fantasy sculpture

Photo shows a half finished wood sculpture of an elf on a swing; one of Simon O'Rourke's 2021 sculpture commissions

2021 Sculpture Commissions

2021 Sculpture Commissions 1368 1824 Simon O'Rourke

Happy New Year! We hope that despite the turbulence, it has still started well for you.
After last week’s reflection on Simon’s sculptures from 2020, we thought this week we would look forward to this year. Simon already has some exciting 2021 sculpture commissions lined up.

2021 Sculpture Commissions: Animals

One of Simon’s upcoming 2021 sculpture commissions is a leopard. After a year of lions it’s nice to have a continuation of the theme, but with a bit of a change. The challenge with this one is that it will be lying down, and fixed into a real tree. Part art, part engineering!

In the category of ‘animals’, Simon also has an upcoming commission for a horse bench which we look forward to seeing.

treecarving sculpture by Simon O'Rourke of a Mountain lionness climbing down a pile of rocks.

This lioness and her cubs were one of five lion sculptures Simon created in 2020

2021 Sculpture Commissions: Poulton Hall

In 2021 Simon will also be adding to his works already at Poulton Hall, Wirral. During 2020 he created the fabulous Monkey Puzzle Ent and Gollum sculptures. This year he will undertake a commission of Shakespeare sitting on a bench, which fits in with the literary theme that flows throughout the grounds.

Gollum by Simon O'Rourke. One of Simon's 2012 sculpture commissions will be a sculpture of Shakespeare sitting on a bench to add to his sculptures already at Poulton Hall.

This Gollum sculpture at Poulton Hall was one of Simon’s most memorable 2020 sculptures

2021 Sculpture Commissions: Fantasy

With Netflix releasing their Narnia series this year, we can expect to see a lot of references to C S Lewis and the mystical world he created. In a complete coincidence, Simon actually already has a commission for a Narnia sculpture! He’ll be making Lucy with the lampost for Cedar Hollow, Oxford. The owner already has other Narnia sculptures – very fitting as it is next door to where C S Lewis once lived! The guest house is also going to have a Lord of the Rings area. Simon has actually already created an elf on a swing which will be installed there. If you follow us on social media, you might have spotted it already.

You can also expect to see another Ent in the near future too. After seeing the Ent at Poulton Hall and the incredible Oak Treefolk (Father and daughter at a property in Surrey) we can’t wait to see this next Ent!

Photo shows a half finished wood sculpture of an elf on a swing; one of Simon O'Rourke's 2021 sculpture commissions

The Cedar Hollow Elf in progress in Simon’s workshop

Your Own 2021 Sculpture Commission

Simon is super excited about all of these projects, and we can’t wait to share them with you as they are completed.
The good news is, he is still taking commissions for 2021. So, if you are interested in commissioning something whether it be a pet portrait or full sculpture trail, get in touch! The best way is via the form at www.treecarving.co.uk/contact/.
Until then, we’d love to know, what else would you like to see Simon create this year?
Drop us your answer in the comments!

george clark stands next to sculpter simon o'rourke. they are in front of a small brick building with a redwood fire breathing dragon mounted on the wall. the dragon is made of redwood and was one of simon's sculptures of 2020

Sculptures of 2020

Sculptures of 2020 960 1280 Simon O'Rourke

HAPPY NEW YEAR!
Wishing you all a healthy and prosperous 2021 with much less turbulence than 2020. Thank you to all those who have continued to support us through this year through commissions, sharing, commenting. We value you all.
Before launching into 2021, here is a month by month highlight of Simon’s sculptures of 2020…

sculptures of 2020: close up of the face of a lion. Carved by Simon O'Rourke

This lion was one of Simon’s last sculptures of 2020

 

SCULPTURES OF 2020: JANUARY

January started with some smaller projects including one which is still a secret! The ‘highlight’ we’ve chosen though is The Marbury Lady. She was commissioned to give life back to an elm that had sadly died from saline poisoning. She’s in a public location in Marbury Park, so if you are in Cheshire you can enjoy a walk and see her in person.

simon o'rourke's sculptures of 2020: photo shows the marbury lady in northwich

SCULPTURES OF 2020: FEBRUARY

For February’s highlight, we’ve chosen this hiker. He was commissioned to stand on a disused platform at Prestatyn Railway Station. The plan was to install and unveil him in March, but then a global pandemic hit, and you know the rest! As things begin to open up again though it will be possible for travellers to Prestatyn to view the sculpture.

Life size oak culpture of a hiker carrying a backpack. He leans on a signpost. One of Simon O'Rourkes sculptures of 2020

SCULPTURES OF 2020: MARCH

March was the month that the UK turned upside down! The rumours and stories from other countries suddenly became our story too. Before lockdown happened though, Simon was able to complete a few sculptures, including George and the Dragon. Our chosen highlight though is this massive Oak Maiden on a private estate in Surrey. The tree had died, and Simon was able to create this stunning oak maiden using the natural fall of the oak tree’s shape as inspiration. In this photo the oak maiden isn’t finished yet, but we love the way it gives a sense of scale. Also featuring one of Simon’s trusty Stihl chainsaws used to make the sculpture!

simon o rourke stands in a cherry picker next to the oak maiden sculpture he created in a dead oak tree. sculptures of 2020.

SCULPTURES OF 2020: APRIL

During April the workshop was closed, and Simon wasn’t working on commissions. This first lockdown gave him opportunity to work on another project though: his art coaching. During the month, Simon created the first in a series of teaching videos available at https://artcoach.teachable.com/
If you are interested in an online art course and not sure if this is the one for you, there is also a short free course there for you to ‘try before you buy’. Find out more in this video!

SCULPTURES OF 2020: MAY

May saw Simon return to carving in his own garden. His first piece was this beautiful, serene memorial sculpture. As an artist being able to help people grieve and heal is a real privilege, so this felt like a special piece. The full story is at https://www.treecarving.co.uk/a-memorial-sculpture-for-robyn/.

sculptures of 2020 by simon o'rourke. A girl is depicted as a fairy sitting surrounded by greenery. A robin sits on her hand as if in conversation with her.

SCULPTURES OF 2020: JUNE

For June we had a couple of sculptures to choose from, but how could we not settle on Maggon the Dragon?! Maggon is a fire breathing dragon commissioned for a holiday rental property in north wales. The property known as The Dragon Tower is INCREDIBLE and even features a folding bathroom. Really! It was featured on George Clark’s Amazing Spaces, which meant Simon also made a small appearance. You can watch the full episode HERE.

george clark stands next to sculpter simon o'rourke. they are in front of a small brick building with a redwood fire breathing dragon mounted on the wall. the dragon is made of redwood and was one of simon's sculptures of 2020

SCULPTURES OF 2020: JULY

Usually, Simon cuts into trees. In July he had to create one! It was commissioned for the entrance to the new Ronald McDonald House in Oxford, and created from one of the trees cleared from the land used for the property. It will hold leaves that bear the names of donors, hence its name: The Giving Tree. Families using the house are often going through some of their hardest times, so being asked to create something which helps to create a beautiful environment for them was an honour.

the giving tree by simon o'rourke

SCULPTURES OF 2020: AUGUST

OK, so this one is a little bit of a cheat, as most of it was created in July. But right at the start of August, Simon finished an exciting sculpture: The Ent at Poulton Hall. Simon loves fantasy and fiction and it ties into his training as an illustrator. There was a historic link between the residents of Poulton Hall and J RR Tolkien, so creating something from Tolkien’s works for the property was a lovely connection. The Ent has been one of Simon’s most popular works of the year, and can be viewed by the public when the grounds are open for visitors. Check for dates at www.poultonhall.co.uk.

monkey puzzle ent sculpture by simon o'rourke. one of his sculptures of 2020

SCULPTURES OF 2020: SEPTEMBER

Are you still with us?!
September’s highlight is another fantasy sculpture. This time, a phoenix rising from the ashes. Made from cedar, it represents the client’s rise from depression. It was an honour to depict such a positive mental change.

phoenix carved into a cedar trunk by artist simon o'rourke, one of his sculptures of 2020

SCULPTURES OF 2020: OCTOBER

In October Simon returned to Poulton Hall to create a sculpture of another Tolkien character: Gollum. Simon is an incredible storyteller through his sculptures, and we love this depiction of Gollum startled whilst catching fish for his dinner. If you have ten minutes, this is a great video where Simon takes you through the process of creating the sculpture. If you prefer to read, why not check out this blog about the process of creating Gollum.

SCULPTURES OF 2020: NOVEMBER

Armistice Day.
11:00am on 11/11/1918.
A day the world should never forget.
Sadly there have been many wars fought since then, with so many lives lost or irrevocably changed, which means November 11th is always a somber occasion. During this year Simon went back and forth on this sculpture which he completed in November: A WWI soldier for public display in Cumbria. We don’t have the details yet, but once we do, we will let you know where you can view him, and take a moment to remember those who gave their lives for the sake of others’ freedom.

World War I soldier in oak. Carved by simon o'rourke.

SCULPTURES OF 2020: DECEMBER

December was a busy month as Simon worked on Christmas commissions as well as some other bigger projects. The workshop looked a little bizarre in all honest with everything from fairies to lions to aliens! As our highlight though we’ve chosen Simon’s final carving of 2020: The Old Oak Father.
The sculpture is on the same property as the Oak Maiden, and the client decided they were Father and daughter. As well as the story on the blog (linked above) you can also hear Simon’s thoughts in the video below if you have five minutes. If not, don’t worry – we’ve included a photo below too!

the old oak father sculpture by simon o'rourke

The Old Oak Father points across the fields to the Oak Maiden

FINAL THOUGHTS

We hope you’ve enjoyed this highlight reel of 2020. If you want to see more of Simon’s works from this year, you can visit his Facebook, YouTube, Twitter, and Instagram.
Although you can use any of these to contact Simon, we recommend using the form at www.treecarving.co.uk/contact/, especially if you are interested in a commission.
January and February are looking busy next year, so we’re looking forward to sharing some new sculptures with you in the next few weeks, depending how lockdown unfolds.

We hope and pray this year is a good one for each and every one of you, and you are blessed with health, joy, and peace throughout the year, no matter what it holds.

With love from Simon and the team

close up of the face of the old oak father by simon o'rourke

Old Oak Father Sculpture

Old Oak Father Sculpture 1368 1824 Simon O'Rourke

This week Simon completed his final carving for 2020. If you follow us on Facebook, you may already have seen it. It’s a fantastic creation with a lovely story that we wanted to share. So why not grab a cuppa and a mince pie, and keep reading to find out about the Old Oak Father Sculpture…

Simon O'Rourke's Old Oak Father sculpture. The sculpture is carved into a standing tree trunk of a dead tree. It shows a mythical 'treefolk' old man.

The old oak father sculpture in Surrey.

The Story Behind the Name

Sometimes before a sculpture is started, Simon has a story in mind. And sometimes that story evolves. This is one of those times.
Earlier in the year Simon completed a sculpture of an oak maiden. There were other dead or dying trees on the property, so this week he returned to create another sculpture.
This sculpture actually points in the direction of the Oak Maiden which is a few fields away, and the client decided this sculpture is her father.

the old oak father sculpture by simon o'rourke

The Old Oak Father points across the fields to the Oak Maiden

Creating the Old Oak Father

Before Simon arrived on site, a tree surgeon cut the dying oak to the right size. It’s actually really helpful if this can happen beforehand, and can save on some costs too. Incidentally, if you are looking for a good tree surgeon, we recommend TreeTech.
Simon had drawn a sketch over a photo of the tree to show the client. That concept sketch was also a basis for him to work from, but as always, he had to be open to change because of the quirks of the tree. This time though there were no surprise cracks, rot, or holes, and the finished sculpture is faithful to the concept sketch.

view from the ground of the old oak father sculpture by simon o'rourke

Mystery and Whimsy

When Simon creates a sculpture, he wants people to feel they’ve seen part of a story. This is a connection with his training in illustration and love of children’s stories, fairy tales, and different worlds.
In this case, Simon wanted him to have a feel of age, eternity, and mystery. To create that feel, he used lots of spirals similar to the trunks of gnarly old trees. That’s why viewing the sculpture feels like meeting an old man. Well, that and the beard!!!
Spirals also add a sense of mystery and intrigue. The lines are forever disappearing, and you never reach the beginning or end, adding to the sense of age and eternity.
There is also wisdom, acceptance, and calm in his eyes – like one who has witnessed many things and found his peace with the world.

That ancient, mysterious feel of the finished piece inspired Simon to write a beautiful short story:

The Oak Father…
The old oak,
bereft of leaves,
leaned into the oncoming winds of winter.
He would weather it like he always had done,
close his eyes once more,
and dream of Spring.
close up of the face of the old oak father by simon o'rourke

Connection & Relationship

There is also a lot about ‘connection’ in this sculpture. The organic lines and the sculpture using the natural shape of the tree very much connect it with the earth. The direction of his gaze, pointing hand, and similarity of style connect this old oak father with his daughter. And the viewer becomes connected when they are drawn into that story.
For those who are interested, Simon shares his thoughts on that sense of connection and relationship as well as on the sculpture itself in this five-minute video…

The Aging Oak Maiden

Obviously Simon couldn’t resist popping on the original Oak Maiden to see how she’s doing too while he was on the property. She’s looking great and aging nicely with those darker hues and deeper shadows enhancing the sculpture

oak maiden sculpture by simon o'rourke

Write Your Own Story

We hope you’ve enjoyed finding out a bit more about the Old Oak Father sculpture. And if he inspires any storytelling in you, why not drop us a comment or send us an email to let us know? It’s always great to hear how Simon’s work has impacted you.

You can email him using the form on www.treecarving.co.uk/contact which is also the best way to contact Simon if you would like to commission a sculpture.

Next blog we’ll be back with the sculpture highlights of 2020, and until then wish you all a Merry Christmas.

face of the gollum sculpture at poulton hall by simon o'rourke

Process of Creating the Gollum Sculpture

Process of Creating the Gollum Sculpture 1368 1824 Simon O'Rourke

Over the last few weeks we posted photos on social media of a Gollum sculpture Simon created. Thank you to those of you who left kind comments. It’s always encouraging to hear and see you enjoying Simon’s pieces. As always, there were questions about how to see it in real life, and about how Simon made it. And so, in this week’s blog we walk you through the process of creating the Gollum sculpture.

Sculpture of Gollum carved into a standing tree trunk, surrounded by the gardens at Poulton Hall. Sculpture is the work of chainsaw carving artist Simon O'Rourke

About the Sculpture

Regular readers will remember that in July Simon created an Ent sculpture from a Monkey Puzzle trunk in the grounds of Poulton Hall;  the seat of the Lancelyn-Green family. The father of the current incumbent was Roger Lancelyn Green – well known author, member of The Inklings, and friend of J R R Tolkien. This connection was the inspiration for a Lord of the Rings sculpture, which ties in with some of the other sculptures in the ground which are also based on Fastasy Literature.
As well as the standing monkey puzzle stump, there was a good, workable piece of the monkey puzzle trunk left over. It was perfect for creating another Lord of the Rings sculpture for the grounds of the hall. In this case Simon created something better known: Gollum.

3m tall scultpure of an Ent, created from the stump of a monkey puzzle tree by chainsaw artist Simon o'Rourke

The Ent at Poulton Hall

Process of Creating the Gollum Sculpture: Evaluating the Timber

The first thing Simon does when he starts a sculpture, is evaluate the timber. There are a few things he looks out for. However the first is definitely looking at what is useable, and where there is rot. For those who are interested, Simon explains a bit more in this video about different kinds of rot. For those who prefer to read, we also have this blog explaining the difference between white and brown rot.
In the case of this stump, it looked pretty nasty on the outside, but had some good, solid timber on the inside.

The process of creating the gollum sculpture step one. Simon evaluates the wood. Photo shows a large stump of monkey puzzle tree lying horizontally on the ground. It appears to be rotten. A chainsaw sits on the top.

The monkey puzzle stump Simon used to create the Gollum sculpture.

Simon also has to evaluate the timber from an artistic perspective. Using his original sketches as a guide, he has to imagine the figure within the stump. This includes thinking about the position of the figure, and what sections can be used. He pays attention to any visible branches, knots and other characteristics that he can use to help give shape to the figure. He also needs to find the point at which he wants the head to sit. From there he can work out the size and proportions.

The process of creating the gollum sculpture: photo shows SImon O'Rourke's original sketches of the sculpture. It shows the face from three angles, and two full length sketches of the sculpture.

Simon’s original sketches for the Gollum sculpture.

 

Process of Creating the Gollum Sculpture: Removing Large Facets

The next part of Simon’s process as he created the Gollum sculpture was to remove large pieces of the wood and outline the basic figure of Gollum. For this, he will use a ‘meaty’ chainsaw like the Stihl MS500i. It’s well suited to harvesting and processing large timber, but also makes easy work of this part of creating a sculpture!
Simon will still consider the original sketch, but at this point may need to change or adapt certain parts. As we have said before, wood is unpredictable. At this stage he may find pockets of rot, cracks and knots as he strips back the timber. All of these may mean needing to alter angles or even change a pose.
In Simon’s own words, this stage of the process is all about “working into the wood and working with it”.

The process of creating the gollum sculpture: photo shows simon o'rourke using a chainsaw to remove large pieces of wood from the trunk of a monkey puzzle tree. he wears stihl clothing and uses a chainsaw. a figure is beginning to emerge in the top half or the timber.

This part of the process is when Simon discovers problems or characteristics which will determine the basic figure of a sculpture

Process of Creating the Gollum Sculpture: Whittling Down the Figure

The next stage in the process of creating Gollum was whittling down the basic figure so the pose and proportions were correct. Most human form sculptures have specific fixed points and proportions that need to be considered at this stage. There is sometimes a formula for working those out, for example, The Golden Ratio. In the case of Gollum though, he is almost a caricature with certain features in very different proportion to a typical human. So in creating something like Gollum, Simon had to forget normal proportions and ratios.
Things he had to particularly consider were Gollum’s large head in comparison with his much skinnier body and limbs!

process of creating the gollum sculpture: photo shows a very basic outline of gollum carved into a tree trunk. there are no details such as fingers, face or clothing

It’s important to get the basic shape of the body correct at this point before details are added

It’s important for Simon to get this right at this stage. If he began working on details like facial features before this is done, it would be easy to make a mistake that can’t be corrected once the wood is removed. In particular, an anatomically correct head shape gives Simon the reference points to begin adding facial features.

process of creating the gollum sculpture: photo shows simon o'rourke using a chainsaw to create the head shape of gollum's head from a monkey puzzle stump

Process of Creating the Gollum Sculpture: Creating the Face

Once Simon is happy with the shape and pose, he can begin working on the facial features. One of Simon’s strengths as an artist is that his work always tells a story and invites the viewer to participate. The face is a key part in that. And that means Simon always needs to have a back-story in mind which will determine the facial expression. In the case of the Gollum sculpture, Simon wanted to go for a look of surprise. The sculpture is more reminiscent of Gollum’s alter-ego, Smeagal. He has just caught a fish which he is about to eat, and is caught off guard by someone or something disturbing him. The moment Simon captures in this sculpture is when Gollum turns to face the thing that has disturbed him, surprise on his face.

Surprisingly, at this stage, Simon doesn’t usually switch to smaller tools yet, and will still use a chainsaw! He is still able to create a lot of detail just by using a smaller chainsaw (such as the Stihl MSA 200c) and a smaller blade.

process of creating the gollum sculpture: simon o'roruke uses a stihl msa200c chainsaw to add facial features to the sculpture

Simon uses the Stihl MSA 200c to add facial features to Gollum

Process of Creating the Gollum Sculpture: Refining the Facial Detail

The final stage of creating a sculpture is to refine the details on the face – and indeed the rest of the sculpture. At this point Simon will use a Milwaukee angle grinder with Manpatools multicutter or Saburrtooth burr bits. The latter are especially great for adding shape and texture. For those who are interested in finding out more about how to use these tools, we have a blog about Simon’s favourite burr bits and how he uses them HERE. We also have a blog about the Manpatools tools he favours HERE.

Simon O'Rourke uses saburrtooth burr bits and a milwaukee angle grinder to add texture to the face of a Gollum sculpture

Simon will often use these smaller tools to get into small nooks and crannies and create small, deep features. The gaps in Gollum’s teeth in the photo above are a great example of this.
Unlike visual art where there are different tones and colours that can be used, Simon is dependant on different depths of cut creating shadows which create the illusion of shape and texture. This means that at this stage he may need to exaggerate some cuts and create depths or gaps that are deeper than they would be in real life. Examples of this in the Gollum sculpture are the eyes, toes, and the tunic.

close up of the face of the gollum sculpture created by chainsaw artist simon o'rourke

The Eyes

In the case of the eyes, Simon used the eye bit to create a deep cavity, where our eyes would usually be a ball shape. He left wood in place, and so created the illusion of a pupil.

close up of the toes on simon o'rourke's gollum sculpture.

The Toes

We can also see this exaggerated cut in the toes. Simon has created much deeper cuts than we actually have if we examine our bare feet. The shadow this creates help give the impression of five distinct digits. If he didn’t do this, the viewer would have only the impression of a foot rather than a realistic representation.

process of creating the gollum sculpture: close up of the tunic shows the exaggerated cuts simon uses to create shadow

The Tunic

The final example of these exaggerated cuts is the tunic, photographed above. In reality, this tunic would lie flat against Gollum’s legs. Simon, however, has made a deep cut along the edge of the tunic, which creates a thicker edge to the tunic, several centimetres removed from the leg underneath. This trick is what allows us to see that Gollum is indeed wearing clothing! Without that exaggerated gap and with no difference in the colour between the body and clothing, we wouldn’t be able to see the clothing from a distance.

process of creating the gollum sculpture: close up of simon o'rourke using a saburr tooth eye bit to create the cavity that will be gollum's eye

Process of Creating the Gollum Sculpture: Knowing When to Finish

The final stage of creating a sculpture is refining the rest of the sculpture. This may include texture or folds in clothing, wrinkles in the skin or the fold of an elbow or knee. At this point though, the key part in the process is…. knowing when to finish!

Simon – like most artists – is committed to excellence. In a quest for perfection though, it can be easy to ‘over do’ it. There will always be small tweaks and refinements that can be made. However, Simon has to consider that those things may actually take away from a sculpture of this nature.
Simon also can’t rely on ‘am I happy with this?’ to determine if something is finished. Like most artists, he can be over critical and see flaws or things he would do differently next time, so that point may never come!

And so, at this point, Simon will be asking is the pose correct? Are all the proportions correct? Is the overall effect as it should be?
Yes?
Then the sculpture is finished!
And in the case of Gollum, we hope you agree that it’s another fantastic piece.

gollum sculpture by simon o'rouke

Sculpture of Gollum carved into a standing tree trunk, surrounded by the gardens at Poulton Hall. Sculpture is the work of chainsaw carving artist Simon O'Rourke

Any Questions?

If you have any questions about Simon’s process as an artist, we would love to answer them! You can contact Simon through his Facebook, Twitter, Instagram, or by filling out the form at www.treecarving.co.uk/contact/.
That form is also the contact if you would like to commission your own sculpture.

Lastly, if you would like to see Simon creating this sculpture and hear his own thoughts on the process, we will have a video on Simon’s YouTube channel soon. Watch this space!

 

 

Chainsaw artist Simon O'Rourke putting finishing touches on a 3m sculpture of svantevit, the slavic god of war. Svantevit is one of his many sculptures of myths and legends.

Sculptures of Myths and Legends

Sculptures of Myths and Legends 1365 2048 Simon O'Rourke

Mythology and folk stories have been the subject of several sculptures Simon has made. Each time there is a challenge for Simon. He needs to create something recognisable and something that tells the well-known story. At the same time though, he also wants to bring something fresh or unique. Creating sculptures of myths and legends helps preserve a culture, and aids us in passing down the stories that shaped a nation. It’s a lovely thing to be part of!
In this week’s blog, we invite you to join us as we revisit some of the sculptures of myths and legends that Simon has made…

Close up of St Georg in the St George and the dragon sculpture by Simon O'Rourke. This is one of his many sculptures of myths and legends.

St George and the Dragon

St George and the Dragon is the most recent of Simon’s sculptures of myths and legends. The client had a stump in her garden and contacted Simon to see what he could make of it. Many sculptures of St George show him either doing battle with the dragon or victorious after the fight. The client didn’t want anything too macabre in her garden though – understandably!!! So, in this case, Simon depicts George before the battle. We see him standing in his armour with weapons ready, as the dragon creeps up the stump towards him. If you would like to know more about the choice of St George, or the process of making the sculpture, visit our St George and the Dragon blog.

Sculptures of myths and legends: a portrait of st george and the dragon are carved into a standing tree stump. The sculpture is surrounded by flowering shrubbery. carved by simon o'rourke.

Svantevit

The next of our sculptures of myths and legends takes us to Eastern Europe. Svantevit is the Slavic god of war, fertility, and abundance. It was created for the exhibition at Putgarten, Germany in 2018. With his four heads, he is immediately recognisable to people familiar with Slavic mythology. He is also carrying a horn and sword which are an important part of the stories of Svantevit. Simon makes his mark though with his detail in the faces and texture in the clothing. The drapery in the cape in particular adds some lovely movement to this 3m sculpture.

Chainsaw artist Simon O'Rourke putting finishing touches on a 3m sculpture of svantevit, the slavic god of war. Svantevit is one of his many sculptures of myths and legends.

The Hydra

The Hydra from 2019 is the next of our sculptures of myths and legends Simon has created. Initially, this sculpture was going to be a flock of birds or an animal rising from the ground. When Simon arrived on-site though he found the tree was unsuitable and chose to create the Hydra instead. The devil is definitely in the detail as they say with this one though. Look at all that scaly texture and the individual teeth! Definitely a legendary sculpture!!!

Hydra tree carving sculpture by Simon O'Rourke, one of his sculptures of myths and legends

Close up of the Hydra Heads. A private tree carving commission by Simon O'Rourke

Close up of the heads showing the detail and texture.

Lancelot and Guinevere

From Eastern Europe and Greece, we come much closer to home for the next of Simon’s sculptures of myths and legends: Lancelot and Guinevere.
Simon created this sculpture at an event in 2010, and it beautifully depicts the romance between the two characters. Even if we had never heard the story of Lancelot and Guinevere before, we get a sense of that story through the characters’ pose and facial details. Their eyes alone tell a story! Although not as textured as Simon’s later sculptures, we also love the hints of movement in the clothing which add to the realism.
Simon named this sculpture ‘Forbidden Fruit’. This sense of the romance being taboo or forbidden is enhanced by his choice to show the characters beneath a fruit tree, which hints at the story of Adam and Eve eating the forbidden fruit in the book of Genesis.

sculptures of myths and legends by simon o'rourke: guinevere kneeling at the feet of lancelot under a tree

Tegid Foel

Our next sculpture is another Welsh legend… Tegid Foel! Also known as ‘The Giant of Penllyn’!
Although the legend of Tegid Foel may be Welsh, he was created many miles away at Chetwynd International Chainsaw Carving Championship in 2012. Tegid Foel is the husband of Ceridwen in Welsh mythology. Funnily, the translation of his name into English would be ‘Tacitus the Bald’! Simon truly captures that description in this sculpture!
Just as Tegid Foel is a giant in Welsh mythology, this sculpture stands around 14′ tall. Simon carved him in separate parts and assembled him using scaffolding and a forklift truck. For anyone interested, Simon has an album documenting the process of creating Tegid Foel on Facebook. Just click HERE to see it. It also has close-up photos of details like the feet, belt, and hands. We definitely think it’s worth a look!


Sculptures of myths and legends: A giant sculpture of tegid foel by simon o'rourke.

Mabinogion Characters

Our last sculptures of myths and legends are also Welsh in origin. The Mabinogion is a compilation of Welsh stories, originally written in Middle Welsh. It’s thought they were compiled in the 12th Century but were passed down orally for years before that.
Back in 2010, Simon created sculptures of several of the characters in the Mabinogion (both human and animal) for a holiday park in Wales. There is something special about living and working in Wales, and being able to help preserve the history and culture of the nation in this way. Just like Tegid Foel, Simon added a full album of the Mabinogion on Facebook which you can visit HERE.
For now, we will just share these few.  The rougher ‘unfinished’ textures blend perfectly with the wooded surroundings. In Autumn they compliment the colours of the Welsh hills and woods, and in summer they contrast beautifully.

Sculptures of myths and legends: a triptych of wooden sculptures of characters from the mabinogion by simon o'rourke

Why Create Sculptures of Myths and Legends?

As we said, a sculpture of a local myth or legend helps us preserve culture. In generations past, we might have spent time telling local stories to one another or reading them for ourselves. The world has expanded massively though. Although this opens up new experiences and learning for us, which is fantastic, it is sometimes at the cost of losing something of our own history. Commissioning a sculpture that depicts local folklore can really help in sharing something of the history and culture with visitors and locals alike.

If you would like to commission your own sculpture of a myth or legend, contact us via the form on www.treecarving.co.uk/contact/ and Simon will be in touch!

Radagast the Brown by Simon O'Rourke. Radagast is on of his movie based sculptures.

Fan Art Series: Movie Based Sculptures

Fan Art Series: Movie Based Sculptures 720 960 Simon O'Rourke

This week we return to our Fan Art Series. In Part One we looked at sculptures based on literature. Then, in Part Two we shared some of Simon’s TV themed sculptures. This week, in Part Three, we are going to re-visit some of the movie based sculptures Simon has created over the years…

Movie Based Sculptures: Ent from Lord of the Rings

The first of these movie based sculptures had its own blog, but we think it’s worth sharing again. We’re talking about The Ent sculpture from Lord of the Rings. This Ent can be found in Poulton Hall on the Wirral, which is good news because it means it can be viewed by the public! The gardens are open on specific dates during the year, so if you’re in the North West why not take a look?

Movie Based Sculptures: Radagast the Brown

Again, our next sculpture has a blog of its own. You can read the full story at www.treecarving.co.uk/radagast-the-brown-blue-and-pink/, but basically, the Radagast tree sculpture came about as a way of transforming and giving life back to a diseased tree. For Lord of the Rings fans, there are endless possibilities for unique fan art. Simon is incredible at creating both fantasy and human form works of art and Lord of the Rings has plenty of both. If you’re looking for something unique either for yourself or a gift, why not a full-size sculpture or miniature piece for your garden? Create your own Hobbiton!

Radagast the Brown by Simon O'Rourke. Radagast is on of his movie based sculptures.

 

Movie Based Sculptures: Groot

Our next movie based sculpture is a character Simon has made on several occasions. Groot.

The loveable Flora Colossus was originally a Marvel creation and has featured in several popular films. Simon has created Groot sculptures for private and public commissions including this giant marionette version for Wales Comic-Con in 2015. This depiction of Groot is much more like the comic book version, or the Groot seen in Guardians of the Galaxy, 2014. It’s also an amazing likeness to the version in Marvel’s ‘Rocket and Groot’ animation from 2017.

sculptures based on movies: simon o'rourke creating a giant groot marionette for Wales Comic Con 2015

giant groot marionette tree carved sculpture by simon o'rourke

sculptures based on movies: giant groot marionette by simon o'rourke

Another version of Groot that Simon created is this sculpture. It shows a cuter, more cartoon-like Groot which is much closer to how we see him a little later.

groot by simon o'rourke, photographed in his workshop whilst in progress

Our final Groot sculpture was commissioned as a 50th birthday gift. He was hanging around the studio for one of our open days in aid of Clatterbridge Hospital. That was when this little chap got to meet him. As well as making for a cute photo, it shows the scale too – similar to an average nearly-two-year-old!

Movie based sculptures: a 3' groot carved by simon o'rourke stands next to a two year old in winter clothing to show scale

The client was kind enough to share the video with us from when she was given the Groot sculpture. Thankfully was less bemused by him than our little friend above! She shared:
Am over the moon with my 50th present off my family. As always Simon got the character spot on. Thank you so very much, he’s amazing
If you have a special birthday coming up and have a movie fan in the family, why not commission something for them?

Movie Based Sculptures: Spiderman

Continuing with the Marvel Comics theme, the next of our movie based sculptures is Spiderman. SPiderman is a little different from many of Simon’s pieces because he doesn’t just rely on shadow from cuts/texture to give him his distinctive pattern. Simon will sometimes use colouring techniques and stains or a blowtorch to create colour on a sculpture. These still allow for an organic colour and feel, so it remains in keeping with natural wood sculpture.

movie based sculptures: life sized spiderman wood sculpture created by simon o'rourke

Movie Based Sculptures: Batman

Looks like we’re on a roll here the comic book movie characters, because our next character is Batman. Good to give DC some representation too!

Batman was commissioned by Phil and Leah Jackson of Wahoo Marketing Agency (we are thankful as a business for their expertise), and helped them sell their house!
It’s true!
Batman doesn’t just fight crime, he moves real estate!
How?
Well basically, photos of the Batman sculpture went viral and drew international attention to their property.
Although it may seem excessive, in the context of the costs of renovating, improving, and staging a house for sale, a novelty sculpture can be a great investment. Not only can it help attract attention, but it may be that if the sculpture is free-standing, that you can take it with you or sell it later. A sculpture could also help tell the story of a property or area which moves the viewer in a way words don’t. So, if you are selling your property and think a sculpture may help, we’d love to hear from you!

Movie based sculptures: Batman by Simon O'Rourke

 

Movie Based Sculptures: Marilyn Monroe & More Comic Book Heroes

Our final example of movie based sculptures might be a bit of a cheat, as it’s not actually sculpture. But we’re going to go ahead and share anyway!
For people without room for a sculpture, an illustrated wall hanging may be just the solution. These are examples of some Simon has created over the years, including the original ‘blonde bombshell’, Marilyn Monroe.
Simon uses his background in illustration and combines it with his skill with an angle grinder, blow torch and, saw to create these unique illustrations. They make a striking piece of fan art, and are perfect for a gift or commemorating an occasion.
Please excuse the resolution. These were all created at events a few years ago, and cellphone camera technology wasn’t quite what it is today!

Marilyn Monroe illustration wall hanging by simon o'rourke

superhero wooden wall hanging illustrations by simon o'rourke

Commissioning Your Own Movie Based Sculpture

We hope you enjoyed this tour through some of Simon’s movie based sculptures. If you feel inspired and would like to commission a piece, we would love to hear from you. You can use the contact form on www.treecarving.co.uk/contact/ and Simon will get back to you to chat through the details.

Alice in Wonderland booth carved by Simon O'Rourke for Steak of the Art

Sculptures based on Literature: Fan Art Series

Sculptures based on Literature: Fan Art Series 960 960 Simon O'Rourke

Over the years, Simon has created many sculptures based on literature. They have been for a range of settings, including libraries, schools, National Trust property, and even restaurants! No two pieces are alike, even when they are based on the same book. Simon has been asked to carve figures from several different genres, and include sculptures based on works by Shakespeare, Tolkien, Dahl, Carroll, Conan Doyle, and Beatrix Potter.
One of the nice things about sculptures based on literature is that often there is no definitive image of the person to have to replicate. Books allow the imagination to flow, and creating sculptures based on literature is no different. With a description but no image to work from, Simon can get creative as he carves. Join us as we revisit some of his literary sculptures from over the years…

tree carving sculptures based on literature by simon o'rourke. an open book with the title alice in wonderland and the chesire cat sitting on a hollow log to the right

Part of Simon’s Alice in Wonderland sculpture trail at Erddig National Trust property

William Shakespeare Sculpture

Early examples of Simon’s sculpture based on literature are these Romeo and Juliet figures. Two trees at a local holiday park had become intertwined.  This positioning meant they perfectly lent themselves to becoming Shakespeare’s famous lovers. Simon worked the angles and shape of the trees brilliantly to depict them gazing lovingly into each other’s eyes. There is no doubt they are infatuated with each other! As well as creating figures of Romeo and Juliet, Simon also engraved text from the play into the trunks. If you had to choose only one quote from Romeo and Juliet to include, what would it be?

romeo and juliet tree carving sculpture by simon o'rourke, one of his sculptures based on literature

Sabine Obermaier

Our next literary sculpture is much less famous: Christian and Martha from “The Midwife” by Sabine Obermaier. You may have seen this sculpture in our blog about the Huskycup through the Years, or our Review of the Decade. We also have a Facebook album where you can see a bigger range of photos. “Christian and Martha” was created for the Huskycup competition in 2012. It was created in collaboration with Tommy Craggs and Michael Tamozus – TEAM EUROPE! The public loved the piece – and so did the judges! Christian and Martha took third place, making it Simon’s fourth time to finish in the top five.

Christian and Martha, one of Simon o@rourkes sculptures based on literature. It shows the two characters sitting on a giant shire horse

Conan Doyle Bust

On a TOTALLY different scale to the last two, our next sculpture based on literature is this Sherlock Holmes bust. It was a private commission for a fan, created towards the end of 2020. As well as depicting Conan Doyle’s famous detective, it also has hints and clues to elements of Sherlock stories. A bust is a great alternative portrait sculpture if you are looking for something small or more portable. They always add a touch of class and are a more subtle piece of fan art than a full-size sculpture.

Sculptures based on literature: Sherlock Holmes bust by Simon O'Rourke

Tolkien Sculpture

Another recent favourite of Simon’s sculptures based on literature is Radagast. The character may not be as well known as Gandalf, but the sculpture has been a hit!
This sculpture is also a great example of Simon transforming something sad into a beautiful piece of art. It came about after a Blue Atlas Cedar was infected with Sirococcus. Trees with this disease must be cut back as a minimum, but younger trees usually die. Rather than lose the tree, the owners contacted Simon, and the tree lives on in the form of Radagast the Brown!

Radagast the Brown by Simon O'Rourke

Lewis Carroll Sculptures

Alice in Wonderland has been a VERY popular theme, and Simon has had several commissions based on the Lewis Carroll classic. It doesn’t get repetitive though. Each time he gets to reimagine the characters and tell different parts of the story. Every commission also has a different purpose and setting too. Some have been individual sculptures such as this series created for a park in Scotland…

Alice in Wonderland sculpture by chainsaw artist simon o'rourke. Figures carved in wood of around 6' show the quuen of hearts, king of hearts, alice and tweedle dum

Photo credit Paul Worpole

Or this caterpillar which formed part of an  Alice in Wonderland trail at Erddig National Trust. Erddig is local to us, and we love the place. Simon was lucky enough to be their artist in residence for a season too!

wood carving of the caterpillar from alice in wonderland by simon o'rourke

Other Alice in Wonderland pieces have included a themed booth for Steak of the Art in Bristol…

Alice in Wonderland booth carved by Simon O'Rourke for Steak of the Art

And this themed chair created for The Storyhouse in Chester. The chair was a donation (read the full story here) for the children’s library, and incorporates other elements not seen in the other Alice pieces Do you have a favourite?

alice in wonderland themed chair by simon o'rourke for storyhouse chester. one of his sculptures based on literature

Roald Dahl Booth

For our next piece, we stay with children’s literature. This time, the author is Roald Dahl, and the book is Charlie and the Chocolate factory. Several years ago Simon was commissioned to create a booth for Steak of the Art in Cardiff. It was the first of three installations he has done for the chain now (the second is the Alice booth above). Each gives him the challenge of combining structural and practical requirements with artistic elements. It’s fun spotting all the different characters in a scene like this, as well as different elements in the story. How many can you find?

Alice in Wonderland booth by Simon O'Rourke, Steak of the Art

 

Hans Christian Anderson

Moving on, the next of our sculptures based on literature is from the timeless classic ‘The Little Mermaid’. The Hans Christian Anderson protagonist has been depicted in many different ways over the years, including as a redhead with a fish for a best friend – thank you, Disney! Fun fact: This little mermaid by Simon is much bigger than the Copenhagen landmark which is indeed a very little mermaid at only 1.25, tall!

Sculptures based on literature: a tree carved little mermaid by Simon O'Rourke

Beatrix Potter

Of course, not all literary heroes are human. And so, for our next piece, we bring you one of Simon’s furry literary sculptures: Peter Rabbit. A favourite for generations, this little Peter makes a cute addition to this garden.  With the facial features and little jacket, it’s unmistakeably the Beatrix Potter bunny. Not only does it look like Peter Rabbit though, but Simon also perfectly captured his cheeky character. A fun take on a literary sculpture!

sculptures based on literature by chainsaw artist simon o'rourke: Peter Rabbit eating carrots

J K Rowling

It’s amazing that despite the popularity of Harry Potter, Simon hasn’t yet been asked to carve any fan art based on the series. We have a feeling it won’t be long until he is though! However, although it isn’t strictly one of Simon’s sculptures based on literature, we think this phoenix rising from the ashes looks a lot like Fawkes. Especially as Jason Cockcroft depicted him on the original hardback cover of The Order of the Phoenix. What do think? Could this be Fawkes?!

Close up of the upper part of "A Phoenix Arises" by Simon O'Rourke

Close up of the phoenix rising from the sun-like flames

Who Would You Choose?

We hope you enjoyed this selection of Simon’s sculptures based on literature. He certainly enjoyed creating them!
Of course, with so many wonderful books, not everybody can choose a favourite character for their home, garden, library or school. So maybe a montage is in order? Something like this sculpture “Learning to Fly” but with figures from many books incorporated…

simon o'rourke sculptures based on literature. Child standing on a atower of books.

If you would like to commission a sculpture based on a literary figure, we’d love to hear from you. Contact Simon via the form at www.treecarving.co.uk/contact/ and someone will be in touch to chat about ideas and details. We’re looking forward to hearing from you.

The finished head

Huskycup Through the Years

Huskycup Through the Years 3648 2736 Simon O'Rourke

An annual highlight in the chainsaw carving calendar is The Huskycup. Every summer chainsaw carvers from around the world descend on Blockhausen in Dorfschemnitz and the sawdust starts flying! We absolutely recommend a visit at least once in a lifetime! As you might expect, this summer’s event has sadly been cancelled. But never fear! Just like our series where we brought Simon’s woodland trails to your home (click here for Part One, Part Two and Part Three), we thought we would bring the Huskycup to you! Join us as we look back as Simon’s entries in the Huskycup through the years…

Huskycup through the years: participants in the 2019 huskycup showcase

Simon and the other participants from the 2019 Huskycup

About Blockhausen

Before we revisit Simon’s entries at the Huskycup through the years, we have to share a bit more about the place. It’s incredible!

Blockhausen had its beginnings in something very practical: a hut to store forest management material and hay. SO different to its current function! You can read the full story at https://www.blockhausen.de/geschichte-gebaeude/wie-alles-begann/ , but nowadays it’s a venue for chainsaw carving courses, forestry training, open air museum, events venue, holiday destination, and hiking trail. In fact, it’s home to the largest collection of chainsaw art in the world! Oh, and if that isn’t enough, it also has a pretty great snack bar/cafe! Public can visit all year round, and hire various buildings. Many of them incorporate some fantastic pieces of chainsaw carving, so it’s like staying in an art gallery!

At certain times of year though, it is transformed into an arena for some of the world’s best chainsaw carvers. The largest of these events being Huskycup…

The Huskycup Experience

Initially Huskycup was an annual competition. As we mentioned in our Huskycup flashback blog though, it is now an exhibition event/showcase, although there is still a speed carving competition. Artists team up to create incredible chainsaw carving exhibits that tie in with a given theme. Simon participated for the first time in 2007 and has returned several times since then. It’s definitely a favourite event! Although he was very successful in competition, Simon prefers the more relaxed atmosphere of the exhibition. Primarily, it enables artists to feel more relaxed as they carve. It also allows them to take more time to enjoy each other’s creations, and try things they may not if there was the ‘risk’ of it not working out when they were being judged. It means teams can be more varied too as they aren’t restricted to a geographical region. Whether a participant, chainsaw artist, or fan, Huskycup is a great event to attend for community, and inspiration.

Huskycup through the years: crowds entirely fill a path in the woodland with chainsaw artists set up in booths alongside the path, carving various dragons

Crowds in 2019. Photo taken from the Huskycup website.

Simon and the Huskycup through the Years: The Beginning…

Simon’s first Huskycup experience was in 2007. He had to apply to organiser Andreas by sending a design. There was no theme for this year. This is a bit of a double-edged sword! It’s great because it allows for SO much variation. However, it can also be tricky to know what’s going to appeal. Simon was up for the challenge though! He created a giant marionette that really moves! The sculpture placed fourth on the competition – pretty good for a first time competitor! It’s still installed at Blockhausen and remains a crowd-pleaser today.

Huskycup through the years - 2007. A giant marionette created in oak by chainsaw carver simon o'rourke

2007 entry: Giant marionette

Huskycup Through the Years: 2008

2008 Simon’s brief was to create a naked man and woman cuddling! It was another success and he placed fourth again. For those wanting to see the sculpture, you’ll need to visit Blockhausen! After the competition, it was installed in one of the haylofts where people can stay.

A life size oak sculpture by simon o'rourke of a naked man and woman reclining rogether

Simon’s 2008 Huskycup entry

Huskycup Through the Years: 2009

In 2009 Simon paired up with Sebastian Seiffert to make TEAM EUROPE! This year teams created columns that depicted stories and legends from their home continent. Simon and Sebastian opted for a Celtic theme. Rather than tell specific stories though, they decided to show the seasons of the year as people. This unique approach impressed the judges, and they placed second! Their columns joined the other competitors, and they became the pillars supporting one of the log cabins.

Column holding up a large wood cabin. Created by Simon O'Rourke with celtic knots and featuring a nude woman

celtic knot column featuring nude woman by simon o'rourke

 

nude man incorporated into illar featuring celtic knotwork by simon o'rourke

nude man incorporated into illar featuring celtic knotwork by simon o'rourke

Huskycup Through the Years: 2010

2010 brought Simon a live model, Knut! The theme was ‘Miners from the Ore region’, and each competitor had a model dressed in their various uniforms. Simon’s placed second again with his miner, meaning he had now placed four times out of five competitions.

Simon and Liz O'Rourke pictured with Knut, an miner from the ore region and his likeness that simon carved in oak at huskycup 2010

Simon and Liz pictured with Knut

The Long Table

Blockhausen’s founder Andreas is always up to something big though, and the 2010 Huskycup was no exception! Each of the miners created was to help support a canopy over the table at Blockhausen. Not just any table either. The table is actually in the Guinness Book of Records as the longest table in the world! For those wondering how big a table has to be to make a world record, it’s a whopping 39.8m! That’s the equivalent of 23 men of average height in Germany! It seats 200 people, weighs two tons, and it safely holds around 10,000 bottles of beer! That’s a lot of people, and a lot of beer. It’s also a LOT of fun as people gather and sit together to enjoy food and drink from the cafe. The process behind building the table is fascinating, and you can read more at https://www.blockhausen.de/geschichte-gebaeude/laengster-tisch-2010/. For now, enjoy the miners!

life size miners created by various chainsaw artists act as pillars for a canopy over a 40m table

The 2010 Huskycup pillars in place alongside the table, ready for the canopy

 

life size miners created by various chainsaw artists act as pillars for a canopy over a 40m table while a man sands the table

Sanding the giant table!

Huskycup Through the Years: 2012

Simon returned to the Huskycup in 2012 and teamed up with Tommy Craggs and Michael Tamozus to make TEAM EUROPE! They created an incredible piece depicting Christian and Martha from Sabine Obermaier’s book, The Midwife. Once again, the team did brilliantly and took third place.

Review of the decade: Christian & Martha Huskycup 2012 by O'Rourke, Cloggs and Tamoszus

Christian & Martha Huskycup 2012 by O'Rourke, Cloggs and Tamoszus

Walk of Fame!

2012 was also the year that Simon entered the Blockhausen Walk of Fame! Just like the Hollywood version, it’s an honour to have your name on a star in the Blockhausen Walk of Fame. Unveiling is usually a big event!

Chainsaw artist SImon o'Rourke kisses his star in the blockhausen walk of fame

Huskycup Through the Years: 2016

The 2016 Huskycup was a memorable one for Simon because he took first place. The theme was Vikings, which left plenty of room for creative storytelling – something Simon LOVES to do. He depicted a daughter being taken away by a Viking warrior, while the father grieves. A moving scene! And, just as Simon is often inspired by classical artists such as Rodin,  this scene has hints of Michaelangelo’s “Creation of Adam” in the way the father reaches for his daughter as she is carried away. Winter or summer, it makes a striking exhibit in the Blockhausen open-air exhibition. We shared more about this in our blog about the 2016 and 2018 Huskycup, or you can check out the Viking Raid case study on the website to find out more.

 

Viking Raid at Huskycup 2016 by Simon o'Rourke

Viking Raid, Huskycup 2016

Viking Raid, Huskycup 2016

viking raid sculpture by Simon O'Rourke in the snow

 

Huskycup Through the Years:

By 2018 the Huskycup was no longer a competition. Rather, a showcase event. The theme was once again ‘Miners’. This time however, the finished pieces had a slightly different purpose. Rather than holding up a cabin or canopy, they were going to form that year’s Nativity scene. Simon’s task was to carve two miners that would eventually be two of the three wise men visiting the stable. You’ll see from the pictures that by now Simon had been introduced to Saburrtooth. Their burrs have enabled him to take his facial details to a whole new level! They now form a staple part of his tool collection along with his faithful Stihl chainsaws and Manpa multi cutter and angle grinder.
Once again he had live models, and they looked pretty happy with the finished sculptures of themselves!

Huskycup through the years: Simon O'Rourke Working on details of the miners at Huskycup 2018

Working on details of the miners at Huskycup 2018

 

Working on details of the miners at Huskycup 2018

Using a Saburrtooth burr to create the eyes of a miner

The finished Miners, Huskycup 2018

The finished Miners, Huskycup 2018

Huskycup Through the Years: 2019

2019 was another amazing Huskycup for Simon, as you’ll know if you ready our Huskycup 2019 blog. He teamed up with Keiji Kikodoro, where they had the task of creating a sculpture with the theme ‘dragons’. Simon’s relationship with Keiji goes back years, and he has been privileged to carve with him in Japan. As regular followers know, Simon has MANY dragons in his portfolio, and is something of an expert dragon carver. His most recent dragon sculpture even breathes fire! He wanted something completely unique though for Huskycup 2019, and came up with this idea:

Initial sketch of Water Dragon by Simon O Rourke and Keiji. Learn these skills in our online art courses with Simon.

The initial concept sketch by Simon

When we look at the finished piece, we see glimpses of the way dragons are traditionally portrayed in the cultures of both artists, and there is no doubt that their teamwork created something fantastic. Even without the competition, this is a winner!

Water Dragon by Keiji Kidokoro and Simon O'Rourke Huskycup 2019

Water Dragon by Simon and Keiji at Huskycup 2019

Profile view of the finished Water Dragon

Profile view of the finished Water Dragon

The finished head

The finished head

Huskycup 2020

And what about Huskycup 2020?
Well, at this point it’s hard to say. Andreas has postponed the main event, and planned a ‘mini huskycup‘ for October of this year, but whether Simon can be there or not is very much up in the air. If it goes ahead, the theme is ‘Brothers Grimm’, and participants are free to choose either modern or traditional interpretation. What a lot of scope for amazing fantasy sculptures AND human form. Some of Simon’s favourite kind of projects!

Either way, we feel strongly that safety needs to come first, so we watch and wait, and will choose wisely at the time, within the regulations.

Even if it goes ahead, it will be with much reduced attendance. So, with little likelihood of you enjoying Husycup in person this year, we hope you enjoyed seeing Huskycup through the years from Simon’s perspective. If you can’t go the the event, we bring the event to you!

But seriously, if you can ever get there, we recommend attending a Huskycup. The atmosphere is amazing, the carving off the charts, and the venue stunning. Andreas has created an incredible destination, and a great event, and it’s definitely been a highlight to be part of the whole thing.

If you feel inspired by any of these sculptures to commission your own, contact Simon using the form on www.treecarving.co.uk/contact/. We’re looking forward to hearing from you!

TV presneter George Clarkes standing in from of a small stone building with a wall mounted fire breathing dragon made from redwood by Simon O'Rourke

A Fire Breathing Dragon

A Fire Breathing Dragon 768 1033 Simon O'Rourke

This week Simon was featured on the series opener of Amazing Spaces. It was a great episode, featuring some spectacular architecture and engineering. Simon’s contribution? A 7ft fire breathing dragon!

The Clients

Local couple Guy and Tracey commissioned the fire breathing dragon. They were renovating a former bakehouse, and it was to be the finishing touch. When they approached Simon, he knew he couldn’t say no. He always loves a challenge, so a wall-mounted, fire breathing dragon was a project he couldn’t turn down!

TV presenter George Clarkes standing in from of a small stone building with a wall mounted fire breathing dragon made from redwood by Simon O'Rourke

George Clarke with the fire breathing dragon

The Building

The building itself is incredible. When Guy and Tracey bought their property, it came with a small stone building, which was a former bakehouse. Although it only measures around 3m x 2.5m, they had the idea to turn it into a little crash pad/den. A mini-house!
Space was obviously going to be an issue. Guy is a gifted engineer though and came up with an ingenious fix. In his own words:

“Your bathroom only needs to be big when you’re in it, so I figured you could have the whole bathroom wall moved across and stuck on the wall, and when you need it, pull it towards you to create the bathroom”

That’s right! Guy created a disappearing bathroom to maximise the space! George Clarke was so impressed, the property now ranks in his top three builds!

A Dream Holiday Home

Now finished, the property is a beautiful little getaway, ideal for a couple. Once lockdown is over, it will be available to rent via www.thedragontower.co.uk. If you are impressed with the creativity and engineering, you can also follow them on Twitter where they share more about the process.

fire breathing dragin made from redwood by simon o'rourke mounted on a small stone two storey building

The Story of Maggon the Dragon

The idea for Maggon the Fire Breathing Dragon came from Tracey. The fairytale look of the bakehouse captivated her, and she made a joke about needing a dragon to protect them. Tracey is also a big fan of children’s literature and illustration and had always wanted a piece of fantasy art. And so from there, the dragon commission was born! They also had the idea that he could breathe fire when the doorbell rang. Such a fun, and creative finishing touch to a creative and ingenious renovation!

Initially, they planned on making the dragon themselves. But then, they met Simon. His portfolio includes many incredible dragons, including the well-know Dragon of Bethesda. His background as an illustrator also tied in with Tracey’s love of children’s illustration. So all in all, he was the perfect fit for this commission.

redwood fire breathing dragon mounted on a small stone bake house in north wales

Making Maggon the Fire Breathing Dragon

Maggon is 7ft and made from a fallen redwood tree. The warm red colour is perfect for this property in North Wales, as it reflects the red dragon on our flag.
Nerd alert! In dry climates, redwood actually becomes a lighter-silvery tan shade if left to weather naturally. These clients needn’t worry though. In damp climates, redwood darkens, so the North Welsh weather will mean that lovely red colouring is retained for years to come.

Engineering Challenges!

The most obvious challenge for this commission was how to make it breathe fire! In this case, Guy had a plan, and Simon’s role was to create a cavity within the sculpture for the propane pipe. If you saw the episode you will have heard Tracey joking about the dragon breathing fire when the doorbell rings. So, for the curious among you.. yes, it is really connected to the doorbell! However, Guy and Tracey wanted to make the fire breathing dragon as environmentally friendly as possible. For this reason, they limit his ‘bursts’ using their own control box – which also helps limit accident potential! Health and Safety matters!

Another problem for Simon to think through was the installation. The dragon not only needed to breathe fire but was going to be mounted on the wall of the house – as if it was climbing towards the window. This meant keeping strictly within certain specifications so it would fit the space. It also meant Simon needed to create the dragon in sections so it would be easier to mount on the wall. Being able to visualise this and take account of it in the design is an essential aspect of larger projects.

More About Making a Fire Breathing Dragon

Simon used a few different Stihl chainsaws with various bars to create the main shape of the dragon. He also used these to begin to add a few cuts that give depth, and some of the more general shape and texture. No dragon is complete without scales though! Simon created the scales with the Manpa Tools Multicutter with a round cutter attachment. The friendly grin (we didn’t want Maggon scaring off guests!) and other facial details were created using Saburrtooth burrs.  The flame-shaped burr is an especially useful tool for these projects. You can see a bit of a ‘before and after’ in this photo, Tracey and Guy took in the workshop. Simon has created the main shape and some details with the chain saw, and begun to add the scales with the multi cutter around the dragon’s hind legs.

close up of a dragon tail made out of redwood

Although it took several days to create Maggon, you can watch the process in under a minute! What are your guesses for who the sculpture in the background will be?

Being on Amazing Spaces

As an artist, it is always an honour to have a piece featured on television. The focus of the show was the build itself, but Simon did also get to meet George Clarke on unveiling day, and enjoyed a good chat! He also loved seeing the build too:
It’s incredible what they’ve managed to do with such a small space! It was great to be involved and to add to a project like that.

chainsaw artist simon o'rourke with TV presente George Clarke. They are pictured in front of The Dragon Tower, a stone bake house converted to a guest house in NOrth Wales. Simon is holding a Stihl chainsaw

Simon with George Clarke and a trusty Stihl chainsaw!

What’s Your Fire Breathing Dragon?

Thank you to those who took the time to comment on social media. It is always lovely to hear from you, and we’re touched by all the great feedback.

If you have a rental property, a novelty piece of art is a GREAT way to make it stand out, and to attract attention – and gain business! If you have an idea for your home or rental property, why not have a chat with Simon? Contact us using the form on www.treecarving.co.uk/contact/ and someone will be in touch!

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Close up of St Georg in the St George and the dragon sculpture by Simon O'Rourke. This is one of his many sculptures of myths and legends.

St George and the Dragon Sculpture

St George and the Dragon Sculpture 720 960 Simon O'Rourke

It’s a day late, but Happy St George’s Day to my English friends!
It’s actually quite the week for important days. The Queen’s birthday, St George’s Day, and the anniversary of both Shakespeare’s birth and death. Definitely lots of choice there for a blog that fits the calendar! We decided to balance out all the dragons on this blog a little though, and share about this St George and the Dragon sculpture. I actually carved the piece earlier this year, so you might have seen the pictures on social media already. Every sculpture has its own story though,  so keep reading to find out about this one…..

St George and the Dragon tree carving sculpture by Simon O'Rourke

The Subject

This St George and the dragon sculpture was a commission from a client in the south of England. She had an oak stump in the garden, and began exploring ideas with Simon as to what it could become.
Commissioning a sculpture is never just one email requesting a particular subject. There is the actual timber itself to consider (is the size, shape etc suitable), client preferences, artist vision and skill, and the overall impact in its environment. Investing in a piece of art isn’t a small decision, especially when it’s a tree stump and physically not so easy to move as selling a small picture!

In this case, of the ideas discussed, St George was most meaningful to the client. St George’s Day is special to her as it is also her birthday! The sculpture will now be part of her annual celebration as, in her own words, she can “raise a glass every year standing by [her] stunning tree carving!”

Original client concept sketch of St George and the Dragon by Simon O'Rourke

Original sketch for the commission overlaying the stump

Finalising the Design
Once a subject is chosen, there is still more discussion between Simon and a client. Simon will share some of his ideas, as well as talking about how to make that happen. He will take into account not only the kind of piece the client wants, but also the timber. Sometimes there may be cracks that need to be taken into account. Other times there may be a beautiful grain pattern. Sometimes knots or the shape of the branches will lend themselves to a particular feature.
Close up of St Georg in the St George and the dragon sculpture by Simon O'Rourke
Refining an Idea
In this case, some of the main conversation points were focused on:
Scale
Given the diameter of the trunk, St George couldn’t be life size. Simon suggested that instead, he could be stood on a precarious pile of rocks, which would give a nice context. Ultimately, St George would need to be no higher than 18″. This ‘miniature’ turned out to be a fun contrast for Simon, as it immediately followed the Marbury Lady!
Story
Those of you familiar with Simon’s work, know he takes his inspiration from artists like Rodin and Bernini. They changed the concept of portrait work from being static, to telling a story. In the same way, Simon’s work always invites the viewer into a narrative. In this case there was a natural story to tell…..the legend of St George and the Dragon.
St George and the Dragon sculpture by Simon O'Rourke
Choosing the Narrative
SPOILER ALERT!
For those who are unfamiliar with the story of St George and the Dragon, basically an English knight tames and slays a dragon. Simon suggested that this sculpture incorporate that story. His suggestions included portraying George in the act of stabbing the dragon with a spear.
Alternatively, he suggested the dragon could be underneath him, or it could be rearing up above him, even adding wings on to give a striking silhouette.
This is where dialogue is important, as although these ideas could look fantastic, they weren’t fully what the client was after. She had concerns stabbing the dragon could look a little macabre (and who wants to celebrate a birthday that way!!), and wanted the emphasis on St George.
With this in mind, Simon decided to include the dragon as part of the story, but to merge it into the trunk. As well as hinting at the legend, this would also have the effect of emphasising the figure of St George. And so, the St George and the Dragon sculpture was decided!
Dragon from Simon O'Rourke's St George and the Dragon sculpture
Creating the St George and the Dragon Sculpture

As you look at the concept sketch next to the finished design, you will notice it wasn’t identical. This is part of the process of working with wood. When Simon saw the stump in person, the design changed due to the centre of the tree being offset. This meant that as it ages, it won’t split as much, as if he had used the original design.

Concept sketch with finished st george and the dragon sculpture

Creating this in the client’s garden involved copious use of the Stihl battery saws. As he was carving, Simon hit a few nails, hence the dark blue staining on the inside of the tree. Luckily he had spare chain with him for the saw he was using for detail. Hitting metal with that delicate chain is usually terminal for the cutters!!

 

St george and the dragon in process

The sculpture as Simon finished with the chainsaws, and was ready to begin with the smaller tools.

Saburrtooth burrs also played a bit part in the detailing. The detail on the face was made using the 3/8″ eye cutter and 1/4″ taper – a couple of staple tools that Simon relies on.

 

Visible detail on St George and the Dragon Sculpture by Simon O Rourke

Visible detail on the rocks and dragon

And that brings to an end our story of the St George and the Dragon sculpture!
We hope you enjoyed hearing a little more about the process behind finalising a design.
If you would like Simon to create something truly unique for your own home, garden or business, contact him on [email protected]
Although at the moment he is unable to carve at the moment, he is still able to sketch ideas and work on initial concepts and quotes, as well as working on his upcoming online art courses.

Next week, as we can’t go outdoors and travel as much, we will be bringing some of the UKs forest trails to you instead!

We leave you with the time lapse of the creation of this stunning St George and the Dragon sculpture.
Stay safe, and stay well.