ice sculpture

Photo shows a man carving a sculpture from a tree trunk. He is standing in a tall cherry picker. Equipment like this is one of the Things to Consider When You Commission an On-Site Chainsaw Carving Sculpture

Things to Consider When You Commission an On-Site Chainsaw Carving Sculpture

Things to Consider When You Commission an On-Site Chainsaw Carving Sculpture 450 600 Simon O'Rourke

A chainsaw carving sculpture can be a great addition to your home or business. It’s a lovely way to give life back to a tree that is dead, diseased or dangerous. As well as being a beautiful piece of art in its own right, it can also add value to your attraction or home. However, there are lots of practical considerations to think about if you want to commission an on-site chainsaw carving sculpture. When you contact Simon, he will ask for details and photos to help him plan. This blog is to help you think about those considerations, to help make the process as smooth as possible.

Simon can travel to your home or business to create a sculpture from a standing tree.

 

Things to Consider When You Commission an On-Site Chainsaw Carving Sculpture: Simon’s Workspace

Ideally, Simon needs 2-3m space around the tree stump to be able to move easily and approach the sculpture from the best angle. If it’s possible to clear this space, it’s really helpful for him. However, don’t worry if this isn’t possible. If the tree stump is against a fence or something similar and he doesn’t have this space, it doesn’t mean he can’t do it – it’s just good for him to know in advance.

When thinking about the workspace it’s also worth remembering that sometimes some large pieces of timber can come down off the tree. For this reason, we suggest moving anything valuable from the area before Simon comes to set up. Nobody wants a smashed table or squashed prize-winning begonias!

oak maiden sculpture in process

This photo of the Oak Maiden in process shows the size of branches Simon sometimes has to remove

 

Things to Consider When You Commission an On-Site Chainsaw Carving Sculpture: Spectator Space

It’s FASCINATING to watch Simon carve! It can be tempting to want to get as close to the action as possible, and if your sculpture is for a community, inviting people to watch may even be part of generating support for the commission. However, it can also be dangerous to get too close! If you do want to watch (or invite others), you will need to make sure there is a 6m space between Simon and the next closest human being!

Crowds watching ice carving for Wrexham Museum

Crowds watch Simon from a safe distance outside Wrexham Museum*

 

Things to Consider When You Commission an On-Site Chainsaw Carving Sculpture: Access for Equipment

All Simon’s equipment can be carried, so in some ways distance from parking to the site doesn’t matter. BUT! Some of it is quite heavy. If you are able to make a way for him to park as close as possible to the place he will be carving, it is incredibly helpful.

Simon will also ask you for photos of his access to the site from the parking spot – especially if he needs to use scaffolding or a cherry picker. This is because slopes or other obstacles may change the equipment he needs to hire. He may also need to find a creative way of getting it to the site. This happened this week in fact, getting this cherry picker to the carving site…

Photo shows a man carving a sculpture from a tree trunk. He is standing in a tall cherry picker. Equipment like this is one of the Things to Consider When You Commission an On-Site Chainsaw Carving Sculpture

Simon’s colleague Paul working in a cherry picker for an on site carving

 

Things to Consider When You Commission an On-Site Chainsaw Carving Sculpture: Additional Equipment

And while we’ve mentioned cherry pickers, let’s talk additional equipment!

Simon has his own platforms which enable him to carve a sculpture up to 2.5m without hiring extra equipment. For anything taller than that though, he will need to use scaffolding or a cherry picker. He will arrange it all, so don’t worry about suddenly having to become an expert in this area! As the client though, it’s worth knowing that this will impact the cost of the commission. It may also impact the time needed too. For example, the scaffolding for the Spirit of Ecstasy sculpture took a day to assemble!

Again, Simon will ask you for photos not just of the tree, but of the surrounding ground to help him arrange the best and safest equipment for the job.

Work in Progress: Spirit of Ecstasy by Simon O'Rourke

This photo of work in progress on The Spirit of Ecstasy allow you to see suitable timber size and access for an onsite carving, as well as the scaffolding needed.

Things to Consider When You Commission an On-Site Chainsaw Carving Sculpture: Clean Up!

Chainsaw carving is messy! As you can imagine, there is a LOT of sawdust as well as chunks of tree. Simon is happy to do that tidy-up. However, this means paying for his time, so it’s generally better for the client to handle this part themselves. If you’re commissioning a sculpture, make sure you include time and energy for this clean up before you invite people over for an unveiling!

ThA sculpture of an ent in a monkey puzzle tree trunk. It is surrounded by sawdust. Clean up of this mess is a factor to consider whren you Commission an On-Site Chainsaw Carving Sculpture

The Ent at Poulton Hall surrounded by sawdust! It’s important to be prepared for this, and budget time and energy for cleaning up

 

Things to Consider When You Commission an On-Site Chainsaw Carving Sculpture: Power supply

Simon will generally come armed with fully charged batteries, petrol etc for his chainsaws and olfi video equipment. It can be helpful though, if possible, to give him access to a plug socket or two by running an extension cable through a window.

Simon O'Rourke's giant hand of vyrnwy surrounded by scaffolding. Scaffolding hire is one of the things to consider when you commission a chainsaw sculpture

Simon’s Giant Hand of Vyrnwy before the scaffolding was taken down.

Things to Consider When You Commission an On-Site Chainsaw Carving Sculpture: Final Thoughts

We hope this helps you understand the kind of information Simon will ask for (and why) when you commission and on-site chainsaw carving sculpture. Of course, we missed out that providing copious amounts of tea, coffee and the odd jammy dodger never go amiss either!

If you’re thinking of commissioning a sculpture, we recommend reading this blog about the suitability of your tree first. It may also be helpful to read this blog about commissioning a sculpture too.

To contact Simon about a commission, use the contact form at www.treecarving.co.uk/contact/. We look forward to hearing from you!

Ice Carving for Wrexham Museum

Ice Carving for Wrexham Museum 150 150 Simon O'Rourke

Last night Simon was on ‘home territory’ as he took part in the annual Victorian Christmas market in Wrexham. Don’t worry though, he hasn’t traded his chainsaw for a stall and money pouch! Simon’s contribution to the evening was much cooler, if we do say so ourselves. He swapped timber for something much wetter, and did some ice carving for Wrexham Museum.

Crowds watching ice carving for Wrexham Museum

Outside Wrexham Museum*

About the Victorian Market

Wrexham’s Christmas Market has become one of the most eagerly awaited events in the town’s calendar and successfully attracts thousands of shoppers year after year.  This year there was a Victorian theme to the market with Punch and Judy shows throughout the day, and period street performers. The main feature though was 100 stalls from Queens Square right up to and inside St Giles’ Church.

Punch and Judy show at Wrexham Victorian Christmas Market

Punch & Judy on Hope Street

About Ice Carving for Christmas

To coincide with the event, Wrexham Museums also organised and hosted an event: Ice Carving for Christmas. As well as Simon’s ice carving, the museum was open for the public and people could do Christmas shopping in the gift shop and enjoy a hot chocolate or mulled wine in the cafe. Various school choirs performed, including Bryn Hafod Primary who sang in both Welsh and English, and Libby and Sign of the Times. As you can see from the first photo we shared, plenty of people came to enjoy the evening.

Crowds watching Simon O'Rourke Ice Carving for Wrexham Museum

Crowds watching Simon Ice Carving for Wrexham Museum*

Ice Carving for Wrexham Museum

If you read the blog we wrote a couple of weeks ago about the event (visit it here) then you’ll know Simon didn’t just complete one carving. The Ice carving for Wrexham Museum was actually a trail through the town. It began at St Giles church, where most of the market stalls were located, and ended at the Museum.

In the first location, Simon began by carving one block of ice, which was a clue as to what the final ice sculpture would be. People could then follow him to second location where he carved a second block, giving people a second clue.

They could then follow him to the museum where they could submit their guesses as to what his final carving would be, and any correct answers won a prize.

*spoiler alert*

For those who know that 2019 was a year full of dragons for us, it will come as no surprise that the final sculpture was this stunning dragon head.

It lives!! The dragon head, complete with smoke!!

Posted by Simon O'Rourke – Tree Carving on Thursday, 5 December 2019

Let us take you back though through the evening as the audience experienced it though…..

Setting up:

Working in the multiple areas gave Simon and Paul the first challenge of the night – getting all the equipment through the thousands of people attending the Victorian Market! They had everything loaded up on a cart, and the high vis jackets definitely helped them get noticed so the crowds could part a little. It definitely wasn’t the quickest or easiest transportation of equipment though!

Paul and Simon making their way through the crowds attending the market!

Simon O'Rourke safety jacket

Paul and Simon making their way through the crowds attending the market!

St Giles Location

The first location was St Giles church where Simon carved this stunning dragon’s eye. Standing it the crowd, it was fun to be able to hear people’s awe as they watched. Especially as the chain saw went all the way through the ice to carve the space that became the eye! Several people were also commenting on how clear the ice was. Many guessed correctly that we didn’t just freeze water from our hosepipe to make the blocks. Rather, they are especially made for events like this. There’s a science behind it, but you can actually do it at home! Read all about how crystal clear ice is made at Barschool.Net. We’re happiest to leave it to the professionals, but if you try it yourselves, let us know if it works!

As we have said before, it is the lighting that makes the difference when ice carving. This green lighting reflecting off the scales Simon created is definitely eerie and mysterious, which helped add to the sense of mystery and anticipation of what the final carving would be.

Viewers outside St Giles*

Early on in the work on the dragon’s eye

Simon O'Rourke working on an ice carving of a dragon's eye, Wrexham 2019

Adding textured to create the scales*

Dragon eye at Ice Carving for Wrexham by Simon O'Rourke

The finished dragon’s eye*

Henblas Square

The second location of the night was Henblas Square.
Here, as well as the general admiration of what Simon was doing, I could hear many more questions about the equipment.

“His hands must be freezing” was also a pretty common theme!

Unlike most people were thinking, Simon wasn’t using specialist ‘ice carving’ equipment. He used his faithful Stihl battery powered chainsaws (complete with the handy backpack you will have noticed for the battery packs) for most of the initial carving. This meant they were lightweight and didn’t need a power supply. Perfect for this kind of mobile evening. He also used his Manpa tools angle grinder, with burr bits by Saburrtooth. And, while we’re speaking of Saburrtooth, we’re excited to announce Simon will become one of their ambassadors in 2019!

It was nice to see so many people stay and watch the entire carve here. For a long time people were guessing it was going to be eagles, rather than (as you can see) this amazing dragon claw (clue number two)! It really is fascinating to watch, but the audience were also encouraged to stay by the unusually warm evening. After several nights of hard frost, it was 10°c! Although being a warmer night was helpful for the audience and shoppers, the warmer weather meant Simon had to carve extra fast as the ice was melting far more quickly that he’d hoped!

Simon O'Rourke ice carving: dragon claw

Simon o Rourke Ice Carving for Wrexham Museums 2019 Dragon Claw

The finished dragon claw, clue number two in the ice carving trail

The finished dragon claw, clue number two in the ice carving trail*

Wrexham Museum

The museum location was the longest of Simon’s carves, and he used six blocks of ice rather than the one that he used at the other locations. Even before he arrived, people were fascinated by the ice on the museum forecourt.

ice blocks for carving wrexham museum 2019

Blocks of ice waiting for carving!

Simon was challenged here not only by the ice melting in the warmer weather, but also an impressive wind. At one point the leaves spiraling in the air looked like a scene from The Wizard of Oz! It didn’t put people off watching though, and in some cases it was hard for parents to pry their children away.

Ice Carving for Wrexham museum 2019

Watching outside Wrexham Museum*

Simon o'Rourke ice carving dragon Wrexham 2019

Adding texture with an angle grinder

Simon O'Rourke adding detail to an ice carving dragon, Wrexham 2019

Adding detail to the dragon

One of the perks of Simon being on ‘home turf’ is being able to watch him. Another is being able to hear and see other people’s reactions. The audiences at all the locations were a mix of people who have followed Simon and his work for years, and others who had never even imagined creating something with a chainsaw!

“The precision is unbelievable”

“I’m so impressed with the talent and detail he is able to produce with a chainsaw”

“I’ve never seen anything like it before. It’s bold and beautiful”

“I was only going to stay ten minutes but once I started watching, I had to stay until the end”

“The detail is unbelievable”

“Stunning. Simply stunning”

We can’t help but agree! The lighting bouncing off the textured scales and the smoke  just made it perfect. Even still in process, it looked spectacular in the light.

Dragon Ice carving in process by Simon O'Rourke

The Finished Piece.

Thank you to Wrexham Museums for organising and hosting the event so well (and for the mulled wine the staff not wielding chainsaws enjoyed!). Thank you too to Shaine Bailey and Treetech for sponsoring the event. And to everybody who came and watched, shared on social media, and complimented Simon on his work. It’s lovely to be able to meet people, and to have such a lovely and encouraging audience. It’s also great to finish our year as it began, with a dragon that captured the attention and hearts of the people who saw it (read about the first dragon, Y Ddraig Derw here).

And so, we leave you with the finished piece for 2019’s Ice Carving for Christmas*:

Ice Carving for Wrexham Museum Christmas 2019 Finished dragon head by Simon O'Rourke

 

Dragon head in ice by Simon O'Rourke

Dragon head in ice by Simon O'Rourke

If you would like to book Simon for your event (ice or timber!) email us on [email protected] to talk about details.

*photo credit to Gareth Thomas from Wrexham Museums.

Ice Carving for Christmas

Ice Carving for Christmas 150 150 Simon O'Rourke

The countdown to Christmas is on! Shops are full of decorations, calendars are filling up, and Christmas music is starting to hit the radio. It’s also that time of year where Simon takes a break from wood for an evening or two, and turns his hand to ice sculptures. This year he’ll be digging out his thermals to take part in ‘Ice Carving for Christmas‘ organised by Wrexham Museums. Although Simon is privileged to travel nationally and internationally, it’s also fun for us when we get to participate in local events, and important to us to be engaged with our local community. We can’t wait for December 5th!

Wrexham Ice Carving for Christmas posters 2019 featuring Simon O'Rourke

The Event

Ice Carving for Christmas promises to be a great evening for all ages. Guests follow a trail that starts at St Giles Church and ends at the museum. They also have not one, not two, but THREE opportunities to see Simon carving along the way!

Station One is near to St Giles church and Victorian Market (5pm-6pm). After watching Simon carve, guests can spend time at the market which promises to be bigger and better than previous years. There’ll be all kinds of stalls ranging from local crafts to food and drink.

 After enjoying the market, guests can move on to work station two from 6-7pm. There will also be food and drink vendors along the street, as well as late night opening for some of our high street shops. 

Then it’s on to the Museum for the main event (7pm-9pm ). People who watched the first two stations can make their guess as to what the finished carve will be, with prizes for those who guess correctly. So, much as we would love to tell you, we’re keeping it quiet. No spoilers here! At the museum, there will also be opportunity to sing somecarols and join in the Christmas spirit with festive refreshments from the café.There’ll also be chance to get some photos with Simon and the finished carve. Perfect for sending out with family Christmas cards!

Past Ice Sculptures

Regular followers will know this isn’t Simon’s first time ice carving. This week we shared this Facebook post with a flashback to some spectacular ice carving he did for Cardiff Ice Kingdom in 2015.

Cardiff Ice Kingdom sculptures by Simon O'Rourke

Simon’s work at 2015 Cardiff Ice Kingdom

Cardiff Ice Kingdom Santa sculpture by Simon O'Rourke

2015 Cardiff Ice Kingdom Santa Sculpture by Simon

Local Ice Carving

Simon also took part in Wrexham’s 2017 Ice Carving for Christmas. As he will in this year’s event too, Simon worked outside the museum. People could watch as he transformed these blocks of ice into beautiful, detailed penguins.

Simon O'Rourke at the start of 2017's Ice Carving for Christmas event

Simon at the start of 2017’s Ice Carving for Christmas event

Penguins in Ice by Simon O'Rourke

Finished penguin ice carving

From Wood to Ice

Obviously ice is a very different material to wood! When Simon makes the transition, there are a few things he has to keep in mind for a successful carve.  For example, time!

One thing we all know about ice, is it melts. Fast! So whereas Simon might work on a typical sculpture over several hours or days, with ice it is more like one of the ‘speed carving’ events.

Simon O'Rourke Ice Carving in progress 2017

Penguins in progress in 2017

Another difference is that ice is much more brittle.
This means when Simon begins thinking about his designs, he can’t include as many delicate shapes. The work focuses on bringing lots of detail and texture to larger shapes for the light to shine through and bounce off. Which leads to the final difference we’ll highlight here today: presentation.

When using wood, working with the tree’s natural lines, colours and shapes is crucial. The sculpture then speaks for itself as people view it. With ice, the success is often down to light. That includes the nature of the lighting itself e.g. will it be multicoloured? Shades of the same colour? How will the lighting help tell the story of the sculpture and set the scene?

It also includes how the sculpture will ‘interact’ with the light. Where will the light hit and bounce off? At what points will it shine through? Where will it help bring depth to a particular part of the sculpture? And so, Simon must consider this both as he plans, and as he progresses.

These photos show perfectly both the texture and the impact of lighting on his 2017 Ice Carving for Christmas penguins.

Close up of penguin ice carving by simon o'rourke

Close up of ice penguin showing the impact and importance of lighting

Penguin Ice Carving by Simon O'Rourke for Ice Carving for Christmas 2017

Close up of ice penguin showing the impact and importance of lighting

Not All Change!

Of course, it isn’t all change! Some things will stay the same as Simon switches from wood to ice this year.

He will still be using his faithful Stihl chainsaws, and their battery chainsaws are perfect for events like this. He’ll also be thankful for their thermal clothing and waterproof protective trousers! Whether wood or ice, or any other outdoors work, nobody wants to be cold and wet! Obviously, whatever he’s carving (remember, no spoilers here!) and whether wood or ice, the level of excellence, creativity and skill that Simon brings will stay the same.

Ice carving penguins by Simon O'Rourke