fantasy

A Hydra Rising

A Hydra Rising 150 150 Simon O'Rourke
The Commission

Last week Simon was in Surrey completing a private commission for a client: A Hydra rising from the ground.

The nature of tree carving means really having to go with the flow. Or we should say, go with the grain.
And the flaws.
Plus the cracks and future cracks.
The knots too.
And more!
In this case, Simon had seen photos and had an idea of creating an animal emerging from the ground. However, it was only when he saw the timber in person, that he could fully commit to a design. A hydra rising from among the fallen tree.

A work-in-progress photo of a Hydra rising from the ground by Simon O'Rourke

The hydra in process

The Timber

The timber in question was willow, which is technically a ‘medium hard’ wood. That description is a little deceiving though, as it is actually lightweight, and very soft. That softness is actually why it’s a popular choice for whittling and wood carving. It means that it doesn’t make good  lumber for furniture or construction though. It also isn’t a good choice for firewood, as it gives off relatively little heat compared with other woods. That means a fallen willow is a perfect excuse for having something unique created in your garden!

Hydra tree carving sculpture by Simon O'Rourke

The Process

Once he got to work, Simon enjoyed creating heads from each of the branches. He used a range of Stihl, Milwaukee, and Manpa tools to create the faces and scales that make it appear a hydra is rising from the ground. In part, this effect is enhanced by the choice of leaving some bark and leaves lower down the individual branches. He was especially thankful for the Stihl MS193c petrol chainsaw as there was nowhere to charge any batteries! That said, there is an upgraded Stihl MS 151 C-E out now that he can’t wait to get his hands on. It promises an increase in power and torque, whilst still being their most lightweight back handle saw.

Hydra tree carving sculpture by Simon O'Rourke

Sponsorship News.

While we’re speaking of Stihl, it seems a good opportunity to share that they have renewed their sponsorship of Simon. We’re delighted by this, as they provide such consistent quality tools and customer service. You can see their full range of products at https://www.stihl.co.uk/products.aspx . We also thought we’d share this video from their website which shares a little more as to why we love this partnership.

The Finished Product.

But back to the hydra! After many hours playing with power tools, we have a finished hydra rising. For Greek Mythology purists, Simon suggests not counting the heads as it has a few more than tradition says! And speaking of Greek Mythology, whether it be the intricacies or the teeth and scales, or the ferociousness of expression that wins him over, we reckon even Heracles wouldn’t want to chop any of the heads off this particular hydra!

Close up of the Hydra Heads. A private tree carving commission by Simon O'Rourke

Close up of the heads showing the detail and texture.

Simon is available for bespoke sculptures from your damaged or fallen trees. Contact him using our online form or on [email protected] for quotes or just to find out more.

English Open Chainsaw Competition 2019

English Open Chainsaw Competition 2019 150 150 Simon O'Rourke

The August bank holiday means one thing in the Tree Carving Calendar – The English Open Chainsaw Carving Competition! This year it took place at the Cheshire Game and Country Fair during one of our warmest weekends of the year. We’re happy to announce that Simon took a first and second place!
english open chainsaw competition

THE COMPETITION

Simon entered the ‘Combo’ competition this year. This meant he had up to ten hours on day one to create a piece using ONLY a chainsaw.  He then had up to 15 hours on the Sunday and Monday for the ‘Full Power Event’. The artist can use any power or hand tools, paints, oils and varnishes for this category. For both events the timber is provided and the artist can’t add any fixtures.

Fairy carved by Simon O'Rourke at The English Open Chainsaw Competition

The fairy which took second place in the chain saw only event

Angel carved by Simon O'Rourke at the English Open Chainsaw Carving Competition

The angel which took first place in the ‘full power’ event

THE CHAINSAW COMPETITION

The Chainsaw-only piece was this fairy, created with Simon’s trusty Stihl chainsaws. Although using only chainsaws typically means less detail, we love the texture of her sassy bob, the movement of her dress, and the intricate twisted base. Although she is clearly a more modern take on a fairy, she also has hints of the form you expect from a classic renaissance cherub, and hints of light whimsy with the detail in her wings. The fairy took second place and was part of the auction where all the competing artists sell their work.

Fairy carved by Simon O'Rourke at the English open Chainsaw CompetitionFairy carved by Simon O'Rourke at the English open Chainsaw Competition

THE FULL POWER COMPETITION

Simon’s ‘Full Power’ angel took first place in the competition. Simon has recently been sponsored by Manpa Tools, and this was his first piece using their equipment since their sponsorship. This video shows Simon using their angle grinder to create the ‘drapery’ on the angel. Although the fairy doesn’t lack texture by any means, the Manpa angle grinders create more subtle texture and details. As a private commission, the angel wasn’t part of the auction, but as always, if you like her, Simon is available to talk about a commission.

Loving these grinder attachments from Manpatools!! Here's me using them to create some drapery!

Posted by Simon James O'Rourke on Wednesday, 28 August 2019

Angel carved by Simon O'Rourke at the English open Chainsaw Competition

Altogether there were 30 carvers representing 14 nations who took part over the three days. As well as the classic and combo competitions, there were also speed carvings over the three days, which somehow Simon also managed to fit in! The event was a great time to see talented artists at work, and to connect with the community.
When asked about the event, Simon commented: “It was great to be back at the English Open and I’m really thrilled I placed 1st and second in the combo competition, there were a lot of great pieces!

 

Radagast the Brown, (Blue and Pink).

Radagast the Brown, (Blue and Pink). 150 150 Simon O'Rourke

Isn’t he amazing?! Meet Radagast the Brown!

Radagast the Brown by Simon O'Rourke

 

Simon recently worked on this sculpture of Radagast the Brown from Tolkien’s ‘Lord of the Rings’.

We think he makes a striking figure rising up among the shrubbery. We love the detail too like his wise, all-seeing eyes and wild beard. It’s so easy to imagine birds nesting in it, as the story goes. The bird on his head and the bottle of medicine are perfect references to the series. Radagast the Brown is known to communicate with ‘beasts and birds’, so it is especially appropriate that this sculpture is found outdoors.

Radagast the Brown by Simon O'Rourke

 

 

Why the decision to have a wizard in this otherwise typical garden?

Sadly, it came about because of disease in the tree: a blue atlas cedar.

The fungus responsible is sirococcus, and its incidence has gradually been increasing throughout the UK since 2016. It’s thought that it spreads through rain splash, strong winds, and possibly seed transmission, and there is unfortunately no known cure. Damaged trees must be cut back. Although it will sometimes kill younger trees, the RHS reports mature trees can live for many years.

If you are the owner of a Blue Atlas Cedar, there are a couple of signs to watch out for. The main one is pink needles. This is a sign of death, and they will later turn brown and drop off. The tree may also get cankers, gum bleeds, and grow fruiting bodies on the dead leaves. Click HERE to find out more and see images of things to look out for. Forest Research have also published a helpful article HERE.

Sirococcus-conigenus-on-cedar-of-Lebanon-

Example of the typical pink needles of an infected tree.

Government bodies are also trying to track the spread.

That means it’s important to report it, if you see a tree you think may be infected. The link and everything you need to know to make a report can be found HERE. Reporting is so important, so we ask you to PLEASE consider doing your part.

Radagast the Brown by Simon O'Rourke

All is not lost though if  your own tree is infected!

Simon is on hand to transform it and give it new life. Whether a fantasy sculpture like this, or something more ‘natural’ like THESE are your thing, Simon is able to create something beautiful for your garden.

Email  [email protected] to find out how he can help you.

 

A Bavarian Fairy Tale

A Bavarian Fairy Tale 150 150 Simon O'Rourke
The Event

Every two years friends of ours organise and host ‘Allgauer Schnitzevent‘ in the Bavaria region of Germany. As well as tree carving, there’s an opportunity to enjoy beautiful scenery and take part in family activities and games. Oh, and of course, there’s great German food and beer!

The event is a wonderful way of preserving the Bavarian tree carving tradition, and it’s an honour to take part. This year Simon carved the Bavarian Fairy of our title. We hope you enjoy reading about some of the challenges in making her, and how they are overcome.

Entrance to Allegauer Schnitzevent

The Bavarian Fairy

The ‘Bavarian Fairy’ Simon created is in the video below. She beautifully balances realistic human form (especially with her wistful or pensive expression) and whimsy or fantasy (her toadstool seat, and delicately patterned wings). Whilst Simon often uses a lot of texture to bring life to his human sculptures, we love how her smooth limbs and delicate hands and feet add to the sense of a delicate, whimsical being.

Apologies the video I posted yesterday was the wrong one so I deleted it! This one walks around the whole sculpture!!

Posted by Simon O'Rourke – Tree Carving on Sunday, 7 July 2019

Challenges with the carving

Carving faces is no easy task. In fact, Simon had to actually cut this one right back and start again! Part of the challenge he faces (pun intended?!) is getting a sense of depth when carving right on top of the sculpture. The face can look great up close, but it’s only when stepping back that it’s possible to get a sense of depth, and see if it’s ‘correct’.
Do the nose, cheeks and lips protrude the right amount?
How deeply set are the eyes?
Is everything in the right place in relation to each other?

Even then, it’s often not easy to say what needs fixing. Sometimes it’s only when it’s ‘right’ that both artist and viewer can see what was wrong before.

The fairy with her face in profile.

The technical stuff!

This is where training, and technical knowledge come into play. Simon has found researching what’s under the surface is essential for carving human form accurately.
What bones are there?
What about muscle definition?
Does that part actually move that way from that joint?

When carving faces, like many artists before him, Simon has been fascinated by The Golden Ratio.
“What’s the golden ratio?” Keep reading!

Close up of a perfectly proportioned face.

The Golden Ratio

The Golden Ratio has been studied by mathematicians since Euclid. It’s a ‘special number’ (1.618) and describes how the length and width of an object relate to each other. You can find a simple explanation here.

Throughout time people have studied how it appears in different areas. This includes, geometry, nature (eg the human face) and even man made systems, such as financial markets. The artist Dali is known to have incorporated it into his work. Others have speculated that Da Vinci did too, although he seems to deny this. Even architects (eg Le Corbusier) and composers (eg Ravel, Satie, Debussy) have used the golden ratio their work!

 

Applying The Golden Ratio

In recreating faces, the golden ration applies in how the different parts of the face relate to each other, as well as their size and shape. It applies in at least eight different ways, maybe more! For those who are interested, some examples can be found here.

Although studying the golden ration can get quite in-depth and intense, it can often be simplified into a few simple pointers. For example:

  • The distance between the crown of the head and chin, is equal to the distance between the nose and back of the head
  • The gap between the eyes is approximately the size of one eye
  • The tip of the nose and the pupils form a triangle
  • The spaces from the forehead to the eyebrows, from the eyebrows to the bottom of the nose, and from the bottom of the nose, will be a third of the face each

As you can tell from this short ‘lesson’, there’s a LOT more to recreating human form than just jumping in with a brush, pencil or even chainsaw! And to succeed and improve, art, like most areas of life, needs study, practice, and – as with this fairy – humility of the part of the artist to recognise when something isn’t quite right, and re-work it.

What are some of the things you’ve studied or tips you’ve been given that made most difference to your art? Leave us a comment below and let us know!

 

A Throne Fit for a King Officer

A Throne Fit for a King Officer 150 150 Simon O'Rourke

Sometimes you don’t need an excuse like an anniversary to install a piece of art.
Do you ever see something you admire and think ‘I’d like one of those’? That’s kind of what happened with this week’s featured sculpture: The RAF dragon throne.

Close up of the RAF Valley Dragon by Simon O'Rourke

The Story Behind the RAF Dragon Throne

The story of this sculpture actually began back in February, not long after Simon revealed The Dragon of Bethesda . Squadron Leader Leah Richmond at RAF Valley, Anglesey (North Wales) saw the dragon Simon had carved as a private commission. She had a space on the RAF base that needed ‘something’, so she contacted Simon about getting their very own dragon! Or at least, that’s the quick summary! Simon created this rather dignified looking beast in the Spring, and it was unveiled this week during the annual base reception and sunset parade.

RAF Valley Dragon Throne by Simon O'Rourke in progress

Early work on the dragon throne

The Dragon Throne’s New Home

RAF Valley provides fast-jet training as well as training for aircrew working with search and rescue. The base became known throughout the UK when Prince William was stationed there 2010-2013. The North Waelsh population knew of it a long time before that however. Many a holiday-goer in Snowdonia is treated to the sight (and sound!!!) of a low flying Hawk!

The dragon was a meaningful choice for this base, as not only is the dragon on the national flag of Wales, but it is also on the RAF Valley emblem. This side by side shows how Simon has taken the very simplistic image from the badge, and re-imagined how that would translate into a real animal. The dragon’s expression and more rugged texturing (rather than smooth, even scales) really enhance the sense of a rugged,  aged guardian.

Comparison of RAF Valley Dragon with Simon O'Rourke's Sculpture

Comparison of the dragons

The Making of the Throne

Making the dragon took six days of work, from the initial hollowing out of the oak that is the main frame for the thone, to completing the fine detail. The shape of the wings which provide the back and sides of the throne, remain faithful to the dragon on the badge, and the overall scale provides a fittingly regal overall impression. Truly a throne fit for an officer!

As the oak ages, it will take on a much darker colour and warmer tones. In time, those tones will contrast beautifully with the seat which is made from Cedar of Lebanon. The cedar will also darken in time, but take on grey hues – coincidentally reminiscent of the RAF uniforms!

As always, Simon used his faithful Stihl chainsaws to create the throne. For those who are interested in this side of what Simon does, check out the MS 500i and the MSA 200 which were both used for this sculpture. Both have been great additions to his collection of tools. The MS500i is great for its power, lightweight design and how easy it is to operate when there is heavy duty ‘chopping’, hollowing and shaping to do! The MSA 200 gives Simon the usual Stihl functionality as well as all the benefits of using a battery operated saw – and is quiet enough to use on site in residential or public areas.

Completed Dragon Throne by Simon O'Rourke

The finished throne!

Unveiling the RAF Dragon Throne

The unveiling of the throne happened at the annual base reception this week. It made quite the impact, and was admired by the staff, local dignitaries and other attendees. It also created some entertaining Twitter conversation that you can read here!

Simon O'Rourke with RAF Valley Station Commander Chris Jones and the completed dragon throne

Simon O’Rourke with RAF Valley Station Commander Chris Jones and the completed dragon throne

 

Liz O'Rourke with Sqn Ldr Leah Richmond who envisioned and initiated the throne

Liz O’Rourke with Sqn Ldr Leah Richmond who envisioned and initiated the throne

This sculpture began life when somebody saw and admired another of Simon’s pieces. Which carvings have you seen and thought ‘I want one of those’? Drop us a comment below!
Even better, why not email [email protected] and have a chat about how you could have your own?

Huskycup 2019

Huskycup 2019 150 150 Simon O'Rourke
Huskycup 2019

And just like that, Huskycup 2019 is over! After a week of carving by some of the best chainsaw carvers in the world, Blockhausen now has several dragons added to its exhibits – including the fabulous Water Dragon by Simon and Japanese tree carver Keiji Kidokoro.

As we wrote in THIS BLOG, Simon and Keiji had the freedom to make anything relating to the theme ‘dragons’. They decided to create a dragon which would reflect both their cultures, in an ‘east meets west’ Water Dragon.

Simon and Keiji with the finished water dragon

Simon and Keiji with the finished water dragon

East meets West

Initially the dragon seems predominantly Asian because of the serpentine shape and the wave it rests on. Closer look shows a beautiful merging of the cultures though. For example, the wings are very much the scale of those seen in western interpretations of dragons. It also features a more typically western profile with the sloped nose. Up close, we can also see scales more consistent with the dragons of Hollywood movies than those of Asian design.
What other features can you see belonging to each culture?

Initial sketch of Water Dragon by Simon O Rourke and Keiji for Huskycup 2019

The initial concept sketch by Simon

 

Profile view of the finished Water Dragon

Profile view of the finished Water Dragon

Team Work

Part of the success of this dragon was working to each of their strengths. Simon and Keiji have carved together before (Japan 2015 & 2016) which was an asset when designing the piece. Simon imagined and drew the initial design, but very much incorporated Keiji’s skill in fine detailing and consistent texturing. Keiji is also talented with an airbrush, and painted the eyes and a piece of tail. We think both are lovely finishing touches which help bring life to the sculpture.

Keiji painting the eye

Keiji painting the eye

 

View showing the scales over the entire body

View showing the scales over the entire body

 

View from the tail shows another airbrushed touch of colour

View from the tail shows another airbrushed touch of colour

One of Simon’s strengths is creating movement and story in his pieces. As such, he enjoyed working on the coils that create the shape and movement of the dragon. That meant creating the shape of each piece, but also working out placement, so it would be realistic and retain the overall flow of the sculpture. We think he did a great job!

Focus on the coils that gave the eastern serpentine feel

Focus on the coils that gave the eastern serpentine feel

Not All Smooth Sailing (Carving)

Those who follow us on our Facebook page will have seen that the dragon wasn’t without its challenges though! Reaching some parts of the dragon needed some serious climbing and balancing skills! They also drew the smallest pieces of timber in the lottery, and later discovered some rotten wood which meant pausing work to resource something more suitable. Small challenges though in a week which was otherwise packed with successful carving, being inspired by others and enjoying time with the tree carving community.

Their initial wood supply

 

Carving those hard-to-reach places at Huskycup 2019

Carving those hard-to-reach places!

Only As Good As Your Tools!

Simon also got to try some new tools. As always, Stihl (Stihl DE) were faithful to provide chainsaws which are always up to the task! He also got to try some new angle grinding tools provided by Korean company, Manpa. It can be a bit of a gamble working with unfamiliar tools, but in this case it worked out. Both the Stihl and Manpa tools turned out to be great choices for Simon.

Simon working on some fine detail

 

Simon O'Rourke working on some detail for his Huskycup 2019 carve

Working on some fine detail on the wings

Beyond the Carve

Huskycup is about more than the carving though. Blockhausen itself is always worth a visit, but part of what makes the event great and draws back such a high calibre of artist, is the atmosphere and community. The venue even features its own Walk of Fame, honouring artists in the tree carving community! Simon received his star in 2012, and he felt this year’s additions were great choices.

Huskycup 2019 finished carve by Simon O'Rourke and Keiji Kidokoro

The finished head

 

A final photo of the finished Water Dragon

A final photo of the finished Water Dragon

Oh, and for those who noticed the little guy at the front right of the photo? This baby dragon is not only bringing the cute to your screen right now (and showing Simon’s versatility in dragon carving!), but will feature in the Huskycup 2019 charity auction.
Baby dragon for charity auction

Baby dragon for charity auction

For those wanting to see more, the organisers have already started to upload photos and videos which you can enjoy HERE.
Of course, there’s nothing quite like experiencing it for yourself! Huskycup is open to the public, and Blockhausen is open all year round where you can see the Water Dragon for yourself, as well as other creations from over the years.

Arb Show 2019

Arb Show 2019 150 150 Simon O'Rourke

Every year in May, the Aboricultural Association runs its flag ship event: The Arb Show. It describes itself as being “A celebration of the science of trees”, and Arb Show 2019 definitely lives up to that!

Simon & Stihl

This year the main sponsor for the event was Stihl – who also sponsor Simon! They had a large exhibit at the event, and Simon was invited to take part. Over the two days he performed demonstrations of chain saw carving, and met with people to talk about his art.

Stihl Exhibit at The Arb Show 2019

Simon at the Stihl Exhibit, Arb Show 2019

Demonstration Time!

Simon carved two pieces over the two days, while talking people through his process. He used Stihl’s new MS500i chainsaw for the first time to make the first piece; a horse’s head. Looking at the finished piece (can you believe that was a speed carve?!), we’d say it’s a hit!

Simon O'Rourke with the finished speed carve horse

Simon with the finished speed carve horse

Arb Show 2019 Auction

At the end of each day the pieces were auctioned off for the charity Greenfingers, which creates gardens and respite spaces for children in hospice care across the UK. Thank you to the winning bidders, and we hope you enjoy your sculptures!

"<yoastmark

If you’re thinking of coming to check out one of Simon’s demonstrations in future, we thoroughly recommend The Arb Show.

The venue (The National Arboretum), is actually worth a visit at any time of the year. However, during The Arb Show, you can also enjoy exhibits from companies who work with trees in a whole range of ways.

Stihl Exhibit at The Arb Show 2019

Stihl Exhibit at The Arb Show 2019

Beyond the Carving

Exhibitors range from manufacturers of equipment for people working in forestry to conservation groups, from forest schools to artists using trees. Tree surgeons, tree carvers, timber processors and even tree climbers also come along to enjoy the show! In fact, it is also home to the 3ATC open climbing competition!

As well as the expected food stands, there is also entertainment and the opportunity to try your own hand at some of the timber sports – or even axe throwing!

With camping on site for those who want to spend both days enjoying the show, maybe we’ll see you next year?

Three Wise Dragons Arrive in Pwllheli

Three Wise Dragons Arrive in Pwllheli 150 150 Simon O'Rourke

Well, we promised you a year of dragons, and we don’t like to disappoint! So here they are: “Three Wise Dragons”.

The Setting

The dragons were a commission from Hafan Y Mor Holiday Park in Pwllheli. They are part of the new Dragon Lakes Adventure Village which opens later this month. Eventually they’ll be surrounded by astro turf and other parts of the development, so don’t worry if they look a little out of place at the moment. In a few weeks when it’s finished, they will be the perfect backdrop for a holiday selfie!

The Three Wise Dragons at Dragon Lakes Adventure Village, Hafan-y-Mor, Pwllheli

The Three Wise Dragons at Dragon Lakes Adventure Village, Hafan-y-Mor, Pwllheli

The History

The full commission was for a bench and three dragons. Here we have a very lovable version of: ‘ Hear No Evil’, ‘See No Evil’ and ‘Speak No Evil’ – our Welsh twist on the traditional Japanese monkeys, we’re sure you’re familiar with. And now for some trivia!

The saying itself dates back to the 2nd or 3rd century. It was actually a 17th century wooden carving though that made the characters famous. We already thought it was fitting to have a dragon version for Wales. Once we discovered that, we thought it even more fitting that we’re continuing that tradition of carving them in wood.

 

Hear No Evil from The Three Wise Dragons at Hafan Y Mor

Hear No Evil – Clywed Dim Drwg

 

See No Evil from The Three Wise Dragons at Hafan Y Mor

See No Evil – Gweld Dim Drwg

 

Speak No Evil from The Three Wise Dragons at Hafan Y Mor

Speak No Evil – Dweud Dim Drwg

Let Sleeping Dragons Lie

The commission also included a dragon bench. In keeping with being a family venue, and wanting the dragons to seem fun and approachable for children, this docile looking chap is even taking a nap! Perfect spot for a bit of a breather while the kids play, or snapping a family photo.

Sleeping Dragon Bench

The Location

‘Hafan Y Mor’ means ‘sea haven’. It seems an appropriate name for this spot in Pwllheli – a Llyn Peninsula market town which has won several awards for its beaches an marina.

Before we finish for this week, we’re intrigued to know: which one is your favourite? Comment below to tell us!

Don’t forget, you can also commission your own dragon by emailing [email protected]

Spring is in the Air

Spring is in the Air 150 150 Simon O'Rourke
Spring is in the Air

Spring is in the air this week. That means our thoughts (or at least the shop displays!) turn to longer days, birds singing, sunshine, walks in the park, new life, and fluffy newborn animals! People in the streets seem more smiley as the weather warms. Even those wet, rainy days seem better as the blossom on the trees and the appearance of daffodils and tulips reminds us of the hope of new life that comes after a Winter – whether literally or metaphorically.

To mark the shift in season, we’re bringing you some ‘Spring themed’ carvings this week.

Spring is in the air with this selection of baby animals and families by Simon O'Rourke

Spring is in the Air: Baby Animals

Featured above are some ‘animal family’ or ‘new life’ carvings Simon has completed in the past. It’s definitely not an easy thing to make something that is so small and detailed in real life into something this size whilst also keeping its realism (like the sheep). Shape alone doesn’t work unless the desired result is something very modern and stylised. That means what we see here – especially in the birds – represents a lot of time spent on detail and texture.

Spring is in the Air: The Easter Bunny

As well as the change in weather, we’ve noticed the supermarket aisles filling up with chocolate. Incidentally, anyone else looking forward to April 22nd when it all goes on sale???!!! That means we can’t help but think of Easter. In turn, we can’t think of Easter without thinking of the  ‘bringer’ of all that sugary goodness – the Easter Bunny!  And whether real or fictional, Simon is no stranger to our leporine friends…..

Spring is in the air - easter bunny sculptures by Simon O'Rouke

Spring is in the Air: The Big Clean

We’re also no strangers to the garden ‘Spring Clean’. If you’re anything like us, you might only just be starting the real work of cleaning up the garden after winter. If you find storm damaged trees or pieces of timber in your garden as part of your clean up, why not consider commissioning something unique from us? Even if you finish the big clean and find yourself with some spots that somehow don’t seem complete, Simon is on hand to help!

Whether a loved pet, favourite animal, creating your own whimsical fairy garden or adding something with a touch of humour, we’re sure Simon can create something that will be the perfect completion to your garden Spring Clean up. As well as looking great, a tree carving looks much more at home in the garden compared with plastic or stone ornaments. It’s also sourced sustainably. That means you can make your garden look great whilst also being environmentally responsible!

As always, if something has caught your attention and you’d like to commission something, contact us on [email protected]

For The Throne

For The Throne 150 150 Simon O'Rourke

Toward the end of last year, Simon received one of his most exciting projects to date – the opportunity to take part in HBO’s #forthethrone campaign, promoting season eight of the popular TV series.
18 artists from around the world were selected by HBO, who then sent them an original prop from the Game of Thrones series, and each artist either had to come up with a way to make them ‘their own’, or received a brief for the prop.

Simon was sent the three dragon eggs that were given to Daenerys as a wedding gift during season one. Not only was it awe-inspiring to be able to see and hold in person such an iconic object, but as pieces of art they were even more beautiful in real life with their detailed scaly texture and incredible ombre, blended metallic colouring.  His task was to create a new casket for the eggs that would not only be both functional and aesthetically pleasing, but would also tie-in with the era and location of the series. You can see Simon receiving the eggs in this video of the making of the Dragon Egg Casket.

Opening the dragon eggs from HBO

 

Simon has had lots of experience of the years in carving dragons of all scales and for all projects, so the ideas for shape, texture, and details were flowing. There were some very practical considerations though which added to the challenge.

  • The casket had to actually be large enough to hold all three eggs.
  • It needed to be able to open and close without damaging the eggs.
  • The eggs had to be held securely in place to withstand travel – both in real life to get it back to HBO, but also in the series, the eggs are a gift from far away and would have to be carried to the wedding.
  • The casket needed to be weatherproof, as in the series, it would have needed to withstand various weather conditions.
  • It needed to have some way of being transportable.
  • It needed to sit on a flat surface, or have some additional stand or similar that would enable it to do so.

The open dragon mouth lid

With those practicalities in place there was then the artistic side to consider. In Simon’s own words:
The concept was the first thing to get right. My first idea was to include dragon-like wings shrouding the eggs, but moved on to a skull because I felt it would look more impressive. After hearing the dragon skull idea would clash with another design I moved back to my original thought and explored the shroud idea. I went through several design ideas about what to include, whether or not to put a dragons eye in the design, or a representation of a head. I settled on a simple organic looking lid that opened like a bread bin. I was inspired by a real mixture of Nature, Alien, Star Wars and of course Game of Thrones! The almost Alien egg like texture is also representative of dragon scales, and the mismatched teeth give it a slight feel of Saarlach from Star Wars with a hint of alligator!”

Showing the texture and details of the mouth

The casket was carved out of yew, which in itself had some beautiful markings and colouring, and the design was actually altered as Simon went along to allow this to be seen. An added bonus was that this colouring and texture was reminiscent of Danerys’ hair! Seemingly random Dragon teeth throughout the interior hold the eggs securely in place, with the random placing, irregular shapes and texture lending the feel of danger or uncertainty.
There is an organic, unsymmetrical feel to the lid which snaps shut to protect and hide the eggs, “Like a mutated dragon”. Again, the random placing and irregular shaping and direction of the teeth adds not only an organic feel, but heightens the sense of danger. Whilst feeling dangerous, the scales and the misshaping of the teeth invite touch, in the same way the eggs themselves do. Just as the eggs are experienced differently in the series, with Daenerys being the only one who feels life within them, (and is drawn inexplicably to them), each person will experience or focus on something slightly different as they are drawn to feel the texture of the casket.

Finished project with the lid closed to hide the eggs

The dragon mouth casing is then shrouded in abstract dragon wings, which further protects the eggs, and perfectly exhibits the grain of the wood. The smooth finish is contrast to the scales of the inner shell and the rippled texture of the outer wood. Finally, “the ash wood carrying poles were a functional and useful addition, as well as giving an impression of a very valuable cargo, needing two or four slaves to bear the precious gift! I [Simon] chose stainless steel rings to thread the poles through as the shiny steel is a real compliment to the natural material of the wood.”

Image taken from HBO For the Throne campaign, ‘The fire collection’.


Simon is quoted as saying the biggest challenge was  “getting a lid mechanism to cover the eggs when closed, sit nicely on the edges of the wings, and not touch the eggs when opening and closing” In retrospect however, we wonder if his greater challenge was actually keeping such an exciting project secret until now! We’re all excited here at Simon O Rourke Tree Carving to see the rest of the pieces produced by the other artists, which will be revealed in a series of five collections leading up to the release of the newest season of Game of Thrones.
This campaign isn’t just for professionals though! HBO would love to see other work inspired by the series, so you are invited to post your own projects online. Simply use the hashtag #forthethrone for the opportunity for your own work to be included in the campaign.