oak

Sri Lankan Lion Sculpture

Sri Lankan Lion Sculpture 720 960 Simon O'Rourke

Back in February Simon began posting photos of a Lion sculpture Ihewas working on. Last week he was able to deliver and install the finished piece. Keep reading to find out more about the Sri Lankan Lion sculpture!

a 12' sri lankan lion sculpture in oak in progress. the head is carved but the rest is stripped timber with scaffolding in the foreground

Early work on the Sri Lankan Lion

 

The Beginning….

Simon was first contacted by this client at the end of 2019. She was looking for a unique and significant gift for her husband’s retirement after 32 years working in the NHS. They had seen and admired the Dragon of Bethesda and initially reached out to ask about something similar.
Initially they talked about a lion-dragon combination. This would certainly have given lots of room for Si’s imagination!

A Sri Lankan Lion sculpture in oak by simon o'rourke against a vivid sunset. The lion holds a sword as he does on the sri lankan flag.

Progress on the Sri Lankan Lion Sculpture

Evolution of an Idea

Deciding a final design is often a conversation though, and progression of ideas. This commission was no different. Early on, the client assessed their garden to see if they had any trees suitable to be carved as they stood. This is a great starting point, and it saves the step of sourcing timber. The shape, size, and unique characteristics of that tree are then the starting point for a design. In this case, there were no trees suitable though. The client realised too that they would rather have a free-standing sculpture so it could move with them if they ever moved.
We sourced a large piece of oak from JRB Tree & Timber Services, and work began!

felled oak tree wth a stihl chainsaw

The chainsaw is here to show the girth of the tree used for the Sri Lankan lion sculpture

 

15' oak on the back of a trailer ready for transportation

Ready to be brought to the workshop!

Behind the Lion…

The client had come back to Simon at this point and settled on the idea of a Sri Lankan lion sculpture. Her husband is half-Irish, half-Sri Lankan and is proud of his heritage. The flag of Sri Lanka features a lion, and he even has a tattoo of this lion on his shoulder! This gave Simon a great starting point.

The lion on the Sri Lankan flag has been around since around 500bc and was seen carrying a sword from around 160bc.  The lion represents strength and bravery, and the ethnicity of the Sinhlaese people, so Simon’s lion sculpture needed to reflect that same strength. No cute and cuddly Disney Simbas for this sculpture! That pose, the clear muscle and the pose are striking and awesome, in the true sense of the word. A definite depiction of the bravery and strength the lion represents. And carrying a sword makes it clear this is the lion of the Sri Lankan flag.
By the way, if you enjoy learning about the history and symbolism of flags, you can find out more about the symbolism in the Sri Lankan flag on this blog.

An oak sri lankan lion sculpture by artist Simon O'Rourke depicting a 'real life' version of the sri lankan lion holding a sword. The lion is in the workshop surrounded by tools and carving paraphernalia

The finished lion in the workshop

Creating the Sri Lankan Lion Sculpture

As you can see from the previous photos which show the lion in progress, Simon began with a rough outline of the lion. The first areas he started cutting detail into were the mane and face. This is important, as they were to be the focal point of the sculpture. Starting with them makes it easier to ensure the rest matches them,  rather than making the focal point fit something that is less important in terms of focus. By carving them first, Simon really can make sure that everything else about the sculpture compliments and directs the viewer’s gaze towards the ‘main feature’.

Gradually he was able to add more details, with attention being given to even the tiniest aspect of this Sri Lankan Lion sculpture. Check out his lion dentistry with the Saburrtooth coarse flame bit

A bit of careful dentistry!

Posted by Simon O'Rourke – Tree Carving on Saturday, 22 February 2020

In fact, Simon used the full arsenal of power tools on this commission! Here he is using the Manpa Tools Multicutter tool with the triangle head to create the lion’s fur. For those wondering where to get their own, Manpa Tools are not easily available in the UK, but Simon sources them through www.chainsawbars.co.uk. We thoroughly recommend Chainsawbars as a company too, as you can find out in our blog  Collaboration with Chainsawbars.co.uk.

Using the Manpa tools Multicutter with the triangle cutter head to create fur texture.

Posted by Simon O'Rourke – Tree Carving on Tuesday, 11 February 2020

A Roaring Success

Seven months on from the first conversation, and Singha the Sri Lankan Lion sculpture (named after the Sinhalese people and meaning ‘Lion’) is in his new home. He looks magnificent in place. Most importantly though, the couple love him, describing him as ‘absolutely wonderful’ and ‘fabulous’.
32 years of service to the NHS is no small thing. This Sri Lankan lion sculpture is a wonderful gift to recognise that service and honour their heritage.

Sri Lankan Lion sculpture by simon o'rourke standing in a paved area of a private garden

 

12' oak sri lankan lion sculpture by simon o'rourke pictured with the clients in a paved area

The client and her husband with Singha the lion

A Unique Gift

If you are looking for your own unique, significant, and personal gift, we would love to hear from you. Contact us via the form on www.treecarving.co.uk/contact/ and Simon will get back to you to chat about design and costs.

 

Memorial sculpture for Robyn by Simon O'Rourke

A Memorial Sculpture for Robyn

A Memorial Sculpture for Robyn 1824 1368 Simon O'Rourke

In our blogs,  the perfect portrait sculpture for you part one and part two, we mentioned commissioning a portrait as a memorial. This week we would like to share a memorial portrait Simon recently created. In fact, it was Simon’s first piece after lockdown began to lift. Thank you to the family for allowing us to write about this memorial aculpture for Robyn.

A memorial sculpture for Robyn carved by Simon O'Rourke depicting a young girl as a fairy with a robin on her open hand

The Commission

Several years ago, Simon received a commission to create a sculpture for a local High School, in memorial of a young student who had tragically passed away. The family were touched by the way the sculpture captured their daughter’s character, even though Simon had never met her. More specifically, they were moved by the way Simon’s portrayal of Robyn captured her loving and caring nature. A

Memorial sculpture for Robyn, carved in oak, depicting a young girl reading a book

Simon’s original memorial for Robyn

Any death of a young person is difficult. However, for this family, there were also questions that took several years to settle. Thankfully they were recently able to find closure and resolution.
To mark the ending of this horrendous time in their lives they wanted to celebrate Robyn’s life. They also wanted to do something that would help eradicate the legal battle which had prevented them from being able to grieve their beautiful daughter. And so, when they moved house, they created a garden that would honour and remember her. Remembering the original memorial scultpure for Robyn that Simon had created, they commissioned a portrait for their garden.

 

memorial sculpture for robyn by simon o'rourke in process. picture depicts a metal stool with a very basic outline carved in oak of a young girl sitting, woth a robin on her outstretched hand

The memorial sculpture for Robyn underway in Simon’s garden

Creating the Memorial Sculpture for Robyn

Although the commission was small in scale compared to many Simon has undertaken (have you seen the Giant Hand of Vrynwy or the Marbury Lady?!), in some ways, it was a big undertaking.
Ensuring a memorial sculpture captures and reflects the person is SO important as it is often a key part of the grieving process, and impacts the way the person will be remembered. Simon understands this, and takes time to ‘get to know’ the person through photos and conversation. He is then able to create a memorial sculpture that is truly honouring to the person.

In the case of Robyn, she was a caring, and loving young lady. The many cards the family received after losing her showed them how respected and valued she was for being a good friend. This sculpture shows Robyn at peace, and serene. It also reflects that caring and gentle nature through her body language and relationship with the robin on her hand.

close up of the face of the oak memoral sculpture for robyn by simon o'rourke. a young girls face is shown in an oak carving with a serene expression

Working from Home

Simon didn’t just face creative challenges with this sculpture. There was also the very real practical challenge of …… LOCKDOWN!

Health and safety of all the team is important to Simon and Liz. So, like many of the population, Simon had to work from home! Also like many of the population, that meant learning to deal with new interruptions (like the dog moving the video camera) and new distractions (a beautiful garden to tend) In case you didn’t catch them on our Facebook page, here are some of the videos of the memorial sculpture for Robyn in progress….

Back on the chainsaw after 8 weeks! It's been good for me to have a break though …

Posted by Simon O'Rourke – Tree Carving on Wednesday, 20 May 2020

What a scorcher!

Posted by Simon O'Rourke – Tree Carving on Wednesday, 20 May 2020

The Finished Sculpture

As you can see in the videos, Simon used his Stihl cordless chainsaws for the bulk of the carving. He then used Saburrtooth bits to add details and texture. The memorial sculpture for Robyn is oak, which means it is sturdy and stands up well to the chainsaws! It also means it is durable, and will withstand wind and rain – essential for an outdoor sculpture. Oak tends to pull out more brown hues than blacks or greys. This means as the sculpture ages, it will both deepen in colour and become much ‘warmer’ in tone.  This video shows the finished piece from several different angles.

 

Here's a little video to show a different angle!

Posted by Simon O'Rourke – Tree Carving on Friday, 22 May 2020

Testimonial

Simon received a lot of lovely feedback on social media when he originally shared the picture of the memorial for Robyn. Thank you to those who commented! The most important thing though is that the client is happy…..

I do need to thank you for undertaking the carving. As soon as I saw it I was so moved. It is beautful and I thank you for creating a carving in remembrance of Robyn

It is ALWAYS humbling to receive such lovely comments. Even more so when the piece marks the ending of something as challenging as these clients have walked through. Being a part of the healing journey for clients is truly an honour. We think Robyn looks beautiful in the garden created in her memory, and we hope this sculpture will bring the family joy for years and years to come.

Photo provided by client and used with permission.

Commissioning Your Own Memorial Sculpture

If you would like to commission a sculpture in memorial of a loved one, Simon would love to hear from you. Visit us on http://www.treecarving.co.uk/contact/ to connect.

Perfect Portrait for You: Part Two

Perfect Portrait for You: Part Two 720 960 Simon O'Rourke

If you regularly read our blog, you’ll know that last week we began writing about the perfect portrait scultpure for you. We feel people sometimes shy away from commissioning a portrait. That can be for lots of different reasons. However, we also know that portraiture is extremely varied. Simon is also able to sculpt in many different styles and scales. This means there is ALWAYS a perfect portrait for you!

Last week we looked at some of Simon’s classic full length sculptures, and a classic bust. There is no doubt that every time Simon creates a new full full size portrait, it has impact. However, they may not be the perfect portrait for YOU. Space, budget, style preferences and more mean the perfect portrait for you might be something a little different….

Chainsaw carving artist Simon O'Rourke standing with his life size sculptures of soccer players kenny dalglish and Bill Shankley

 

The Bobble Head!

If a classic sculpture isn’t quite your thing, and you want something more ‘relaxed’, what about a bobble head?

Typically bobble heads are a figurine with a disproportionately large head mounted on a spring. This allows it to bob up and down – hence the name! They are often made as a caricature of a famous person. You can find out more in this article about the history of the bobble head as a portrait.


The perfect portrait for you, your space and your preferences might be something fun like this bobblehead sculpture of Gary Barlow. In the photo simon o'rourke is pictured with three shots of a full size sculpture of gary barlow with a disproportionately large head!

A bobble head portrait can be created in any size to suit your space. Simon can create a flattering representation, or more of a caricature or the person. They definitely bring some fun to the idea of a portrait! If a bobbing head causes you concern, don’t worry. Simon can still carve in this style with a fixed head that stays firmly in place!

perfect portrait for you might be a bobble head like this life size carving of chainsaw artist steve backus depicted with an oversized head and carrying chainsaw carving equipment

A bobble head of fellow chainsaw artist Steve Backus

The Collage/Group Portrait

Maybe you’re looking for something unique instead of a family photo. Or something to commemorate a team. n which case, the perfect portrait for you may be some kind of collage.

A collage can be created in an endless number of ways, depending on the number of subjects and how you want to pose them. Again, they are something a little different to a classic portrait. The presenters from BBC’s Country File certainly loved the sculptures Simon created for them a few years ago!

 

a perfect portrait for you and your family might be a collage. this photo is of a sculpture of multiple faces in one piece of wood.

Stylised/Modern

Are you more of a modernist when it comes to sculpture? Perhaps something more stylised would suit you. These faces were exhibition pieces Simon created at a couple of different events in 2019. You can read about their story in our Face to Face blog.
Even though they appear simple, in-person, they are incredibly striking!
Although these are not direct likenesses, they are great examples of Simon’s versatility as a portrait artist.

The ‘Cheeky Nod’

The perfect portrait for you may not actually be an actual portrait! Rather, it may be that you incorporate the features or likeness of someone into something else. Kind of a cheeky nod to the person rather than a formal depiction.

One example of that is Simon’s dragon for St George’s hospital garden. Mark Owen (former Take that singer) was the special guest who would be opening the garden. So, when Simon carved the dragon, he chose to use Mark Owen’s features in the dragon. It’s subtle, but there is definitely a fun likeness!

When might this ‘cheeky nod’ be appropriate? Maybe your club or society is commisioning  a sculpture to commemorate an event or occasion. The sculpture itself can’t be of the individual, but using the features of a specific key person on a character or object can be a fun way of acknowledging them and their involvement.

Singer Mark Owen photographed next to chainsaw carver simon o'rourke

A chainsaw carved dragon by simon o'rourke in cartoon style. The dragon's face has been carved to incorporate the features of singer Mark Owen so it bears a resemblance to him

If that’s a bit TOO subtle for you, what about using the faces of specific people on other objects? More of a ‘hybrid’ or combination than just a ‘cheeky nod’ to the person.

One client did just that. She wanted traditional ornaments for her garden, like pixies, fairies and gnomes. However, as a loving grandmother, she also wanted to depict her grandchildren. That led to the unique commission below. Simon carved these cute miniature pixies appropriately sized for her garden. Rather than imagining a character and featurs for each though, the face of each sculpture was one of the client’s granchildren!

Three traditional pixies carved in miniature on a small tree stump.

The Wall Hanging

Finally, maybe space doesn’t allow for you to have a 3D sculpture. Maybe it just isn’t your thing. In which case, these illustrated wall hangings could be the perfect portrait commission for you.

If you have read his biography, you’ll know Simon trained in illustration. He initially had aspirations to be an illustrate children’s books, and stumbled into tree carving! An alternative to a sculpture is a portrait in wood. Like all Simon’s portraits (except a bust!), wall hangings can be for individiual or group portraits. They can be created in a wood to suit your room, and make a great gift or commemorative piece.

prefect portrait for you series featuring a pyrography portrait of marilyn monroe by simon o'rourke

 

The faces of the four beatles created by simon o'rourke through burning and etching a wood panel

We hope you have enjoyed exploring some of Simon’s portrait work. We also hope you feel inspired, and know that there really is a perfect portrait for you, no matter your preference, budget, space, or occasion!

If you would like to explore commissioning a portrait, contact Simon at http://www.treecarving.co.uk/contact/

We’d love to hear from you!

visual guide to determining if the measurements of your tree stump make it suitable for a tree carving sculpture

Is my Tree Suitable for a Tree Carving Sculpture?

Is my Tree Suitable for a Tree Carving Sculpture? 1440 2560 Simon O'Rourke

It’s always a joy as an artist, when somebody admires your work, and wants to commission a piece. Simon is no exception! Many of the inquiries we get relate to storm damaged trees, or trees that have been cut back for various reasons. This is great, as Simon loves to bring life and beauty back to these trees. However, not every tree is suitable for a tree carving sculpture. There are several things Simon has to take into account when somebody approaches him about creating a sculpture from an existing piece of timber on their property. This is our guide to deciding if your tree is suitable for a tree carving sculpture……

Dragon of Bethesda by simon o'rourke

Dragon of Bethesda, one of Simon’s best known sculptures from a storm-damaged tree.

Species of Tree

The first thing to consider when deciding if your tree is suitable for a tree carving sculpture, is species, or type. All timber has different durability. Although it can be treated with preservative, some woods simply won’t last. For example, a Black Locust fence post can last 25-30 years, which is very durable. In contrast, Horse Chestnut will only last 2-3 years.
If you are investing in a piece of art, you want it to last.

Suitable species for an outdoor sculpture include (but not limited to): Black Locust Oak, Walnut, Sweet Chestnut, Elm, Yew, Cedar, Sequoia.

Trees that are not suitable because of durability include: Horse Chestnut, Holly, Sycamore, Spruce, Hornbeam, Lime, Birch and Alder.

Simon O'Rourke creating the Lady of Marbury sculpture

The Marbury Lady was carved into a tree that had died due to saline toxicity.

Size of Stump

Size is hugely important in determining whether or not your stump is suitable for a tree carving sculpture. The smallest it can be is 30cm (approx 12″) diameter or 1000mm (39″) circumference. Anything smaller than this won’t be suitable for Simon to carve.

If you’re unsure about how to measure the circumference, here’s a guide:
Take a tape measure, if you don’t have a tape then a piece of string or rope will do.
Try to clear any ivy away from the tree and pass the tape around the tree.
You may need help if the tree is really big!
You can mark or hold the string or rope where it meets the other end, and then lay it out on the ground to measure it.
To be suitable, this measurement must be 1000mm / 100cm / 39″ or more.
Think about hugging your tree whilst holding string!
visual guide to determining if the measurements of your tree stump make it suitable for a tree carving sculpture

How to measure the circumference of your tree

Other Factors

There are other factors that can make timber unsuitable for carving. Let’s look at some examples.

Example One: Branch Wounds

Our first example is again, related to durability. Branch wounds like this on a tree trunk show that there is internal decay. In turn, this will mean there may be nothing to carve once Simon gets past the out layers of bark! It also means the sculpture won’t be durable. Unfortunately, if your tree stump looks like this, it will not be suitable for a tree carving sculpture.

Example of tree not suitable for a tree carving sculpture

Example Two: The Mystery Tree!

In our second example of an unsuitable tree, there is simply too much ivy to tell what is underneath it! If you have a tree like this, to know the quality and circumference of the timber, you would need to cut back all the extra foliage growing round it, and assess what is underneath.

Example two of a tree not suitable for tree carving sculpture

Example Three: All the Extras!

Our final example shows a tree that initially seems large enough to carve. However, if we look more closely, there is actually not enough wood underneath the layers of dirt and stones. Once all the ‘extras’ are cleaned/stripped away, there is not enough clean wood to be suitable for a tree carving sculpture.


Unsuitable tree for a sculpture

Examples of Timber Suitable for a Tree Carving Sculpture

We’ve looked at what makes a tree unsuitable, but let’s flip it round. What makes a good piece of timber?

We’ve already covered the type of tree and circumference. Let’s look at these examples of trees perfect for a sculpture….

Example of a tree suitable for a tree carving sculpture courtesy of simon o'rourke

This tree has a large chunk of good, solid wood. It is durable, has minimal damage, and no disease. It has the added bonus of an interesting shape too, which is a great start to creating something that looks organic as well as striking.

Example of a tree suitable for a tree carving sculpture courtesy of simon o'rourke

Our second good example also ticks lots of boxes. It’s oak (so durable), and it’s a good, solid chunk of timber of the right size. It also has plenty of SPACE around it. Chain saws are not small tools to work with! To stay safe, as well as being able to use the tools to carve to his best, Simon needs sufficient room around the tree.

As you have seen from The Spirit of Ecstasy , St George and the Dragon, and The Two Towers, the area doesn’t have to be completely clear. However, there does need to be enough room for Simon to safely use a chainsaw, to be able to step back to see his work, and to be able to hold the chainsaw at the optimal angle for carving each shape and detail.

Work in Progress: Spirit of Ecstasy by Simon O'Rourke

The work in progress on The Spirit of Ecstasy allow you to see suitable timber size and access.

What if my Stump isn’t Suitable?

Don’t be disappointed if you have gone through all this and realised your tree isn’t suitable. There may be other options! That was the case with our next example. However, it may be possible for Simon to create a sculpture in another piece of timber, and mount it onto your stump. Our final picture shows the tree stump on the left, and then the finished sculpture mounted onto it on the right. This may be something you would like to consider as an alternative.

Next Steps in Commissioning a Piece

If you know you have a suitable piece of timber, the next step is for you to get in touch. Please contact Simon on [email protected] rather than using social media. This ensures more efficient communication with us!

You should include:

Pictures of the stump from a few different angles
Measurements (circumference or diameter, height)

Some clients have a definite idea in mind. Others start by asking Simon what he can see in the natural shape. Both of these are fine. As you will have read in our blog about St George and the Dragon, deciding on a design is always a process.

St George and the Dragon tree carving sculpture by Simon O'Rourke

Having my Tree Assessed

If your questions about your tree are even a couple of steps back from this. It may be that you have a tree growing too close to your property, or you are uncertain if it can be saved. Maybe you aren’t sure about removal.
Don’t worry, we know a man who can help! In our blog about Treetech, we mentioned Shaine, our man who can! If you need an expert opinion about the best course of action for a tree on your property, we HIGHLY recommend connecting with him via https://www.facebook.com/TreetechNWLtd/

We hope this has been a helpful guide for you in deciding if your tree is suitable for a tree carving sculpture. If you have further questions, that aren’t answered here, again, do contact using the contact form here

We look forward to hearing from you!

Close up of St Georg in the St George and the dragon sculpture by Simon O'Rourke

St George and the Dragon Sculpture

St George and the Dragon Sculpture 720 960 Simon O'Rourke

It’s a day late, but Happy St George’s Day to my English friends!
It’s actually quite the week for important days. The Queen’s birthday, St George’s Day, and the anniversary of both Shakespeare’s birth and death. Definitely lots of choice there for a blog that fits the calendar! We decided to balance out all the dragons on this blog a little though, and share about this St George and the Dragon sculpture. I actually carved the piece earlier this year, so you might have seen the pictures on social media already. Every sculpture has its own story though,  so keep reading to find out about this one…..

St George and the Dragon tree carving sculpture by Simon O'Rourke

The Subject

This St George and the dragon sculpture was a commission from a client in the south of England. She had an oak stump in the garden, and began exploring ideas with Simon as to what it could become.
Commissioning a sculpture is never just one email requesting a particular subject. There is the actual timber itself to consider (is the size, shape etc suitable), client preferences, artist vision and skill, and the overall impact in its environment. Investing in a piece of art isn’t a small decision, especially when it’s a tree stump and physically not so easy to move as selling a small picture!

In this case, of the ideas discussed, St George was most meaningful to the client. St George’s Day is special to her as it is also her birthday! The sculpture will now be part of her annual celebration as, in her own words, she can “raise a glass every year standing by [her] stunning tree carving!”

Original client concept sketch of St George and the Dragon by Simon O'Rourke

Original sketch for the commission overlaying the stump

Finalising the Design
Once a subject is chosen, there is still more discussion between Simon and a client. Simon will share some of his ideas, as well as talking about how to make that happen. He will take into account not only the kind of piece the client wants, but also the timber. Sometimes there may be cracks that need to be taken into account. Other times there may be a beautiful grain pattern. Sometimes knots or the shape of the branches will lend themselves to a particular feature.
Close up of St Georg in the St George and the dragon sculpture by Simon O'Rourke
Refining an Idea
In this case, some of the main conversation points were focused on:
Scale
Given the diameter of the trunk, St George couldn’t be life size. Simon suggested that instead, he could be stood on a precarious pile of rocks, which would give a nice context. Ultimately, St George would need to be no higher than 18″. This ‘miniature’ turned out to be a fun contrast for Simon, as it immediately followed the Marbury Lady!
Story
Those of you familiar with Simon’s work, know he takes his inspiration from artists like Rodin and Bernini. They changed the concept of portrait work from being static, to telling a story. In the same way, Simon’s work always invites the viewer into a narrative. In this case there was a natural story to tell…..the legend of St George and the Dragon.
St George and the Dragon sculpture by Simon O'Rourke
Choosing the Narrative
SPOILER ALERT!
For those who are unfamiliar with the story of St George and the Dragon, basically an English knight tames and slays a dragon. Simon suggested that this sculpture incorporate that story. His suggestions included portraying George in the act of stabbing the dragon with a spear.
Alternatively, he suggested the dragon could be underneath him, or it could be rearing up above him, even adding wings on to give a striking silhouette.
This is where dialogue is important, as although these ideas could look fantastic, they weren’t fully what the client was after. She had concerns stabbing the dragon could look a little macabre (and who wants to celebrate a birthday that way!!), and wanted the emphasis on St George.
With this in mind, Simon decided to include the dragon as part of the story, but to merge it into the trunk. As well as hinting at the legend, this would also have the effect of emphasising the figure of St George. And so, the St George and the Dragon sculpture was decided!
Dragon from Simon O'Rourke's St George and the Dragon sculpture
Creating the St George and the Dragon Sculpture

As you look at the concept sketch next to the finished design, you will notice it wasn’t identical. This is part of the process of working with wood. When Simon saw the stump in person, the design changed due to the centre of the tree being offset. This meant that as it ages, it won’t split as much, as if he had used the original design.

Concept sketch with finished st george and the dragon sculpture

Creating this in the client’s garden involved copious use of the Stihl battery saws. As he was carving, Simon hit a few nails, hence the dark blue staining on the inside of the tree. Luckily he had spare chain with him for the saw he was using for detail. Hitting metal with that delicate chain is usually terminal for the cutters!!

 

St george and the dragon in process

The sculpture as Simon finished with the chainsaws, and was ready to begin with the smaller tools.

Saburrtooth burrs also played a bit part in the detailing. The detail on the face was made using the 3/8″ eye cutter and 1/4″ taper – a couple of staple tools that Simon relies on.

 

Visible detail on St George and the Dragon Sculpture by Simon O Rourke

Visible detail on the rocks and dragon

And that brings to an end our story of the St George and the Dragon sculpture!
We hope you enjoyed hearing a little more about the process behind finalising a design.
If you would like Simon to create something truly unique for your own home, garden or business, contact him on [email protected]
Although at the moment he is unable to carve at the moment, he is still able to sketch ideas and work on initial concepts and quotes, as well as working on his upcoming online art courses.

Next week, as we can’t go outdoors and travel as much, we will be bringing some of the UKs forest trails to you instead!

We leave you with the time lapse of the creation of this stunning St George and the Dragon sculpture.
Stay safe, and stay well.

 

 

 

Thinking about superheroes: spierman by simon o'rourke

Thinking About Superheroes

Thinking About Superheroes 960 960 Simon O'Rourke

This week we’ve been looking through old photos and videos, and remembering some fun commissions.  There are several comic book characters among Simon’s past pieces, which got us thinking about Superheroes. Come and join us on this walk down memory lane, thinking about superheroes Simon has made before…..

Wooden Batman carving by Simon O'Rourke

Some superheroes like Batman have great physical strength, intellect, wealth, and some awesome technology! This batman sculpture also helped sell a house!

Thinking about superheroes: spierman by simon o'rourke

Other superheroes have incredible agility. And let’s not forget their unfortunate back story (radioactive spider bite anyone?) and profound quotes!

thinking about superheroes: superman wooden illustration by simon o'rourke

When thinking about superheroes, we can also be impressed by their lightning speed. Or their ability to fly. Or,  and the way they somehow still ‘get the girl’ whilst wearing their underwear on the outside!

groot tree carving sculpture by simon o'rourke

Other superheroes warm our hearts with their likeability and loyalty. And sometimes wow us by growing body parts whenever they’re needed!

comic book illustration in wood by simon o'rourke

When we’re thinking about superheroes, they usually defy expectations, and can perform superhuman feats. All whilst looking great in lycra! This one even controls the elements – something I bet we all wish we could do from time to time!

Thinking about superheroes illustrated wooden panel y simon o'rourke

Beyond the Comic Books

It’s fun thinking about those superheroes. It’s also fun to sculpt those superheroes, and we hope you enjoyed this flashback to some of Simon’s work from the past decade. But in thinking about superheroes of comic books and movies, we also can’t help but think about the superheroes all around us at the moment.

We see superhero parents, trying to balance working from home whilst educating their children.

Superhero shop workers and public transport drivers, often working without PPE to ensure we still have what we need.

There are superheroes volunteering with foodbanks, donating money and helping neighbours.

Lockdown can bring out the worst in people, but it can also bring out the best. And we honour all of you every day superheroes today.

BUT as we’re thinking about superheroes, we especially want to take this opportunity to public thank and honour our NHS heroes. We see the numbers, we see the online photos of the damage done wearing PPE all day. We see you carrying on and making sacrifices for the wellbeing of others. And we’re thankful.

Some superheroes wear lycra and a cape. Others wear stethoscopes and facemasks.

So to all our NHS and Healthcare Superheroes out there, we thank you.

Stay safe.

Angel at the Pool of Bethesda sculpture by Simon O'Rourke at Biddulph Old Hall

Sculpture for Historic Property

Sculpture for Historic Property 420 630 Simon O'Rourke

alsoOne of the things Simon has enjoyed over the years, is creating sculpture for historic property. These projects usually combine Simon’s love of human form with his passion for storytelling. They also add value for the owner in sometimes unexpected ways. Over the years Simon has created many pieces for historic properties, ranging from National Trust homes or places of worship to private home owners. He has also had a season as ‘artist in residence’ at Erddig, a local National Trust property.
This week we share examples from that extensive portfolio, and explore the value of commissioning sculpture for historic property.

Highclere Castle Airman by Simon O'Rourke

The airman at Highclere Castle

Reasons to Commission a Sculpture for Historic Property: Commemoration & Storytelling

There are many reasons to commission a sculpture for your historic property. One of those reasons is to have a commemorative piece, to mark an event or occasion.  The Airman at Highclere Castle (pictured above) is an example of this. He is also an example of another reason for commissioning a sculpture. That is, story telling.  If you ever read our blog about the Highclere Airman, you will know that he tells a part of the story of that property. Although people may be aware of the history of a building, a visual aid telling that story is always powerful. Even traditional school text books become much more interesting with a picture! How much more so when the visual story telling is in 3D?! If your building is open to the public, this enhances their experience, which is always a good thing!

Mungo Park sculpture by Simon O'Rourke

A Tourist Attraction!

Another reason that a sculpture can add value to a historic sculpture, is it can become an attraction in itself. Take Mungo Park for example, photographed above.
This likeness of the Scottish explorer was created in 2014 for a Wetherspoons in Peebles, Park’s home town. It reflects the history of the area, so enhances the experience of the visitor, and helps provide information about the town. It also helps to set that restaurant apart from the others in the area. It’s a focus point for visitors – something unique the other eateries in town don’t have. It’s also fun –  customers also sit alongside Mungo on the bench outside the pub, for a photograph. And we all know the power of a shared photograph on social media!

 

Angel at the Pool of Bethesda sculpture by Simon O'Rourke at Biddulph Old Hall, Sculpture for historic property

Case Study: Angel at the Pool of Bethesda

One of Simon’s favourite sculptures that he has created for a historic property is the Angel at the Pool of Bethesda. She was carved from oak in 2016 as a commission for Biddulph Old Hall.  Although the property has an extensive history dating back to 1480, this commission relates to a 19th Century resident…..

The Story Behind the Sculpture

In 1871, attracted by the romance of the ruins in their moorland setting, artist Robert Bateman took up residence in the hall. He actually painted most of his best works in the Hall between 1871 and 1890. In 1874  he and the love of his life, Caroline Howard, were separated. Then, in 1876, Caroline married the Rev Charles Wilbraham. Bateman was heart broken, and painted The Pool of Bethesda as “an autobiographical cry of anguish”. The commission of the sculpture was to commemorate Robert and Caroline’s memory as part of the house’s story.

To read more about the history of the painting, click here.

Angel at the pool of bethesda by simon o'rourke at biddulph old hall is an example of sculpture for historic property

Creating the Sculpture

The setting with the angel stepping down a few steps towards a pool of water replicates the Bateman painting. The difficulty for Simon centered around the fact that all he had to work from was a flat 2D image. This meant that to begin with, he had to visualize what the painting would look like in 3D. From there, he then had to create what he was imagining. Which, according to owner Nigel Daly,  “he has done magnificently…. The piece fully represents the sense of Caroline stepping down into the water that Bateman created in the original painting.”

 

Testimonies of the Value Added

Obviously art always enhances or ‘adds’ something to a room, or wherever it’s located. However, in a historic property it does more than this. It captures the attention of the viewer. They are drawn in, as it narrates the story of that place. It also helps them envision, imagine and remember.

Nigel Daly is “thrilled” at the impact of the sculpture:
“Visitors never fail to gasp as they are led through a small octagonal tower from the ruins themselves into the small courtyard with the pool in its centre and Caroline at its head. As time has passed she has weathered beautifully to settle into the time-worn surroundings of the Hall.

The work has been much admired, and such is the skill of the work we are saving up for a second sculpture for the centre of the ruins based on Burne-Jones’s ‘Love Leading the Pilgrim’, which we feel is just up Simon’s street!”

Angel at the pool of bethesda by simon o'rourke at biddulph old hall

Your Own Commission

If you would like to enhance story-telling and scene-setting with a unique sculpture for your historic property, contact Simon on [email protected].

A Bespoke Tawny Owl Sculpture

A Bespoke Tawny Owl Sculpture 150 150 Simon O'Rourke

One of the things that Simon was known for early on in his career was carving owls! Although he prefers human form, his attention to form, story, structure and detail mean he has created some incredible owls over the years. Some of them have become famous in their own right too, such a Ruby the owl. She’s part of Meadow Park sculpture trail on the Wirral and was actually stolen and – amazingly – returned! This week we look at Simon’s most recent example: a bespoke tawny owl sculpture that will be installed in Pocklington, Yorkshire.

A bespoke tawny owl by Simon O'Rourke for the town of Pocklington, Yorks

The Commission

This bespoke tawny owl is for public display in the town of Pocklington. When it was originally commissioned, the clients came to Simon with an existing Horse Chestnut stump. Their hope was that the owl could be carved from that. However, Simon advised them that it would be unsuitable as Horse Chestnut rots quickly. Instead, they decided to have the owl carved from oak, and to mount it upon the original stump.

To create the owl, Simon paid careful attention to the shape, size and proportions of the owl. He also imitated perfectly the way the feathers fall, and how the lengths and appearance vary on the different body parts. We can see clearly the fluffier chest and legs compared with the sleek, defined tails and wings.

bespoke tawny owl and original by Simon O'Rourke
As the Sculpture Ages….

Wood changes over the years. That means a commission such as this bespoke tawny owl will weather and gradually change in appearance. When Simon creates a sculpture, he takes into account how it will crack in future. This is important, so he can carve in a way that although the appearance will change, the structure will still be sound.
The face below is a perfect example of this. It has small cracks appearing but retains its structure and shape – and will for decades to come!

Face by Simon O'Rourke

Changing and Protecting Colour

Another aspect of this changing appearance that Simon considers, is the colour. All wood will change colour as it ages and is bleached by the sun. Once that happens, the only way to get the colour back is to sand it or re-finish the surface. Long-lasting woods such as oak and sweet chestnut weather nicely and last well without any finish. This means this bespoke tawny owl sculpture didn’t need any additional treatment.

For some sculptures, the bleaching and aging adds to the beauty and aesthetic of the sculpture. Maybe it is part of a forest trail and it needs to blend in with the environment. In other cases, the nature or setting of the sculpture lends itself to the aging process. The Angel at the Pool of Bethesda (included in our review of the decade) is a perfect example of this. It is based on an old painting, and sits in a Biddulph Old Hall, a historic property. The sculpture was left untreated so it would bleach naturally in the sun, and age to fit in with its environment. We love the way it looks two years on….

Angel at the pool of bethesda by simon o'rourke at biddulph old hall

Angel at the pool of bethesda by simon o'rourke at biddulph old hall

Recommended Treatment

The bespoke tawny owl sculpture is made of oak, so didn’t need treatment. However, if you do want to retain colour of the original sculpture, decking oil applied every 4 months will do this. It acts mostly as a weather proofer, allowing the sculpture to keep its original colour. It also offers UV protection, and has an additional bonus of containing mould inhibitors too. Unlike most other weatherproofing options, the oil is a good choice as it allows the wood to breathe. Over the years Simon has number of different brands . While he doesn’t necessarily have a favourite, he always buys from  www.restexpress.co.uk and recommends them as a supplier.

In addition, if the wood needs an initial treatment of wood preserver, he applies that before the oil. The preserver soaks in like water and prevents surface growth of mould and fungi.

barn owl by simon o'rourke

A Sculpture for Life!

Whenever Simon creates a sculpture, he considers the future appearance and carves and treats so it will last. However, if you do have damage or something that needs re-working, Simon is available for repair, upkeep and restoration. Contact him on [email protected] whether to talk about upkeep of a current sculpture, or a new commission.

Simon O'Rourke creating an oak maiden using Stihl battery chainsaw

Creating an Oak Maiden

Creating an Oak Maiden 720 960 Simon O'Rourke

There are two approaches to tree carving that Simon practices. The first is to design the piece, and then find timber suitable for the project. The three footballers that you may remember from last year are an example of this. In fact,  as you may remember from the Queen of the South Legends blog, completion was actually delayed because of sourcing timber after the original piece had a split.
The other approach is carving a standing stump. This means letting the tree dictate the design rather than the design dictate the timber. Sometimes the shape inspires the subject. Other times, it means making changes to the design along the way to accommodate the shape, size, twists turns and any surprises once the bark is stripped and Simon begins cutting. This was certainly the case with Simon’s latest project: creating an Oak Maiden.

Simon O'Rourke creating an oak maiden using Stihl battery chainsaw

 

Creating an Oak Maiden: The initial concept

This Oak Maiden looks incredible! However, she wasn’t actually what Simon had planned! The client who commissioned the hydra rising out of the ground, had asked Simon to look at another tree. There was an oak that had died and she wondered if it would make a good sculpture. When Simon first saw it, he could see female form. He also noticed the many branches at the top. Rather than cut these off, he imagined them to be a key part of the sculpture. And so, his initial concept was Medusa. The trunk could be transformed into a striking female form, and Simon imagined those undulating branches would make perfect ‘snake hair’. As a Greek mythological character, she would be a beautiful compliment too, to The Hydra. The client agreed, and Simon arrived at the start of last week expecting to create another Greek myth…..

Simon o'Rourke in the process of creating an oak maiden

Day one of creating an oak maiden. It’s easy to see why those branches suggested Medusa!

Creating an Oak Maiden: Change of plan!

Just as happened with The Hydra though (originally it was going to be a flock of birds or pterodactyls rising from the ground), once he began work, Simon realised that his original design wasn’t going to work. The branches at the top simply weren’t right, and he knew it would be better not to try and make them into snakes.

This flexibility and ability to respond to the timber is part of what makes Simon a great artist. Adapting his design to the work with the shape and features of the timber means creates sculptures which aren’t contrived. In fact, one comment on his Marbury Lady sculpture was that it seemed like she was always there in the timber, and Simon simply uncovered her.

An Oak Maiden by Simon O'Rourke

Creating an Oak Maiden: Adapting the Design

Adapting the design to work with the branches was an aesthetic decision. However, sometimes Simon also has to make changes because of practical reasons. This isn’t just about what he can see either. He also has to take into account what will happen to the timber as it ages. What may seem a small crack at the time for example, could cause massive damage to a sculpture later if he isn’t wise.

Another change in creating this oak maiden was because of one of these practical considerations. When we look at the oak maiden, her ‘crown’ appears bulkier to the left. In his ‘ideal’, Simon would have reduced some of that wood to create a more elegant or slimline look. However, there is a large amount of weight in the branches above it. This meant Simon faced the choice of losing some of that weight (and some of the rustic, organic, woodland feel to the character), or adapting his initial vision.

Simon O'Rourke Oak Maiden with moon

Close up showing the bulk of wood on the left

Creating an Oak Maiden: More Changes!

Simon chose to leave the wood on the left side of the face, to support the weight above it, and again demonstrated his skill at using challenges to create something even better! The extra wood became this fantastically textured crown instead, rather than being unnecessary bulk, it is now part of the story that Simon tells through sculpture. The weight and size is suggestive of a crown that now seems to enhance the status of this Oak Maiden. It reflects the strength and majesty of an oak tree, and conjures up an image of this Oak Maiden being a princess or queen among the woodland characters.

simon o'rourke in the process of creating an oak maiden with the stihl MS400

This photo gives a sense of the scale of the sculpture

Creating an Oak Maiden: Sculpting Human Form

One of the things that makes Simon’s human form sculptures so exceptional, is his attention to story and structure and how they create movement. We saw this with the Marbury Lady and Prestatyn Hiker that you may have spotted on Facebook or Instagram. The clothes in both showed the lines and wrinkles associated with being worn by a living, moving being rather than being hung static in a wardrobe. In this case particularly paid attention to the shape of the form underneath the cloth. For example, the skeleton, muscles, shape, size and position of the subject. Similarly to the Marbury lady, he also left raised wrinkles to imply a very thin material which skims the body.

Body of the Oak Maiden by Simon O'Rourke

Creating an Oak Maiden: The Tools!

It sometimes seems amazing to think that suck a beautiful thing can be created by something as destructive as a chainsaw! In the case of the Oak Maiden, Simon relied a lot on the Stihl MS400. Stihl’s MS400 is the first chainsaw  to make the change to a magnesium piston. This, and it’s “impressive power-to-weight ratio of 1.45 kilograms per kilowatt”, has made it much more ‘punchy’. Combined with the 20 inch Tsumara carving bar, Simon found  it worked really nicely for controlled shaping.
The Saburrtooth bits have fast become an essential on the job too. These are largely what Simon used for refining the face and hands, creating small areas like the eyes, and adding texture. Some of his favourites are the conical burr, and the large coarse flame bit. The small eye bit also helped create sharper lines and bring more expression to the eyes.

Face of an oak maiden by simon o'rourke

This nymph (or as we’ve been calling her, ‘Oak Maiden’) has definitely been a hit on social media. Most importantly though, the client loves her! The Oak Maiden may not have been the original plan, but Simon has created something even better and truly lovely, restoring life to this dead oak.

If you have a dead tree on your property, why not chat with Simon to see if he can imagine something in it? He loves to bring life back to dead or damaged trees, and can create you something completely unique. Contact him on [email protected] to talk about ideas and quotes.

 

Into the 20’s – A Review of the Decade

Into the 20’s – A Review of the Decade 150 150 Simon O'Rourke

As we start a new decade, we’ve been reflecting on the many changes that have happened personally and professionally over the last ten years. Professionally, it’s been a great decade with some fantastic opportunities and commissions. We’ve also met some amazing people and seen some wonderful places along the way. Before we move forward into the 20’s, we thought we would bring you our ‘review of the decade’. And, as we do, let us wish you a Happy New Year from all at Tree Carving.

Simon O'Rourke Game of Thrones Egg Carrier carving

Simon and Liz O’Rourke wish you a happy new year (and decade) on behalf of the Tree Carving team.

Review of the Decade: 2010

As we looked back, we could definitely see we didn’t use social media as much! And the technology we used definitely didn’t produce the kind of photos and videos we do today! But here is a look back at two competition pieces from that year, both taking second place. Neptune from the English Open Chainsaw competition, and a traditional miner from the Huskycup.
A quick glimpse at Simon’s awards shows that this was a good decade for competition, placing in most things he entered and winning seven awards. However, when it comes to competitions Simon says:
“Competitive sculpture has taught me a lot about completing work to a deadline. I have competed all over the world and although I have placed highly in many events, the most important thing to me is being happy with my own work.”

Neptune by Simon O'Rourke as featured in his review of the decade

Simon O'Rourke second place huskycup 2010

Review of the Decade: 2011

Two of the projects we chose as highlights from 2011 are The Giant Hand of Vrynwy, and the Somerset Tree.

At 50′ tall, it was no wonder the hand caught the attention of the local press, as you can see in the article by The Leader newspaper. Simon’s inspiration for the hand came from the name for the woodland area, which made reference to giants. Creating something on this scale reminded Simon how small we are compared to some of the living organisms on this planet. He described the experience as being very humbling!

Giant hand by Simon O'Rourke

The next project although tall still, was a little smaller in scale! Simon was commissioned by the Museum of Somerset to create this stunning tree for their new museum. Sourced from local wood, it stands proudly in the museum where it tells some of the area’s 400 million year history.

Tree of Somerset by Simon O'Rourke

Review of the decade: Tree of Somerset by Simon O'Rourke

Review of the Decade: 2012

Another Huskycup entry! This time, the sculpture of “Christian and Mary”. Simon worked on this piece as part of ‘Team Europe’ with Tommy Craggs and Michael Tamoszus. They placed fourth overall, with some tough competition from a great bunch of talented artists. As we had a quick glimpse back at the Facebook album of the event it was lovely to be reminded of the support, encouragement and lovely comments.

Christian & Martha Huskycup 2012 by O'Rourke, Cloggs and Tamoszus

Review of the decade: Christian & Martha Huskycup 2012 by O'Rourke, Cloggs and Tamoszus

fourth place Huskycup 2012 by O'Rourke, Cloggs and Tamoszus

Review of the Decade: 2013

For our 2013 highlight, we chose something a little different. During that year Simon created this incredible Alice in Wonderland booth for Steak of the Art in Bristol. Their vision is for the restaurant to be an ever-changing art gallery that compliments their delicious menu. As you can see from the photos in the case study Simon wrote, his booth more than fits their vision. Every single character is its own work of art, and with so much to see, although the piece doesn’t change, there is something new to notice each time you sit within it. Here we get a reflection of the changing technology too, with this timelapse video of its making!

Alice in Wonderland booth at Steak of the Art by Simon O'Rourke (a review of the decade)

Alice in Wonderland booth by Simon O'Rourke, Steak of the Art

Alice in Wonderland booth by Simon O'Rourke, Steak of the Art

Review of the Decade: 2014

2014 saw us receive a lot of publicity for two ‘guardians’.

The first was created for the ‘Pawtraits‘ series by Maria Slough, and was actually named ‘The Guardian‘. The series featured people photographed alongside animals that had impacted their lives, and Simon was brought in to create a piece to be used for the portrait of Virginia McKenna. Understandably, the actress wasn’t too keen on reclining on a real lion – hence Simon stepping in with The Guardian! As McKenna was so impressed with his work, Simon was later commissioned to sculpt a lion cub for the Born Free Foundation charity auction, a charity McKenna established. As well as the photos below, you can click HERE to see a timelapse of The Guardian being made.

 

The Guardian by Simon O'Rourke

Maria Slough Pawtrait Virginia McKenna featuring lion by Simon O'Rourke

Photograph copyright of Maria Slough from the Pawtraits Series

The other ‘guardian’ created by Simon that year is just as iconic. Phil and Leah from Wahoo Group wanted to harness the power of social media and do something novel to help sell their home. Thinking completely outside of the box (no baked cookies here!) they commissioned a sculpture of…..Batman!

The caped crusader sat on top of their home where it gained attention from both local and global news outlets, and helped the couple find tenants for their property.

Wooden Batman carving by Simon O'Rourke

Wooden Batman carving by Simon O'Rourke

Batman by Simon O'Rourke and St Giles Church Wrexham

As one of Simon’s strengths is Human Form, we also couldn’t resist throwing in this sculpture of Scottish explorer, Mungo Park. He was commissioned for a pub in the explorer’s hometown of Peebles, and sits on this bench for passers by to enjoy.

Review of the decade 2014 Mungo Park

 

 

Review of the decade 2014 Mungo Park

Review of the Decade: 2015

2015 was the year when Simon won the English Open Chainsaw Competition with Hemlock the Dragon.

Since then Hemlock has made countless appearances around the country, including at a wedding! Hemlock has recently had some repair work on the wings, and is ready to meet the public again. If you are interested in hiring Hemlock for your event, just email us on [email protected]

Hemlock the Dragon English Open Chainsaw Competition 2015 by Simon O'Rourke

Review of the Decade: 2016

2016’s highlight is another Huskycup Flashback: Viking Raid.

As well as the Viking Raid Case Study Simon wrote, we also have a blog about Viking Raid for those who want to know more. As we mentioned in our Huskycup 2019 blog, 2016 was actually the last year Huskycup was a competition. It meant Simon was the last ever Huskycup champion, as Viking Raid took first place. What a way to end the competition for him! Although it is no longer a competition, Simon continues to participate, and it is something of a highlight each year.

In 2016 Simon also became an affiliate of Olfi. We love their action cameras, and how they’ve transformed what we’re able to share with you through timelapse videos. Find out more in our Olfi blog!

Viking Raid at Huskycup 2016 by Simon o'Rourke

 

 

Viking Raid at Huskycup 2016 by Simon o'Rourke

 

Review of the Decade: 2017

2017’s highlight is from Liverpool. Simon created a tribute to The Beatles by carving life size figures of the Fab Four live along the dockside over a weekend. You can read more about the event in our Global Beatles Day Blog, and keep scrolling to enjoy our flashback photos and video.

2017 was also the year Simon began being sponsored by Stihl. Not only do they manufacture quality equipment, but it was something of a ‘full circle’ for Si, as his very first chainsaw experience was using Stihl equipment.

 

Beatles at the Liverpool dockside by Simon O'Rourke

 

Nearly done!!

Posted by Simon O'Rourke – Tree Carving on Monday, 28 August 2017

 Review of the Decade: 2018

As Simon says in his case study about the Spirit of Ecstasy, this was one of his most challenging sculptures to date.
You may remember from our Spirit of Ecstasy blog, that Simon recreated the Rolls Royce icon for an enthusiast to give new life and purpose to a beautiful oak tree which had died. Despite the challenges, the finished piece was faithful to the Rolls Royce concept, graceful and simply stunning. We hope you enjoy the finished result as much as we (and most importantly, the client!) did.

Spirit of Ecstasy by Simon O'Rourke

 

 

Review of the Decade: 2019

In our new year blog at the start of last year, we told you 2019 would be our ‘year of the dragon’. We weren’t wrong! Over the year Simon created seven new dragon-related carvings, including an ice dragon in our local town.
It all started off with The Dragon of Bethesda. It sits in an arboretum in North Wales after the landowner commissioned Simon to create something spectacular from a fallen tree. Y Ddraig Derw was featured in national media, and we are still overwhelmed by the encouraging response from so many people to the piece.

Dragon of Bethesda by Simon O'Rourke

 

Our other dragon highlight from the year, is this stunning casket created for HBO’s Game of Thrones.

Game of Thrones egg props Simon O'Rourke

Simon was commissioned by HBO as part of a wider project where artists re-imagined original props from the show. He received these beautiful dragon eggs, and created the casket for them to sit in. You can remind yourself of the whole project and process in our Game of Thrones blog.

Again, we were amazed, thankful and VERY encouraged by all the positive comments we received.

This is also the year Simon became an affiliate for ManpaTools. Their angle grinders especially have taken some of his texture and detail to a whole new level.

Simon O'Rourke casket Game of Thrones Season Eight

Moving into 2020, Simon has also become an affiliate for Saburrtooth. With quality tools and equipment from Stihl, Manpa and Saburr, Simon’s talent and creativity, and the continued support of all our amazing clients and co-workers, we look forward to what the next decade – the roaring 20’s – will hold.

We hope you enjoyed our Review of the Decade. We definitely loved seeing some of these pieces afresh as we looked back.
As always, if you have a project in mind, email us on [email protected]