power tools

Close up of St Georg in the St George and the dragon sculpture by Simon O'Rourke

St George and the Dragon Sculpture

St George and the Dragon Sculpture 720 960 Simon O'Rourke

It’s a day late, but Happy St George’s Day to my English friends!
It’s actually quite the week for important days. The Queen’s birthday, St George’s Day, and the anniversary of both Shakespeare’s birth and death. Definitely lots of choice there for a blog that fits the calendar! We decided to balance out all the dragons on this blog a little though, and share about this St George and the Dragon sculpture. I actually carved the piece earlier this year, so you might have seen the pictures on social media already. Every sculpture has its own story though,  so keep reading to find out about this one…..

St George and the Dragon tree carving sculpture by Simon O'Rourke

The Subject

This St George and the dragon sculpture was a commission from a client in the south of England. She had an oak stump in the garden, and began exploring ideas with Simon as to what it could become.
Commissioning a sculpture is never just one email requesting a particular subject. There is the actual timber itself to consider (is the size, shape etc suitable), client preferences, artist vision and skill, and the overall impact in its environment. Investing in a piece of art isn’t a small decision, especially when it’s a tree stump and physically not so easy to move as selling a small picture!

In this case, of the ideas discussed, St George was most meaningful to the client. St George’s Day is special to her as it is also her birthday! The sculpture will now be part of her annual celebration as, in her own words, she can “raise a glass every year standing by [her] stunning tree carving!”

Original client concept sketch of St George and the Dragon by Simon O'Rourke

Original sketch for the commission overlaying the stump

Finalising the Design
Once a subject is chosen, there is still more discussion between Simon and a client. Simon will share some of his ideas, as well as talking about how to make that happen. He will take into account not only the kind of piece the client wants, but also the timber. Sometimes there may be cracks that need to be taken into account. Other times there may be a beautiful grain pattern. Sometimes knots or the shape of the branches will lend themselves to a particular feature.
Close up of St Georg in the St George and the dragon sculpture by Simon O'Rourke
Refining an Idea
In this case, some of the main conversation points were focused on:
Scale
Given the diameter of the trunk, St George couldn’t be life size. Simon suggested that instead, he could be stood on a precarious pile of rocks, which would give a nice context. Ultimately, St George would need to be no higher than 18″. This ‘miniature’ turned out to be a fun contrast for Simon, as it immediately followed the Marbury Lady!
Story
Those of you familiar with Simon’s work, know he takes his inspiration from artists like Rodin and Bernini. They changed the concept of portrait work from being static, to telling a story. In the same way, Simon’s work always invites the viewer into a narrative. In this case there was a natural story to tell…..the legend of St George and the Dragon.
St George and the Dragon sculpture by Simon O'Rourke
Choosing the Narrative
SPOILER ALERT!
For those who are unfamiliar with the story of St George and the Dragon, basically an English knight tames and slays a dragon. Simon suggested that this sculpture incorporate that story. His suggestions included portraying George in the act of stabbing the dragon with a spear.
Alternatively, he suggested the dragon could be underneath him, or it could be rearing up above him, even adding wings on to give a striking silhouette.
This is where dialogue is important, as although these ideas could look fantastic, they weren’t fully what the client was after. She had concerns stabbing the dragon could look a little macabre (and who wants to celebrate a birthday that way!!), and wanted the emphasis on St George.
With this in mind, Simon decided to include the dragon as part of the story, but to merge it into the trunk. As well as hinting at the legend, this would also have the effect of emphasising the figure of St George. And so, the St George and the Dragon sculpture was decided!
Dragon from Simon O'Rourke's St George and the Dragon sculpture
Creating the St George and the Dragon Sculpture

As you look at the concept sketch next to the finished design, you will notice it wasn’t identical. This is part of the process of working with wood. When Simon saw the stump in person, the design changed due to the centre of the tree being offset. This meant that as it ages, it won’t split as much, as if he had used the original design.

Concept sketch with finished st george and the dragon sculpture

Creating this in the client’s garden involved copious use of the Stihl battery saws. As he was carving, Simon hit a few nails, hence the dark blue staining on the inside of the tree. Luckily he had spare chain with him for the saw he was using for detail. Hitting metal with that delicate chain is usually terminal for the cutters!!

 

St george and the dragon in process

The sculpture as Simon finished with the chainsaws, and was ready to begin with the smaller tools.

Saburrtooth burrs also played a bit part in the detailing. The detail on the face was made using the 3/8″ eye cutter and 1/4″ taper – a couple of staple tools that Simon relies on.

 

Visible detail on St George and the Dragon Sculpture by Simon O Rourke

Visible detail on the rocks and dragon

And that brings to an end our story of the St George and the Dragon sculpture!
We hope you enjoyed hearing a little more about the process behind finalising a design.
If you would like Simon to create something truly unique for your own home, garden or business, contact him on [email protected]
Although at the moment he is unable to carve at the moment, he is still able to sketch ideas and work on initial concepts and quotes, as well as working on his upcoming online art courses.

Next week, as we can’t go outdoors and travel as much, we will be bringing some of the UKs forest trails to you instead!

We leave you with the time lapse of the creation of this stunning St George and the Dragon sculpture.
Stay safe, and stay well.

 

 

 

simon o'rourke carving ken dodd sculpture using chainsaw with bar in collaboration with chainsawbars.co.uk

Collaboration with ChainsawBars.Co.Uk

Collaboration with ChainsawBars.Co.Uk 1200 900 Simon O'Rourke

We thought we’d take the opportunity of a lull in new sculptures to share some more from ‘behind the scenes’.  There are so many companies and individuals that are part of treecarving.co.uk. In the past we’ve shared about Acton Safety, OlfiCam and Treetech. This week we’re going to share a bit about our collaboration with ChainsawBars.Co.Uk.

simon o'rourke carving ken dodd sculpture using chainsaw with bar in collaboration with chainsawbars.co.uk

What is a Chainsaw Bar?

Firstly, let’s explain what a chainsaw bar is!
Basically, the ‘bar’ is the long piece of metal at the front of the saw, that the chain goes on. It’s typically an elongated bar with a round end of wear-resistant alloy steel. They are usually 40 to 90 cm (16 to 36 in) in length, although that can vary for more specialised work.  An edge slot guides the cutting chain. Specialized loop-style bars were also used at one time for bucking logs and clearing brush, although they are pretty rare now due to increased hazards of operation.

Not every bar or chain is right for every saw. For example, larger chainsaw bars work best with more powerful saws because it takes more energy to drive a chain around a long bar. That’s why electric saws use bars 18″ and shorter.

Chainsaw bars also have different specifications, such as coatings that make them more rust or water resistant. Add different chain options, and you get a LOT of different performance options. It’ll come as no surprise to you then that having a good choice of equipment is essential when we look for equipment suppliers, as well as them needing to have solid product knowledge. That’s where our collaboration with ChainsawBars.Co.Uk comes in.

close up of a chainsaw bar from a carving in process by Simon O'Rourke

About ChainsawBars.Co.Uk

ChainsawBars.Co.Uk is a British company run by Rob Dyer.  It has the largest online stock of chainsaw chains in the country, suitable for most chainsaw makes and models. Importantly for Simon, they are the only importer of Sugihara guide bars and ManpaTools in the UK.  One of their ‘claims to fame’ is that they supply 80% of the Japanese pro market. ChainsawBars.Co.UK is not just a retailer though, and they have been manufacturing bars themselves since 1967.

Those who follow Simon on social media will know that his ManpaTools angle grinders are an essential on his equipment list. Being able to obtain their tools easily and efficiently (such as the multicutter Simon is using to create fur in THIS VIDEO) is extremely important to us, so we’re thankful ChainsawBars.Co.UK make that possible!

Simon O'Rourke work in progress using chainsaw bars from our collaboration with chainsawbars.co.uk

Our Collaboration with ChainsawBars.Co.UK

Simon has been a loyal customer of Chainsawbars.Co.UK for several years now. But the relationship goes beyond that.  As well as buying Sugihara carving bars and ManpaTools before, Simon also reviews products for him.

One of the great things about ChainsawBars.Co.UK is their product review videos on their YouTube Channel. As Simon has been involved with creating these, we know that when you watch a review, it is genuine – something that’s SO important when buying equipment.  Below you can see Simon’s review of one of the products Rob Dyer created, the Panther Chainsaw Mill.

More Reviews
For those who are interested in finding out more about the equipment Simon uses, he will be producing some more review videos soon which you can find on his Facebook page, or YouTube Channel.
If you are looking to purchase chainsaw bars, chains, mills, we definitely recommend ChainsawBars.Co.Uk. They are knowledgeable, innovative, efficient and friendly. They also have some great loyalty discounts as an incentive! We are thankful for our collaboration with Chainsawbars.co.uk and the opportunity it gives us not just for great service and easy purchase of essentials, but also to see and try new products as they are released, and be part of the process of improving and developing them through our reviews and feedback.
Simon O'Rourke creating an oak maiden using Stihl battery chainsaw

Creating an Oak Maiden

Creating an Oak Maiden 720 960 Simon O'Rourke

There are two approaches to tree carving that Simon practices. The first is to design the piece, and then find timber suitable for the project. The three footballers that you may remember from last year are an example of this. In fact,  as you may remember from the Queen of the South Legends blog, completion was actually delayed because of sourcing timber after the original piece had a split.
The other approach is carving a standing stump. This means letting the tree dictate the design rather than the design dictate the timber. Sometimes the shape inspires the subject. Other times, it means making changes to the design along the way to accommodate the shape, size, twists turns and any surprises once the bark is stripped and Simon begins cutting. This was certainly the case with Simon’s latest project: creating an Oak Maiden.

Simon O'Rourke creating an oak maiden using Stihl battery chainsaw

 

Creating an Oak Maiden: The initial concept

This Oak Maiden looks incredible! However, she wasn’t actually what Simon had planned! The client who commissioned the hydra rising out of the ground, had asked Simon to look at another tree. There was an oak that had died and she wondered if it would make a good sculpture. When Simon first saw it, he could see female form. He also noticed the many branches at the top. Rather than cut these off, he imagined them to be a key part of the sculpture. And so, his initial concept was Medusa. The trunk could be transformed into a striking female form, and Simon imagined those undulating branches would make perfect ‘snake hair’. As a Greek mythological character, she would be a beautiful compliment too, to The Hydra. The client agreed, and Simon arrived at the start of last week expecting to create another Greek myth…..

Simon o'Rourke in the process of creating an oak maiden

Day one of creating an oak maiden. It’s easy to see why those branches suggested Medusa!

Creating an Oak Maiden: Change of plan!

Just as happened with The Hydra though (originally it was going to be a flock of birds or pterodactyls rising from the ground), once he began work, Simon realised that his original design wasn’t going to work. The branches at the top simply weren’t right, and he knew it would be better not to try and make them into snakes.

This flexibility and ability to respond to the timber is part of what makes Simon a great artist. Adapting his design to the work with the shape and features of the timber means creates sculptures which aren’t contrived. In fact, one comment on his Marbury Lady sculpture was that it seemed like she was always there in the timber, and Simon simply uncovered her.

An Oak Maiden by Simon O'Rourke

Creating an Oak Maiden: Adapting the Design

Adapting the design to work with the branches was an aesthetic decision. However, sometimes Simon also has to make changes because of practical reasons. This isn’t just about what he can see either. He also has to take into account what will happen to the timber as it ages. What may seem a small crack at the time for example, could cause massive damage to a sculpture later if he isn’t wise.

Another change in creating this oak maiden was because of one of these practical considerations. When we look at the oak maiden, her ‘crown’ appears bulkier to the left. In his ‘ideal’, Simon would have reduced some of that wood to create a more elegant or slimline look. However, there is a large amount of weight in the branches above it. This meant Simon faced the choice of losing some of that weight (and some of the rustic, organic, woodland feel to the character), or adapting his initial vision.

Simon O'Rourke Oak Maiden with moon

Close up showing the bulk of wood on the left

Creating an Oak Maiden: More Changes!

Simon chose to leave the wood on the left side of the face, to support the weight above it, and again demonstrated his skill at using challenges to create something even better! The extra wood became this fantastically textured crown instead, rather than being unnecessary bulk, it is now part of the story that Simon tells through sculpture. The weight and size is suggestive of a crown that now seems to enhance the status of this Oak Maiden. It reflects the strength and majesty of an oak tree, and conjures up an image of this Oak Maiden being a princess or queen among the woodland characters.

simon o'rourke in the process of creating an oak maiden with the stihl MS400

This photo gives a sense of the scale of the sculpture

Creating an Oak Maiden: Sculpting Human Form

One of the things that makes Simon’s human form sculptures so exceptional, is his attention to story and structure and how they create movement. We saw this with the Marbury Lady and Prestatyn Hiker that you may have spotted on Facebook or Instagram. The clothes in both showed the lines and wrinkles associated with being worn by a living, moving being rather than being hung static in a wardrobe. In this case particularly paid attention to the shape of the form underneath the cloth. For example, the skeleton, muscles, shape, size and position of the subject. Similarly to the Marbury lady, he also left raised wrinkles to imply a very thin material which skims the body.

Body of the Oak Maiden by Simon O'Rourke

Creating an Oak Maiden: The Tools!

It sometimes seems amazing to think that suck a beautiful thing can be created by something as destructive as a chainsaw! In the case of the Oak Maiden, Simon relied a lot on the Stihl MS400. Stihl’s MS400 is the first chainsaw  to make the change to a magnesium piston. This, and it’s “impressive power-to-weight ratio of 1.45 kilograms per kilowatt”, has made it much more ‘punchy’. Combined with the 20 inch Tsumara carving bar, Simon found  it worked really nicely for controlled shaping.
The Saburrtooth bits have fast become an essential on the job too. These are largely what Simon used for refining the face and hands, creating small areas like the eyes, and adding texture. Some of his favourites are the conical burr, and the large coarse flame bit. The small eye bit also helped create sharper lines and bring more expression to the eyes.

Face of an oak maiden by simon o'rourke

This nymph (or as we’ve been calling her, ‘Oak Maiden’) has definitely been a hit on social media. Most importantly though, the client loves her! The Oak Maiden may not have been the original plan, but Simon has created something even better and truly lovely, restoring life to this dead oak.

If you have a dead tree on your property, why not chat with Simon to see if he can imagine something in it? He loves to bring life back to dead or damaged trees, and can create you something completely unique. Contact him on [email protected] to talk about ideas and quotes.

 

Simon O'Rourke creating the Lady of Marbury sculpture

The Marbury Lady Sculpture

The Marbury Lady Sculpture 960 960 Simon O'Rourke

Those of you follow Simon on social media will have already seen his stunning Marbury Lady sculpture.
The sculpture is inspired by a ghost story associated with the former Marbury Estate. People in the area frequently claim to have seen this ghost, as she haunts the park. The most recent sighting is reported as being last year! Simon has carved many figures from books, moviesmyths and legends, but we think this is the first time he has carved a ghost!
We had another reason too for wanting to share her story. The Marbury Lady sculpture is carved from a  tree that died due to salt poisoning. We wanted to share a little more about it to highlight the issue, and hopefully help prevent unnecessary damage and death to other trees.

Simon O'Rourke's Marbury Lady sculpture viewed from the road

The Marbury Lady viewed from the road

The Location:

Marbury Hall was a country house in Marbury, near Northwich. Several houses existed on the site from the 13th century, which formed the seat of the Marbury, Barry and Smith-Barry families, until 1932, and the story behind the mysterious Marbury Lady is connected with James Smith Barry, who inherited the hall in 1787.
The buildings have all fallen into disrepair though and no longer exist on the site. It is now woodland known as Marbury Country Park. 

For any interested in visiting, it’s a great spot for a walk. You can wander along the mere with splendid views over the water to the church at Great Budworth, or explore the arboretum (the avenues of limes are quite well known) and community orchard. There is also a play area and swimming pool.

The park is cared for by The Friends of Anderton and Marbury (FOAM). They not only look after the park, but have a busy programme of walks, talks, conservation tasks and events. If you are thinking of visiting, it’s definitely worth checking out their website to see what they have happening. It was FOAM who commissioned the Lady of Marbury sculpture, after the death of several of their trees due to salt poisoning.

The Lady of Marbury sculpture by Simon O'Rourke in process

At work on the sculpture

Salt Poisoning

So what is salt poisoning?
Basically if a tree is exposed to too much sodium, it stops the flow of potassium and magnesium. In turn, this stops the tree making chlorophyll. For those who can’t remember their high school science, that’s the ‘green stuff’ needed by plants to turn light from the sun into energy (photosynthesis)! Salt is so effective n this, you can actually use it to intentionally kill a tree –  or any plant!

Salt damage is extremely common, especially in urban areas in the winter when we use salt to de-ice the roads. Spray from the roads hits the tree, as well as being absorbed/spread through running water, and melting ice and snow.

Early sign to watch out for are the edges of the leaves turning brown. At this point it is still possible to reverse damage and prevent death through leaching – basically just adding water to the soil. Good drainage is a key factor too in preventing and curing salt poisoning. If you need to know more, we found this helpful article on reducing the salinity of soil that you might find interesting.

In the case of Marbury Park, the trees were damaged by salt leaking from a split brine pipe.
However, rather than remove them, FOAM decided to give them new life, and commissioned Simon to create something….

Simon O'Rourke creating the Lady of Marbury sculpture

The Story of the Marbury Lady

FOAM wanted one of the damaged trees to represent something of the Marbury Park history. There are several ghost stories connected to the area, but the most well known locally are the variations of The Marbury Lady.

The version Simon chose to tell is of the Egyptian lady. Smith-Barry traveled extensively, and spent much of his time in Italy, Greece and the Levant. It is said that on one of his travels he met with a lovely Egyptian girl. He fell madly in love with her, and when he had to return to England, he told her he would send for her to follow him and make her his wife. As in all good romances though, there was a third person involved, and this is where stories begin to vary. Some say there was an arranged marriage, others a scandal with a housekeeper. Either way, Smith-Barry failed to send for his Egyptian lady…..

Marbury Lady Sculpture by Simon O'Rourke

The Story Continues…..

Some time later it is said that the Egyptian lady came to England. Again, stories vary at this point. Some say she worked as his housekeeper, others that he kept her as a mistress. They all agree though that she asked that when she died, her body be embalmed and kept in the hallway at Marbury Hall. When Smith-Barry died some years later, the family didn’t really want what they considered to be a mummy in a coffin! They arranged a burial, and moved the body to a nearby church. What they did not expect however, was the hauntings that would follow!

In the years (decades now!) that have followed, there have been reportings of sightings of a lady in a white veil, and well as tales of strange sounds and happenings. Whether you believe in ghost stories or not, she makes an interesting subject for a sculpture….

Simon’s Marbury Lady Sculpture

Simon decided to depict the Egyptian lady in his sculpture. However, always creative, he carved her as both a living person AND the ghost! He sculpted the face that faces the road to show the girl alive. Her face is smooth, her expression regal, and proud. The orchard view shows her eyes closed, hands clutching her chest, giving the story of her sad demise. Her face is also covered with fragments of veil which reflect the accounts of sightings of The Marbury Lady.
As well as depicting her in both life and death, Simon did this because he wanted to encourage people not just to view passively, but to physically engage with the sculpture. In carving her this way, people have to physically move round to the other side of the sculpture to see the full story.

The Living depiction of The Marbury Lady by Simon O'Rourke

 

The Marbury Lady, ghost side, Simon O'Rourke

The side depicting the ghostly Marbury Lady

A Test of Skill

Simon had been looking forward to this project ever since it was approved last year. She wasn’t without her challenges though. To begin with, their is the challenge of carving a standing stump, rather than a piece of timber in the workshop. With a piece of timber, it may be tricky to source another ‘perfect’ piece….but it can be done. With a standing stump that is being transformed, there is only one chance! No room for mistakes!

Behind the Veil

The other distinct challenge (and a first for Simon on a commission) was the veiling over the ghostly side. When painting or drawing, it is possible to draw the whole face, then ad the veil over the top. Even in sculpting with clay or similar, the veil is added. In the case of tree carving, Simon could only take away. That meant not only using technical skill and tool like the golden ratio to envision the correct proportions and expression, but being able to do so whilst also imagining where and how the veiling would fall, and taking into account having to leave that behind.

Tools of the Trade

As always, he cut as far down as he could with his larger Stihl chainsaws, before using manpatools angle grinder followed by the saburrtooth bits (especially the large flame bit) to finish the detail and texture. We’re sure you can imagine too, working at the top of all that scaffolding, the cordless saws with backpack for holding the battery pack (Stihl) were essential!

Looking at the finished sculpture though, you can see Simon rose to the challenges, and created something absolutely unique, relevant to the area, and enthralling for the viewer. Thank you to Filmage.co.uk for the video!

Here's the time lapse video of the Marbury Lady! Thanks to filmage.co.uk for the excellent editing!

Posted by Simon O'Rourke – Tree Carving on Wednesday, 5 February 2020

We think this is one of Simon’s best examples of sculpting female form, and certainly stands alongside his Spirit of Ecstasy, Angel at the Pool of Bethesda and Viking Raid. Which are your favourite of Simon’s female sculptures? Why not comment below and let us know?!

And, as always, if you have a damaged tree that you would like to breathe new life into, email [email protected] to talk about some possibilities.

Into the 20’s – A Review of the Decade

Into the 20’s – A Review of the Decade 150 150 Simon O'Rourke

As we start a new decade, we’ve been reflecting on the many changes that have happened personally and professionally over the last ten years. Professionally, it’s been a great decade with some fantastic opportunities and commissions. We’ve also met some amazing people and seen some wonderful places along the way. Before we move forward into the 20’s, we thought we would bring you our ‘review of the decade’. And, as we do, let us wish you a Happy New Year from all at Tree Carving.

Simon O'Rourke Game of Thrones Egg Carrier carving

Simon and Liz O’Rourke wish you a happy new year (and decade) on behalf of the Tree Carving team.

Review of the Decade: 2010

As we looked back, we could definitely see we didn’t use social media as much! And the technology we used definitely didn’t produce the kind of photos and videos we do today! But here is a look back at two competition pieces from that year, both taking second place. Neptune from the English Open Chainsaw competition, and a traditional miner from the Huskycup.
A quick glimpse at Simon’s awards shows that this was a good decade for competition, placing in most things he entered and winning seven awards. However, when it comes to competitions Simon says:
“Competitive sculpture has taught me a lot about completing work to a deadline. I have competed all over the world and although I have placed highly in many events, the most important thing to me is being happy with my own work.”

Neptune by Simon O'Rourke as featured in his review of the decade

Simon O'Rourke second place huskycup 2010

Review of the Decade: 2011

Two of the projects we chose as highlights from 2011 are The Giant Hand of Vrynwy, and the Somerset Tree.

At 50′ tall, it was no wonder the hand caught the attention of the local press, as you can see in the article by The Leader newspaper. Simon’s inspiration for the hand came from the name for the woodland area, which made reference to giants. Creating something on this scale reminded Simon how small we are compared to some of the living organisms on this planet. He described the experience as being very humbling!

Giant hand by Simon O'Rourke

The next project although tall still, was a little smaller in scale! Simon was commissioned by the Museum of Somerset to create this stunning tree for their new museum. Sourced from local wood, it stands proudly in the museum where it tells some of the area’s 400 million year history.

Tree of Somerset by Simon O'Rourke

Review of the decade: Tree of Somerset by Simon O'Rourke

Review of the Decade: 2012

Another Huskycup entry! This time, the sculpture of “Christian and Mary”. Simon worked on this piece as part of ‘Team Europe’ with Tommy Craggs and Michael Tamoszus. They placed fourth overall, with some tough competition from a great bunch of talented artists. As we had a quick glimpse back at the Facebook album of the event it was lovely to be reminded of the support, encouragement and lovely comments.

Christian & Martha Huskycup 2012 by O'Rourke, Cloggs and Tamoszus

Review of the decade: Christian & Martha Huskycup 2012 by O'Rourke, Cloggs and Tamoszus

fourth place Huskycup 2012 by O'Rourke, Cloggs and Tamoszus

Review of the Decade: 2013

For our 2013 highlight, we chose something a little different. During that year Simon created this incredible Alice in Wonderland booth for Steak of the Art in Bristol. Their vision is for the restaurant to be an ever-changing art gallery that compliments their delicious menu. As you can see from the photos in the case study Simon wrote, his booth more than fits their vision. Every single character is its own work of art, and with so much to see, although the piece doesn’t change, there is something new to notice each time you sit within it. Here we get a reflection of the changing technology too, with this timelapse video of its making!

Alice in Wonderland booth at Steak of the Art by Simon O'Rourke (a review of the decade)

Alice in Wonderland booth by Simon O'Rourke, Steak of the Art

Alice in Wonderland booth by Simon O'Rourke, Steak of the Art

Review of the Decade: 2014

2014 saw us receive a lot of publicity for two ‘guardians’.

The first was created for the ‘Pawtraits‘ series by Maria Slough, and was actually named ‘The Guardian‘. The series featured people photographed alongside animals that had impacted their lives, and Simon was brought in to create a piece to be used for the portrait of Virginia McKenna. Understandably, the actress wasn’t too keen on reclining on a real lion – hence Simon stepping in with The Guardian! As McKenna was so impressed with his work, Simon was later commissioned to sculpt a lion cub for the Born Free Foundation charity auction, a charity McKenna established. As well as the photos below, you can click HERE to see a timelapse of The Guardian being made.

 

The Guardian by Simon O'Rourke

Maria Slough Pawtrait Virginia McKenna featuring lion by Simon O'Rourke

Photograph copyright of Maria Slough from the Pawtraits Series

The other ‘guardian’ created by Simon that year is just as iconic. Phil and Leah from Wahoo Group wanted to harness the power of social media and do something novel to help sell their home. Thinking completely outside of the box (no baked cookies here!) they commissioned a sculpture of…..Batman!

The caped crusader sat on top of their home where it gained attention from both local and global news outlets, and helped the couple find tenants for their property.

Wooden Batman carving by Simon O'Rourke

Wooden Batman carving by Simon O'Rourke

Batman by Simon O'Rourke and St Giles Church Wrexham

As one of Simon’s strengths is Human Form, we also couldn’t resist throwing in this sculpture of Scottish explorer, Mungo Park. He was commissioned for a pub in the explorer’s hometown of Peebles, and sits on this bench for passers by to enjoy.

Review of the decade 2014 Mungo Park

 

 

Review of the decade 2014 Mungo Park

Review of the Decade: 2015

2015 was the year when Simon won the English Open Chainsaw Competition with Hemlock the Dragon.

Since then Hemlock has made countless appearances around the country, including at a wedding! Hemlock has recently had some repair work on the wings, and is ready to meet the public again. If you are interested in hiring Hemlock for your event, just email us on [email protected]

Hemlock the Dragon English Open Chainsaw Competition 2015 by Simon O'Rourke

Review of the Decade: 2016

2016’s highlight is another Huskycup Flashback: Viking Raid.

As well as the Viking Raid Case Study Simon wrote, we also have a blog about Viking Raid for those who want to know more. As we mentioned in our Huskycup 2019 blog, 2016 was actually the last year Huskycup was a competition. It meant Simon was the last ever Huskycup champion, as Viking Raid took first place. What a way to end the competition for him! Although it is no longer a competition, Simon continues to participate, and it is something of a highlight each year.

In 2016 Simon also became an affiliate of Olfi. We love their action cameras, and how they’ve transformed what we’re able to share with you through timelapse videos. Find out more in our Olfi blog!

Viking Raid at Huskycup 2016 by Simon o'Rourke

 

 

Viking Raid at Huskycup 2016 by Simon o'Rourke

 

Review of the Decade: 2017

2017’s highlight is from Liverpool. Simon created a tribute to The Beatles by carving life size figures of the Fab Four live along the dockside over a weekend. You can read more about the event in our Global Beatles Day Blog, and keep scrolling to enjoy our flashback photos and video.

2017 was also the year Simon began being sponsored by Stihl. Not only do they manufacture quality equipment, but it was something of a ‘full circle’ for Si, as his very first chainsaw experience was using Stihl equipment.

 

Beatles at the Liverpool dockside by Simon O'Rourke

 

Nearly done!!

Posted by Simon O'Rourke – Tree Carving on Monday, 28 August 2017

 Review of the Decade: 2018

As Simon says in his case study about the Spirit of Ecstasy, this was one of his most challenging sculptures to date.
You may remember from our Spirit of Ecstasy blog, that Simon recreated the Rolls Royce icon for an enthusiast to give new life and purpose to a beautiful oak tree which had died. Despite the challenges, the finished piece was faithful to the Rolls Royce concept, graceful and simply stunning. We hope you enjoy the finished result as much as we (and most importantly, the client!) did.

Spirit of Ecstasy by Simon O'Rourke

 

 

Review of the Decade: 2019

In our new year blog at the start of last year, we told you 2019 would be our ‘year of the dragon’. We weren’t wrong! Over the year Simon created seven new dragon-related carvings, including an ice dragon in our local town.
It all started off with The Dragon of Bethesda. It sits in an arboretum in North Wales after the landowner commissioned Simon to create something spectacular from a fallen tree. Y Ddraig Derw was featured in national media, and we are still overwhelmed by the encouraging response from so many people to the piece.

Dragon of Bethesda by Simon O'Rourke

 

Our other dragon highlight from the year, is this stunning casket created for HBO’s Game of Thrones.

Game of Thrones egg props Simon O'Rourke

Simon was commissioned by HBO as part of a wider project where artists re-imagined original props from the show. He received these beautiful dragon eggs, and created the casket for them to sit in. You can remind yourself of the whole project and process in our Game of Thrones blog.

Again, we were amazed, thankful and VERY encouraged by all the positive comments we received.

This is also the year Simon became an affiliate for ManpaTools. Their angle grinders especially have taken some of his texture and detail to a whole new level.

Simon O'Rourke casket Game of Thrones Season Eight

Moving into 2020, Simon has also become an affiliate for Saburrtooth. With quality tools and equipment from Stihl, Manpa and Saburr, Simon’s talent and creativity, and the continued support of all our amazing clients and co-workers, we look forward to what the next decade – the roaring 20’s – will hold.

We hope you enjoyed our Review of the Decade. We definitely loved seeing some of these pieces afresh as we looked back.
As always, if you have a project in mind, email us on [email protected]

Ice Carving for Wrexham Museum

Ice Carving for Wrexham Museum 150 150 Simon O'Rourke

Last night Simon was on ‘home territory’ as he took part in the annual Victorian Christmas market in Wrexham. Don’t worry though, he hasn’t traded his chainsaw for a stall and money pouch! Simon’s contribution to the evening was much cooler, if we do say so ourselves. He swapped timber for something much wetter, and did some ice carving for Wrexham Museum.

Crowds watching ice carving for Wrexham Museum

Outside Wrexham Museum*

About the Victorian Market

Wrexham’s Christmas Market has become one of the most eagerly awaited events in the town’s calendar and successfully attracts thousands of shoppers year after year.  This year there was a Victorian theme to the market with Punch and Judy shows throughout the day, and period street performers. The main feature though was 100 stalls from Queens Square right up to and inside St Giles’ Church.

Punch and Judy show at Wrexham Victorian Christmas Market

Punch & Judy on Hope Street

About Ice Carving for Christmas

To coincide with the event, Wrexham Museums also organised and hosted an event: Ice Carving for Christmas. As well as Simon’s ice carving, the museum was open for the public and people could do Christmas shopping in the gift shop and enjoy a hot chocolate or mulled wine in the cafe. Various school choirs performed, including Bryn Hafod Primary who sang in both Welsh and English, and Libby and Sign of the Times. As you can see from the first photo we shared, plenty of people came to enjoy the evening.

Crowds watching Simon O'Rourke Ice Carving for Wrexham Museum

Crowds watching Simon Ice Carving for Wrexham Museum*

Ice Carving for Wrexham Museum

If you read the blog we wrote a couple of weeks ago about the event (visit it here) then you’ll know Simon didn’t just complete one carving. The Ice carving for Wrexham Museum was actually a trail through the town. It began at St Giles church, where most of the market stalls were located, and ended at the Museum.

In the first location, Simon began by carving one block of ice, which was a clue as to what the final ice sculpture would be. People could then follow him to second location where he carved a second block, giving people a second clue.

They could then follow him to the museum where they could submit their guesses as to what his final carving would be, and any correct answers won a prize.

*spoiler alert*

For those who know that 2019 was a year full of dragons for us, it will come as no surprise that the final sculpture was this stunning dragon head.

It lives!! The dragon head, complete with smoke!!

Posted by Simon O'Rourke – Tree Carving on Thursday, 5 December 2019

Let us take you back though through the evening as the audience experienced it though…..

Setting up:

Working in the multiple areas gave Simon and Paul the first challenge of the night – getting all the equipment through the thousands of people attending the Victorian Market! They had everything loaded up on a cart, and the high vis jackets definitely helped them get noticed so the crowds could part a little. It definitely wasn’t the quickest or easiest transportation of equipment though!

Paul and Simon making their way through the crowds attending the market!

Simon O'Rourke safety jacket

Paul and Simon making their way through the crowds attending the market!

St Giles Location

The first location was St Giles church where Simon carved this stunning dragon’s eye. Standing it the crowd, it was fun to be able to hear people’s awe as they watched. Especially as the chain saw went all the way through the ice to carve the space that became the eye! Several people were also commenting on how clear the ice was. Many guessed correctly that we didn’t just freeze water from our hosepipe to make the blocks. Rather, they are especially made for events like this. There’s a science behind it, but you can actually do it at home! Read all about how crystal clear ice is made at Barschool.Net. We’re happiest to leave it to the professionals, but if you try it yourselves, let us know if it works!

As we have said before, it is the lighting that makes the difference when ice carving. This green lighting reflecting off the scales Simon created is definitely eerie and mysterious, which helped add to the sense of mystery and anticipation of what the final carving would be.

Viewers outside St Giles*

Early on in the work on the dragon’s eye

Simon O'Rourke working on an ice carving of a dragon's eye, Wrexham 2019

Adding textured to create the scales*

Dragon eye at Ice Carving for Wrexham by Simon O'Rourke

The finished dragon’s eye*

Henblas Square

The second location of the night was Henblas Square.
Here, as well as the general admiration of what Simon was doing, I could hear many more questions about the equipment.

“His hands must be freezing” was also a pretty common theme!

Unlike most people were thinking, Simon wasn’t using specialist ‘ice carving’ equipment. He used his faithful Stihl battery powered chainsaws (complete with the handy backpack you will have noticed for the battery packs) for most of the initial carving. This meant they were lightweight and didn’t need a power supply. Perfect for this kind of mobile evening. He also used his Manpa tools angle grinder, with burr bits by Saburrtooth. And, while we’re speaking of Saburrtooth, we’re excited to announce Simon will become one of their ambassadors in 2019!

It was nice to see so many people stay and watch the entire carve here. For a long time people were guessing it was going to be eagles, rather than (as you can see) this amazing dragon claw (clue number two)! It really is fascinating to watch, but the audience were also encouraged to stay by the unusually warm evening. After several nights of hard frost, it was 10°c! Although being a warmer night was helpful for the audience and shoppers, the warmer weather meant Simon had to carve extra fast as the ice was melting far more quickly that he’d hoped!

Simon O'Rourke ice carving: dragon claw

Simon o Rourke Ice Carving for Wrexham Museums 2019 Dragon Claw

The finished dragon claw, clue number two in the ice carving trail

The finished dragon claw, clue number two in the ice carving trail*

Wrexham Museum

The museum location was the longest of Simon’s carves, and he used six blocks of ice rather than the one that he used at the other locations. Even before he arrived, people were fascinated by the ice on the museum forecourt.

ice blocks for carving wrexham museum 2019

Blocks of ice waiting for carving!

Simon was challenged here not only by the ice melting in the warmer weather, but also an impressive wind. At one point the leaves spiraling in the air looked like a scene from The Wizard of Oz! It didn’t put people off watching though, and in some cases it was hard for parents to pry their children away.

Ice Carving for Wrexham museum 2019

Watching outside Wrexham Museum*

Simon o'Rourke ice carving dragon Wrexham 2019

Adding texture with an angle grinder

Simon O'Rourke adding detail to an ice carving dragon, Wrexham 2019

Adding detail to the dragon

One of the perks of Simon being on ‘home turf’ is being able to watch him. Another is being able to hear and see other people’s reactions. The audiences at all the locations were a mix of people who have followed Simon and his work for years, and others who had never even imagined creating something with a chainsaw!

“The precision is unbelievable”

“I’m so impressed with the talent and detail he is able to produce with a chainsaw”

“I’ve never seen anything like it before. It’s bold and beautiful”

“I was only going to stay ten minutes but once I started watching, I had to stay until the end”

“The detail is unbelievable”

“Stunning. Simply stunning”

We can’t help but agree! The lighting bouncing off the textured scales and the smoke  just made it perfect. Even still in process, it looked spectacular in the light.

Dragon Ice carving in process by Simon O'Rourke

The Finished Piece.

Thank you to Wrexham Museums for organising and hosting the event so well (and for the mulled wine the staff not wielding chainsaws enjoyed!). Thank you too to Shaine Bailey and Treetech for sponsoring the event. And to everybody who came and watched, shared on social media, and complimented Simon on his work. It’s lovely to be able to meet people, and to have such a lovely and encouraging audience. It’s also great to finish our year as it began, with a dragon that captured the attention and hearts of the people who saw it (read about the first dragon, Y Ddraig Derw here).

And so, we leave you with the finished piece for 2019’s Ice Carving for Christmas*:

Ice Carving for Wrexham Museum Christmas 2019 Finished dragon head by Simon O'Rourke

 

Dragon head in ice by Simon O'Rourke

Dragon head in ice by Simon O'Rourke

If you would like to book Simon for your event (ice or timber!) email us on [email protected] to talk about details.

*photo credit to Gareth Thomas from Wrexham Museums.

The Case of the Sherlock Holmes Bust

The Case of the Sherlock Holmes Bust 150 150 Simon O'Rourke

Sherlock Holmes. He may not have been the first recorded fictional detective, but Guinness World Records lists him as the most portrayed. Ever since his first appearance in 1887, we’ve seen him in books, comics, movies, TV series, art work and more. In fact, he’s been played by over 75 actors! Now, in 2019, we bring you: Simon O’Rourke’s tree carving ‘Sherlock Holmes Bust’.

Sherlock Holmes bust by Simon O'Rourke

The Timber

The Sherlock Holmes bust was for a private client who commissioned it as a gift. He’s made from oak which means that although he is pale at the moment and has some yellow tones, in time he will get darker. The rings and markings will become black as it makes contact with rain, and the UV rays of the sun will cause the wood to pick up greyish hues. In combination with the natural darkening, it means that as he ages, the wood will become more reminiscent of the furniture and drawing room decor of the Sherlock’s own era.

Sherlock Holmes bust by Simon O'Rourke

It’s all in the Details!

Fans of the detective will have noticed a few interesting details on the Sherlock Holmes bust that refer to Conan Doyle’s original short stories, and four novels.
Incidentally, as well using his trusted Stihl and Manpa tools for this project, Simon also used the Saburrtooth burr bits on the die grinder and some of their small rotary tools to achieve the details and texture. But back to the details! Simon included nine ‘clues’ or references to the Sherlock Holmes stories on the bust. Can you spot them all? See how many you can find before we reveal all later!

Sherlock Holmes Sculpture by Simon O'Rourke

The Inspiration

One of the problems when creating a sculpture of a character from a book, is that there isn’t a definitive image to work from as there would be a historic figure. This is only heightened when he has been represented by so many different people on screen too! As the client is a fan of the fiction and not just a particular on-screen representation of Sherlock, Simon chose the Sidney Paget illustrations as his inspiration.

Paget illustrated the original Conan Doyle stories for The Strand magazine. With over 350 illustrations created by Paget, there was no shortage of imagery to work from! Simon not only used the facial features of the Paget artwork as the basis for his carving, but was also attentive to the original stories as he added details to the bust. One of the most obvious of these is the shape of the pipe. Although we have come to associate Sherlock Holmes with a large, curved meerschaum pipe, there is actually no reference to this in the original stories. By choosing something simpler and less iconic, Simon has ensured the bust is faithful to the original illustrations rather than the images that evolved over time.

Sherlock Holmes by Simon O'Rourke

The Big Reveal!

All good detective stories end with a ‘big reveal’. Thankfully, when this sculpture was revealed to the birthday person, it was received better than the surprise the characters often get in crime fiction! We are glad to say that the client told us Sherlock arrived this afternoon and is now in its final location. We’re absolutely delighted – it is stunning!”

And now, for our other ‘big reveal’: The clues within the Sherlock Holmes Bust……

Snake and Baker Street Detail from Sherlock Holmes Sculpture by Simon O'Rourke

 

The Hidden Clues

As you look at the various views of Sherlock, you should hopefully find the following ten references to stories:

1. Stiletto dagger he used to pin correspondence to the mantle piece
2. Pince nez glasses – The Golden Pince-nez
3. Honeycomb – His Last Bow
4. Broken crown – Musgrave ritual
5. Persian slipper he used for storing tobacco

Sherlock Holmes tree carving statue by Simon O'Rourke

6. Handgun
7. 221b plaque
8. Snake – The Speckled Band
9. Violin
10. Stick Men – The Adventure of the Dancing Men

Oak Sherlock Holmes Bust by Simon O'Rourke

We loved this commission, because as well as being an opportunity for Simon to show his talent for human form, it was such a unique gift to create. If you need a beautiful, unique and sustainable gift for somebody, contact us on [email protected] to talk about the details.

Ice Carving for Christmas

Ice Carving for Christmas 150 150 Simon O'Rourke

The countdown to Christmas is on! Shops are full of decorations, calendars are filling up, and Christmas music is starting to hit the radio. It’s also that time of year where Simon takes a break from wood for an evening or two, and turns his hand to ice sculptures. This year he’ll be digging out his thermals to take part in ‘Ice Carving for Christmas‘ organised by Wrexham Museums. Although Simon is privileged to travel nationally and internationally, it’s also fun for us when we get to participate in local events, and important to us to be engaged with our local community. We can’t wait for December 5th!

Wrexham Ice Carving for Christmas posters 2019 featuring Simon O'Rourke

The Event

Ice Carving for Christmas promises to be a great evening for all ages. Guests follow a trail that starts at St Giles Church and ends at the museum. They also have not one, not two, but THREE opportunities to see Simon carving along the way!

Station One is near to St Giles church and Victorian Market (5pm-6pm). After watching Simon carve, guests can spend time at the market which promises to be bigger and better than previous years. There’ll be all kinds of stalls ranging from local crafts to food and drink.

 After enjoying the market, guests can move on to work station two from 6-7pm. There will also be food and drink vendors along the street, as well as late night opening for some of our high street shops. 

Then it’s on to the Museum for the main event (7pm-9pm ). People who watched the first two stations can make their guess as to what the finished carve will be, with prizes for those who guess correctly. So, much as we would love to tell you, we’re keeping it quiet. No spoilers here! At the museum, there will also be opportunity to sing somecarols and join in the Christmas spirit with festive refreshments from the café.There’ll also be chance to get some photos with Simon and the finished carve. Perfect for sending out with family Christmas cards!

Past Ice Sculptures

Regular followers will know this isn’t Simon’s first time ice carving. This week we shared this Facebook post with a flashback to some spectacular ice carving he did for Cardiff Ice Kingdom in 2015.

Cardiff Ice Kingdom sculptures by Simon O'Rourke

Simon’s work at 2015 Cardiff Ice Kingdom

Cardiff Ice Kingdom Santa sculpture by Simon O'Rourke

2015 Cardiff Ice Kingdom Santa Sculpture by Simon

Local Ice Carving

Simon also took part in Wrexham’s 2017 Ice Carving for Christmas. As he will in this year’s event too, Simon worked outside the museum. People could watch as he transformed these blocks of ice into beautiful, detailed penguins.

Simon O'Rourke at the start of 2017's Ice Carving for Christmas event

Simon at the start of 2017’s Ice Carving for Christmas event

Penguins in Ice by Simon O'Rourke

Finished penguin ice carving

From Wood to Ice

Obviously ice is a very different material to wood! When Simon makes the transition, there are a few things he has to keep in mind for a successful carve.  For example, time!

One thing we all know about ice, is it melts. Fast! So whereas Simon might work on a typical sculpture over several hours or days, with ice it is more like one of the ‘speed carving’ events.

Simon O'Rourke Ice Carving in progress 2017

Penguins in progress in 2017

Another difference is that ice is much more brittle.
This means when Simon begins thinking about his designs, he can’t include as many delicate shapes. The work focuses on bringing lots of detail and texture to larger shapes for the light to shine through and bounce off. Which leads to the final difference we’ll highlight here today: presentation.

When using wood, working with the tree’s natural lines, colours and shapes is crucial. The sculpture then speaks for itself as people view it. With ice, the success is often down to light. That includes the nature of the lighting itself e.g. will it be multicoloured? Shades of the same colour? How will the lighting help tell the story of the sculpture and set the scene?

It also includes how the sculpture will ‘interact’ with the light. Where will the light hit and bounce off? At what points will it shine through? Where will it help bring depth to a particular part of the sculpture? And so, Simon must consider this both as he plans, and as he progresses.

These photos show perfectly both the texture and the impact of lighting on his 2017 Ice Carving for Christmas penguins.

Close up of penguin ice carving by simon o'rourke

Close up of ice penguin showing the impact and importance of lighting

Penguin Ice Carving by Simon O'Rourke for Ice Carving for Christmas 2017

Close up of ice penguin showing the impact and importance of lighting

Not All Change!

Of course, it isn’t all change! Some things will stay the same as Simon switches from wood to ice this year.

He will still be using his faithful Stihl chainsaws, and their battery chainsaws are perfect for events like this. He’ll also be thankful for their thermal clothing and waterproof protective trousers! Whether wood or ice, or any other outdoors work, nobody wants to be cold and wet! Obviously, whatever he’s carving (remember, no spoilers here!) and whether wood or ice, the level of excellence, creativity and skill that Simon brings will stay the same.

Ice carving penguins by Simon O'Rourke

 

A Phoenix Arises

A Phoenix Arises 150 150 Simon O'Rourke

There’s something very poetic about this week’s featured sculpture, where a phoenix arises from a Douglas Fir.

Unlike many commissions where a tree is damaged or diseased and a customer wants to turn it into something beautiful, in this case there was nothing wrong with the tree. Rather, it had simply become too big for its location, and couldn’t stay where it was planted. This isn’t uncommon. Lots of people plant trees in gardens not realising how big they’ll get, and they become a potential hazards. There are plenty of ways to transform the story of that tree though if that happens, including commissioning a unique piece of art!

Work in progress on Simon O'Rourke's phoenix

Work in progress

The Legend of the Phoenix

The phoenix is a bird which has come to represent new life. More specifically, it has also come to represent the birth of something beautiful out of the end of something else. Greek and Roman mythology says this long-lived bird dies in a show of flames. Then, out of the ashes from the fire, a phoenix arises in a majestic show. It then seems fitting that a tree that has seen the end of its natural life, would give birth to this stunning phoenix sculpture. The parallels don’t end there. Legend also says the phoenix dies and regenerates after 1000 years of life. Did you know that’s also the possible life span of the Douglas Fir?! As an evergreen tree, the Douglas Fir can also represent eternal life – as does the phoenix because of its legendary cycle death and regeneration.

A Phoenix Arises by Simon O'Rourke

About the Sculpture

This particular fir  had an interesting shape that Simon needed to work with. Trees always come with their own sets of twists, knots and potential for future cracks, and Simon has to constantly adapt his design as he discovers those. The shapes and textures work so well in this sculpture though, you would never know it hadn’t been specifically and intentionally designed that way!

The twists and texture from the very base of the trunk to where the phoenix arises mimic the movement of the flames that legend says consumed the first bird. These get more intense, closer together and more detailed as they travel up the trunk, until they become actual flames. Their shape is also reminiscent of the sun, which is also closely tied the the legend of the phoenix.
From the centre of these flames, Simon’s stunning phoenix rises, with its wings unfurled as if about to take flight. Stray feathers carved into the trunk further down, enhance this sense of movement, as they seem to have dropped from powerfully flapping wings.

Full length picture of A Phoenix Arises by Simon O'Rourke showing the feathers falling in flight

Full length photo showing the falling feathers from the Phoenix taking flight

The Harry Cane

Are you as fascinated by the flames as we are? We think their texture and shape is magnificent, and creates a wonderful organic-looking flame for the phoenix to rise from.
Simon had to use a few different tools to create that look. Firstly, his Manpa Tools belts and cutters. Simon was recently sponsored by the company and is enjoying their products to take some of his sculptures to the next level. He also used gouging attachments gifted to him by The Harry Cane. These attachments were devised by Harry Cane to attach to the Stihl MS170 (Stihl’s recommended entry level chainsaw) or MSE170, and are ideal for ‘gouging’ as well as to add another level of depth. Anyone wanting to get their hands on one for themselves can visit The Harry Cane shop at http://theharrycane.de/shop.html

Harry Cane chainsaw attachments as used by Simon O'Rourke

The Harry Cane attachments on the Stihl MS 170

The Douglas Fir

It isn’t just the phoenix that has its own interesting story either. The Douglas Fir has its own interesting background too. As we are lovers of all things arboricultural and forestry, we’re sharing some random ‘tree trivia’ (should that be a hashtag?!) with you:

Tree Trivia

You probably know the Douglas Fir better as a ‘Christmas Tree’. Whilst we use several species to decorate our homes over the season, the Douglas fir is the most common.

The Douglas fir isn’t actually a true fir! That’s why we sometimes know it as Oregon Pine, Douglas Pine, Douglas Spruce and Puget Sound Pine.

The tree is native to the Pacific Northwest in the US (the alternative names might have been a giveaway).  It was brought to the UK by David Douglas in 1827 and is considered naturalised in the UK, Europe, South America and New Zealand.

Douglas fir is extremely versatile, and can be used for lumber, food, drink and traditional medicine. It is also frequently used ornamentally in trees and park, and is useful to wildlife as food and shelter.

The only remaining US Navy wooden ships are made from Douglas Fir.

Close up of the upper part of "A Phoenix Arises" by Simon O'Rourke

Close up of the phoenix rising from the sun-like flames

Testimonial

We hope you enjoy learning more about the trees Simon works with. We also hope you love the phoenix as much as we do. More importantly, as much as the owner does! We leave you this week with this testimonial from a very satisfied customer.

As always, if you find yourself in the same situation as this client, contact Simon on [email protected]  to talk about ways of giving it new life.