legend

Close up of St Georg in the St George and the dragon sculpture by Simon O'Rourke

St George and the Dragon Sculpture

St George and the Dragon Sculpture 720 960 Simon O'Rourke

It’s a day late, but Happy St George’s Day to my English friends!
It’s actually quite the week for important days. The Queen’s birthday, St George’s Day, and the anniversary of both Shakespeare’s birth and death. Definitely lots of choice there for a blog that fits the calendar! We decided to balance out all the dragons on this blog a little though, and share about this St George and the Dragon sculpture. I actually carved the piece earlier this year, so you might have seen the pictures on social media already. Every sculpture has its own story though,  so keep reading to find out about this one…..

St George and the Dragon tree carving sculpture by Simon O'Rourke

The Subject

This St George and the dragon sculpture was a commission from a client in the south of England. She had an oak stump in the garden, and began exploring ideas with Simon as to what it could become.
Commissioning a sculpture is never just one email requesting a particular subject. There is the actual timber itself to consider (is the size, shape etc suitable), client preferences, artist vision and skill, and the overall impact in its environment. Investing in a piece of art isn’t a small decision, especially when it’s a tree stump and physically not so easy to move as selling a small picture!

In this case, of the ideas discussed, St George was most meaningful to the client. St George’s Day is special to her as it is also her birthday! The sculpture will now be part of her annual celebration as, in her own words, she can “raise a glass every year standing by [her] stunning tree carving!”

Original client concept sketch of St George and the Dragon by Simon O'Rourke

Original sketch for the commission overlaying the stump

Finalising the Design
Once a subject is chosen, there is still more discussion between Simon and a client. Simon will share some of his ideas, as well as talking about how to make that happen. He will take into account not only the kind of piece the client wants, but also the timber. Sometimes there may be cracks that need to be taken into account. Other times there may be a beautiful grain pattern. Sometimes knots or the shape of the branches will lend themselves to a particular feature.
Close up of St Georg in the St George and the dragon sculpture by Simon O'Rourke
Refining an Idea
In this case, some of the main conversation points were focused on:
Scale
Given the diameter of the trunk, St George couldn’t be life size. Simon suggested that instead, he could be stood on a precarious pile of rocks, which would give a nice context. Ultimately, St George would need to be no higher than 18″. This ‘miniature’ turned out to be a fun contrast for Simon, as it immediately followed the Marbury Lady!
Story
Those of you familiar with Simon’s work, know he takes his inspiration from artists like Rodin and Bernini. They changed the concept of portrait work from being static, to telling a story. In the same way, Simon’s work always invites the viewer into a narrative. In this case there was a natural story to tell…..the legend of St George and the Dragon.
St George and the Dragon sculpture by Simon O'Rourke
Choosing the Narrative
SPOILER ALERT!
For those who are unfamiliar with the story of St George and the Dragon, basically an English knight tames and slays a dragon. Simon suggested that this sculpture incorporate that story. His suggestions included portraying George in the act of stabbing the dragon with a spear.
Alternatively, he suggested the dragon could be underneath him, or it could be rearing up above him, even adding wings on to give a striking silhouette.
This is where dialogue is important, as although these ideas could look fantastic, they weren’t fully what the client was after. She had concerns stabbing the dragon could look a little macabre (and who wants to celebrate a birthday that way!!), and wanted the emphasis on St George.
With this in mind, Simon decided to include the dragon as part of the story, but to merge it into the trunk. As well as hinting at the legend, this would also have the effect of emphasising the figure of St George. And so, the St George and the Dragon sculpture was decided!
Dragon from Simon O'Rourke's St George and the Dragon sculpture
Creating the St George and the Dragon Sculpture

As you look at the concept sketch next to the finished design, you will notice it wasn’t identical. This is part of the process of working with wood. When Simon saw the stump in person, the design changed due to the centre of the tree being offset. This meant that as it ages, it won’t split as much, as if he had used the original design.

Concept sketch with finished st george and the dragon sculpture

Creating this in the client’s garden involved copious use of the Stihl battery saws. As he was carving, Simon hit a few nails, hence the dark blue staining on the inside of the tree. Luckily he had spare chain with him for the saw he was using for detail. Hitting metal with that delicate chain is usually terminal for the cutters!!

 

St george and the dragon in process

The sculpture as Simon finished with the chainsaws, and was ready to begin with the smaller tools.

Saburrtooth burrs also played a bit part in the detailing. The detail on the face was made using the 3/8″ eye cutter and 1/4″ taper – a couple of staple tools that Simon relies on.

 

Visible detail on St George and the Dragon Sculpture by Simon O Rourke

Visible detail on the rocks and dragon

And that brings to an end our story of the St George and the Dragon sculpture!
We hope you enjoyed hearing a little more about the process behind finalising a design.
If you would like Simon to create something truly unique for your own home, garden or business, contact him on [email protected]
Although at the moment he is unable to carve at the moment, he is still able to sketch ideas and work on initial concepts and quotes, as well as working on his upcoming online art courses.

Next week, as we can’t go outdoors and travel as much, we will be bringing some of the UKs forest trails to you instead!

We leave you with the time lapse of the creation of this stunning St George and the Dragon sculpture.
Stay safe, and stay well.

 

 

 

Simon O'Rourke creating the Lady of Marbury sculpture

The Marbury Lady Sculpture

The Marbury Lady Sculpture 960 960 Simon O'Rourke

Those of you follow Simon on social media will have already seen his stunning Marbury Lady sculpture.
The sculpture is inspired by a ghost story associated with the former Marbury Estate. People in the area frequently claim to have seen this ghost, as she haunts the park. The most recent sighting is reported as being last year! Simon has carved many figures from books, moviesmyths and legends, but we think this is the first time he has carved a ghost!
We had another reason too for wanting to share her story. The Marbury Lady sculpture is carved from a  tree that died due to salt poisoning. We wanted to share a little more about it to highlight the issue, and hopefully help prevent unnecessary damage and death to other trees.

Simon O'Rourke's Marbury Lady sculpture viewed from the road

The Marbury Lady viewed from the road

The Location:

Marbury Hall was a country house in Marbury, near Northwich. Several houses existed on the site from the 13th century, which formed the seat of the Marbury, Barry and Smith-Barry families, until 1932, and the story behind the mysterious Marbury Lady is connected with James Smith Barry, who inherited the hall in 1787.
The buildings have all fallen into disrepair though and no longer exist on the site. It is now woodland known as Marbury Country Park. 

For any interested in visiting, it’s a great spot for a walk. You can wander along the mere with splendid views over the water to the church at Great Budworth, or explore the arboretum (the avenues of limes are quite well known) and community orchard. There is also a play area and swimming pool.

The park is cared for by The Friends of Anderton and Marbury (FOAM). They not only look after the park, but have a busy programme of walks, talks, conservation tasks and events. If you are thinking of visiting, it’s definitely worth checking out their website to see what they have happening. It was FOAM who commissioned the Lady of Marbury sculpture, after the death of several of their trees due to salt poisoning.

The Lady of Marbury sculpture by Simon O'Rourke in process

At work on the sculpture

Salt Poisoning

So what is salt poisoning?
Basically if a tree is exposed to too much sodium, it stops the flow of potassium and magnesium. In turn, this stops the tree making chlorophyll. For those who can’t remember their high school science, that’s the ‘green stuff’ needed by plants to turn light from the sun into energy (photosynthesis)! Salt is so effective n this, you can actually use it to intentionally kill a tree –  or any plant!

Salt damage is extremely common, especially in urban areas in the winter when we use salt to de-ice the roads. Spray from the roads hits the tree, as well as being absorbed/spread through running water, and melting ice and snow.

Early sign to watch out for are the edges of the leaves turning brown. At this point it is still possible to reverse damage and prevent death through leaching – basically just adding water to the soil. Good drainage is a key factor too in preventing and curing salt poisoning. If you need to know more, we found this helpful article on reducing the salinity of soil that you might find interesting.

In the case of Marbury Park, the trees were damaged by salt leaking from a split brine pipe.
However, rather than remove them, FOAM decided to give them new life, and commissioned Simon to create something….

Simon O'Rourke creating the Lady of Marbury sculpture

The Story of the Marbury Lady

FOAM wanted one of the damaged trees to represent something of the Marbury Park history. There are several ghost stories connected to the area, but the most well known locally are the variations of The Marbury Lady.

The version Simon chose to tell is of the Egyptian lady. Smith-Barry traveled extensively, and spent much of his time in Italy, Greece and the Levant. It is said that on one of his travels he met with a lovely Egyptian girl. He fell madly in love with her, and when he had to return to England, he told her he would send for her to follow him and make her his wife. As in all good romances though, there was a third person involved, and this is where stories begin to vary. Some say there was an arranged marriage, others a scandal with a housekeeper. Either way, Smith-Barry failed to send for his Egyptian lady…..

Marbury Lady Sculpture by Simon O'Rourke

The Story Continues…..

Some time later it is said that the Egyptian lady came to England. Again, stories vary at this point. Some say she worked as his housekeeper, others that he kept her as a mistress. They all agree though that she asked that when she died, her body be embalmed and kept in the hallway at Marbury Hall. When Smith-Barry died some years later, the family didn’t really want what they considered to be a mummy in a coffin! They arranged a burial, and moved the body to a nearby church. What they did not expect however, was the hauntings that would follow!

In the years (decades now!) that have followed, there have been reportings of sightings of a lady in a white veil, and well as tales of strange sounds and happenings. Whether you believe in ghost stories or not, she makes an interesting subject for a sculpture….

Simon’s Marbury Lady Sculpture

Simon decided to depict the Egyptian lady in his sculpture. However, always creative, he carved her as both a living person AND the ghost! He sculpted the face that faces the road to show the girl alive. Her face is smooth, her expression regal, and proud. The orchard view shows her eyes closed, hands clutching her chest, giving the story of her sad demise. Her face is also covered with fragments of veil which reflect the accounts of sightings of The Marbury Lady.
As well as depicting her in both life and death, Simon did this because he wanted to encourage people not just to view passively, but to physically engage with the sculpture. In carving her this way, people have to physically move round to the other side of the sculpture to see the full story.

The Living depiction of The Marbury Lady by Simon O'Rourke

 

The Marbury Lady, ghost side, Simon O'Rourke

The side depicting the ghostly Marbury Lady

A Test of Skill

Simon had been looking forward to this project ever since it was approved last year. She wasn’t without her challenges though. To begin with, their is the challenge of carving a standing stump, rather than a piece of timber in the workshop. With a piece of timber, it may be tricky to source another ‘perfect’ piece….but it can be done. With a standing stump that is being transformed, there is only one chance! No room for mistakes!

Behind the Veil

The other distinct challenge (and a first for Simon on a commission) was the veiling over the ghostly side. When painting or drawing, it is possible to draw the whole face, then ad the veil over the top. Even in sculpting with clay or similar, the veil is added. In the case of tree carving, Simon could only take away. That meant not only using technical skill and tool like the golden ratio to envision the correct proportions and expression, but being able to do so whilst also imagining where and how the veiling would fall, and taking into account having to leave that behind.

Tools of the Trade

As always, he cut as far down as he could with his larger Stihl chainsaws, before using manpatools angle grinder followed by the saburrtooth bits (especially the large flame bit) to finish the detail and texture. We’re sure you can imagine too, working at the top of all that scaffolding, the cordless saws with backpack for holding the battery pack (Stihl) were essential!

Looking at the finished sculpture though, you can see Simon rose to the challenges, and created something absolutely unique, relevant to the area, and enthralling for the viewer. Thank you to Filmage.co.uk for the video!

Here's the time lapse video of the Marbury Lady! Thanks to filmage.co.uk for the excellent editing!

Posted by Simon O'Rourke – Tree Carving on Wednesday, 5 February 2020

We think this is one of Simon’s best examples of sculpting female form, and certainly stands alongside his Spirit of Ecstasy, Angel at the Pool of Bethesda and Viking Raid. Which are your favourite of Simon’s female sculptures? Why not comment below and let us know?!

And, as always, if you have a damaged tree that you would like to breathe new life into, email [email protected] to talk about some possibilities.

Ice Carving for Wrexham Museum

Ice Carving for Wrexham Museum 150 150 Simon O'Rourke

Last night Simon was on ‘home territory’ as he took part in the annual Victorian Christmas market in Wrexham. Don’t worry though, he hasn’t traded his chainsaw for a stall and money pouch! Simon’s contribution to the evening was much cooler, if we do say so ourselves. He swapped timber for something much wetter, and did some ice carving for Wrexham Museum.

Crowds watching ice carving for Wrexham Museum

Outside Wrexham Museum*

About the Victorian Market

Wrexham’s Christmas Market has become one of the most eagerly awaited events in the town’s calendar and successfully attracts thousands of shoppers year after year.  This year there was a Victorian theme to the market with Punch and Judy shows throughout the day, and period street performers. The main feature though was 100 stalls from Queens Square right up to and inside St Giles’ Church.

Punch and Judy show at Wrexham Victorian Christmas Market

Punch & Judy on Hope Street

About Ice Carving for Christmas

To coincide with the event, Wrexham Museums also organised and hosted an event: Ice Carving for Christmas. As well as Simon’s ice carving, the museum was open for the public and people could do Christmas shopping in the gift shop and enjoy a hot chocolate or mulled wine in the cafe. Various school choirs performed, including Bryn Hafod Primary who sang in both Welsh and English, and Libby and Sign of the Times. As you can see from the first photo we shared, plenty of people came to enjoy the evening.

Crowds watching Simon O'Rourke Ice Carving for Wrexham Museum

Crowds watching Simon Ice Carving for Wrexham Museum*

Ice Carving for Wrexham Museum

If you read the blog we wrote a couple of weeks ago about the event (visit it here) then you’ll know Simon didn’t just complete one carving. The Ice carving for Wrexham Museum was actually a trail through the town. It began at St Giles church, where most of the market stalls were located, and ended at the Museum.

In the first location, Simon began by carving one block of ice, which was a clue as to what the final ice sculpture would be. People could then follow him to second location where he carved a second block, giving people a second clue.

They could then follow him to the museum where they could submit their guesses as to what his final carving would be, and any correct answers won a prize.

*spoiler alert*

For those who know that 2019 was a year full of dragons for us, it will come as no surprise that the final sculpture was this stunning dragon head.

It lives!! The dragon head, complete with smoke!!

Posted by Simon O'Rourke – Tree Carving on Thursday, 5 December 2019

Let us take you back though through the evening as the audience experienced it though…..

Setting up:

Working in the multiple areas gave Simon and Paul the first challenge of the night – getting all the equipment through the thousands of people attending the Victorian Market! They had everything loaded up on a cart, and the high vis jackets definitely helped them get noticed so the crowds could part a little. It definitely wasn’t the quickest or easiest transportation of equipment though!

Paul and Simon making their way through the crowds attending the market!

Simon O'Rourke safety jacket

Paul and Simon making their way through the crowds attending the market!

St Giles Location

The first location was St Giles church where Simon carved this stunning dragon’s eye. Standing it the crowd, it was fun to be able to hear people’s awe as they watched. Especially as the chain saw went all the way through the ice to carve the space that became the eye! Several people were also commenting on how clear the ice was. Many guessed correctly that we didn’t just freeze water from our hosepipe to make the blocks. Rather, they are especially made for events like this. There’s a science behind it, but you can actually do it at home! Read all about how crystal clear ice is made at Barschool.Net. We’re happiest to leave it to the professionals, but if you try it yourselves, let us know if it works!

As we have said before, it is the lighting that makes the difference when ice carving. This green lighting reflecting off the scales Simon created is definitely eerie and mysterious, which helped add to the sense of mystery and anticipation of what the final carving would be.

Viewers outside St Giles*

Early on in the work on the dragon’s eye

Simon O'Rourke working on an ice carving of a dragon's eye, Wrexham 2019

Adding textured to create the scales*

Dragon eye at Ice Carving for Wrexham by Simon O'Rourke

The finished dragon’s eye*

Henblas Square

The second location of the night was Henblas Square.
Here, as well as the general admiration of what Simon was doing, I could hear many more questions about the equipment.

“His hands must be freezing” was also a pretty common theme!

Unlike most people were thinking, Simon wasn’t using specialist ‘ice carving’ equipment. He used his faithful Stihl battery powered chainsaws (complete with the handy backpack you will have noticed for the battery packs) for most of the initial carving. This meant they were lightweight and didn’t need a power supply. Perfect for this kind of mobile evening. He also used his Manpa tools angle grinder, with burr bits by Saburrtooth. And, while we’re speaking of Saburrtooth, we’re excited to announce Simon will become one of their ambassadors in 2019!

It was nice to see so many people stay and watch the entire carve here. For a long time people were guessing it was going to be eagles, rather than (as you can see) this amazing dragon claw (clue number two)! It really is fascinating to watch, but the audience were also encouraged to stay by the unusually warm evening. After several nights of hard frost, it was 10°c! Although being a warmer night was helpful for the audience and shoppers, the warmer weather meant Simon had to carve extra fast as the ice was melting far more quickly that he’d hoped!

Simon O'Rourke ice carving: dragon claw

Simon o Rourke Ice Carving for Wrexham Museums 2019 Dragon Claw

The finished dragon claw, clue number two in the ice carving trail

The finished dragon claw, clue number two in the ice carving trail*

Wrexham Museum

The museum location was the longest of Simon’s carves, and he used six blocks of ice rather than the one that he used at the other locations. Even before he arrived, people were fascinated by the ice on the museum forecourt.

ice blocks for carving wrexham museum 2019

Blocks of ice waiting for carving!

Simon was challenged here not only by the ice melting in the warmer weather, but also an impressive wind. At one point the leaves spiraling in the air looked like a scene from The Wizard of Oz! It didn’t put people off watching though, and in some cases it was hard for parents to pry their children away.

Ice Carving for Wrexham museum 2019

Watching outside Wrexham Museum*

Simon o'Rourke ice carving dragon Wrexham 2019

Adding texture with an angle grinder

Simon O'Rourke adding detail to an ice carving dragon, Wrexham 2019

Adding detail to the dragon

One of the perks of Simon being on ‘home turf’ is being able to watch him. Another is being able to hear and see other people’s reactions. The audiences at all the locations were a mix of people who have followed Simon and his work for years, and others who had never even imagined creating something with a chainsaw!

“The precision is unbelievable”

“I’m so impressed with the talent and detail he is able to produce with a chainsaw”

“I’ve never seen anything like it before. It’s bold and beautiful”

“I was only going to stay ten minutes but once I started watching, I had to stay until the end”

“The detail is unbelievable”

“Stunning. Simply stunning”

We can’t help but agree! The lighting bouncing off the textured scales and the smoke  just made it perfect. Even still in process, it looked spectacular in the light.

Dragon Ice carving in process by Simon O'Rourke

The Finished Piece.

Thank you to Wrexham Museums for organising and hosting the event so well (and for the mulled wine the staff not wielding chainsaws enjoyed!). Thank you too to Shaine Bailey and Treetech for sponsoring the event. And to everybody who came and watched, shared on social media, and complimented Simon on his work. It’s lovely to be able to meet people, and to have such a lovely and encouraging audience. It’s also great to finish our year as it began, with a dragon that captured the attention and hearts of the people who saw it (read about the first dragon, Y Ddraig Derw here).

And so, we leave you with the finished piece for 2019’s Ice Carving for Christmas*:

Ice Carving for Wrexham Museum Christmas 2019 Finished dragon head by Simon O'Rourke

 

Dragon head in ice by Simon O'Rourke

Dragon head in ice by Simon O'Rourke

If you would like to book Simon for your event (ice or timber!) email us on [email protected] to talk about details.

*photo credit to Gareth Thomas from Wrexham Museums.

Queen of the South Legends Unveiled

Queen of the South Legends Unveiled 150 150 Simon O'Rourke

Back in May we started sharing videos and photos of a statue of three footballers that Simon was working on. Five months later, we’re proud to see the statue of the Queen of the South legends finally installed and unveiled!

Queen of the South Legends statue by Simon O'Rourke unveiled in Dumfries

Queen of the South Legends Statue unveiled October 2019

The Commission

The statue was commissioned by The People’s Project and stands outside the Queen of the South stadium in Dumfries. The People’s Project exists to help rekindle community within Dumfries. It does this through practical projects, funding of community initiatives, and creating opportunities to remind people of the heritage of their town. This statue isn’t their first commission, and they have also restored or commissioned statues of Robert De Bruce, and Peter Pan.

This particular commission commemorates three of the legends of Queen of the South FC: Billy Houliston, Alan Ball, and Stephen Dobbie. Each player represents a different era, achievement and contribution to the club. To find out more about each player, visit http://www.qosfc.com/news-4765. We think it’s always inspiring to read about passion t,alent and dedication, even if football may not be your thing!

Stephen Dobbie with his likeness at the unveiling of the Queen of the South Legends by Simon O'Rourke

Current player Stephen Dobbie with his likeness at the unveiling

Making the Statue

This statue was always going to be a challenge. The original goal was to make the three life-sized players out of one piece of oak:

About to begin a project that will be a big challenge… And for once it isn't a dragon!!Three life size footballers in one log…

Posted by Simon O'Rourke – Tree Carving on Wednesday, 22 May 2019

If you watched the video, you would have seen Simon refer to a crack throughout the timber. That obviously meant he had to react immediately, and think about how to work with and around that crack. In the beginning this seemed to have a simple solution. Just turn the trunk upside down!

In addition though, he had to think not only about what that crack is like in the moment, but what would happen in years to come. It turned out that when he considered the Scottish weather, that crack was going to create some problems. Simon ended up having to cut out one player, and use a second piece of timber, as you can see in the next video. Every cloud has a silver lining though! Removing that player helped Simon overcome one of the other challenges in a 360° statue – reaching the backs of the other players!

An update on the footballers!!

Posted by Simon O'Rourke – Tree Carving on Monday, 1 July 2019

Queen of the South FC statue in process after a player had been removed, allowing Simon to access the backs of the other players

The statue in process after a player had been removed, allowing Simon to access the backs of the other players

Creating a Likeness

As well as technical challenges, there was then the task of creating an accurate likeness. As we’ve mentioned in this blog, this means not only dealing with correct shape and ratio, but also the challenge of depth. In this case too, it also has to be true to life, and there isn’t as much artistic license. Especially in the case of a statue like this where the purpose is to honour people, Simon always wishes to capture them in a way which is accurate and tells a story of who they really are. For those who wonder how possible that is when using power tools, this comparison says it all!

Close up of Billy Houliston statue with one of the photos Simon worked from to create The Queen of the South legends

Billy Houliston statue with one of the photos Simon worked from

Creating Community – Not Just a Statue.

Part of the purpose of this statue was to commemorate the Queen of the South legends. It is has a bigger purpose that goes beyond this though.

The reason for commemorating these players is to remind the Dumfries community of their heritage. To remind them of town and community achievements they can be proud of. It reminds them of things they have in common like the love of a sport or a hero. It gives a focus for unity and remembering positive moments in their community. For the younger person looking at these players immortalised in wood, it gives something to aspire to. And for the older generation, it can bring about a sense of nostalgia and ‘the good old days’ that brings joy and encouragement. The kits from the different eras clearly show achievements across the years and history, and so it helps unite generations in a mutual appreciate of their team and its history.

Stephen Dobbie and club officials at the unveiling of the Queen of the South legends statue by Simon o'Rourke

Stephen Dobbie and club officials at the unveiling

And so, statues like this are more than just pieces of art to be admired. They also help unite, inspire, and promote community. Even the simple act of coming together for an unveiling ceremony helps create all these things.

If you are part of a town, club, society or community and would like to explore a similar idea, why not send us a message? As always, Simon is available on [email protected] to talk about your vision, hopes and the practical details.

A Phoenix Arises

A Phoenix Arises 150 150 Simon O'Rourke

There’s something very poetic about this week’s featured sculpture, where a phoenix arises from a Douglas Fir.

Unlike many commissions where a tree is damaged or diseased and a customer wants to turn it into something beautiful, in this case there was nothing wrong with the tree. Rather, it had simply become too big for its location, and couldn’t stay where it was planted. This isn’t uncommon. Lots of people plant trees in gardens not realising how big they’ll get, and they become a potential hazards. There are plenty of ways to transform the story of that tree though if that happens, including commissioning a unique piece of art!

Work in progress on Simon O'Rourke's phoenix

Work in progress

The Legend of the Phoenix

The phoenix is a bird which has come to represent new life. More specifically, it has also come to represent the birth of something beautiful out of the end of something else. Greek and Roman mythology says this long-lived bird dies in a show of flames. Then, out of the ashes from the fire, a phoenix arises in a majestic show. It then seems fitting that a tree that has seen the end of its natural life, would give birth to this stunning phoenix sculpture. The parallels don’t end there. Legend also says the phoenix dies and regenerates after 1000 years of life. Did you know that’s also the possible life span of the Douglas Fir?! As an evergreen tree, the Douglas Fir can also represent eternal life – as does the phoenix because of its legendary cycle death and regeneration.

A Phoenix Arises by Simon O'Rourke

About the Sculpture

This particular fir  had an interesting shape that Simon needed to work with. Trees always come with their own sets of twists, knots and potential for future cracks, and Simon has to constantly adapt his design as he discovers those. The shapes and textures work so well in this sculpture though, you would never know it hadn’t been specifically and intentionally designed that way!

The twists and texture from the very base of the trunk to where the phoenix arises mimic the movement of the flames that legend says consumed the first bird. These get more intense, closer together and more detailed as they travel up the trunk, until they become actual flames. Their shape is also reminiscent of the sun, which is also closely tied the the legend of the phoenix.
From the centre of these flames, Simon’s stunning phoenix rises, with its wings unfurled as if about to take flight. Stray feathers carved into the trunk further down, enhance this sense of movement, as they seem to have dropped from powerfully flapping wings.

Full length picture of A Phoenix Arises by Simon O'Rourke showing the feathers falling in flight

Full length photo showing the falling feathers from the Phoenix taking flight

The Harry Cane

Are you as fascinated by the flames as we are? We think their texture and shape is magnificent, and creates a wonderful organic-looking flame for the phoenix to rise from.
Simon had to use a few different tools to create that look. Firstly, his Manpa Tools belts and cutters. Simon was recently sponsored by the company and is enjoying their products to take some of his sculptures to the next level. He also used gouging attachments gifted to him by The Harry Cane. These attachments were devised by Harry Cane to attach to the Stihl MS170 (Stihl’s recommended entry level chainsaw) or MSE170, and are ideal for ‘gouging’ as well as to add another level of depth. Anyone wanting to get their hands on one for themselves can visit The Harry Cane shop at http://theharrycane.de/shop.html

Harry Cane chainsaw attachments as used by Simon O'Rourke

The Harry Cane attachments on the Stihl MS 170

The Douglas Fir

It isn’t just the phoenix that has its own interesting story either. The Douglas Fir has its own interesting background too. As we are lovers of all things arboricultural and forestry, we’re sharing some random ‘tree trivia’ (should that be a hashtag?!) with you:

Tree Trivia

You probably know the Douglas Fir better as a ‘Christmas Tree’. Whilst we use several species to decorate our homes over the season, the Douglas fir is the most common.

The Douglas fir isn’t actually a true fir! That’s why we sometimes know it as Oregon Pine, Douglas Pine, Douglas Spruce and Puget Sound Pine.

The tree is native to the Pacific Northwest in the US (the alternative names might have been a giveaway).  It was brought to the UK by David Douglas in 1827 and is considered naturalised in the UK, Europe, South America and New Zealand.

Douglas fir is extremely versatile, and can be used for lumber, food, drink and traditional medicine. It is also frequently used ornamentally in trees and park, and is useful to wildlife as food and shelter.

The only remaining US Navy wooden ships are made from Douglas Fir.

Close up of the upper part of "A Phoenix Arises" by Simon O'Rourke

Close up of the phoenix rising from the sun-like flames

Testimonial

We hope you enjoy learning more about the trees Simon works with. We also hope you love the phoenix as much as we do. More importantly, as much as the owner does! We leave you this week with this testimonial from a very satisfied customer.

As always, if you find yourself in the same situation as this client, contact Simon on [email protected]  to talk about ways of giving it new life.

 

A Hydra Rising

A Hydra Rising 150 150 Simon O'Rourke
The Commission

Last week Simon was in Surrey completing a private commission for a client: A Hydra rising from the ground.

The nature of tree carving means really having to go with the flow. Or we should say, go with the grain.
And the flaws.
Plus the cracks and future cracks.
The knots too.
And more!
In this case, Simon had seen photos and had an idea of creating an animal emerging from the ground. However, it was only when he saw the timber in person, that he could fully commit to a design. A hydra rising from among the fallen tree.

A work-in-progress photo of a Hydra rising from the ground by Simon O'Rourke

The hydra in process

The Timber

The timber in question was willow, which is technically a ‘medium hard’ wood. That description is a little deceiving though, as it is actually lightweight, and very soft. That softness is actually why it’s a popular choice for whittling and wood carving. It means that it doesn’t make good  lumber for furniture or construction though. It also isn’t a good choice for firewood, as it gives off relatively little heat compared with other woods. That means a fallen willow is a perfect excuse for having something unique created in your garden!

Hydra tree carving sculpture by Simon O'Rourke

The Process

Once he got to work, Simon enjoyed creating heads from each of the branches. He used a range of Stihl, Milwaukee, and Manpa tools to create the faces and scales that make it appear a hydra is rising from the ground. In part, this effect is enhanced by the choice of leaving some bark and leaves lower down the individual branches. He was especially thankful for the Stihl MS193c petrol chainsaw as there was nowhere to charge any batteries! That said, there is an upgraded Stihl MS 151 C-E out now that he can’t wait to get his hands on. It promises an increase in power and torque, whilst still being their most lightweight back handle saw.

Hydra tree carving sculpture by Simon O'Rourke

Sponsorship News.

While we’re speaking of Stihl, it seems a good opportunity to share that they have renewed their sponsorship of Simon. We’re delighted by this, as they provide such consistent quality tools and customer service. You can see their full range of products at https://www.stihl.co.uk/products.aspx . We also thought we’d share this video from their website which shares a little more as to why we love this partnership.

The Finished Product.

But back to the hydra! After many hours playing with power tools, we have a finished hydra rising. For Greek Mythology purists, Simon suggests not counting the heads as it has a few more than tradition says! And speaking of Greek Mythology, whether it be the intricacies or the teeth and scales, or the ferociousness of expression that wins him over, we reckon even Heracles wouldn’t want to chop any of the heads off this particular hydra!

Close up of the Hydra Heads. A private tree carving commission by Simon O'Rourke

Close up of the heads showing the detail and texture.

Simon is available for bespoke sculptures from your damaged or fallen trees. Contact him using our online form or on [email protected] for quotes or just to find out more.

A New Bird In Town: The R Charity Liver Bird

A New Bird In Town: The R Charity Liver Bird 150 150 Simon O'Rourke

This week we want to share with you one of Simon’s latest projects: the R Charity Liver Bird.
For those who have never heard of Liver Birds, you are not alone. Read on to find out more!

2019 Liver Bird by Simon O'Rourke

2019 Liver Bird by Simon O’Rourke

 

THE LIVER BIRD LEGEND

The Liver Bird is a fictional bird, that usually looks like a cormorant, and its history dates back to 1207 when the city was founded. In fact, legend has it that if they mate and fly away the city will cease to exist!  The most iconic representation of Liver Birds is on the Liver Building near the docks. What people often don’t know though is that there are actually over 100 of them throughout the city! And now there’s a new O’Rourke Liver Bird in town!

Reverse of Simon O'Rourke's 2019 Liver Bird

Reverse of Simon O’Rourke’s 2019 Liver Bird

ABOUT THIS BIRD

Simon made this particular Liver Bird out of Redwood. It is carved with some of Simon’s favourite Stihl and Manpa tools, and stands around 2′ tall, and it was commissioned for an auction being held at the R Charity Annual Ball.

4th ANNUAL R CHARITY BALL

The ball takes place on 6th September. The organisers (R Charity), work with departments across the Royal Liverpool and Broadgreen University Hospital Trust. They identify and deliver projects that will provide staff with equipment and facilities that will enhance patient experience whilst within their care.
The 4th annual charity ball is specifically to raise money for the Urology department at the Royal.  Funds raised will go towards the purchase of a TRUB machine which helps to detect and diagnose prostate cancer.

Close up on the Simon O'Rourke logo and texture of the base

Close up on the Simon O’Rourke logo and texture of the base

R CHARITY

This is not the first time Simon has donated sculptures to R Charity. An auction at a previous ball raised over £2000 for the hospital, and earlier this year he donated work to raise funds for the hospital’s Roald Dahl Centre.
Simon himself is a ‘local lad’ (he grew up in the Waterloo area), and still has family in the city. More recently one of the Tree Carving team also became a patient at their Roald Dahl Centre. With friends and family benefiting from the excellent care the trust offers, Simon is happy to be able to ‘give something back’ in this way.

R Charity 4th Annual Ball

Tickets are still available for the ball where the auction for the R Charity Liver Bird will take place.
Email [email protected] call 0151 706 3150 or go use Eventbrite to buy your ticket.

If the cause itself is close to your heart, you can donate on their Just Giving page.

Although Simon’s time is limited, and he can’t say ‘yes’ to every request, you can contact us about commissions for charity at [email protected]

Carved Day’s Night: Global Beatles Day

Carved Day’s Night: Global Beatles Day 150 150 Simon O'Rourke

June 25th was Global Beatles Day. Yes, there is such a thing!
The day celebrates the ideals of The Beatles, and honours them as individuals. We love the music of the Beatles, and with Simon also being a Liverpudlian, we couldn’t let it pass without a flashback to Simon’s Beatles carvings.

Simon carving The Beatles

Work in progress!

Simon created The Beatles sculptures over four days in Liverpool in August 2017. It was part of an event at the pier head, so locals were also able to watch Simon at work. Needless to say, they loved seeing their very own ‘fab four’ coming to life!


Beatles Sculptures outside the Liver building for Global Beatles Day

Making each figure took around six hours. From facial details to posture, each one is a great representation, and reflects Simon’s talent for human form. The ‘Fab Four’ were then auctioned off in aid of Variety charity, and ended up raising over £15,000! Global development and human rights were important to the members of the band, and as Global Beatles Day also celebrates their values, we reckon that fantastic result is another good reason to revisit these pieces today.

Simon O'Rourke Celebrating Global Beatles Day with his Beatles sculptures

Simon with the finished band!

Since then Simon has recreated lots of figures from the airman at Highclere Castle to other Liverpudlians like Cilla Black and Ken Dodd. You can see some of his human form portfolio here.

If there are events, anniversaries etc that you would like marked with your own sculpture, get in touch with us at [email protected] to find out more.

Huskycup 2019

Huskycup 2019 150 150 Simon O'Rourke
Huskycup 2019

And just like that, Huskycup 2019 is over! After a week of carving by some of the best chainsaw carvers in the world, Blockhausen now has several dragons added to its exhibits – including the fabulous Water Dragon by Simon and Japanese tree carver Keiji Kidokoro.

As we wrote in THIS BLOG, Simon and Keiji had the freedom to make anything relating to the theme ‘dragons’. They decided to create a dragon which would reflect both their cultures, in an ‘east meets west’ Water Dragon.

Simon and Keiji with the finished water dragon

Simon and Keiji with the finished water dragon

East meets West

Initially the dragon seems predominantly Asian because of the serpentine shape and the wave it rests on. Closer look shows a beautiful merging of the cultures though. For example, the wings are very much the scale of those seen in western interpretations of dragons. It also features a more typically western profile with the sloped nose. Up close, we can also see scales more consistent with the dragons of Hollywood movies than those of Asian design.
What other features can you see belonging to each culture?

Initial sketch of Water Dragon by Simon O Rourke and Keiji for Huskycup 2019

The initial concept sketch by Simon

 

Profile view of the finished Water Dragon

Profile view of the finished Water Dragon

Team Work

Part of the success of this dragon was working to each of their strengths. Simon and Keiji have carved together before (Japan 2015 & 2016) which was an asset when designing the piece. Simon imagined and drew the initial design, but very much incorporated Keiji’s skill in fine detailing and consistent texturing. Keiji is also talented with an airbrush, and painted the eyes and a piece of tail. We think both are lovely finishing touches which help bring life to the sculpture.

Keiji painting the eye

Keiji painting the eye

 

View showing the scales over the entire body

View showing the scales over the entire body

 

View from the tail shows another airbrushed touch of colour

View from the tail shows another airbrushed touch of colour

One of Simon’s strengths is creating movement and story in his pieces. As such, he enjoyed working on the coils that create the shape and movement of the dragon. That meant creating the shape of each piece, but also working out placement, so it would be realistic and retain the overall flow of the sculpture. We think he did a great job!

Focus on the coils that gave the eastern serpentine feel

Focus on the coils that gave the eastern serpentine feel

Not All Smooth Sailing (Carving)

Those who follow us on our Facebook page will have seen that the dragon wasn’t without its challenges though! Reaching some parts of the dragon needed some serious climbing and balancing skills! They also drew the smallest pieces of timber in the lottery, and later discovered some rotten wood which meant pausing work to resource something more suitable. Small challenges though in a week which was otherwise packed with successful carving, being inspired by others and enjoying time with the tree carving community.

Their initial wood supply

 

Carving those hard-to-reach places at Huskycup 2019

Carving those hard-to-reach places!

Only As Good As Your Tools!

Simon also got to try some new tools. As always, Stihl (Stihl DE) were faithful to provide chainsaws which are always up to the task! He also got to try some new angle grinding tools provided by Korean company, Manpa. It can be a bit of a gamble working with unfamiliar tools, but in this case it worked out. Both the Stihl and Manpa tools turned out to be great choices for Simon.

Simon working on some fine detail

 

Simon O'Rourke working on some detail for his Huskycup 2019 carve

Working on some fine detail on the wings

Beyond the Carve

Huskycup is about more than the carving though. Blockhausen itself is always worth a visit, but part of what makes the event great and draws back such a high calibre of artist, is the atmosphere and community. The venue even features its own Walk of Fame, honouring artists in the tree carving community! Simon received his star in 2012, and he felt this year’s additions were great choices.

Huskycup 2019 finished carve by Simon O'Rourke and Keiji Kidokoro

The finished head

 

A final photo of the finished Water Dragon

A final photo of the finished Water Dragon

Oh, and for those who noticed the little guy at the front right of the photo? This baby dragon is not only bringing the cute to your screen right now (and showing Simon’s versatility in dragon carving!), but will feature in the Huskycup 2019 charity auction.
Baby dragon for charity auction

Baby dragon for charity auction

For those wanting to see more, the organisers have already started to upload photos and videos which you can enjoy HERE.
Of course, there’s nothing quite like experiencing it for yourself! Huskycup is open to the public, and Blockhausen is open all year round where you can see the Water Dragon for yourself, as well as other creations from over the years.

Spirit of Ecstasy: Recreating an Icon

Spirit of Ecstasy: Recreating an Icon 150 150 Simon O'Rourke
  • She was originally created in 1909
  • She’s based on the then company secretary, Eleanor Thornton
  • The owner of the company didn’t agree with her presence, even though today she is synonymous with the brand
  • She can be made from silver and gold plated nickel or steel, stainless steel, crystal, with adaptations such as black matte paint, diamond studding or even ‘faberge’ styling
  • She has many names, and is sometimes still known today as Emily, Silver Lady, or Flying Lady
  • We’re featuring her in this blog because it ties in with the London Motor Show which is being held this week

Can you guess what today’s blog is about yet?

What about from these photos of the work in progress?

Work in Progress: Spirit of Ecstasy by Simon O'Rourke

Today’s featured work in progress

Spirit of Ecstasy

Some of that was probably a bit obscure, so we won’t leave in any more suspense!

Today we’re featuring Simon’s representation of ‘The Spirit of Ecstasy’; the figurine found on the bonnet of Rolls Royce Vehicles. If you were to wander around the Motor Show this weekend, we’re pretty sure you’d see a few different examples of her – but none quite as tall as this one!

Spirit of Ecstasy by Simon O'Rourke

Spirit of Ecstasy by Simon O’Rourke

The Background Story

This particular sculpting of the iconic figure was a private commission for the garden of a Rolls Royce enthusiast. She was quite the undertaking as she is ‘larger than life’, and took several days to complete. With her grace and elegance though we think that she’s the perfect addition to this car-lover’s garden, especially months on, when the plants have matured around her plinth.

Spirit of Ecstasy by Simon O'Rourke with matured plants

Spirit of Ecstasy with matured plants

Something for the Future

The figure of ‘The Flying Lady’ lends itself nicely to becoming a classical-looking garden statue. It got us wondering though, for all the other car lovers out there, what other emblems or figurines would you like to see Simon carve?

Perhaps the Ferrari horse for their head office in Maranello?

Maybe a jaguar for a fountain of the grounds of ….well, Jaguar?

Or, for something really obscure, a Marlin for a classic car collector?

Comment or tweet to let us know your ideas!

Spirit of Ecstasy by Simon O'Rourke

Spirit of Ecstasy by Simon O’Rourke

If you would like a carving for your offices, community area, home or garden to reflect your passion or hobby, contact @[email protected] to commission something truly unique to you.