw Carving calendar, as it’s normally the English Open Chainsaw Competition. The competition is part of the Cheshire Game and Country Fair, and Simon has taken part many times over the last decade or so. Things are obviously a bit different this year, but we thought we’d mark the occasion by revisiting some of his English Open Chainsaw Competition Entries…

scene from english open chainsaw competition 2019

Where it all Began…

Simon first took part in the competition in 2004, and it was a key event in his career. It was his first competition, and he won third place. This helped prompt him to make a career from creating chainsaw-carved wood sculptures. After making that decision, he and his wife Liz set up Tree Carving in 2005… and the rest is history!

The 2004 Sculpture:

Despite being his first competition piece, the first of Simon’s English open chainsaw competition entries not only took third place but also gained national attention. At the end of the competition, artists can choose to auction off their pieces.  During that auction, Simon’s “Sleeping Girl” caught the attention of one of the Sandringham estate managers. Their bid won, and his sculpture was installed at the Queen’s Norfolk estate later that year. Not bad for a first-timer! National news networks picked up the story, which also helped as Simon began his carving career.

Unfortunately there aren’t many photos of this sculpture which proved to be such a landmark in Simon’s career. So, please forgive us the poor resolution of this photo! We promise the photos get better in the rest of the blog! If anyone is visiting the estate and gets a better photo, we would love it if you shared it and tagged us!

english open chainsaw entries by simon o'rourke: 2004 sleeping girl. A sleeping girl is carved onto a horzontal log

 

English Open Chainsaw Competition Entries: 2007

Simon has had a great deal of success at the English Open. In 2007 he created this whimsical fairy sitting on a mushroom. Although Simon’s style has evolved since then, and his sculptures become much more detailed, we can already see his ability to tell a story and create life-like human form sculptures. Judges also admired this piece and he placed first!

wooden sculpture of a fairy sitting on top of a mushroom, with woods in the background. the fairy is one of simon o'rourkes english open chainsaw competition entries from 2007

English Open Chainsaw Competition Entries: 2009

In 2008 and 2009 Simon also won first place with his Neptune sculpture. And once again, he demonstrated his skill at creating stunning human form sculptures.  We can already see much more of the texture that has become part of Simon’s signature style. His facial expression and details perfectly depict this wisened god of the sea, and that physique definitely reflects the power he is said to have.

 

english open chainsaw competition entries by simon o'rourke. Photo shows simon standing with a 10' sculpture of neptune carved onto a treek trunk

 

english open chainsaw competition entries by simon o'rourke. Photo shows simon standing with a 10' sculpture of neptune carved onto a treek trunk

 

English Open Chainsaw Competition Entries: 2010-2013

As Simon’s awards page shows, 2010-2013 were also good years for him at the English Open. He placed in the top two each year that he entered. By now he and Liz were a definite part of the tree carving community – one of the fun aspects of taking part in events and competitions.

The nature of chainsaw carving means many pieces are often on a very large scale. Some of Simon’s largest pieces have been the Marbury Lady and the Giant Hand of Vyrnwy. His 2013 entry wasn’t as large as these, but this giant bust definitely showed he could work on a large scale!

giant wood bust of a female. one of simon o'rourke's english open chainsaw competition entries

English Open Chainsaw Entries: 2014

During some competitions, Simon is able to take the opportunity to work on a commission. He may need to refine it later but is able to complete what he can during the time allocated for the competition. 2014 was one of those times. During the competition, Simon created this sculpture of Brother Francis. How special for a client to be able to say their sculpture is award-winning! The piece ‘only’ placed third, but the client was delighted, and this monk looks amazing installed among the trees, enjoying a moment of quiet contemplation.

life size sculpture of a monk sitting against a tree. Carved by simon o'rourke as one of his english open chainsaw competition entries

 

English Open Chainsaw Competition Entries: 2015

2015 was a winning year for Simon. He took first place with his incredible moving dragon sculpture. The detail is incredible with the scaly texture and attention to detail like the teeth and eyes. The movement was also a real novelty, and took Simon’s skill and creativity to the next level.

moving wood dragon sculpture

Hemlock today!

The sculpture didn’t sell at auction, but that turned out to be a good thing. Simon made some refinements to the sculpture and Hemlock was born! Hemlock has since travelled around the UK and is always a hit wherever she goes. She has helped to raise money for Clatterbridge Hospital and other causes, has taken part at ComicCon, and has even been part of a wedding! It’s true! She makes a great photo opportunity and is regularly treated to a dragon spa at the workshop (ie maintenance and repair!) to make sure she always looks her best at your events.

There is no doubt either that Hemlock played a big part in earning Simon his reputation for carving fantastic dragons. Since then he has gone on to create other incredible award-winning, viral dragon sculptures such as The Dragon of Bethesda, the egg casket from Game of Thrones, the yew dragon tower, and most recently, the fire-breathing dragon for The Dragon Tower that appeared on George Clarke’s Amazing Spaces.

To book Hemlock for your event (anyone thinking about a dragon-pulled Santa sleigh this year?!) email us using the form at www.treecarving.co.uk/contact/, and we’ll be in touch!

moving wood sculpture of a dragon by simon o'rourke

 

English Open Chainsaw Competition Entries: 2019

Moving on to 2019, and the English Open was another great year for Simon. He took part in the ‘combo’ competition. This meant creating two sculptures over the three days, one made with only a chainsaw, and the other using any power tools.

His chainsaw-only sculpture was this beautiful, intricate fairy that took second place. You can see the range of Stihl chainsaws he used in the background!

Fairy carved by Simon O'Rourke at the English open Chainsaw Competition

The ‘full power’ event meant Simon could also use his favourite Manpa angle grinder and Saburrtooth bits. He created this angel who is looking truly serene. She doesn’t look at all like she’s been surrounded by chainsaw noise and sawdust for two days!!! She shows all of Simon’s trademark movement in her clothing, and attention to detail in the face. And, as always, Simon tells a story with this sculpture and invites the viewer into this moment of serenity with her. The judges loved her too, and she took first place.

Angel carved by Simon O'Rourke at the English Open Chainsaw Carving Competition

The angel which took first place in the ‘full power’ event

 

Future Events?

Right now we don’t know when the next event or competition will take place. As you all know, the world and regulations about public events change constantly. Competitions and events are usually a big part of Simon’s summer though. They go beyond an opportunity to carve and are usually a brilliant time to connect with other artists and gain more inspiration, knowledge, and skills. We find some of them actually make for a fantastic day out too for observers, such as Huskycup or the WoodFest.  We’ve definitely missed them this year, although a change is nice too.

However! Simon does still have some space in his calendar later this year for outdoor events, such as ice carving demonstrations at Christmas, or even something ‘autumn-themed’ for your October half term event. Although the large scale events can’t happen, there are still ways to include and enjoy a live demonstration. Email us at [email protected] or use the form at www.treecarving.co.uk/contact/ to ask about ideas and availability.

 

Wood or Bronze Sculpture: A side-by-side photo shows the same wooden sculpture of a stylised woman's face years apart. Photo one is warm and smooth. Photo two has taken on rich, grey hues, and the weatherted wood now has the character of a real face

Which is Better: Wood or Bronze Sculpture?

Which is Better: Wood or Bronze Sculpture? 1875 1875 Simon O'Rourke

Wood or bronze sculpture? Is the longer lasting sculpture a better sculpture? Which one should I choose? Simon is often asked “Why make a sculpture from something that will eventually degrade and return to nature?” In this blog we explore why Simon loves working with wood, and why it might be the choice for you…

Wood or ronze sculpture? Angel at the pool of bethesda by simon o'rourke at biddulph old hall. Photo shows the beautiful effect of an aging wood sculpture against the hostoric building and gardens.

Wood or Bronze Sculpture: Benefits of Bronze.

A bronze sculpture is first created in clay, wax, or other materials. That sculpture is used to create a mould, and finally, molten bronze is poured into that mould.

A bronze statue will last for thousands of years of course. We have seen this from ancient bronze sculptures still in existence today. For example, ‘Dancing Girl’ from Mohenjo-Daro is the oldest known bronze sculpture in the world, dating back 2500 years.

Wood on the other hand is a material that will eventually rot away and break down over the years…

Wood or Broze sculpture? Photo shows the bronze sculpture of dancing girl of mohenjo-daro

Wood or Bronze Sculpture: Why make something that will rot?

Environmental artists the world over operate at the opposite end of the scale. Artists like Andy Goldsworthy create artworks from nature that are gone in a short space of time. “It’s not about art,” he has explained. “It’s just about life and the need to understand that a lot of things in life do not last.

This momentary art is a powerful medium for drawing the attention to the natural world and its inherent beauty. Wood has also been used as a material for sculpture for thousands of years and also lasts well, depending on the species and how it is looked after. We shared more about which species are most enduring in our blog “Is my tree suitable for a tree carving sculpture“.

However, unlike bronze, it will always weather and begin to wear away over time.

Wood or Bronze sculpture? A close up of 'The Guardian' by Simon O'Rourke. It shows cracks in the nose of the oak lion, and the changing colours of oak sculpture.

Close up of The Guardian which shows the effects of aging on wood sculpture

Wood or Bronze Sculpture: The Beauty of Aging Wood

Weathering wood reveals much more of the character and growth patterns that form during the time the tree is growing. As an artist, Simon loves to see the process of weathering: that transformation of the freshly shaped timber to ancient-looking textures and cracks. He loves the revealing of the shapes of growth, and the natural progression of decay. For him, there is something warm about wood that captures a moment in history, the timeline of the tree, from seed to sculpture.

Wood or Bronze Sculpture: Picture shows large praying hands carved in oak by Simon O'Rourke. The wood has taken on grey hues due to weathering to give the hands character.

These praying hands have taken on more character and grey hues as the wood has aged and weatherted.

Wood or Bronze: Simon’s Philosophy as an Artist

Simon feels this compliments his artwork, and philospophy as an artist. He loves to capture a moment in time, a scene from a story, and leave the viewer feeling like they have momentarily been part of a bigger picture. The process of decay also captures an essence of the fragility of life.
Simon is very aware that his work isn’t permanent. This isn’t discouraging for thim though. Rather, he shares that:
Although some of my sculptures will eventually outlive me, their inevitable return to the earth to become part of the perpetual circle of life, is for me, a humbling experience“.

Wood or Bronze Sculpture: A side-by-side photo shows the same wooden sculpture of a stylised woman's face years apart. Photo one is warm and smooth. Photo two has taken on rich, grey hues, and the weatherted wood now has the character of a real face

Side by side photos like this show that the aging process enhances the depth and beauty of a sculpture

Bronze or Wood: An Evolving Piece of Art

As well as reflecting Simon’s philosophy as an artist, this aging process creates an ever-evolving piece of art. The photo above of a stylised woman’s face, shows that aging process actually enhances the beauty and intensity of a piece. In particular the pupil and iris are much more striking as the wood has darkened and taken on grey hues. The more varied hues and tones in the wood create something much more life-like and organic looking.

Close up of a face of a wooden sculpture showing the cracks created by weathering

Character created over time by aging and weathering of the wood.

Bronze or Wood Sculpture: Environmental Benefits

We have talked about the humbling aspect and cyclical journey of a sculpture returning to the earth. However, this is also an environmental consideration too. Simon sources his wood responsibly, and loves to transform storm-damaged and diseased trees into sculptures, giving life back to the timber. The wood will eventually return to the earth, and make no permanent footprint.

Angel at the Pool of Bethesda by Simon O'Rourke. View is from behind showing the Angel standing by a pool against the background of Old Biddulph Hall

This view from behind of Angel at the Pool of Bethesda at Biddulpho Old Hall shows how a wood sculpture perfectly compliments historic property and mature gardens

Wood or Bronze Sculpture: A Summary

Commissioning a piece of art is a big decision and an investment, and it needs to reflect your preferences and values as the buyer. All mediums have their beauty and benefits, so we would never claim one is definitively ‘better’ than another. However, if anything of the philosophical, environmental or aesthetic benefits of wood mentioned here resonate with you, it is likely a wooden sculpture is the best choice for you.

If you would like to commission a wooden sculpture, you can contact us using the form at www.treecarving.co.uk/contact/ .

We’d love to hear from you!

 

Sri Lankan Lion Sculpture

Sri Lankan Lion Sculpture 720 960 Simon O'Rourke

Back in February Simon began posting photos of a Lion sculpture Ihewas working on. Last week he was able to deliver and install the finished piece. Keep reading to find out more about the Sri Lankan Lion sculpture!

a 12' sri lankan lion sculpture in oak in progress. the head is carved but the rest is stripped timber with scaffolding in the foreground

Early work on the Sri Lankan Lion

 

The Beginning….

Simon was first contacted by this client at the end of 2019. She was looking for a unique and significant gift for her husband’s retirement after 32 years working in the NHS. They had seen and admired the Dragon of Bethesda and initially reached out to ask about something similar.
Initially they talked about a lion-dragon combination. This would certainly have given lots of room for Si’s imagination!

A Sri Lankan Lion sculpture in oak by simon o'rourke against a vivid sunset. The lion holds a sword as he does on the sri lankan flag.

Progress on the Sri Lankan Lion Sculpture

Evolution of an Idea

Deciding a final design is often a conversation though, and progression of ideas. This commission was no different. Early on, the client assessed their garden to see if they had any trees suitable to be carved as they stood. This is a great starting point, and it saves the step of sourcing timber. The shape, size, and unique characteristics of that tree are then the starting point for a design. In this case, there were no trees suitable though. The client realised too that they would rather have a free-standing sculpture so it could move with them if they ever moved.
We sourced a large piece of oak from JRB Tree & Timber Services, and work began!

felled oak tree wth a stihl chainsaw

The chainsaw is here to show the girth of the tree used for the Sri Lankan lion sculpture

 

15' oak on the back of a trailer ready for transportation

Ready to be brought to the workshop!

Behind the Lion…

The client had come back to Simon at this point and settled on the idea of a Sri Lankan lion sculpture. Her husband is half-Irish, half-Sri Lankan and is proud of his heritage. The flag of Sri Lanka features a lion, and he even has a tattoo of this lion on his shoulder! This gave Simon a great starting point.

The lion on the Sri Lankan flag has been around since around 500bc and was seen carrying a sword from around 160bc.  The lion represents strength and bravery, and the ethnicity of the Sinhlaese people, so Simon’s lion sculpture needed to reflect that same strength. No cute and cuddly Disney Simbas for this sculpture! That pose, the clear muscle and the pose are striking and awesome, in the true sense of the word. A definite depiction of the bravery and strength the lion represents. And carrying a sword makes it clear this is the lion of the Sri Lankan flag.
By the way, if you enjoy learning about the history and symbolism of flags, you can find out more about the symbolism in the Sri Lankan flag on this blog.

An oak sri lankan lion sculpture by artist Simon O'Rourke depicting a 'real life' version of the sri lankan lion holding a sword. The lion is in the workshop surrounded by tools and carving paraphernalia

The finished lion in the workshop

Creating the Sri Lankan Lion Sculpture

As you can see from the previous photos which show the lion in progress, Simon began with a rough outline of the lion. The first areas he started cutting detail into were the mane and face. This is important, as they were to be the focal point of the sculpture. Starting with them makes it easier to ensure the rest matches them,  rather than making the focal point fit something that is less important in terms of focus. By carving them first, Simon really can make sure that everything else about the sculpture compliments and directs the viewer’s gaze towards the ‘main feature’.

Gradually he was able to add more details, with attention being given to even the tiniest aspect of this Sri Lankan Lion sculpture. Check out his lion dentistry with the Saburrtooth coarse flame bit

A bit of careful dentistry!

Posted by Simon O'Rourke – Tree Carving on Saturday, 22 February 2020

In fact, Simon used the full arsenal of power tools on this commission! Here he is using the Manpa Tools Multicutter tool with the triangle head to create the lion’s fur. For those wondering where to get their own, Manpa Tools are not easily available in the UK, but Simon sources them through www.chainsawbars.co.uk. We thoroughly recommend Chainsawbars as a company too, as you can find out in our blog  Collaboration with Chainsawbars.co.uk.

Using the Manpa tools Multicutter with the triangle cutter head to create fur texture.

Posted by Simon O'Rourke – Tree Carving on Tuesday, 11 February 2020

A Roaring Success

Seven months on from the first conversation, and Singha the Sri Lankan Lion sculpture (named after the Sinhalese people and meaning ‘Lion’) is in his new home. He looks magnificent in place. Most importantly though, the couple love him, describing him as ‘absolutely wonderful’ and ‘fabulous’.
32 years of service to the NHS is no small thing. This Sri Lankan lion sculpture is a wonderful gift to recognise that service and honour their heritage.

Sri Lankan Lion sculpture by simon o'rourke standing in a paved area of a private garden

 

12' oak sri lankan lion sculpture by simon o'rourke pictured with the clients in a paved area

The client and her husband with Singha the lion

A Unique Gift

If you are looking for your own unique, significant, and personal gift, we would love to hear from you. Contact us via the form on www.treecarving.co.uk/contact/ and Simon will get back to you to chat about design and costs.

 

Perfect Portrait for You: Part Two

Perfect Portrait for You: Part Two 720 960 Simon O'Rourke

If you regularly read our blog, you’ll know that last week we began writing about the perfect portrait scultpure for you. We feel people sometimes shy away from commissioning a portrait. That can be for lots of different reasons. However, we also know that portraiture is extremely varied. Simon is also able to sculpt in many different styles and scales. This means there is ALWAYS a perfect portrait for you!

Last week we looked at some of Simon’s classic full length sculptures, and a classic bust. There is no doubt that every time Simon creates a new full full size portrait, it has impact. However, they may not be the perfect portrait for YOU. Space, budget, style preferences and more mean the perfect portrait for you might be something a little different….

Chainsaw carving artist Simon O'Rourke standing with his life size sculptures of soccer players kenny dalglish and Bill Shankley

 

The Bobble Head!

If a classic sculpture isn’t quite your thing, and you want something more ‘relaxed’, what about a bobble head?

Typically bobble heads are a figurine with a disproportionately large head mounted on a spring. This allows it to bob up and down – hence the name! They are often made as a caricature of a famous person. You can find out more in this article about the history of the bobble head as a portrait.


The perfect portrait for you, your space and your preferences might be something fun like this bobblehead sculpture of Gary Barlow. In the photo simon o'rourke is pictured with three shots of a full size sculpture of gary barlow with a disproportionately large head!

A bobble head portrait can be created in any size to suit your space. Simon can create a flattering representation, or more of a caricature or the person. They definitely bring some fun to the idea of a portrait! If a bobbing head causes you concern, don’t worry. Simon can still carve in this style with a fixed head that stays firmly in place!

perfect portrait for you might be a bobble head like this life size carving of chainsaw artist steve backus depicted with an oversized head and carrying chainsaw carving equipment

A bobble head of fellow chainsaw artist Steve Backus

The Collage/Group Portrait

Maybe you’re looking for something unique instead of a family photo. Or something to commemorate a team. n which case, the perfect portrait for you may be some kind of collage.

A collage can be created in an endless number of ways, depending on the number of subjects and how you want to pose them. Again, they are something a little different to a classic portrait. The presenters from BBC’s Country File certainly loved the sculptures Simon created for them a few years ago!

 

a perfect portrait for you and your family might be a collage. this photo is of a sculpture of multiple faces in one piece of wood.

Stylised/Modern

Are you more of a modernist when it comes to sculpture? Perhaps something more stylised would suit you. These faces were exhibition pieces Simon created at a couple of different events in 2019. You can read about their story in our Face to Face blog.
Even though they appear simple, in-person, they are incredibly striking!
Although these are not direct likenesses, they are great examples of Simon’s versatility as a portrait artist.

The ‘Cheeky Nod’

The perfect portrait for you may not actually be an actual portrait! Rather, it may be that you incorporate the features or likeness of someone into something else. Kind of a cheeky nod to the person rather than a formal depiction.

One example of that is Simon’s dragon for St George’s hospital garden. Mark Owen (former Take that singer) was the special guest who would be opening the garden. So, when Simon carved the dragon, he chose to use Mark Owen’s features in the dragon. It’s subtle, but there is definitely a fun likeness!

When might this ‘cheeky nod’ be appropriate? Maybe your club or society is commisioning  a sculpture to commemorate an event or occasion. The sculpture itself can’t be of the individual, but using the features of a specific key person on a character or object can be a fun way of acknowledging them and their involvement.

Singer Mark Owen photographed next to chainsaw carver simon o'rourke

A chainsaw carved dragon by simon o'rourke in cartoon style. The dragon's face has been carved to incorporate the features of singer Mark Owen so it bears a resemblance to him

If that’s a bit TOO subtle for you, what about using the faces of specific people on other objects? More of a ‘hybrid’ or combination than just a ‘cheeky nod’ to the person.

One client did just that. She wanted traditional ornaments for her garden, like pixies, fairies and gnomes. However, as a loving grandmother, she also wanted to depict her grandchildren. That led to the unique commission below. Simon carved these cute miniature pixies appropriately sized for her garden. Rather than imagining a character and featurs for each though, the face of each sculpture was one of the client’s granchildren!

Three traditional pixies carved in miniature on a small tree stump.

The Wall Hanging

Finally, maybe space doesn’t allow for you to have a 3D sculpture. Maybe it just isn’t your thing. In which case, these illustrated wall hangings could be the perfect portrait commission for you.

If you have read his biography, you’ll know Simon trained in illustration. He initially had aspirations to be an illustrate children’s books, and stumbled into tree carving! An alternative to a sculpture is a portrait in wood. Like all Simon’s portraits (except a bust!), wall hangings can be for individiual or group portraits. They can be created in a wood to suit your room, and make a great gift or commemorative piece.

prefect portrait for you series featuring a pyrography portrait of marilyn monroe by simon o'rourke

 

The faces of the four beatles created by simon o'rourke through burning and etching a wood panel

We hope you have enjoyed exploring some of Simon’s portrait work. We also hope you feel inspired, and know that there really is a perfect portrait for you, no matter your preference, budget, space, or occasion!

If you would like to explore commissioning a portrait, contact Simon at http://www.treecarving.co.uk/contact/

We’d love to hear from you!

Fforest Fawr Woodland Sculpture Trail

Fforest Fawr Woodland Sculpture Trail 150 150 Simon O'Rourke

We’ve had some beautiful weather this week – perfect for a woodland walk! With Wales, Scotland and Northern Ireland still in lockdown though, we know that for many of us, that isn’t an option. And so, once again, we decided to bring the woods to you! This week we visit Tongwynlais, in South Wales, and the Fforest Fawr Woodland Sculpture trail….

Castell Coch viewed through fforest fawr

Castell Coch and Fforest Fawr

About Fforest Fawr Woodland Sculpture Trail

Fforest Fawr is a beautiful woodland close to Castell Coch and a short walk from the centre of Tongwynlais. As well as beautiful woodland, it has trails for cycling and walking and a tea shop that serves delicious Bara Brith.
There was also sculpture trail to attract and encourage visitors. As it was deteriorating, Natural Resources Wales commissioned Simon to create a new trail, which was installed in April 2018. All the sculptures are made from a Giant Redwood which was removed from Oswestry as it was dying, and posing a threat to the public. A perfect repurposing of a stunning resource!

Tree carving chainsaw artist simon o'rourke photographed with the redwood lynx from the fforest fawr woodland sculpture trail he created

Simon photographed with the lynx

Fforest Fawr Woodland Sculpture Trail: The Message

The commission from Natural Resources Wales asked for a trail that was engaging for families with young children. It was to make it have an educational aspect, and to be appealing to a broad range of ages as well. With that in mind, Simon returned to his illustrator roots. He wanted to give it a storybook feel which would encourage people to walk the whole thing, and so a new poem was born.

This is not unusual for Simon, as you will know if you read our blogs about Meadow Park and Page’s Wood.
Usually though, the trails focus on the current inhabitants of that area. However, in the case of the Fforest Fawr woodland sculpture trail, Simon also wanted to draw attention to what we  have lost……

close up of a redwood tree carving of a forest lynx from simon o'rourke's fforest fawr woodland sculpture trail

Close up of the lynx in the fforest fawr woodland sculpture trail

Past meets Present

Simon’s created story in poem form, about the wildlife that not only lives in the forest, but also species that are no longer there. The trail then ends with a call to action, encouraging the viewer to look after the woodland.
The aim of the trail is to make the viewer aware of what was there before, but also to highlight the need to preserve what is there now.

Bilingual Challenges!

The English form of the poem is in rhyming couplets which makes it fun and memorable for younger viewers. Translation always proves a challenge though. The Welsh translation isn’t in poetry form, but still conveys the feel, and – most importantly – the message of the story Simon and Liz wrote. 

Local press articles about the trail show it was very well received. We think you’ll like it too!
The concept sketches with the poem read as a beautiful children’s story book in themselves, so we have included those for you as well. We hope you enjoy them as much as the sculptures!

And so, without further ado, join us on a walk through the Fforest Fawr Woodland Sculpture Trail!

Introductory Sculpture:

In Fforest Fawr, deep, and green,
There’s so much to discover, so much to be seen,
All kinds of creatures, great and small,
And wonderful trees, towering and tall!

Yn nyfnder a gwyrddni Fforest Fawr,
mae cymaint i’w ddarganfod… Cymaint i’w weld:
Pob math o greaduriaid, – mawr a bach,
a choedydd rhyfeddol, – tyrog a thal!

Simple redwood sculpture of trees as part of simon o'rourke's tree carving chainsaw art woodland sculpture trail in fforest fawr

 

A Forest Timeline

On the path we see wonders in the forest today
But there are stories and treasures along the way!
There were creatures living here in the past, you’ll see,
Let’s take a walk, back through history!

Heddiw, ar y llwybr, gwelwn ryfeddodau yn y fforest.
Ond, mae storïau a thrysorau ar hyd y ffordd!
Cewch weld bod creaduriaid yn byw yma yn y gorffennol.
Gadewch inni fynd am dro…yn ôl drwy hanes!

 

timeline from fforest fawr woodland sculpture trail carved from redwood, featuring wolf, lynx and pine marten

 

A Red Squirrel

A long time ago, in the tops of tall trees,
Leaping and climbing on branches and leaves,
A long fuzzy tail, and nimble toes,
It’s a little red squirrel, with a little pink nose!

Amser maith yn ôl, – ar ben prennau uchel,
yn neidio a dringo ar ganghennau a dail,
wele gynffon hir, grychiog, a bysedd traed heini
wiwer goch fechan, – gyda thrwyn bach pinc!

A redwood bench with red squirrel details as part of fforest fawr woodland sculpture trail

 

The Brown Otter

Diving in rivers and hunting for fish,
A long, strong tail that goes swish, swish, swish!
Swimming through reeds, and with barely a splash,
It’s a sleek brown otter, that’s gone in a flash!

Yn plymio mewn afonydd ac yn hela pysgod, –
cynffon gref, hir sy’n siffrwd, siffrwd, siffrwd!
Yn nofio drwy gorsennau, – a phrin dynnu sylw, –
dyfrgi brown llyfn ydyw… ddiflanna mewn fflach!

 

A European Lynx

Crouching in the tall tall grass so green,
Silently stalking its prey, unseen,
The tufts on its ears, and the piercing eyes
It’s a European lynx! With its eyes on the prize!

Yng nghwrcwd yn y glaswellt tal, tal mor wyrdd, –
nas gwelir, – yn dawel ddilyn ei ysglyfaeth,
y cudynnau ar ei glustiau a’r llygaid treiddgar…
wele Lyncs Ewropeaidd, – a’i lygaid ar y wobr!

Fforest Fawr woodland sculpture trail by Simon O'Rourke: european lynx

 

A Red Deer

In the woodland we see a majestic sight,
With smooth red fur and a tail so white.
Velvety antlers that reach for the skies
It’s a stunning red deer, with big brown eyes!

Yn y goedlan, gwelwn olygfa urddasol
gyda ffwr coch llyfn, cynffon mor wen,
a chyrn melfedaidd sy’n cyrraedd i’r awyr…
Carw coch syfrdanol ydyw, – â llygaid mawr brown!

Simon O'Rourkes fforest fawr woodland sculpture trail: A Red Deer. Lifesized, created with chainsaws from redwood

 

The European Wolf

Hunting in packs, on the woodland floors,
Through forest and field, and across the moors,
Grey shaggy fur from its head to its paws,
It’s a European wolf, with strong, strong jaws!

Yn hela mewn cnudoedd ar loriau’r goedlan,
drwy fforest a chae, ac ar draws y rhosydd,
wele ffwr blewog, llwyd o’i ben i’w bawennau, –
blaidd Ewropeaidd, – gyda genau cryf, cryf.

fforest fawr woodland sculpture trail by simon o'rourke: european wolf

 

A Pine Marten

Hiding in old hollow trees, out of sight,
Climbing, and running, and hunting at night,
With soft sleek fur, and sharp little claws,
It’s a pine marten, foraging on the forest floor!

Yn cuddio mewn hen goed gwag, – allan o’r golwg, –
yn dringo a rhedeg ac yn hela’r nos, –
gyda ffwr graenus, llyfn, a chrafangau bach miniog…
wele Fela’r Coed, – yn casglu porthiant ar lawr y fforest!

Fforest Fawr Woodland Sculpture Trail by Simon O'Rourke: Pine Marten

 

Devil’s Coach Horse Beetle

Crawling in leaves, and black as night,
With spindly legs, and jaws that bite.
When it raises its tail, you’d better beware,
Devil’s Coach Horse beetle leaves a stink in the air!

Yn ymlusgo mewn dail, a chyn ddued â’r nos,
Gyda choesau main, a genau sy’n brathu, –
gwell ichi ochel pan gwyd ei chynffon:
Mae Chwilen Gnoi yn gadael drewdod yn yr awyr!

 

Wildlife Still Present in the Forest

These creatures are gone from the forest now
But the ones who live here today can be found!
There’s badgers and dormice and buzzards I’ve heard,
Goshawks, owls, and other woodland birds!

Mae’r creaduriaid hyn wedi mynd o’r fforest ‘nawr,
ond, gellir dod o hyd i’r rhai sy’n byw yma heddiw!
Clywais fod moch daear a llygod daear a boncathod,
gwyddweilch, tylluanod ac adar y goedlan eraill.

 

 

A Final Call to Action

We’ve learned about creatures from times gone by,
And the ones living here, that walk, and that fly.
Fforest Fawr is a beautiful place as we’ve seen,
Help us to keep it tidy and clean!


‘Rydym wedi dysgu am greaduriaid o’r amseroedd a fu
a’r rhai sy’n byw yma, – sy’n cerdded ac sy’n hedfan.
Fel y gwelsom, mae Fforest Fawr yn le hardd.
Rhowch help inni i’w chadw yn daclus a glân!

Mike James, Woodland Manager from Natural Resources Wales said:

“We hope people will enjoy our new sculpture trail and the woodland characters will bring to life the story of the forest, its wildlife, and its history. And with the story comes a strong message – the importance of looking after our environment and our forest so the wildlife which currently live there can continue to thrive for years to come.”

We hope you enjoyed the tour through Fforest Fawr Woodland Sculpture trail, and feel inspired to do your part in ensuring we will still be enjoying the wildlife we see round us for decades to come – and beyond!

chainsaw art/tree carver simon o'rourke photogrpahed with a redwood red deer he carved for fforest fawr woodland sculpture trail

Commissioning a Woodland Sculpture Trail

If you are involved with managing or maintaining and green area, and would like an educational sculpture trail, you can find out more about prices, concept etc by reading our Page’s Wood Case Study.
To chat to Simon about details, email us via https://www.treecarving.co.uk/contact/

We’re looking forward to hearing from you!

 

 

Woodland Sculpture Trail: Pages Wood

Woodland Sculpture Trail: Pages Wood 150 150 Simon O'Rourke

Welcome back to our woodland sculpture trail series!

If you read our blogs about the Pages Wood commission, and the Meadow Park woodland sculpture trail, you will know that sculpture trails are a great way to encourage people to get outside. They also encourage engagement with the environment and its care – something Simon and Liz are both passionate about. At the moment, we obviously can’t get out to enjoy our beautiful woodlands and parks, so we thought we would bring them to you!

Last time we visited the Wirral and Meadow Park. This week we take you to revisit the Pages Wood sculpture trail….

Verity Vole by Simon O'Rourke, part of the Page's Wood sculpture trail

Verity Vole, the second protagonist at the Page’s Wood sculpture trail

About Pages Wood

Pages Wood is the Forestry Commission’s largest site in Thames Chase and home to 100,000 trees. The wood offers 6.5km of walking and cycling paths and 2.2km of bridlepaths. This valley of green space offers excellent views as well as a rich mosaic of habitats for wildlife – all reflected in Simon’s sculptures.

Extensive views, an excellent path network, developing woodlands, and (of course) Simon’s woodland sculpture trail  all make Pages Wood a “must-visit” site – either for some brisk exercise or just simple relaxation.

As with Meadow Park, Simon and Liz wrote a story to engage the viewer. The trail follows the adventures of Horatio Hedgehog and Verity Vole as they meet other animals in the forest.

Verity Vole Woodland Sculpture Trail

This is Verity! She wanders through Pages Wood, and teaches about the friends she meets through verse, and the visual of the sculpture. See how many of the animals you recognise and knew inhabited the south east of England.

Original Woodland sculpture trail concept sketch by simon o'rourke, Verity Vole

Verity Vole by Simon O'Rourke, part of the Page's Wood sculpture trail

Verity Vole, the second protagonist at the Page’s Wood sculpture trail

 

dragonfly bench concept sketch by simon o'rourke for pages wood woodland sculpture trail

 

 

 

 

What do you think? Did Verity teach you anything new? And which was your favourite sculpture from her story?

Horatio Hedgehog Woodland Sculpture Trail

Next we have Horatio! You can scroll through and follow him on his adventure, not only as he meets his woodland friends, but also from his concept sketch to fully installed sculpture!

 

 

 

 

hedgehog and badger tree carving sculpture by simon o'rourke from pages wood woodland sculpture trail

 

 

Horatio Hedgehog meets Squirrel at Page's Wood Sculpture Trail by Simon O'Rourke

 

Horatio Hedgehog meets a fox at Page's Wood. By Simon O'Rourke.

We love that each trail ends with a bench so people can sit and relax and enjoy being in our great British outdoors. It also gives time to ponder on anything they learned it the trail. Our hope is that when Simon makes a woodland sculpture trail, it isn’t just fun to look at, but actually inspires people to action too.

If you are involved in running a local conservation area, and would like to consider adding an educational sculpture trail, why not check out the Meadow Park Case Study on on website for ideas and information?

To talk more about specifics, email Simon on [email protected] Can’t wait to hear from you!

A Bespoke Tawny Owl Sculpture

A Bespoke Tawny Owl Sculpture 150 150 Simon O'Rourke

One of the things that Simon was known for early on in his career was carving owls! Although he prefers human form, his attention to form, story, structure and detail mean he has created some incredible owls over the years. Some of them have become famous in their own right too, such a Ruby the owl. She’s part of Meadow Park sculpture trail on the Wirral and was actually stolen and – amazingly – returned! This week we look at Simon’s most recent example: a bespoke tawny owl sculpture that will be installed in Pocklington, Yorkshire.

A bespoke tawny owl by Simon O'Rourke for the town of Pocklington, Yorks

The Commission

This bespoke tawny owl is for public display in the town of Pocklington. When it was originally commissioned, the clients came to Simon with an existing Horse Chestnut stump. Their hope was that the owl could be carved from that. However, Simon advised them that it would be unsuitable as Horse Chestnut rots quickly. Instead, they decided to have the owl carved from oak, and to mount it upon the original stump.

To create the owl, Simon paid careful attention to the shape, size and proportions of the owl. He also imitated perfectly the way the feathers fall, and how the lengths and appearance vary on the different body parts. We can see clearly the fluffier chest and legs compared with the sleek, defined tails and wings.

bespoke tawny owl and original by Simon O'Rourke
As the Sculpture Ages….

Wood changes over the years. That means a commission such as this bespoke tawny owl will weather and gradually change in appearance. When Simon creates a sculpture, he takes into account how it will crack in future. This is important, so he can carve in a way that although the appearance will change, the structure will still be sound.
The face below is a perfect example of this. It has small cracks appearing but retains its structure and shape – and will for decades to come!

Face by Simon O'Rourke

Changing and Protecting Colour

Another aspect of this changing appearance that Simon considers, is the colour. All wood will change colour as it ages and is bleached by the sun. Once that happens, the only way to get the colour back is to sand it or re-finish the surface. Long-lasting woods such as oak and sweet chestnut weather nicely and last well without any finish. This means this bespoke tawny owl sculpture didn’t need any additional treatment.

For some sculptures, the bleaching and aging adds to the beauty and aesthetic of the sculpture. Maybe it is part of a forest trail and it needs to blend in with the environment. In other cases, the nature or setting of the sculpture lends itself to the aging process. The Angel at the Pool of Bethesda (included in our review of the decade) is a perfect example of this. It is based on an old painting, and sits in a Biddulph Old Hall, a historic property. The sculpture was left untreated so it would bleach naturally in the sun, and age to fit in with its environment. We love the way it looks two years on….

Angel at the pool of bethesda by simon o'rourke at biddulph old hall

Angel at the pool of bethesda by simon o'rourke at biddulph old hall

Recommended Treatment

The bespoke tawny owl sculpture is made of oak, so didn’t need treatment. However, if you do want to retain colour of the original sculpture, decking oil applied every 4 months will do this. It acts mostly as a weather proofer, allowing the sculpture to keep its original colour. It also offers UV protection, and has an additional bonus of containing mould inhibitors too. Unlike most other weatherproofing options, the oil is a good choice as it allows the wood to breathe. Over the years Simon has number of different brands . While he doesn’t necessarily have a favourite, he always buys from  www.restexpress.co.uk and recommends them as a supplier.

In addition, if the wood needs an initial treatment of wood preserver, he applies that before the oil. The preserver soaks in like water and prevents surface growth of mould and fungi.

barn owl by simon o'rourke

A Sculpture for Life!

Whenever Simon creates a sculpture, he considers the future appearance and carves and treats so it will last. However, if you do have damage or something that needs re-working, Simon is available for repair, upkeep and restoration. Contact him on [email protected] whether to talk about upkeep of a current sculpture, or a new commission.

Simon O'Rourke creating an oak maiden using Stihl battery chainsaw

Creating an Oak Maiden

Creating an Oak Maiden 720 960 Simon O'Rourke

There are two approaches to tree carving that Simon practices. The first is to design the piece, and then find timber suitable for the project. The three footballers that you may remember from last year are an example of this. In fact,  as you may remember from the Queen of the South Legends blog, completion was actually delayed because of sourcing timber after the original piece had a split.
The other approach is carving a standing stump. This means letting the tree dictate the design rather than the design dictate the timber. Sometimes the shape inspires the subject. Other times, it means making changes to the design along the way to accommodate the shape, size, twists turns and any surprises once the bark is stripped and Simon begins cutting. This was certainly the case with Simon’s latest project: creating an Oak Maiden.

Simon O'Rourke creating an oak maiden using Stihl battery chainsaw

 

Creating an Oak Maiden: The initial concept

This Oak Maiden looks incredible! However, she wasn’t actually what Simon had planned! The client who commissioned the hydra rising out of the ground, had asked Simon to look at another tree. There was an oak that had died and she wondered if it would make a good sculpture. When Simon first saw it, he could see female form. He also noticed the many branches at the top. Rather than cut these off, he imagined them to be a key part of the sculpture. And so, his initial concept was Medusa. The trunk could be transformed into a striking female form, and Simon imagined those undulating branches would make perfect ‘snake hair’. As a Greek mythological character, she would be a beautiful compliment too, to The Hydra. The client agreed, and Simon arrived at the start of last week expecting to create another Greek myth…..

Simon o'Rourke in the process of creating an oak maiden

Day one of creating an oak maiden. It’s easy to see why those branches suggested Medusa!

Creating an Oak Maiden: Change of plan!

Just as happened with The Hydra though (originally it was going to be a flock of birds or pterodactyls rising from the ground), once he began work, Simon realised that his original design wasn’t going to work. The branches at the top simply weren’t right, and he knew it would be better not to try and make them into snakes.

This flexibility and ability to respond to the timber is part of what makes Simon a great artist. Adapting his design to the work with the shape and features of the timber means creates sculptures which aren’t contrived. In fact, one comment on his Marbury Lady sculpture was that it seemed like she was always there in the timber, and Simon simply uncovered her.

An Oak Maiden by Simon O'Rourke

Creating an Oak Maiden: Adapting the Design

Adapting the design to work with the branches was an aesthetic decision. However, sometimes Simon also has to make changes because of practical reasons. This isn’t just about what he can see either. He also has to take into account what will happen to the timber as it ages. What may seem a small crack at the time for example, could cause massive damage to a sculpture later if he isn’t wise.

Another change in creating this oak maiden was because of one of these practical considerations. When we look at the oak maiden, her ‘crown’ appears bulkier to the left. In his ‘ideal’, Simon would have reduced some of that wood to create a more elegant or slimline look. However, there is a large amount of weight in the branches above it. This meant Simon faced the choice of losing some of that weight (and some of the rustic, organic, woodland feel to the character), or adapting his initial vision.

Simon O'Rourke Oak Maiden with moon

Close up showing the bulk of wood on the left

Creating an Oak Maiden: More Changes!

Simon chose to leave the wood on the left side of the face, to support the weight above it, and again demonstrated his skill at using challenges to create something even better! The extra wood became this fantastically textured crown instead, rather than being unnecessary bulk, it is now part of the story that Simon tells through sculpture. The weight and size is suggestive of a crown that now seems to enhance the status of this Oak Maiden. It reflects the strength and majesty of an oak tree, and conjures up an image of this Oak Maiden being a princess or queen among the woodland characters.

simon o'rourke in the process of creating an oak maiden with the stihl MS400

This photo gives a sense of the scale of the sculpture

Creating an Oak Maiden: Sculpting Human Form

One of the things that makes Simon’s human form sculptures so exceptional, is his attention to story and structure and how they create movement. We saw this with the Marbury Lady and Prestatyn Hiker that you may have spotted on Facebook or Instagram. The clothes in both showed the lines and wrinkles associated with being worn by a living, moving being rather than being hung static in a wardrobe. In this case particularly paid attention to the shape of the form underneath the cloth. For example, the skeleton, muscles, shape, size and position of the subject. Similarly to the Marbury lady, he also left raised wrinkles to imply a very thin material which skims the body.

Body of the Oak Maiden by Simon O'Rourke

Creating an Oak Maiden: The Tools!

It sometimes seems amazing to think that suck a beautiful thing can be created by something as destructive as a chainsaw! In the case of the Oak Maiden, Simon relied a lot on the Stihl MS400. Stihl’s MS400 is the first chainsaw  to make the change to a magnesium piston. This, and it’s “impressive power-to-weight ratio of 1.45 kilograms per kilowatt”, has made it much more ‘punchy’. Combined with the 20 inch Tsumara carving bar, Simon found  it worked really nicely for controlled shaping.
The Saburrtooth bits have fast become an essential on the job too. These are largely what Simon used for refining the face and hands, creating small areas like the eyes, and adding texture. Some of his favourites are the conical burr, and the large coarse flame bit. The small eye bit also helped create sharper lines and bring more expression to the eyes.

Face of an oak maiden by simon o'rourke

This nymph (or as we’ve been calling her, ‘Oak Maiden’) has definitely been a hit on social media. Most importantly though, the client loves her! The Oak Maiden may not have been the original plan, but Simon has created something even better and truly lovely, restoring life to this dead oak.

If you have a dead tree on your property, why not chat with Simon to see if he can imagine something in it? He loves to bring life back to dead or damaged trees, and can create you something completely unique. Contact him on [email protected] to talk about ideas and quotes.

 

bespoke sign for the Joshua Tree centre by simon o'rourke

A Bespoke Sign for The Joshua Tree

A Bespoke Sign for The Joshua Tree 600 450 Simon O'Rourke

Many of you will have read in Simon’s biography that his is in illustration. Tree carving started for him while he was working for Acorn as a tree surgeon while building up his portfolio. He realised he could create beautiful things with the power tools he was using, and the rest is history!
That means not only is he able to create amazing sculptures, but he also has a portfolio of beautiful wall hangings and plaques. You might remember some of them from our Pet Portraits blog.
This week we want to share a recent commission with you which was for an entrance sign to a special place: Simon’s bespoke sign for The Joshua Tree for their new centre in Sandiway, Cheshire.

Wall hangings by Simon O'Rourke

Examples of Simon’s wall hangings at the gallery. Excuse the tinsel, this was taken during a Christmas fundraiser!

The Joshua Tree

Lynda and David Hill founded The Joshua Tree in 2006, after their son was diagnosed with leukaemia. They discovered a distinct lack in support services for all family members during the traumatic experience of childhood cancer, and wanted to provide something for other families in their situation.

Their goal is to support the whole family, from diagnosis, through treatment and beyond. They especially recognise that post-treatment can be a challenging time,  as families have to adapt to a ‘new normal’, but many of the support services that are in place during treatment,  have come to an end.  The Joshua Tree offers support, and help bridge the gap when that safety net of treatment ends.

Even though it’s only 14 years since its inception, The Joshua Tree have received over 170 referrals! They estimate that in that time they delivered over 1700 family interactions delivered to families affected by childhood cancers.

Architect’s impression of The Joshua Tree’s new centre

The Joshua Tree Support Centre

One of the charity’s undertakings is a new support centre in Sandiway. It’s still under construction, but even a quick look at their blog shows it is going to be an amazing facility. As part of the finishing touches, Simon was commissioned to create a bespoke sign for The Joshua Tree centre.

The goal of the centre is to provide a safe and relaxing environment for families. It will cater for children of all ages, from toddlers to teens! It will have activity room, counselling suites, soft play, sensory equipment, as well as games room, office  accommodation, outdoor play and landscaped gardens. It’s definitely a special project, and we know it will make an incredible difference to so many.

The Joshua Tree Support Centre under construction. Simon O'Rourke created a bespoke sign for the Joshua Tree.

The centre under construction

Simon’s Contribution.

The commission for a bespoke sign for the Joshua Tree Centre came after one of the staff noticed Simon’s work online. It seemed a good fit from the beginning. Not only did they like his work, but as The Joshua Tree supports families in Wales, it seemed fitting to commission  a ‘local’ artist.

Simon made the sign of a lovely warm, cedar. His choice of timber has meant the placing of the logo still allows for some of the lovely knots and markings to come through, so it still has an organic feel. The building is also clad in cedar, so it will be a beautiful compliment to a great facility.

bespoke sign for the Joshua Tree centre by simon o'rourke

Simon and Paul handing over the finished sign.

Simon is available for commissions of pet portraits, signs and wall hangings.

Email [email protected] to discuss the details.