Human Form

Rauschwitz Angel

Rauschwitz Angel 150 150 Simon O'Rourke

Germany has a big tree carving tradition, and throughout the year there are events, festivals and competitions. We love that we get to be part of the events themselves. Bigger than this though, we love that we are able to be part of the tree carving community. Each time we participate we meet wonderful people and grow friendships whilst helping to maintain the tradition.

This week’s blog is from one of the newer events, hosted by Rauschwitzer Wood Culture Community. This particular event is run by Christian Schmidt who himself is a talented tree carver. It featured several artists carving angels (read on for the explanation) and a speed carving competition.

In Rauschwitz, there is an open air church, where the ‘walls’ are all trees, and a space cleared between them, with benches for the congregation to sit on. The task this year for all the participants, was to carve an angel for the end of each of the church benches.

Rauschwitz Church Angel by Simon O'Rourke

Rauschwitz Angel by Simon O’Rourke – notice the photobomb by @poppystihl!

The angel ‘theme’ really helped to tie the carvings together. There was incredible diversity as each artist was free to carve their own interpretation. There is also a real unity though as they all carved the same subject. This is a great depiction of what church is supposed to be – a celebration of diversity within unity.

Rather than just focus on Simon’s sculpture, we thought we would also share some others from the event. What do you like about each, and why? Leave us a comment and let us know!

Griffon Ramsey angel

Angel by Griffon Ramsey

Angel at Rauschwitz by Dieter Kruger

Angel by Andrej Lochel

Angel by Andrej Lochel

Angel by Andrej Lochel

Viewing Our Lady of Pen Llyn

Viewing Our Lady of Pen Llyn 150 150 Simon O'Rourke

One of the beautiful things about art, is that while the artist may have a vision or message, it speaks to people in different ways as they view. Our recent sculpture Our Lady of Penn Llyn is no different, so we wanted to share some thoughts others have had, and invite you to comment too.

Our Lady of Pen Llyn displayed at St Peter's, Pwllheli

Our Lady of Pen Llyn displayed at St Peter’s, Pwllheli

 

One viewer has commented on the serenity of her expression, and a kind of wisdom and depth in her eyes.
Father Huw Bryant (the man behind the redevelopment project that led to the commission) has shared some of his thoughts in the statue description found at the church:

“One of the main features of the statue is Mary’s open handed pose. The Open Hand Image represents a hand open to give, as well as open to receive. Mary gave herself fully to the will of God, and she received the Holy Spirit. She gave the world her Son on the cross and she received the consolation of Joy in the resurrection. She lived with those hands open, open in trust, open in faith. Something we can emulate, to live with open hands, to not only give, but to receive as well. Out of living with open hands comes fresh new growth.  Living with open hands is an expression of an open mind, open heart, and open will.  Not only does living with open hands bring forth beauty but it is also the source of the passion of compassion. The flames of love are not stifled but are fanned into all-consuming, all-embracing, all-inclusive, unconditional love.”

Here her open hands are more visible

He adds:

Another feature worth contemplating is the plinth which is carved from Welsh Oak. It is designed to represent a fountain on which Mary sits. This is a representation of the Holy Well on Uwchmynydd and links to the vision of her, unique to that place. The fountain is that fountain of grace which Mary unlocks for us through her Yes to God as she bares our Christ into the world. A fountain, like that well on Uwchmynydd which is open for us today, for all to drink from it’s pure waters and thirst no more.”

Close up of the plinth mentioned by Father Huw

Of course, photos often don’t do justice to a piece of art. For those who would like a better visual, but can’t see the statue during her tour, our friends at Public-Art UK have created this fantastic 3D image for you to see.

We’d love to hear your thoughts about our sculpture, and what aspects speak most to you. Why not leave us a comment below?

 

 

Our Lady of Pen Llyn

Our Lady of Pen Llyn 150 150 Simon O'Rourke

Every commission has its own story, and some go back further than others. This week our blog is the story behind Our Lady of Pen Llyn. It is steeped in a rich history that spans generations and continents. Our thanks go to Father Huw Bryant of Bro Enlli who helped us understand the history and significance. He graciously supplied far more than we could include in this blog, and if it catches your attention, we recommend visiting their Facebook page to find out more, or visiting any of the links.

Early sketches of Our Lady of Pen Llyn by Simon O'Rourke

Early sketches of Our Lady of Pen Llyn

Our Lady of Pen Llyn (Mair Forwyn Y Mor) was commissioned by St Peter’s Church in Pwllheli as part of their redevelopment of the church as a site for pilgrimage. When people think of sacred sites in North Wales, they usually name Bardsey Island (Ynys Enlli). However, in centuries past, Pwllheli was also a significant site for pilgrimage. Three years ago the shrine was re-opened. Believers began to come once again to St Peter’s to spend time in quiet, prayer and contemplation.

Our Lady of Pen Llyn in progress in Simon O'Rourke's workshop

Our Lady of Pen Llyn in progress in Simon’s workshop

The idea for this sculpture began when one such visitor donated a relic believed to be a piece of the veil worn by Mary (the mother of Jesus) at the cross. The church began looking for a way of displaying the relic, to make it accessible to visitors. Writings of Hywel Rheinallt describe a statue of Mary in the area, believed to have been lost during the reformation. In wishing to reinstate that heritage, Fr Huw Bryant began to talk with Simon about a new statue.

Our Lady of Pen Llyn displayed at St Peter's Pwllheli

Our Lady of Pen Llyn displayed at St Peter’s Pwllheli

Obviously a figure like Mary has been depicted many times, and one of the challenges with being commissioned to create such a sculpture is where to start. What age should she be depicted as? What mood? Standing, sitting, kneeling?
Simon and Father Huw began their conversation around the original statue, and the ancient seal of Pwllheli which also depicted Mary. Although all images of both seem to have been lost, there are descriptions of a vision of Mary at Uwchmynydd (a holy well in the area). They have been depicted by local artist Su Walls, and these formed the basis for early conversation about the statue.

Our Lady of Pen Llyn displayed at St Peter's, Pwllheli

Our Lady of Pen Llyn displayed at St Peter’s, Pwllheli

Simon’s statue was unveiled last weekend, accompanied by a performance “The Protecting Veil” by Sir John Tavener. The piece is a journey with Mary through Jesus’ birth, life, death and resurrection in music, and provided a beautiful backdrop of sound for viewing the sculpture.

In keeping with a tradition of religious statues going on tour, Our Lady of Pen Llyn is currently rotating round churches in the area (view dates HERE). She will return to St Peter’s on 15th August and will stay in the shrine area of the church where the relic is already on display. It is hoped she will be part of the devotional life of the shrine, another way of helping people enter the story of faith.

Close up view of Our Lady of Pen Llyn at St Peter's, Pwllheli

Close up view of Our Lady of Pen Llyn at St Peter’s, Pwllheli

Father Huw Bryant has said of the sculpture:

“It’s great to be able to have something that is both ancient and new, something to replace the medieval statue which is part of our cultural heritage that had been lost but made new for a new generation of Christians. What could symbolise such a fresh and new approach to an ancient practice than to carve it with a chainsaw!

It is a privilege over the last 3 years to see a shrine re-born and begin to bear fruit and this statue is the next step in the life of the Shrine being re-established for generations to come. Given that the Image of Our Lady of Walsingham has been used by Christian’s to guide them to Christ for over 950 years, it’s humbling to think Simon’s carving may be helping people find their way to God for hundreds of years to come.”
Indeed, it’s humbling for us think of the people who will view this and be impacted over the decades and maybe centuries to come!
Close up of the face of Our Lady of Pen Llyn by Simon O'Rourke

Close up of the face of Our Lady of Pen Llyn

St Peter’s Church and Shrine are open Tuesday – Sunday for pilgrims to visit, and there is a shrine mass every Saturday at 10am.

If groups are interested in coming and would like services and devotions laid on, you can message them via their Facebook page or calling 01758 614693.

As always, Simon is available to talk about similar commissions at [email protected]

Carved Day’s Night: Global Beatles Day

Carved Day’s Night: Global Beatles Day 150 150 Simon O'Rourke

June 25th was Global Beatles Day. Yes, there is such a thing! It was created to honour and celebrate the ideals of The Beatles, and we couldn’t let it pass without a flashback to Simon’s Beatles carvings – our own tribute to the legendary musicians.

Simon carving The Beatles

Work in progress!

The Beatles were carved over four days in Liverpool in August 2017. It was part of an event at the pier head, so locals were able to watch Simon at work. Needless to say, they loved seeing their very own ‘fab four’ coming to life!


Each figure was carved out of its own piece of timber and took around six hours. From facial details to posture, each one is a great representation, and reflects Simon’s talent for human form. The ‘Fab Four’ were auctioned off in aid of Variety charity, and ended up raising over £15,000!

Simon with the finished band!

Since then Simon has recreated lots of figures from the airman at Highclere Castle to other Liverpudlians like Cilla Black and Ken Dodd. You can see some of his human form portfolio here.

If there are events, anniversaries etc that you would like marked with your own sculpture, get in touch with us at [email protected] to find out more.

Miners Revisited

Miners Revisited 150 150 Simon O'Rourke

In a week’s time (8th-10th June) Simon and his wife Liz will be in Germany for The Huskycup.
The Huskycup is an annual event in Blockhausen with demonstrations, exhibits, and a speed-carving competition. At one time it was a competition, but is now a more relaxed event. Artists pair up over the week to create something that ties in with the theme, without the pressure of competition. Simon has often participated, and  took first place in 2016 with his Viking Raid.

Viking Raid, Huskycup 2016

Viking Raid, Huskycup 2016

Simon will partner with Japanese artist Kejie Kedokoro for this year’s event. They will join five other teams to produce the best sculpture they can over the two days. This year’s theme is especially fitting for 2019 for us – Dragons!

The teams can produce anything their imagination allows! Realistic, comic, imagined or recognisable from a movie or TV show – the choice is theirs! We’ve seen Simon create amazing dragons in all those styles, so we can’t wait to see what he makes this time!

Until then, we want to flashback to last year and The Bergmen (Miners)….

Simon O'Rourke's Bergmen in progress at Huskycup 2018s

Simon O’Rourke’s Bergmen in progress at Huskycup 2018

 

Simon’s challenge was to recreate a likeness of 15th Century German miners. He loves sculpting human form, so this was a project he could really sink his teeth into. This carve allowed him to show his skill in creating not only lifelike human form, but also historically accurate, realistic uniform whether through details like  buttons on the uniform or the sense of movement of the cloth.

Simon O'Rourke miner carving

Working on details of the miners at Huskycup 2018

"Simon

"<yoastmark

Simon’s inspiration for his human form sculpting comes from Rodin and Bernini. Both are artists known for their use of texture, and for pioneering a style where they created motion and ‘story’ in their sculptures, rather than presenting classical poses. Simon was faithful to that ideal when he carved these miners. It’s pretty clear in this photo of the final sculptures that these 15th century Bergmen are delighted with their likeness!

The finished Miners, Huskycup 2018

The finished Miners, Huskycup 2018

As well as the opportunity to carve, one of the fantastic parts of events like this is the community. The website shows it is going to be an amazing event. There will be great food and drink and entertainment. The speed carve features Germany against a combined Czech Republic and Slovakian team – who are keen to win after their defeat to Germany last time. There will be various demonstrations and craft stands as well as machinery exhibits and even glass work. We just hope the weather co-operates!

We’ll be sharing Simon’s work and news from the event on our Facebook and Instagram.  We wish all the artists good luck, and look forward to sharing with you the finished dragon!

Huskycup 2018

Simon is available for competitions, events and commissioned work. Email [email protected] or use the form on our contact page for information, quotes and availability.

 

 

 

 

Recreating an Icon

Recreating an Icon 150 150 Simon O'Rourke
  • She was originally created in 1909
  • She’s based on the then company secretary, Eleanor Thornton
  • The owner of the company didn’t agree with her presence, even though today she is synonymous with the brand
  • She has been made from silver and gold plated nickel or steel, stainless steel, crystal, with adaptations such as black matte paint, diamond studding or even ‘faberge’ styling
  • She has had many names, and is sometimes still known today as Emily, Silver Lady, or Flying Lady
  • We’re featuring her in this blog because it ties in with the London Motor Show which is being held this week

Can you guess what today’s blog is about yet?

What about from these photos of the work in progress?

Work in Progress: Spirit of Ecstasy by Simon O'Rourke

Today’s featured work in progress

Some of that was probably a bit obscure, so we won’t leave in any more suspense!

Today we’re featuring Simon’s representation of ‘The Spirit of Ecstasy’; the figurine found on the bonnet of Rolls Royce Vehicles. If you were to wander around the Motor Show this weekend, we’re pretty sure you’d see a few different examples of her – but none quite as tall as this one!  We also have a feeling she’s the only one carved out of oak!

Spirit of Ecstasy by Simon O'Rourke

Spirit of Ecstasy by Simon O’Rourke

This particular sculpting of the iconic figure was a private commission for the garden of a Rolls Royce enthusiast. She was quite the undertaking as she is ‘larger than life’, and took several days to complete. With her grace and elegance though we think that she’s the perfect addition to this car-lover’s garden, especially months on, when the plants have matured around her plinth.

Spirit of Ecstasy by Simon O'Rourke with matured plants

Spirit of Ecstasy with matured plants

The figure of ‘The Flying Lady’ lends itself nicely to becoming a classical-looking garden statue. It got us wondering though, for all the other car lovers out there, what other emblems or figurines would you like to see Simon carve?

Perhaps the Ferrari horse for their head office in Maranello?

Maybe a jaguar for a fountain of the grounds of ….well, Jaguar?

Or, for something really obscure, a Marlin for a classic car collector?

Comment or tweet to let us know your ideas!

Spirit of Ecstasy by Simon O'Rourke

Spirit of Ecstasy by Simon O’Rourke

If you would like a carving for your offices, community area, home or garden to reflect your passion or hobby, contact @[email protected] to commission something truly unique to you.

Face to Face

Face to Face 150 150 Simon O'Rourke

Earlier in May, Simon had the privilege of being one of the artists to take part in The Sculpture Garden 2019; the launch event of The Cookham Art Festival in Berkshire.

THE FESTIVAL
The festival itself is over 40 years old, has around 15,000 attendees, and celebrates art in several forms. This year includes the sculpture garden exhibits and demonstrations, music, galleries, food, poetry, spoken word, and theatre to name a few. What an amazing, rounded celebration of creativity, talent and skill!

THE EVENT
The Sculpture Garden was a brilliant launch to the festival. It was held at The Odney Club, a private house and gardens owned by the John Lewis Partnership, not normally open to the public. Coming to see the exhibits not only allowed people to enjoy some beautiful creations (and demonstrations of works in progress), but also the beauty of creation as they walked round the stunning gardens. In total there were around 150 exhibits for people to enjoy over the two weeks of the show, created by around 30 different artists, all working in different mediums and styles. Such rich variety in this exhibition alone!

The Odney Club, venue for the 2019 Sculpture Garden

The Odney Club, venue for the 2019 Sculpture Garden

SIMON’S EXHIBITS
Simon’s contribution were two finished faces, one which was first created during the APF Show last year (you can flashback and watch the video here). He also exhibited a third smaller version which he completed at the exhibition as a demonstration. Watching him live is undoubtedly the most impressive, but for those who are reading this blog from a distance and won’t be able to catch him at any of the shows this year, here’s the video! For those who are fascinated by the chainsaws and tools, it’s a Milwaukee Cordless Angle Grinder!

 

Face I on display at The Sculpture Garden 2019

Face I on display at The Sculpture Garden 2019

 

ABOUT THE ART

These are a very different style from many of the portraits Simon does, so we asked him to share a little bit more about his inspiration and the process of carving something this striking:

“I have always had a passion for the human form, and to recreate the human race in a realistic manner can be difficult. I wanted to zone in on sections of the face, giving the impression you’re seeing a snapshot up close. With the one with the detailed eye I wanted to recreate the feel of a real eye sculpturally, and capture the reflection and depth without the use of colour. When we see a face our brains determine what we are seeing with the help of colour and light. When you remove the colour element it really helps you to break down what makes us see and perceive depth. I make cuts deeper than they would be in reality in order to cast a darker shadow to give the illusion of depth.”

 

Face II on display at The Sculpture Garden 2019

Face II on display at The Sculpture Garden 2019

Face I, Face II and Face III are on show as part of the sculpture garden and can be purchased by contacting curator Lucy Irvine on [email protected]. If you who would like to commission a bespoke ‘Face’, email [email protected]

For those who enjoy watching the videos of Simon working, we are now in festival and competition season, so he will be competing and demonstrating in various locations over the next few months. If you would like to see him in action, watch this space or our Facebook page for details!

 

 

 

 

 

 

 

Tale of Two Carvings

Tale of Two Carvings 150 150 Simon O'Rourke

If you follow us on social media, you’ll know it’s been a busy week for Simon.

The first half of the week saw us traveling to Putgarten, Germany where Simon was commissioned to create a sculpture of Svantevit, the four headed Slavic god of war, fertility and abundance. This particular representation of the deity is 3 metres tall and made of oak, which will weather into a beautiful silvery grey over the coming weeks, months and years. It has the typical four heads (that are said to represent seeing the four corners of the earth, or all four seasons depending on the source) and features two of the symbols important for Svantevit in local mythology: his horn and sword.

 

Putgarten is a wonderful centre of creativity, and a recent count estimated 70 sculptures on display and/or available to buy. If you would like to know more, visit their website by clicking here – and before you have to dig out that German dictionary from your schooldays, don’t forget google can do the translating for you!

 

 

 

The second half of the week saw us return to APF 2018; the UKs largest forestry, woodland, arboricultural, fencing and biofuel exhibtion. This year there were over 320 exhibitors and 22000 visitors over the three days, creating a buzz far beyond the noise of the chainsaws!

As regulars at this event, it was great to reconnect with old friends, as well as having the privilege of being a demonstrator and competitor.

 

During the speed carving demonstrations, Simon worked on a wolf, and was cheered on by another of his creations – Squishy!

Later, 25 of the top wood carvers in Europe competed against each other in the A W Jenkinson & Tilhill Forestry European Chainsaw Carving Championship, where each had to produce a sculpture from a 1 tonne piece of timber. Simon used this as an opportunity to bring into reality a project he had been visualising for a while; a beautiful representation of a female face, making use of both long smooth lines for her smooth skin tone, and areas of more intense texture and detail to create lips, eyes and hair. Whilst she didn’t place in this year’s competition, we have had lots of lovely comments in person , and on social media, and it is wonderful to have the opportunity to create something after thinking about it for some time.

For anybody interested, two of the pieces mentioned in this post are available for sale: the lady, and of course, Simon’s cheerleader, Squishy! You can reach us via the contact page if you are interested in any of these pieces for your home, work place, garden, charity fundraiser – or wherever you can visualise it!