Human Form

Downton Revisited: The Highclere Castle Airman

Downton Revisited: The Highclere Castle Airman 150 150 Simon O'Rourke
The Visit

No, our blog title doesn’t refer to the movie released this weekend. We mean the real life setting for the series and movie: Highclere Castle. The castle is part of Lady and Lord Carnavon’s estate and is located in Hampshire, over 200 miles from the fictional setting. But for the fans of the series who enjoy a good tear-jerker, today’s blog about visiting the Highclere Castle Airman is just as good!

You may remember that last year Simon and Dan worked on a memorial for the Highclere Estate. For those who need a refresher, the project was a sculpture of a WWII airman and a series of benches that were unveiled at the Highclere Heroes weekend. They were made as a tribute to the airmen who lost their lives in the eight plane crashes that occurred there during WWII.  The benches even featured actual wreckage from one of the B17s that crashed on the estate. This weekend Simon and Liz had the privilege of visiting to see how the Highclere Castle airman is doing.

Keep reading to find out what that entails for Simon, but also a wonderful ‘plot twist’!

Simon and Liz O'Rourke at Highclere Castle, home of his airman sculpture

Simon and Liz at Highclere

Highclere Castle Airman with the house in the background

The beautiful setting for the airman and benches

The ‘Check Up’

Simon looks out for a few things when checking on a sculpture. One is obviously any damage that needs repairing. Thankfully there is no damage to either the airman or benches. That is, except for the inevitable bird deposits! He also reports that the Sculpture is weathering nicely. It’s already turned a lovely silvery grey colour, which was the intention.
When Simon re-visits a sculpture, he also looks at where the wood has opened up. When he is carving, he has to calculate where cracks will appear as it ages, and take this into account. Using wood in the right way can ensures it doesn’t split across the face or important parts of the sculpture as the wood dries. Again, thankfully all is well!

Highclere Castle Airman by Simon O'Rourke

The airman

Highclere Castle Airman by Simon O'Rourke

Reflecting on the project

The estate is a beautiful place to  enjoy the British countryside, and the Highclere Castle Airman is located in a particularly tranquil spot. As Simon and Liz were able to sit and enjoy both countryside and sculpture, they took some time to reflect on the project.

The O’Rourkes still feel extremely honoured to have been involved in this memorial. They hope that people will be able to enjoy the sculpture and benches in this setting for years to come. They’re also still extremely grateful to Lord and lady Carnarvon for commissioning Simon and Dan, and for their hospitality to them. As at the original unveiling,  it was very moving for them to be in a place so many sacrificed their lives for others, and to be part of a project that makes that history a visible and ‘living memory’ for others.

Simon, Liz and Dan weren’t the only ones moved by this lovely tribute commissioned by Lady Carnarvon. Several news outlets picked up on the sculpture, but also some of the stories behind it. The BBC article focused on the story of Len Nitti; a serviceman who miraculously survived a crash. The Daily Post focused on the project itself, as does the Daily Mail who also reflect on how the commission was an example of life and art imitating each other, and mirrored the final scenes of Downton Abbey.

B17 Benches, part of the Highclere Castle Aiurman memorial by Simon O'Rourke and Dan Barnes

The ‘B17 benches by Dan Barnes featuring shrapnel from crashed planes

The 'B17 benches by Dan Barnes featuring shrapnel from crashed planes. Part of the Highclere Castle Airman memorial

The ‘B17 benches by Dan Barnes featuring shrapnel from crashed planes

And then…..

And now for that beautiful plot twist!

Simon and Liz met with families of the airmen who lost their lives as part of the project – a very meaningful part of the Highclere Castle Airman story for them. So much so in fact, they are still in touch with one of the families today. There was one family that they didn’t get to meet at the time though. The family of William Dutton were the only family who were unable to make the unveiling weekend last year. 2nd Lt Dutton died on May 5th 1945 in the B17 Flying Fortress. In fact, it’s parts from his plane that are in the bench legs!
Life is full of surprises though. Completely unexpectedly,  Simon and Liz got to meet Nancy Dutton Sanders this weekend – William Dutton’s sister!

Simon O'Rourke meets sister of deceased Highclere Castle Airman

Meeting with Nancy Dutton Sanders

It added a poignancy and beauty to the visit. As always, meeting the ‘real life people’ behind the stories, makes all of us feel afresh a thankfulness for those who fought in wars for our freedom. For Simon and Liz, meeting families and seeing how much it means to them to have their loved ones honoured, is also a privilege and a joy, and adds real purpose to a project. How much more fun when it is totally unexpected!

This really ‘made’ the visit. We only hope that people viewing Highclere on the Big Screen this weekend get as much of a happy ending!

Those Autumn Leaves – Enjoying The Changing Season

Those Autumn Leaves – Enjoying The Changing Season 150 150 Simon O'Rourke
“Autumn is a second spring when every leaf is a flower.”

In this quote Albert Camus describes beautifully the stunning displays of colour that we see at this time of year. From September, the trees around us change to display rich golds, fiery reds and warm oranges. Whether we mourn the loss of summer or enjoy the change of season, none of us can deny that Autumn leaves are glorious, and we think September and October are the perfect time to get outside and enjoy that beauty. The temperature hasn’t dropped too much, and the nights are not too dark yet. Plus, there’s the added bonus of being able to find fruits and berries to take home! If you fancy enjoying the outdoors this Autumn, then why not plan to follow one of Simon’s forest trails?

Stanley by Simon O'Rourke as Marford Quarry

Stanley, one of Simon’s sculptures along the trail at Marford Quarry

Sculpture Trails

Over the years, Simon has completed several ‘sculpture trails’ throughout the UK. Typically these add points of interest to the walk and give information about the local area. Usually the sculptures themselves reflect the environment, such as this lynx found in Fforest Fawr. Although the lynx, and wolf that make part of that trail are rarely seen any more, it is not that long ago that they roamed that part of South Wales.

Fforest Fawr Lynx by Simon O'Rourke

Fforest Fawr Lynx by Simon O’Rourke

Close up of Lynx at Fforest Fawr by Simon O'Rourke

Close up of the face of the lynx at Fforest Fawr

Pages Wood

Another example of these forest sculpture trails that Simon has created are the two in Page’s Wood. He and his wife Liz wrote a story that followed an animal character along each trail. Each sculpture showed an encounter with another animal resident of the woodland, and the story with each gave information about that animal. The trails have been so popular, that he will be back later this year to make some additions and tweaks!

Horatio Hedgehog meets Squirrel at Page's Wood Sculpture Trail by Simon O'Rourke

Horatio Hedgehog meets Squirrel at Page’s Wood Sculpture Trail

Those Autumn Leaves

While you’re out enjoying these trails, have you ever wondered why it is that the leaves are changing colour and falling though?
We have! And as we love all things ‘tree’ and forest, we thought we’d share a couple of random Autumn tree facts while reminding you of some of the forest trail animals you could go and see.

Wolf by Simon O'Rourke at Fforest Fawr

Howling wolf at Fforest Fawr

The Wonder of Nature

Fact One:
Trees don’t ‘lose’ their leaves, they actually actively shed them to ensure their survival! Find out more here.

Fact Two:
Trees can sense the shortening days, and that’s how they know when to begin shedding leaves

Red Deer at Fforest Fawr by Simon O'Rourke

Red Deer at Fforest Fawr

Fact Three:
Leaves change colour as the tree absorbs all the nutrients out of the leaf and stores it for winter. A little like an animal eating well and stashing food to prepare for hibernation!

Fact Four:
The colour of a tree’s ‘Autumn leaves’ depends on what other pigments the tree has. For example, hickories, aspen and some maples have a lot of carotenoids so they turn golden colours. Oaks and Dogwoods have a lot of anthocyanins so they turn russets and browns.

Verity Vole by Simon O'Rourke, part of the Page's Wood sculpture trail

Verity Vole, the second protagonist at the Page’s Wood sculpture trail

Fact Five
Nature is amazing, so it is no surprise that though leaves fall, they still have an important role. As they decompose, their nutrients trickle into the soil and feed future generations of plant and animal life. Quite likely, fallen Autumn leaves are essential not just for the survival of the individual tree, but for whole forests!
This means that you need not militantly rake up every fallen leaf.
In fact, leaving them on the ground is actually a helpful thing for other wildlife.

Horatio Hedgehog meets a fox at Page's Wood. By Simon O'Rourke.

Horatio Hedgehog meets a fox at Page’s Wood

What other fun facts do you know about Autumn? Why not drop us a comment and share some of your favourites.

If you enjoyed our tree facts and want to know more, Liz also teaches forest school and can be booked ofr regular or ‘one off’ sessions. Contact her at [email protected]

Don’t forget, that if you are out and about at one of Simon’s scultpure trails, use the hashtag #simonorouke or tag us using our Facebook page  (@simonorourketreecarving)or Instagram Account (@simonorourke)

English Open Chainsaw Competition 2019

English Open Chainsaw Competition 2019 150 150 Simon O'Rourke

The August bank holiday means one thing in the Tree Carving Calendar – The English Open Chainsaw Carving Competition! This year it took place at the Cheshire Game and Country Fair during one of our warmest weekends of the year. We’re happy to announce that Simon took a first and second place!
english open chainsaw competition

THE COMPETITION

Simon entered the ‘Combo’ competition this year. This meant he had up to ten hours on day one to create a piece using ONLY a chainsaw.  He then had up to 15 hours on the Sunday and Monday for the ‘Full Power Event’. The artist can use any power or hand tools, paints, oils and varnishes for this category. For both events the timber is provided and the artist can’t add any fixtures.

Fairy carved by Simon O'Rourke at The English Open Chainsaw Competition

The fairy which took second place in the chain saw only event

Angel carved by Simon O'Rourke at the English Open Chainsaw Carving Competition

The angel which took first place in the ‘full power’ event

THE CHAINSAW COMPETITION

The Chainsaw-only piece was this fairy, created with Simon’s trusty Stihl chainsaws. Although using only chainsaws typically means less detail, we love the texture of her sassy bob, the movement of her dress, and the intricate twisted base. Although she is clearly a more modern take on a fairy, she also has hints of the form you expect from a classic renaissance cherub, and hints of light whimsy with the detail in her wings. The fairy took second place and was part of the auction where all the competing artists sell their work.

Fairy carved by Simon O'Rourke at the English open Chainsaw CompetitionFairy carved by Simon O'Rourke at the English open Chainsaw Competition

THE FULL POWER COMPETITION

Simon’s ‘Full Power’ angel took first place in the competition. Simon has recently been sponsored by Manpa Tools, and this was his first piece using their equipment since their sponsorship. This video shows Simon using their angle grinder to create the ‘drapery’ on the angel. Although the fairy doesn’t lack texture by any means, the Manpa angle grinders create more subtle texture and details. As a private commission, the angel wasn’t part of the auction, but as always, if you like her, Simon is available to talk about a commission.

Loving these grinder attachments from Manpatools!! Here's me using them to create some drapery!

Posted by Simon James O'Rourke on Wednesday, 28 August 2019

Angel carved by Simon O'Rourke at the English open Chainsaw Competition

Altogether there were 30 carvers representing 14 nations who took part over the three days. As well as the classic and combo competitions, there were also speed carvings over the three days, which somehow Simon also managed to fit in! The event was a great time to see talented artists at work, and to connect with the community.
When asked about the event, Simon commented: “It was great to be back at the English Open and I’m really thrilled I placed 1st and second in the combo competition, there were a lot of great pieces!

 

The Rauschwitz Angel

The Rauschwitz Angel 150 150 Simon O'Rourke

Germany has a big tree carving tradition, and throughout the year there are events, festivals and competitions. We love that we get to be part of these events and the tree carving community. Each time we participate we meet wonderful people and grow friendships whilst helping to maintain the tradition. Simon’s recent Rauschwitz Angel carving was one of those opportunities.

The Rauschwitz Angel is from one of the newer events in the Tree Carving calendar. The event is hosted by Rauschwitzer Wood Culture Community and is run by Christian Schmidt – a talented tree carver himself. It featured several artists creating exhibits, as well as a speed carving competition.

The location was an open air church in Rauschwitz. The ‘walls’ of the church are trees, and there is a clear space between them, with benches for the congregation to sit on. The task this year for all the participants was to carve an angel for the end of each of the church benches.

Rauschwitz Church Angel by Simon O'Rourke

Rauschwitz Angel by Simon O’Rourke – notice the photobomb by @poppystihl!

The angel ‘theme’ tied the carvings together, and created the effect of an exhibition. Whilst there was incredible diversity as each artist was free to carve their own interpretation, there is also a real unity as they all carved the same subject. Obviously, this makes for a good exhibit! This diversity within unity is a also great depiction of what church is supposed to be too.

Rather than just focus on Simon’s sculpture, we thought we would also share some others from the event. What do you like about each, and why? Leave us a comment and let us know!

Griffon Ramsey angel

Angel by Griffon Ramsey

Angel at Rauschwitz by Dieter Kruger

Angel by Andrej Lochel

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Viewing Our Lady of Pen Llyn

Viewing Our Lady of Pen Llyn 150 150 Simon O'Rourke
Our Lady of Pen Llyn

One of the beautiful things about art, is that while the artist may have a vision or message, it speaks to people in different ways as they view. Our recent sculpture Our Lady of Pen Llyn is no different, so we wanted to share some thoughts others have had, and invite you to comment too.

Our Lady of Pen Llyn displayed at St Peter's, Pwllheli

Our Lady of Pen Llyn displayed at St Peter’s, Pwllheli

 

Reflecting On The Sculpture

One viewer has commented on the serenity of her expression, and a kind of wisdom and depth in her eyes.
Father Huw Bryant (the man behind the redevelopment project that led to the commission) has shared some of his thoughts in the statue description found at the church:

“One of the main features of the statue is Mary’s open handed pose. The Open Hand Image represents a hand open to give, as well as open to receive. Mary gave herself fully to the will of God, and she received the Holy Spirit. She gave the world her Son on the cross and she received the consolation of Joy in the resurrection. She lived with those hands open, open in trust, open in faith. Something we can emulate, to live with open hands, to not only give, but to receive as well. Out of living with open hands comes fresh new growth.  Living with open hands is an expression of an open mind, open heart, and open will.  Not only does living with open hands bring forth beauty but it is also the source of the passion of compassion. The flames of love are not stifled but are fanned into all-consuming, all-embracing, all-inclusive, unconditional love.”

Here her open hands are more visible

A Fountain of Grace

He adds:

Another feature worth contemplating is the plinth which is carved from Welsh Oak. It is designed to represent a fountain on which Mary sits. This is a representation of the Holy Well on Uwchmynydd and links to the vision of her, unique to that place. The fountain is that fountain of grace which Mary unlocks for us through her Yes to God as she bares our Christ into the world. A fountain, like that well on Uwchmynydd which is open for us today, for all to drink from it’s pure waters and thirst no more.”

Close up of the plinth mentioned by Father Huw

Of course, photos often don’t do justice to a piece of art. For those who would like a better visual, but can’t see the statue during her tour, our friends at Public-Art UK have created this fantastic 3D image for you to see.

We’d love to hear your thoughts about our sculpture, and what aspects speak most to you. Why not leave us a comment below?

 

 

Our Lady of Pen Llyn

Our Lady of Pen Llyn 150 150 Simon O'Rourke
As thThe Commission

Every commission has its own story, and some go back further than others. This week our blog is the story behind Our Lady of Pen Llyn – a story that spans generations and continents.
Our thanks go to Father Huw Bryant of Bro Enlli who helped us understand the history and significance. He graciously supplied far more than we could include in this blog. If it catches your attention, we recommend visiting their Facebook page to find out more, or visiting any of the links.

Early sketches of Our Lady of Pen Llyn by Simon O'Rourke

Early sketches of Our Lady of Pen Llyn

Our Lady of Pen Llyn (Mair Forwyn Y Mor) is a commission from St Peter’s Church, Pwllheli. She is one small part of their ongoing redevelopment of the church as a site for pilgrimage. When people think of sacred sites in North Wales, they usually name Bardsey Island (Ynys Enlli). However, in centuries past, Pwllheli was also a significant site for pilgrimage. Three years ago the shrine was re-opened. Believers began to come once again to St Peter’s to spend time in quiet, prayer and contemplation.

Mary sculpture in progress in Simon O'Rourke's workshop

Our Lady of Pen Llyn in progress in Simon’s workshop

The Journey of a Sculpture

The idea for this sculpture began when one such visitor donated a relic believed to be a piece of the veil worn by Mary (the mother of Jesus) at the cross. The church began looking for a way of displaying the relic, to make it accessible to visitors.  As they explored possibilities, they remembered the works of Hywel Rheinallt. He describes a statue of Mary in the area, that is believed to have been lost during the reformation. In wishing to reinstate that heritage, Fr Huw Bryant began to talk with Simon about a new statue.

Simon O'Rourkes sculpture displayed at St Peter's Pwllheli

Our Lady of Pen Llyn displayed at St Peter’s Pwllheli

The Artistic Process

Mary has been a popular subject for art in all mediums over the ages. One of the challenges with being commissioned to create such a sculpture is where to start, and how to bring something fresh.

What age should she be?
What mood are we portraying?
Should she stand, sit, or knee?

Simon and Father Huw began their conversation around the original statue, and the ancient seal of Pwllheli which also depicted Mary. Although all images of both seem to have been lost, there are descriptions of a vision of Mary at Uwchmynydd (a holy well in the area). Local artist Su Walls has a series depicting these visions, and these formed the basis for early conversation about the statue.

Our Lady of Pen Llyn displayed at St Peter's, Pwllheli

Our Lady of Pen Llyn displayed at St Peter’s, Pwllheli

A Beautiful Unveiling

Simon’s statue was unveiled last weekend, accompanied by a performance “The Protecting Veil” by Sir John Tavener.
In keeping with a tradition of religious statues going on tour, Our Lady of Pen Llyn is now rotating round churches in the area (view dates HERE).
She will return to St Peter’s on 15th August and will stay in the shrine area of the church where the relic is already on display. The church hopes she will be part of the devotional life of the shrine – another way of helping people enter the story of faith.

Close up view of Our Lady of Pen Llyn at St Peter's, Pwllheli

Close up view of Our Lady of Pen Llyn at St Peter’s, Pwllheli

Praise For Our Lady of Pen Llyn

Father Huw Bryant has said of the sculpture:

“It’s great to be able to have something that is both ancient and new, something to replace the medieval statue which is part of our cultural heritage that had been lost but made new for a new generation of Christians. What could symbolise such a fresh and new approach to an ancient practice than to carve it with a chainsaw!
It is a privilege over the last 3 years to see a shrine re-born and begin to bear fruit and this statue is the next step in the life of the Shrine being re-established for generations to come. Given that the Image of Our Lady of Walsingham has been used by Christian’s to guide them to Christ for over 950 years, it’s humbling to think Simon’s carving may be helping people find their way to God for hundreds of years to come.”

We agree! This is one of those times where art has an incredible impact on the soul and spirit. When we think of impacting people over the decades – maybe even centuries – to come, it’s humbling for us too !
Close up of the face of Our Lady of Pen Llyn by Simon O'Rourke

Close up of the face of Our Lady of Pen Llyn

Viewing the Sculpture

St Peter’s Church and Shrine are open Tuesday – Sunday for pilgrims to visit. There is also a shrine mass every Saturday at 10am.

If groups are interested in coming and would like services and devotions laid on, you can message them via their Facebook page or calling 01758 614693.

As always, Simon is available to talk about similar commissions at [email protected]

Carved Day’s Night: Global Beatles Day

Carved Day’s Night: Global Beatles Day 150 150 Simon O'Rourke

June 25th was Global Beatles Day. Yes, there is such a thing!
The day celebrates the ideals of The Beatles, and honours them as individuals. We love the music of the Beatles, and with Simon also being a Liverpudlian, we couldn’t let it pass without a flashback to Simon’s Beatles carvings.

Simon carving The Beatles

Work in progress!

Simon created The Beatles sculptures over four days in Liverpool in August 2017. It was part of an event at the pier head, so locals were also able to watch Simon at work. Needless to say, they loved seeing their very own ‘fab four’ coming to life!


Beatles Sculptures outside the Liver building for Global Beatles Day

Making each figure took around six hours. From facial details to posture, each one is a great representation, and reflects Simon’s talent for human form. The ‘Fab Four’ were then auctioned off in aid of Variety charity, and ended up raising over £15,000! Global development and human rights were important to the members of the band, and as Global Beatles Day also celebrates their values, we reckon that fantastic result is another good reason to revisit these pieces today.

Simon O'Rourke Celebrating Global Beatles Day with his Beatles sculptures

Simon with the finished band!

Since then Simon has recreated lots of figures from the airman at Highclere Castle to other Liverpudlians like Cilla Black and Ken Dodd. You can see some of his human form portfolio here.

If there are events, anniversaries etc that you would like marked with your own sculpture, get in touch with us at [email protected] to find out more.

Huskycup Flashback: Miners & Vikings

Huskycup Flashback: Miners & Vikings 150 150 Simon O'Rourke

It canIn a week’s time (8th-10th June) Simon and his wife Liz will be in Germany for The Huskycup.
The Huskycup is an annual event in Blockhausen with demonstrations, exhibits, and a speed-carving competition. At one time it was a competition, but is now a more relaxed demonstration and exhibition event. Artists pair up over the week to create something that ties in with the theme, without the pressure of competition. Simon has often participated, and took first place in 2016 with our first Huskycup Flashback: Viking Raid

Viking Raid, Huskycup 2016

Viking Raid, Huskycup 2016

About Huskycup 2019

Simon will partner with Japanese artist Keji Kedokoro for this year’s event. They will join five other teams to produce the best sculpture they can over the two days. This year’s theme is especially fitting for 2019 for us – Dragons!

The teams can produce anything their imagination allows! It can be realistic, comic, imagined or recognisable from a movie or TV show. The choice is theirs! We’ve seen Simon create amazing dragons in all those styles, so we can’t wait to see what he makes this time!

Until then, here’s another Huskycup flashback: The Bergmen (Miners)….

Simon O'Rourke's Bergmen in progress at Huskycup 2018s

Simon O’Rourke’s Bergmen in progress at Huskycup 2018

Revisiting Huskycup 2018

Simon’s challenge was to recreate a likeness of 15th Century German miners. He loves sculpting human form, so this was a project he could really sink his teeth into. This carve allowed him to show his skill in creating not only lifelike human form, but also historically accurate, realistic clothing through details like buttons on the uniform or the sense of movement of the cloth.

Simon O'Rourke miner carving

Working on details of the miners at Huskycup 2018

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Simon’s inspiration for his human form sculpting comes from Rodin and Bernini. Both are artists known for their use of texture, and for pioneering a style where they created motion and ‘story’ in their sculptures. Simon was faithful to that ideal when he carved these miners. Rather than being presented in a pose, they invite us into a story. It’s pretty clear these re-enactment 15th century Bergmen are delighted with their likeness!

The finished Miners, Huskycup 2018

The finished Miners, Huskycup 2018

Looking Forward

As well as the opportunity to carve, one of the fantastic parts of events like this is the community. The website shows it is going to be an amazing event. There will be great food and drink and entertainment. The speed carve features Germany against a combined Czech Republic and Slovakian team – who are keen to win after their defeat to Germany last time. There will be various demonstrations and craft stands as well as machinery exhibits and even glass work. We just hope the weather co-operates!

We’ll be sharing Simon’s work and news from the event on our Facebook and Instagram.  We wish all the artists good luck, and look forward to sharing with you the finished dragon!

Huskycup 2018

Simon is available for competitions, events and commissioned work. Email [email protected] or use the form on our contact page for information, quotes and availability.

 

 

 

 

Spirit of Ecstasy: Recreating an Icon

Spirit of Ecstasy: Recreating an Icon 150 150 Simon O'Rourke
  • She was originally created in 1909
  • She’s based on the then company secretary, Eleanor Thornton
  • The owner of the company didn’t agree with her presence, even though today she is synonymous with the brand
  • She can be made from silver and gold plated nickel or steel, stainless steel, crystal, with adaptations such as black matte paint, diamond studding or even ‘faberge’ styling
  • She has many names, and is sometimes still known today as Emily, Silver Lady, or Flying Lady
  • We’re featuring her in this blog because it ties in with the London Motor Show which is being held this week

Can you guess what today’s blog is about yet?

What about from these photos of the work in progress?

Work in Progress: Spirit of Ecstasy by Simon O'Rourke

Today’s featured work in progress

Spirit of Ecstasy

Some of that was probably a bit obscure, so we won’t leave in any more suspense!

Today we’re featuring Simon’s representation of ‘The Spirit of Ecstasy’; the figurine found on the bonnet of Rolls Royce Vehicles. If you were to wander around the Motor Show this weekend, we’re pretty sure you’d see a few different examples of her – but none quite as tall as this one!

Spirit of Ecstasy by Simon O'Rourke

Spirit of Ecstasy by Simon O’Rourke

The Background Story

This particular sculpting of the iconic figure was a private commission for the garden of a Rolls Royce enthusiast. She was quite the undertaking as she is ‘larger than life’, and took several days to complete. With her grace and elegance though we think that she’s the perfect addition to this car-lover’s garden, especially months on, when the plants have matured around her plinth.

Spirit of Ecstasy by Simon O'Rourke with matured plants

Spirit of Ecstasy with matured plants

Something for the Future

The figure of ‘The Flying Lady’ lends itself nicely to becoming a classical-looking garden statue. It got us wondering though, for all the other car lovers out there, what other emblems or figurines would you like to see Simon carve?

Perhaps the Ferrari horse for their head office in Maranello?

Maybe a jaguar for a fountain of the grounds of ….well, Jaguar?

Or, for something really obscure, a Marlin for a classic car collector?

Comment or tweet to let us know your ideas!

Spirit of Ecstasy by Simon O'Rourke

Spirit of Ecstasy by Simon O’Rourke

If you would like a carving for your offices, community area, home or garden to reflect your passion or hobby, contact @[email protected] to commission something truly unique to you.

Face to Face

Face to Face 150 150 Simon O'Rourke

Earlier in May, Simon had the privilege of being one of the artists to take part in The Sculpture Garden 2019; the launch event of The Cookham Art Festival in Berkshire. He created this fantastic exhibit ‘Face to Face as part of that event.

THE FESTIVAL

The festival itself is over 40 years old, has around 15,000 attendees, and celebrates art in several forms. This year includes the sculpture garden, music, galleries, food, poetry, spoken word, and theatre to name a few. What an amazing, rounded celebration of creativity, talent and skill!

THE EVENT

The Sculpture Garden was a brilliant launch to the festival. It was held at The Odney Club, a private house and gardens owned by the John Lewis Partnership. The venue is not normally open to the public, so the exclusivity added to the festival atmosphere. Visitors to the sculpture garden enjoyed some beautiful carved creations, and live demonstrations of works in progress. They could also the beauty of creation itself as they walked round the stunning gardens. In total there were around 150 exhibits for people to enjoy over the two weeks of the show, created by around 30 different artists, all working in different mediums and styles. Such rich variety in this exhibition alone!

The Odney Club, venue for the 2019 Sculpture Garden

The Odney Club, venue for the 2019 Sculpture Garden

 

SIMON’S EXHIBITS

Simon’s contribution were two finished faces, one which was first created during the APF Show last year (you can flashback and watch the video here). He also exhibited a third smaller version which he completed at the exhibition as a demonstration. Watching him live is undoubtedly the most impressive, but for those who are reading this blog from a distance and won’t be able to catch him at any of the shows this year, here’s the video! For those who are fascinated by the chainsaws and tools, it’s a Milwaukee Cordless Angle Grinder!

 

Face I on display at The Sculpture Garden 2019

Face I on display at The Sculpture Garden 2019

 

ABOUT THE ART

These are a very different style from Simon’s typical human form work, so we asked him to share a little bit more about his inspiration and process:

“I have always had a passion for the human form, and to recreate the human race in a realistic manner can be difficult. I wanted to zone in on sections of the face, giving the impression you’re seeing a snapshot up close. With the one with the detailed eye I wanted to recreate the feel of a real eye sculpturally, and capture the reflection and depth without the use of colour. When we see a face our brains determine what we are seeing with the help of colour and light. When you remove the colour element it really helps you to break down what makes us see and perceive depth. I make cuts deeper than they would be in reality in order to cast a darker shadow to give the illusion of depth.”

 

Face II on display at The Sculpture Garden 2019

Face II on display at The Sculpture Garden 2019

Face I, Face II and Face III are on show as part of the sculpture garden and can be purchased by contacting curator Lucy Irvine on [email protected]. If you who would like to commission a bespoke ‘Face’, email [email protected]

For those who enjoy watching the videos of Simon working, we are now in festival and competition season, so he will be competing and demonstrating in various locations over the next few months. If you would like to see him in action, watch this space or our Facebook page for details!