Sculpture

Recreating an Icon

Recreating an Icon 150 150 Simon O'Rourke
  • She was originally created in 1909
  • She’s based on the then company secretary, Eleanor Thornton
  • The owner of the company didn’t agree with her presence, even though today she is synonymous with the brand
  • She has been made from silver and gold plated nickel or steel, stainless steel, crystal, with adaptations such as black matte paint, diamond studding or even ‘faberge’ styling
  • She has had many names, and is sometimes still known today as Emily, Silver Lady, or Flying Lady
  • We’re featuring her in this blog because it ties in with the London Motor Show which is being held this week

Can you guess what today’s blog is about yet?

What about from these photos of the work in progress?

Work in Progress: Spirit of Ecstasy by Simon O'Rourke

Today’s featured work in progress

Some of that was probably a bit obscure, so we won’t leave in any more suspense!

Today we’re featuring Simon’s representation of ‘The Spirit of Ecstasy’; the figurine found on the bonnet of Rolls Royce Vehicles. If you were to wander around the Motor Show this weekend, we’re pretty sure you’d see a few different examples of her – but none quite as tall as this one!  We also have a feeling she’s the only one carved out of oak!

Spirit of Ecstasy by Simon O'Rourke

Spirit of Ecstasy by Simon O’Rourke

This particular sculpting of the iconic figure was a private commission for the garden of a Rolls Royce enthusiast. She was quite the undertaking as she is ‘larger than life’, and took several days to complete. With her grace and elegance though we think that she’s the perfect addition to this car-lover’s garden, especially months on, when the plants have matured around her plinth.

Spirit of Ecstasy by Simon O'Rourke with matured plants

Spirit of Ecstasy with matured plants

The figure of ‘The Flying Lady’ lends itself nicely to becoming a classical-looking garden statue. It got us wondering though, for all the other car lovers out there, what other emblems or figurines would you like to see Simon carve?

Perhaps the Ferrari horse for their head office in Maranello?

Maybe a jaguar for a fountain of the grounds of ….well, Jaguar?

Or, for something really obscure, a Marlin for a classic car collector?

Comment or tweet to let us know your ideas!

Spirit of Ecstasy by Simon O'Rourke

Spirit of Ecstasy by Simon O’Rourke

If you would like a carving for your offices, community area, home or garden to reflect your passion or hobby, contact @[email protected] to commission something truly unique to you.

It’s a Jungle Out There!

It’s a Jungle Out There! 150 150 Simon O'Rourke

Every year the village of Garderen (Netherlands) is proud to be home to Zandsculpturenfestijn. It describes itself as  ‘Europe’s most beautiful sand sculpture park’  and has won several regional tourist awards. As well as sand sculpture, the outdoor part of the exhibit also features wooden carvings, and Simon was invited to contribute again this year.

Simon working on his exhibit – easily identifiable by his Stihl clothing!

The theme for the year (‘Journey Round the World’) gave a LOT of scope for the artists to create natural wonders, architecture, people and animals. The artists who were there at the same time as Simon though all focused on nature, and created animal carvings. Animals make up the majority of Simon’s work at the moment, but as this wasn’t a commission where he had to replicate one specific animal, he decided to stretch himself and try something a little different, inspired by one of the indoor sand pieces.

The exhibit that inspired him was a huge jungle scene with lots of different animals. Simon set himself the challenge of creating something similar which would feature lots of different animals. The result? A hollowed-out seat (or throne) featuring not one or two animals, but 34!

The finished Jungle Seat

The finished Jungle Seat

Simon had a few ideas, but the decision about the final piece was settled by the piece of wood itself! Nick Lumb of Acorn Furniture (where Simon began his carving work) recently said that one of the enjoyable things with working with wood is that you never reach the end of learning about it. Other materials behave a specific way under a specific set of conditions. However, wood is different every time – you never know fully what you will get  until you begin to cut. In this instance, Simon discovered some defects in the centre, so decided to hollow out the timber, and so the ‘seat’ concept was born!

Two different angles showing the animals in the jungle seat

Two different angles showing the animals in the jungle seat

Jungle Seat by Simon O'Rourke at Zandsculpturenfestijn

Two more angles showing the animals in the jungle seat

Creating 3d, realistic animals like this is no easy task. Simon had to find a way to create depth when the piece of wood didn’t allow for large, dramatic shapes. The effectiveness of the piece is all down to deep relief cuts to create the shapes of the animals and foliage, with much more shallow cuts and markings to create the outstanding details, such as the smile in the eyes of the sloth, or the slightly grumpy crocodile as well as the varying textures of fur, feather and scales.

Close up of the sloth and crocodile in the Jungle Seat by Simon O'Rourke

Close up of the sloth and crocodile

Much as we love them, photos of all 34 animals would be a bit much for one blog post. Why don’t you take a look at them here and let us know your favourite? You can also watch this video (posted below for those who can see it) to see Simon’s own explanation of the seat too!

 

 

 

 

Face to Face

Face to Face 150 150 Simon O'Rourke

Earlier in May, Simon had the privilege of being one of the artists to take part in The Sculpture Garden 2019; the launch event of The Cookham Art Festival in Berkshire.

THE FESTIVAL
The festival itself is over 40 years old, has around 15,000 attendees, and celebrates art in several forms. This year includes the sculpture garden exhibits and demonstrations, music, galleries, food, poetry, spoken word, and theatre to name a few. What an amazing, rounded celebration of creativity, talent and skill!

THE EVENT
The Sculpture Garden was a brilliant launch to the festival. It was held at The Odney Club, a private house and gardens owned by the John Lewis Partnership, not normally open to the public. Coming to see the exhibits not only allowed people to enjoy some beautiful creations (and demonstrations of works in progress), but also the beauty of creation as they walked round the stunning gardens. In total there were around 150 exhibits for people to enjoy over the two weeks of the show, created by around 30 different artists, all working in different mediums and styles. Such rich variety in this exhibition alone!

The Odney Club, venue for the 2019 Sculpture Garden

The Odney Club, venue for the 2019 Sculpture Garden

SIMON’S EXHIBITS
Simon’s contribution were two finished faces, one which was first created during the APF Show last year (you can flashback and watch the video here). He also exhibited a third smaller version which he completed at the exhibition as a demonstration. Watching him live is undoubtedly the most impressive, but for those who are reading this blog from a distance and won’t be able to catch him at any of the shows this year, here’s the video! For those who are fascinated by the chainsaws and tools, it’s a Milwaukee Cordless Angle Grinder!

 

Face I on display at The Sculpture Garden 2019

Face I on display at The Sculpture Garden 2019

 

ABOUT THE ART

These are a very different style from many of the portraits Simon does, so we asked him to share a little bit more about his inspiration and the process of carving something this striking:

“I have always had a passion for the human form, and to recreate the human race in a realistic manner can be difficult. I wanted to zone in on sections of the face, giving the impression you’re seeing a snapshot up close. With the one with the detailed eye I wanted to recreate the feel of a real eye sculpturally, and capture the reflection and depth without the use of colour. When we see a face our brains determine what we are seeing with the help of colour and light. When you remove the colour element it really helps you to break down what makes us see and perceive depth. I make cuts deeper than they would be in reality in order to cast a darker shadow to give the illusion of depth.”

 

Face II on display at The Sculpture Garden 2019

Face II on display at The Sculpture Garden 2019

Face I, Face II and Face III are on show as part of the sculpture garden and can be purchased by contacting curator Lucy Irvine on [email protected]. If you who would like to commission a bespoke ‘Face’, email [email protected]

For those who enjoy watching the videos of Simon working, we are now in festival and competition season, so he will be competing and demonstrating in various locations over the next few months. If you would like to see him in action, watch this space or our Facebook page for details!

 

 

 

 

 

 

 

Earth Day 2019

Earth Day 2019 700 400 Simon O'Rourke

In honour of this year’s Earth Day, we thought that we would spend some time in this blog talking about one of Earth’s most vital resources, and the basis for all of Simon’s work: trees!

As the biggest plants on the planet, they give us oxygen, store carbon, stabilise the soil and give life to the world’s wildlife. They are also the material that forms the basis for everything that Simon produces , whether life size human form commission, furniture, or accessories (have you ever seen his bowties?!)

Carving a dragon into a fallen tree

Carving a dragon into a fallen tree

Working with trees as a ‘medium’ wasn’t something Simon had planned as a career when he left school and began his degree in illustration. After graduation however, he took a job with Acorn Arbor Care as a tree surgeon while he built up his illustration portfolio, and began working for the first time with chainsaws – notably Stihl, who, in one of those ‘full circle’ kind of stories, are now his current sponsors!
Realising he could be creative as well as practical with a chain saw, he tried his hand at carving. There was something special for him in discovering that “such a potentially destructive tool can be used to create beauty”, and the rest, as they say, is history!

As well as the appeal of the chain saw, the wood itself is full of appeal. Even though a sculpture may be planned with sketches drawn and an idea of what it should look like when realised, it has to evolve a lot once the carving actually begins. The grain dictates where the natural strength of the timber is and can give so much inspiration for the shape of a sculpture. Every tree is unique and you never know what you’re going to find when you cut into a piece.

 

The timber used for this carving of a shire horse. The natural grain enhances the texture and shape of the horse.

The timber used for this carving of a shire horse. The natural grain enhances the texture and shape of the horse.

On a day like earth day when we are thinking about preserving the world’s resources, it is also natural to be wondering where all this wood is coming from and how good it is for the environment.

One advantage of working with a natural material is that although it weathers well (the colouring changes very quickly once outside, and becomes even more interesting with age), eventually it will degrade as all wood does, and is returned to the earth. In addition, all of Simon’s work is carved from trees that have either fallen naturally, or on trees that have become dangerous or diseased. Most importantly, he always uses wood that has come from a sustainable managed location, such as domestic housing or managed forests and woodlands.One of the most popular examples of this is his carving from earlier in the year of The Dragon of Bethesda, a commission that had its birth in an arboretum owner wishing to do something with a storm-damaged fallen tree.

The Dragon of Bethesda, before and after

The Dragon of Bethesda, before and after

As lovers of the outdoors and environmentally aware citizens, Simon and his wife Liz enjoy the opportunities that they get to educate others too about the resources we have and how to take care of them through their work. Whether it takes the form of educational captions on a nature trail commission, sharing their hearts in interviews, or through Liz’s role as a forest school teacher, their appreciation for the world around them is clear, and not only do they model responsible use of the world’s resources as individuals and businesses, but they also inspire others to do the same.

Liz at a forest school session. They even recycle the re-purposed wood, using off-cuts from scupltures for classroom supplies like these wood chips!

Liz at a forest school session. They even recycle the repurposed wood, using off-cuts from sculptures for classroom supplies like these wood chips!

If you find yourself with a tree that has fallen or been damaged, why not talk to us about giving it new life as a sculpture for your home or garden? Simon is available to talk about possibilities at [email protected]

 

International Pet Day

International Pet Day 150 150 Simon O'Rourke

11th April was International Pet Day and as a bunch of animal lovers, we loved seeing all the photos of pets that appeared online. Sometimes though a photo of our furry family member is just not enough. Over the years we have had a few people commission sculptures and illustrations of their beloved pet, so we thought that in honour of International Pet Day, we’d use this blog to share with you some of Simon’s ‘Pet Portraits’

Our first is ‘Cheila’, a German Shepherd completed around this time last year.

Cheila, the German Shepherd: a pet portrait by Simon O'Rourke

Cheila, the German Shepherd: a pet portrait by Simon O’Rourke

After purchasing Simon’s ‘Lion Cub’ sculpture at a Born Free charity dinner around 18 months ago (a charity very close to our heart due to our involvement with the ‘Pawtraits’ book and exhibition a few years ago which featured Virginia McKenna), our clients – Steven and Leslie Smith – decided that they would like to commission Simon to produce a life size sculpture of their beloved dog, Cheila, to immortalise her in wood.

Simon spent time measuring Cheila and photographing her here at the workshop when Steven and Leslie came to visit, to make sure that the sculpture was absolutely accurate and then drew a number of sketches of her in the pose that Steven had requested in order to best capture all of her wonderful features, characteristics and quirks that make her, ‘Cheila’.

Needless to say that they were absolutely thrilled with the finished piece and wrote us a fantastic testimonial to back that up which you can find here.

Dachshund Bust by Simon O’Rourke

Our most recent Pet Portrait was the bust of a dachshund, photographed above. People often ask us about the process and are fascinated watching Simon in action, so last week he got out his Olfi Action Camera, so you can see him at work!

I finished a bust of a #Weimaraner dog yesterday! Here's some action footage shot on an Olfi action camera!

Posted by Simon O'Rourke – Tree Carving on Saturday, 20 April 2019

 

Of course, not everybody has room for a sculpture of their pet, and as the saying goes, ‘We have an app for that’!!! Well, not really an app, but a solution! Other clients over the years have opted to take advantage of Simon’s illustration training, and commissioned instead, a portrait on flat wooden ‘panels’.

Scruffy: Pet Potratit by Simon O’Rourke

Staffordshire Bull Terrier by Simon O’Rourke

If you are interested in having a Pet Portrait, whether sculpture or illustration, please get in touch with us at [email protected]
Simon is able to work from photos or in-person ‘sittings’ and we’d love to talk with you about your vision.
Although this blog has focused on ‘man’s best friend’, Simon loves the challenge of sculpting animals and is happy to talk with you about any pet.  To see more of his animal and wildlife work, just visit his portfolio on the new website.

We leave you this week with some examples of other pets; Debbie the cat and Dan the horse!
And of course, no International Pet Day Blog would be complete without our own O’Rourke pet and Tree Carving mascot, Poppy – photographed here ready for a day of work and, -just like Simon –  wearing her Stihl clothing!

 

Debbie the Cat: Pet Portrait by Simon O'Rourke

Debbie the Cat: Pet Portrait by Simon O’Rourke

Dan the Shire Horse: Pet Portrait by Simon O'Rourke

Dan the Shire Horse: Pet Portrait by Simon O’Rourke

Poppy, our family pet and Tree Carving 'mascot'

Poppy, our family pet and Tree Carving ‘mascot’ wearing her Stihl gear!

Home Is Where The Art Is

Home Is Where The Art Is 2448 2448 Simon O'Rourke

Recently Simon was asked by the BBC to take part in a new show called Home is Where the Art is, which airs on week day afternoons. The show is a new format, and in each episode, three artists compete to win a commission from a mystery buyer.

Promotional material for Home is Where the Art is on BBC One

The three artists meet at the buyer’s house and receive a brief and a budget. For the episode Simon was involved with, he was pitted against a stainless steel sculptor and an acrylic pet portrait painter. Three very different mediums! The brief was to create something that captured the spirit and form of the buyer’s beloved horse, ‘Dragon’.

 

Simon with Nick Knowles

Simon says of this process:
“We all got to snoop around the buyer’s house to get a feel for the kind of things they might like. We also got to meet Dragon, which gave us all a flavour of his temperament and form. Each of us went away after this and were asked to come up with a two minute pitch, which was filmed at a studio in Manchester. The buyer then chose two artists to create the artwork they had pitched, and come back in a few weeks to present the artwork to the buyer. The buyer would then choose one to buy!   Nick Knowles is the host of the show, and made us feel really comfortable, and the buyer threw a couple of curveballs in by asking if any of us would be happy to change our designs!”

Simon was one of the two artists whose pitch was chosen to compete in the episode. He took around eight hours to carve a representation of Dragon out of cedar as his entry, capturing not only his form but his movement and character.

 

‘Dragon’

 

Now the episode has been aired, we can reveal the chosen commission wasn’t Simon’s, but rather, the stainless steel sculpture by Claire Bigger. Far from being disappointed, Simon shares “The buyer Delyse had a really difficult time choosing between us, but I feel she made a great choice, as I would have chosen Claire’s work!”

And not only is it a privilege to be invited to take part in something like this, but even the name of the horse has tied in with our ‘year of the dragon’ here at Simon O’ Rourke Tree Carving!

 

‘Dragon’

 

If you would like a portrait of your pet, Simon is available at [email protected] to chat about your commission. 
This particular sculpture which features in Home Is Where the Art is today (April 12th 2019) is available for purchase. Please contact Simon on the address above if you are interested.

Three Wise Dragons

Three Wise Dragons 150 150 Simon O'Rourke

Well, we promised you a year of dragons, and we don’t like to disappoint!

This past week has featured more of Simon’s dragons being installed in Hafan Y Mor Holiday Park in Pwllheli. They are part of the new Dragon Lakes Adventure Village which opens later this month. They will eventually be surround by astro turf and other parts of the development, so don’t worry if they look a little out of place at the moment – their ‘home’ is still being built around them, and in a few weeks they will be the perfect addition to a holiday selfie!

 

The Three Wise Dragons at Dragon Lakes Adventure Village, Hafan-y-Mor, Pwllheli

The Three Wise Dragons at Dragon Lakes Adventure Village, Hafan-y-Mor, Pwllheli

 

As well as the sleeping dragon bench, we have three lovable dragons: ‘ Hear No Evil’, ‘See No Evil’ and ‘Speak No Evil’ – a Welsh twist on the traditional Japanese monkeys, we’re sure are more familiar to you than these characters! Although the saying itself can be traced back to the 2nd or 3rd century, it was actually a 17th century wooden carving of the monkeys that launched the characters into the renown they have today, so it seems fitting not only to have a dragon version for Wales, but to continue that tradition of carving them in wood.

 

Hear No Evil – Clywed Dim Drwg

 

See No Evil – Gweld Dim Drwg

 

Speak No Evil – Dweud Dim Drwg

 

Sleeping Dragon Bench

 

‘Hafan Y Mor’ can be translated as either ‘sea haven’ which makes it an appropriate name for this spot in Pwllheli – a Llyn Peninsula market town which has won several awards for its beaches an marina. If you happen to be enjoying the area, why not tag us in a photo of yourself with our Three Wise Dragons, and let us know which one is your favourite?

Spring it On!!!!

Spring it On!!!! 150 150 Simon O'Rourke

Well, it was the first day of Spring this week and that means our thoughts (or at least the shop displays, even if we haven’t quite caught up!) turn to longer days, birds singing, sun shining, walks in the park, nature bursting into new life, and all the cute and fluffy newborn animals! People in the streets seem more smiley as the weather warms, and even those wet, rainy days seem better as the newly budded blossom on the trees and the touch of colour of daffodils and tulips springing from the ground remind us of the hope of new life that comes after a Winter – whether literally or metaphorically.

To mark the shift in season, we’re bringing you some ‘Spring themed’ carvings this week as well as (hopefully) some inspiration for your own gardens!

Featured above are some ‘animal family’ or ‘new life’ carvings Simon has completed in the past. It’s definitely not an easy thing to make something that is so small and detailed in real life into something this size whilst keeping it realistic (like the sheep). Shape alone doesn’t work unless the desired result is something very modern and stylised, so what we see here – especially in the birds – represents a lot of time spent on detail and texture.

As well as the change in weather, we’ve noticed the supermarket aisles filling up with chocolate (anyone else looking forward to April 22nd when it all goes on sale???!!!) which means we also can’t help but think of Easter, and the ‘bringer’ of all that sugary goodness – the Easter Bunny! As carving in a material like wood lends itself beautifully to garden ornaments, woodland trails etc, it’s no surprise that Simon is no stranger to our leporine friends, whether real or imagined…..

Our teams are also no strangers to the garden ‘Spring Clean’, and if you’re anything like us, are only just starting the real work of cleaning up the garden after winter, and beginning the preparation work that will pay off in summer when it’s all organised and in bloom, or in Autumn when you reap the harvest.

If you find storm damaged trees or pieces of timber in your garden as part of your clean up, or after cleaning up, find yourself with some spots that somehow don’t seem complete, why not consider commissioning something unique from us?
Whether a loved pet, favourite animal, creating your own whimsical fairy garden or adding something with a touch of humour, we’re sure Simon can create something that will be the perfect completion to your garden Spring Clean up.

We hope that whatever the start of Spring has looked like for you, that it’s one that, just like the season, is full of new life and hope.
As always, if something has caught your attention and you’d like to commission something, contact us on [email protected]

Maes Y Pant Fort

Maes Y Pant Fort 700 400 Simon O'Rourke
Although most of our carving is done by Simon O’Rourke, we have affiliates who work with us on certain projects that we can also recommend if Simon is not available for a commission. This week our blog features one of those projects: The Maes Y Pant fort.

The fort at Maes Y Pant, Marford*

Maes Y Pant is a former quarry, which is now a forested area run by local communities, local to us here in North Wales. It features woodland trails and a children’s play area, and is of particular interest to conservationists because of the unusual Bee Orchid which can be found there.  Our work is found in a few different places, and visitors are actually greeted at the entrance to the park by ‘Stanley’ – a previous carve of Simon’s. Whilst it’s a privilege to be able to travel and see our work in places around the world, there is also something special about a local project that enables us more easily to see people enjoying it over the years.

Stanley greets guests at the entrance ***

The brief for this project was to construct a play area and fort within a palisade for families to use, which would also reflect and portray the wildlife on the site. The bulk of the job was completed by our affiliates Nathan Woods and Daniel Barnes over nine days in Spring 2017 , and was constructed using part of the commercial softwood crop that helps fund the site.  Not only did this provide an affordable and easy-to-access source of timber, it also ensured that the build is totally sympathetic to the surrounding environment.

Welcome sign by Nathan Woods at the Maes Y Pant fort*

This then left Nathan with one day for detailing – the sign, carved weaponry, and the dragons on the see-saw. After all, what’s a fortress without some weapons?! These are all historical weapons such as bows and arrows and swords, which is in keeping with the historic aesthetic of a fort, and not only looks great, but helps encourage and inspire imaginative play in the children using the area.
In asking him about the project, Nathan reflected that “Thankfully the weather was unusually kind for the time of year and the work, whilst being ‘intensive’ went according to plan” – something that is never guaranteed carving at this time of year, and that we are ALWAYS thankful for when it happens!

Nathan’s weaponry detailing on individual posts in the fort*

The second phase was completed in January of this year, when Nathan returned for two days to complete this wonderful bee totem pole, and welcoming ladybird seat –  further reflecting the local wildlife, and creating a rest space for families to pause and enjoy the environment or watch their children play.

Bee totem pole and ladybird bench*

If you happen to be in the area, why not tag us in your photos? It’s lovely when a project is both beautiful and functional, for us to be able to see it being used and enjoyed.

Local boys enjoying the fort this summer**

 

Nathan is a hugely experienced tree carver, and has worked for/with us for just over 10 years, over many different projects ranging from when we were just a tent in a frozen field to the current set-up! He can  currently only be commissioned for work through Tree Carving.
Daniel is a gifted carpenter and has worked with us for four-and-a-half years. He specialises in high quality, bespoke work and especially enjoys making and installing kitchens and doors, and creating furniture in its organic form. He can also currently be contacted through Tree Carving.
* Photo credit Nathan Woods
** Photo credit Yvonne Ankers
*** Photo taken from Maes Y Pant website