dragon

life size wood carving of a knight on a rearing horse by simon orourke.Sculpture is part of a sculpture trail in Northampton.

Why Commission a Sculpture Trail?

Why Commission a Sculpture Trail? 540 810 Simon O'Rourke

Autumn is the perfect time to get out into nature and visit one of Simon’s woodland sculpture trails. The reds and ambers of the leaves are stunning anyway, but they add a perfect touch of art and drama to his sculptures. If you need convincing, why not take a peek in our blogs about his trails at Meadow Park, Page’s Wood, or Fforest Fawr?
These are all woodland sculpture trails with a wildlife theme. But did you know there are many more applications for a sculpture trail? Read on to find out some reasons why your community, business, or charity could benefit by commissioning a sculpture trail…

 

wooden carved owl sitting on a tree stump. The Owl is from Simon O'Rourke's woodland sculpture trail in Meadow Park.

Ruby the Owl, from Simon’s Meadow Park sculpture trail

Why Commission a Sculpture Trail: Education

A sculpture trail is a great way to educate visitors about the purpose and history of your site. This is one of the reasons Simon and his wife Liz get excited about a woodland sculpture trail commission. They are passionate about nature and the environment, and about educating others. Liz is even a qualified Forest School teacher!
In the case of the woodland sculpture trails, they created characters and poetry for each sculpture which gave snippets of information about the environment and wildlife. Each trail ends with a call to action for the viewer.
Giving information in this way is more likely to engage families with young children. It also makes it more memorable for all ages, which is always a bonus!

picture shows the original sketch for a wooden bench designed by simon o'rourke for the page's wood sculpture trail

One of the original sketches and poetry for Page’s Wood Sculpture Trail

This concept of educational snippets is easily adapted to any business or local area – it’s not just for woodland! Sculptures could reflect events in the life of an individual or a town. Or they could be or based on characters from a specific book or film associated with the place or person. There’s truly no limit!
We’re living in a season where Covid regulations make it harder for people to go inside museums and other attractions to view their educational content, so an outdoor sculpture trail is a great way to bring that content outdoors.
One example of this is where Simon helped create a sculpture trail of knights in Northampton…

 

life size wood carving of a knight on a rearing horse by simon orourke.Sculpture is part of a sculpture trail in Northampton.

One of the knights Simon made as a collaboration with other artists for the Northampton Knight Trail

Why Commission a Sculpture Trail: Tourist Attraction

Another reason to consider commissioning a sculpture trail is that the trail could become a tourist attraction in and of itself. Whilst people have come to see the trail, they will then often visit the rest of the site. If they are in the area they are also likely to visit local shops, restaurants, etc, and therefore stimulate the local economy. If you are a small town with no other especially marketable points, a sculpture trail around the town could be the perfect way to draw people to the area. There is just something about the novelty of a chainsaw-carved sculpture that attracts people! They are drawn to it for selfies or post photos of the sculpture alone. As visitors post these on social media, the attraction gets free publicity. More visitors AND free publicity… sounds like a great deal!!!

Review of the decade 2014 Mungo Park

Portrait of Mungo Park – perfect to sit next to and snap a selfie!

An example of this in action would be Simon’s Dragon of Bethesda. The dragon was a private commission, but it happened to be visible from the road. People began to post photos, and it got so much attention, it made the BBC news! Local newspapers around the country picked up the story, and police even had to ask people not to slow down to get photos! This was a total accident, as it was never intended for public viewing – but it does show the power of art to draw people to a place!

wooden carved dragon with outstretched wings by simon o rourke.

The Dragon of Bethesda became an accidental tourist attraction!

Why Commission a Sculpture Trail: Covid Safe!

We already hinted at this reason to invest in a sculpture trail for your attraction. Right now many attractions are struggling to remain open, as they can’t allow the numbers into the building that are needed to remain solvent. An outdoor sculpture trail in the grounds of a venue are much safer and allow for more visitors. If budget or permanence is an issue, why not take an example from Erddig National Trust?
A few years ago, they commissioned an ‘apple trail’ for their Autumn season. Simon carved smaller apples in the style of Halloween pumpkins. Those apples were then placed around the grounds at Erddig, and visitors could follow the Erddig Apple Trail.
A trail like this can easily be turned into a family activity. Simply create maps or ‘treasure hunt sheets’, and off you go! You could even add a reward at the end as a reminder of their visit or an educational point.

a wooden apple is carved to look like a halloween pumpkin. part of the erddig apple sculpture trail by simon o rourke

One of the apples Simon created for the Erddig Apple Trail

 

Why Commission a Sculpture Trail: Double the Fundraising!

OK, so here we’re actually going to mention a few reasons to commission a sculpture trail for your venue. They have the benefit of being as permanent or temporary as you want. This means you could set up a trail for a specific season, such as an elf trail to lead a Christmas Santa Grotto. Or what about an egg or bunny trail for Easter?
But what to do with the sculptures if you don’t want to repeat the event?
What about an auction for your charity, venue, or association? In the past auctions of Simon’s work have raised anything from hundreds to thousands of pounds for charities. This means a sculpture trail has double the potential – bringing people in for the original event, and fundraising afterward!

Wooden sculpture of Queen of Hearts on her throne by Simon O Rourke. Sculpture is part of a sculpture trail in Scotland

Queen of Hearts from Simons Alice in Wonderland trail

 

Why Commission a Sculpture Trail: For Art’s Sake!

There are several other reasons we could give for a sculpture trail, but we’re going to leave it with this one: art for art’s sake! One of the many lessons we learned from lockdown is the value of the arts. People turned to music, craft, and many other hobbies that serve no utilitarian function. In the early days especially, people found respite in things of beauty around them. Photos on social media showed highlights of permitted outdoor exercise time included discovering a beautiful old building, gate, or statue in their town that they had never noticed. A sculpture trail at your venue may serve no other purpose than adding something beautiful, creative, and inspirational for people to enjoy. And that’s OK. Call us biased, but we think that is reason enough to commission a sculpture trail!

Fforest Fawr Sculpture Trail Lynx by Simon O'Rourke

Fforest Fawr Sculpture Trail Lynx

Choosing a Theme for Your Sculpture Trail

So now you’ve thought about some of the reasons to commission a sculpture trail, what theme will you choose?

The possibilities really are endless. However, some of the most popular sculptures Simon has made include fairies, wizards, and dragons. And even an Ent! These ‘fantasy’ figures will always attract people to your trail. Movies and books like the Narnia series, Harry Potter, and Lord of the Rings capture the imaginations of all generations. That makes them a great theme for a trail.

Another consideration is the historical context of a place. Chester, Bath, or York would be perfect for a trail of Roman Centurions for example. Similarly, a former monastery commissioned a series of monks that sit beautifully in the grounds.

monk by simon o rourke

One of the monks of Monksbridge

You could also think about any local people of prominence. For example, anywhere in Stratford-Upon-Avon would be a great location for some Shakespearian figures.

Finally, what festivals do you hold, and what season is it? Christmas could see an elf, reindeer, or snowman trail. Harvest is perfect for carved pumpkins.

Basically, the only limit is your imagination!

10' wooden fairy sculpture by simon o rourke

A private commission, but a fairy trail of any size could be a fun addition to any woodland space

Commission Your Sculpture Trail

Are you feeling inspired? If you would like to commission a sculpture trail, then contact us via www.treecarving.co.uk/contact/
We’re excited to hear your ideas and how we can help enhance your venues, events, communities, and attractions!

 

moving wood sculpture of a dragon by simon o'rourke

English Open Chainsaw Competition Entries Through the Years

English Open Chainsaw Competition Entries Through the Years 1160 770 Simon O'Rourke

Can you believe it’s already the August bank holiday weekend?! Time is definitely doing funny things! This weekend is a landmark in the Chainsaw Carving calendar, as it’s normally the English Open Chainsaw Competition. The competition is part of the Cheshire Game and Country Fair, and Simon has taken part many times over the last decade or so. Things are obviously a bit different this year, but we thought we’d mark the occasion by revisiting some of his English Open Chainsaw Competition Entries…

scene from english open chainsaw competition 2019

Where it all Began…

Simon first took part in the competition in 2004, and it was a key event in his career. It was his first competition, and he won third place. This helped prompt him to make a career from creating chainsaw-carved wood sculptures. After making that decision, he and his wife Liz set up Tree Carving in 2005… and the rest is history!

The 2004 Sculpture:

Despite being his first competition piece, the first of Simon’s English open chainsaw competition entries not only took third place but also gained national attention. At the end of the competition, artists can choose to auction off their pieces.  During that auction, Simon’s “Sleeping Girl” caught the attention of one of the Sandringham estate managers. Their bid won, and his sculpture was installed at the Queen’s Norfolk estate later that year. Not bad for a first-timer! National news networks picked up the story, which also helped as Simon began his carving career.

Unfortunately there aren’t many photos of this sculpture which proved to be such a landmark in Simon’s career. So, please forgive us the poor resolution of this photo! We promise the photos get better in the rest of the blog! If anyone is visiting the estate and gets a better photo, we would love it if you shared it and tagged us!

english open chainsaw entries by simon o'rourke: 2004 sleeping girl. A sleeping girl is carved onto a horzontal log

 

English Open Chainsaw Competition Entries: 2007

Simon has had a great deal of success at the English Open. In 2007 he created this whimsical fairy sitting on a mushroom. Although Simon’s style has evolved since then, and his sculptures become much more detailed, we can already see his ability to tell a story and create life-like human form sculptures. Judges also admired this piece and he placed first!

wooden sculpture of a fairy sitting on top of a mushroom, with woods in the background. the fairy is one of simon o'rourkes english open chainsaw competition entries from 2007

English Open Chainsaw Competition Entries: 2009

In 2008 and 2009 Simon also won first place with his Neptune sculpture. And once again, he demonstrated his skill at creating stunning human form sculptures.  We can already see much more of the texture that has become part of Simon’s signature style. His facial expression and details perfectly depict this wisened god of the sea, and that physique definitely reflects the power he is said to have.

 

english open chainsaw competition entries by simon o'rourke. Photo shows simon standing with a 10' sculpture of neptune carved onto a treek trunk

 

english open chainsaw competition entries by simon o'rourke. Photo shows simon standing with a 10' sculpture of neptune carved onto a treek trunk

 

English Open Chainsaw Competition Entries: 2010-2013

As Simon’s awards page shows, 2010-2013 were also good years for him at the English Open. He placed in the top two each year that he entered. By now he and Liz were a definite part of the tree carving community – one of the fun aspects of taking part in events and competitions.

The nature of chainsaw carving means many pieces are often on a very large scale. Some of Simon’s largest pieces have been the Marbury Lady and the Giant Hand of Vyrnwy. His 2013 entry wasn’t as large as these, but this giant bust definitely showed he could work on a large scale!

giant wood bust of a female. one of simon o'rourke's english open chainsaw competition entries

English Open Chainsaw Entries: 2014

During some competitions, Simon is able to take the opportunity to work on a commission. He may need to refine it later but is able to complete what he can during the time allocated for the competition. 2014 was one of those times. During the competition, Simon created this sculpture of Brother Francis. How special for a client to be able to say their sculpture is award-winning! The piece ‘only’ placed third, but the client was delighted, and this monk looks amazing installed among the trees, enjoying a moment of quiet contemplation.

life size sculpture of a monk sitting against a tree. Carved by simon o'rourke as one of his english open chainsaw competition entries

 

English Open Chainsaw Competition Entries: 2015

2015 was a winning year for Simon. He took first place with his incredible moving dragon sculpture. The detail is incredible with the scaly texture and attention to detail like the teeth and eyes. The movement was also a real novelty, and took Simon’s skill and creativity to the next level.

moving wood dragon sculpture

Hemlock today!

The sculpture didn’t sell at auction, but that turned out to be a good thing. Simon made some refinements to the sculpture and Hemlock was born! Hemlock has since travelled around the UK and is always a hit wherever she goes. She has helped to raise money for Clatterbridge Hospital and other causes, has taken part at ComicCon, and has even been part of a wedding! It’s true! She makes a great photo opportunity and is regularly treated to a dragon spa at the workshop (ie maintenance and repair!) to make sure she always looks her best at your events.

There is no doubt either that Hemlock played a big part in earning Simon his reputation for carving fantastic dragons. Since then he has gone on to create other incredible award-winning, viral dragon sculptures such as The Dragon of Bethesda, the egg casket from Game of Thrones, the yew dragon tower, and most recently, the fire-breathing dragon for The Dragon Tower that appeared on George Clarke’s Amazing Spaces.

To book Hemlock for your event (anyone thinking about a dragon-pulled Santa sleigh this year?!) email us using the form at www.treecarving.co.uk/contact/, and we’ll be in touch!

moving wood sculpture of a dragon by simon o'rourke

 

English Open Chainsaw Competition Entries: 2019

Moving on to 2019, and the English Open was another great year for Simon. He took part in the ‘combo’ competition. This meant creating two sculptures over the three days, one made with only a chainsaw, and the other using any power tools.

His chainsaw-only sculpture was this beautiful, intricate fairy that took second place. You can see the range of Stihl chainsaws he used in the background!

Fairy carved by Simon O'Rourke at the English open Chainsaw Competition

The ‘full power’ event meant Simon could also use his favourite Manpa angle grinder and Saburrtooth bits. He created this angel who is looking truly serene. She doesn’t look at all like she’s been surrounded by chainsaw noise and sawdust for two days!!! She shows all of Simon’s trademark movement in her clothing, and attention to detail in the face. And, as always, Simon tells a story with this sculpture and invites the viewer into this moment of serenity with her. The judges loved her too, and she took first place.

Angel carved by Simon O'Rourke at the English Open Chainsaw Carving Competition

The angel which took first place in the ‘full power’ event

 

Future Events?

Right now we don’t know when the next event or competition will take place. As you all know, the world and regulations about public events change constantly. Competitions and events are usually a big part of Simon’s summer though. They go beyond an opportunity to carve and are usually a brilliant time to connect with other artists and gain more inspiration, knowledge, and skills. We find some of them actually make for a fantastic day out too for observers, such as Huskycup or the WoodFest.  We’ve definitely missed them this year, although a change is nice too.

However! Simon does still have some space in his calendar later this year for outdoor events, such as ice carving demonstrations at Christmas, or even something ‘autumn-themed’ for your October half term event. Although the large scale events can’t happen, there are still ways to include and enjoy a live demonstration. Email us at [email protected] or use the form at www.treecarving.co.uk/contact/ to ask about ideas and availability.

 

Chainsaw artist Simon O'Rourke putting finishing touches on a 3m sculpture of svantevit, the slavic god of war. Svantevit is one of his many sculptures of myths and legends.

Sculptures of Myths and Legends

Sculptures of Myths and Legends 1365 2048 Simon O'Rourke

Mythology and folk stories have been the subject of several sculptures Simon has made. Each time there is a challenge for Simon. He needs to create something recognisable and something that tells the well-known story. At the same time though, he also wants to bring something fresh or unique. Creating sculptures of myths and legends helps preserve a culture, and aids us in passing down the stories that shaped a nation. It’s a lovely thing to be part of!
In this week’s blog, we invite you to join us as we revisit some of the sculptures of myths and legends that Simon has made…

Close up of St Georg in the St George and the dragon sculpture by Simon O'Rourke. This is one of his many sculptures of myths and legends.

St George and the Dragon

St George and the Dragon is the most recent of Simon’s sculptures of myths and legends. The client had a stump in her garden and contacted Simon to see what he could make of it. Many sculptures of St George show him either doing battle with the dragon or victorious after the fight. The client didn’t want anything too macabre in her garden though – understandably!!! So, in this case, Simon depicts George before the battle. We see him standing in his armour with weapons ready, as the dragon creeps up the stump towards him. If you would like to know more about the choice of St George, or the process of making the sculpture, visit our St George and the Dragon blog.

Sculptures of myths and legends: a portrait of st george and the dragon are carved into a standing tree stump. The sculpture is surrounded by flowering shrubbery. carved by simon o'rourke.

Svantevit

The next of our sculptures of myths and legends takes us to Eastern Europe. Svantevit is the Slavic god of war, fertility, and abundance. It was created for the exhibition at Putgarten, Germany in 2018. With his four heads, he is immediately recognisable to people familiar with Slavic mythology. He is also carrying a horn and sword which are an important part of the stories of Svantevit. Simon makes his mark though with his detail in the faces and texture in the clothing. The drapery in the cape in particular adds some lovely movement to this 3m sculpture.

Chainsaw artist Simon O'Rourke putting finishing touches on a 3m sculpture of svantevit, the slavic god of war. Svantevit is one of his many sculptures of myths and legends.

The Hydra

The Hydra from 2019 is the next of our sculptures of myths and legends Simon has created. Initially, this sculpture was going to be a flock of birds or an animal rising from the ground. When Simon arrived on-site though he found the tree was unsuitable and chose to create the Hydra instead. The devil is definitely in the detail as they say with this one though. Look at all that scaly texture and the individual teeth! Definitely a legendary sculpture!!!

Hydra tree carving sculpture by Simon O'Rourke, one of his sculptures of myths and legends

Close up of the Hydra Heads. A private tree carving commission by Simon O'Rourke

Close up of the heads showing the detail and texture.

Lancelot and Guinevere

From Eastern Europe and Greece, we come much closer to home for the next of Simon’s sculptures of myths and legends: Lancelot and Guinevere.
Simon created this sculpture at an event in 2010, and it beautifully depicts the romance between the two characters. Even if we had never heard the story of Lancelot and Guinevere before, we get a sense of that story through the characters’ pose and facial details. Their eyes alone tell a story! Although not as textured as Simon’s later sculptures, we also love the hints of movement in the clothing which add to the realism.
Simon named this sculpture ‘Forbidden Fruit’. This sense of the romance being taboo or forbidden is enhanced by his choice to show the characters beneath a fruit tree, which hints at the story of Adam and Eve eating the forbidden fruit in the book of Genesis.

sculptures of myths and legends by simon o'rourke: guinevere kneeling at the feet of lancelot under a tree

Tegid Foel

Our next sculpture is another Welsh legend… Tegid Foel! Also known as ‘The Giant of Penllyn’!
Although the legend of Tegid Foel may be Welsh, he was created many miles away at Chetwynd International Chainsaw Carving Championship in 2012. Tegid Foel is the husband of Ceridwen in Welsh mythology. Funnily, the translation of his name into English would be ‘Tacitus the Bald’! Simon truly captures that description in this sculpture!
Just as Tegid Foel is a giant in Welsh mythology, this sculpture stands around 14′ tall. Simon carved him in separate parts and assembled him using scaffolding and a forklift truck. For anyone interested, Simon has an album documenting the process of creating Tegid Foel on Facebook. Just click HERE to see it. It also has close-up photos of details like the feet, belt, and hands. We definitely think it’s worth a look!


Sculptures of myths and legends: A giant sculpture of tegid foel by simon o'rourke.

Mabinogion Characters

Our last sculptures of myths and legends are also Welsh in origin. The Mabinogion is a compilation of Welsh stories, originally written in Middle Welsh. It’s thought they were compiled in the 12th Century but were passed down orally for years before that.
Back in 2010, Simon created sculptures of several of the characters in the Mabinogion (both human and animal) for a holiday park in Wales. There is something special about living and working in Wales, and being able to help preserve the history and culture of the nation in this way. Just like Tegid Foel, Simon added a full album of the Mabinogion on Facebook which you can visit HERE.
For now, we will just share these few.  The rougher ‘unfinished’ textures blend perfectly with the wooded surroundings. In Autumn they compliment the colours of the Welsh hills and woods, and in summer they contrast beautifully.

Sculptures of myths and legends: a triptych of wooden sculptures of characters from the mabinogion by simon o'rourke

Why Create Sculptures of Myths and Legends?

As we said, a sculpture of a local myth or legend helps us preserve culture. In generations past, we might have spent time telling local stories to one another or reading them for ourselves. The world has expanded massively though. Although this opens up new experiences and learning for us, which is fantastic, it is sometimes at the cost of losing something of our own history. Commissioning a sculpture that depicts local folklore can really help in sharing something of the history and culture with visitors and locals alike.

If you would like to commission your own sculpture of a myth or legend, contact us via the form on www.treecarving.co.uk/contact/ and Simon will be in touch!

The finished head

Huskycup Through the Years

Huskycup Through the Years 3648 2736 Simon O'Rourke

An annual highlight in the chainsaw carving calendar is The Huskycup. Every summer chainsaw carvers from around the world descend on Blockhausen in Dorfschemnitz and the sawdust starts flying! We absolutely recommend a visit at least once in a lifetime! As you might expect, this summer’s event has sadly been cancelled. But never fear! Just like our series where we brought Simon’s woodland trails to your home (click here for Part One, Part Two and Part Three), we thought we would bring the Huskycup to you! Join us as we look back as Simon’s entries in the Huskycup through the years…

Huskycup through the years: participants in the 2019 huskycup showcase

Simon and the other participants from the 2019 Huskycup

About Blockhausen

Before we revisit Simon’s entries at the Huskycup through the years, we have to share a bit more about the place. It’s incredible!

Blockhausen had its beginnings in something very practical: a hut to store forest management material and hay. SO different to its current function! You can read the full story at https://www.blockhausen.de/geschichte-gebaeude/wie-alles-begann/ , but nowadays it’s a venue for chainsaw carving courses, forestry training, open air museum, events venue, holiday destination, and hiking trail. In fact, it’s home to the largest collection of chainsaw art in the world! Oh, and if that isn’t enough, it also has a pretty great snack bar/cafe! Public can visit all year round, and hire various buildings. Many of them incorporate some fantastic pieces of chainsaw carving, so it’s like staying in an art gallery!

At certain times of year though, it is transformed into an arena for some of the world’s best chainsaw carvers. The largest of these events being Huskycup…

The Huskycup Experience

Initially Huskycup was an annual competition. As we mentioned in our Huskycup flashback blog though, it is now an exhibition event/showcase, although there is still a speed carving competition. Artists team up to create incredible chainsaw carving exhibits that tie in with a given theme. Simon participated for the first time in 2007 and has returned several times since then. It’s definitely a favourite event! Although he was very successful in competition, Simon prefers the more relaxed atmosphere of the exhibition. Primarily, it enables artists to feel more relaxed as they carve. It also allows them to take more time to enjoy each other’s creations, and try things they may not if there was the ‘risk’ of it not working out when they were being judged. It means teams can be more varied too as they aren’t restricted to a geographical region. Whether a participant, chainsaw artist, or fan, Huskycup is a great event to attend for community, and inspiration.

Huskycup through the years: crowds entirely fill a path in the woodland with chainsaw artists set up in booths alongside the path, carving various dragons

Crowds in 2019. Photo taken from the Huskycup website.

Simon and the Huskycup through the Years: The Beginning…

Simon’s first Huskycup experience was in 2007. He had to apply to organiser Andreas by sending a design. There was no theme for this year. This is a bit of a double-edged sword! It’s great because it allows for SO much variation. However, it can also be tricky to know what’s going to appeal. Simon was up for the challenge though! He created a giant marionette that really moves! The sculpture placed fourth on the competition – pretty good for a first time competitor! It’s still installed at Blockhausen and remains a crowd-pleaser today.

Huskycup through the years - 2007. A giant marionette created in oak by chainsaw carver simon o'rourke

2007 entry: Giant marionette

Huskycup Through the Years: 2008

2008 Simon’s brief was to create a naked man and woman cuddling! It was another success and he placed fourth again. For those wanting to see the sculpture, you’ll need to visit Blockhausen! After the competition, it was installed in one of the haylofts where people can stay.

A life size oak sculpture by simon o'rourke of a naked man and woman reclining rogether

Simon’s 2008 Huskycup entry

Huskycup Through the Years: 2009

In 2009 Simon paired up with Sebastian Seiffert to make TEAM EUROPE! This year teams created columns that depicted stories and legends from their home continent. Simon and Sebastian opted for a Celtic theme. Rather than tell specific stories though, they decided to show the seasons of the year as people. This unique approach impressed the judges, and they placed second! Their columns joined the other competitors, and they became the pillars supporting one of the log cabins.

Column holding up a large wood cabin. Created by Simon O'Rourke with celtic knots and featuring a nude woman

celtic knot column featuring nude woman by simon o'rourke

 

nude man incorporated into illar featuring celtic knotwork by simon o'rourke

nude man incorporated into illar featuring celtic knotwork by simon o'rourke

Huskycup Through the Years: 2010

2010 brought Simon a live model, Knut! The theme was ‘Miners from the Ore region’, and each competitor had a model dressed in their various uniforms. Simon’s placed second again with his miner, meaning he had now placed four times out of five competitions.

Simon and Liz O'Rourke pictured with Knut, an miner from the ore region and his likeness that simon carved in oak at huskycup 2010

Simon and Liz pictured with Knut

The Long Table

Blockhausen’s founder Andreas is always up to something big though, and the 2010 Huskycup was no exception! Each of the miners created was to help support a canopy over the table at Blockhausen. Not just any table either. The table is actually in the Guinness Book of Records as the longest table in the world! For those wondering how big a table has to be to make a world record, it’s a whopping 39.8m! That’s the equivalent of 23 men of average height in Germany! It seats 200 people, weighs two tons, and it safely holds around 10,000 bottles of beer! That’s a lot of people, and a lot of beer. It’s also a LOT of fun as people gather and sit together to enjoy food and drink from the cafe. The process behind building the table is fascinating, and you can read more at https://www.blockhausen.de/geschichte-gebaeude/laengster-tisch-2010/. For now, enjoy the miners!

life size miners created by various chainsaw artists act as pillars for a canopy over a 40m table

The 2010 Huskycup pillars in place alongside the table, ready for the canopy

 

life size miners created by various chainsaw artists act as pillars for a canopy over a 40m table while a man sands the table

Sanding the giant table!

Huskycup Through the Years: 2012

Simon returned to the Huskycup in 2012 and teamed up with Tommy Craggs and Michael Tamozus to make TEAM EUROPE! They created an incredible piece depicting Christian and Martha from Sabine Obermaier’s book, The Midwife. Once again, the team did brilliantly and took third place.

Review of the decade: Christian & Martha Huskycup 2012 by O'Rourke, Cloggs and Tamoszus

Christian & Martha Huskycup 2012 by O'Rourke, Cloggs and Tamoszus

Walk of Fame!

2012 was also the year that Simon entered the Blockhausen Walk of Fame! Just like the Hollywood version, it’s an honour to have your name on a star in the Blockhausen Walk of Fame. Unveiling is usually a big event!

Chainsaw artist SImon o'Rourke kisses his star in the blockhausen walk of fame

Huskycup Through the Years: 2016

The 2016 Huskycup was a memorable one for Simon because he took first place. The theme was Vikings, which left plenty of room for creative storytelling – something Simon LOVES to do. He depicted a daughter being taken away by a Viking warrior, while the father grieves. A moving scene! And, just as Simon is often inspired by classical artists such as Rodin,  this scene has hints of Michaelangelo’s “Creation of Adam” in the way the father reaches for his daughter as she is carried away. Winter or summer, it makes a striking exhibit in the Blockhausen open-air exhibition. We shared more about this in our blog about the 2016 and 2018 Huskycup, or you can check out the Viking Raid case study on the website to find out more.

 

Viking Raid at Huskycup 2016 by Simon o'Rourke

Viking Raid, Huskycup 2016

Viking Raid, Huskycup 2016

viking raid sculpture by Simon O'Rourke in the snow

 

Huskycup Through the Years:

By 2018 the Huskycup was no longer a competition. Rather, a showcase event. The theme was once again ‘Miners’. This time however, the finished pieces had a slightly different purpose. Rather than holding up a cabin or canopy, they were going to form that year’s Nativity scene. Simon’s task was to carve two miners that would eventually be two of the three wise men visiting the stable. You’ll see from the pictures that by now Simon had been introduced to Saburrtooth. Their burrs have enabled him to take his facial details to a whole new level! They now form a staple part of his tool collection along with his faithful Stihl chainsaws and Manpa multi cutter and angle grinder.
Once again he had live models, and they looked pretty happy with the finished sculptures of themselves!

Huskycup through the years: Simon O'Rourke Working on details of the miners at Huskycup 2018

Working on details of the miners at Huskycup 2018

 

Working on details of the miners at Huskycup 2018

Using a Saburrtooth burr to create the eyes of a miner

The finished Miners, Huskycup 2018

The finished Miners, Huskycup 2018

Huskycup Through the Years: 2019

2019 was another amazing Huskycup for Simon, as you’ll know if you ready our Huskycup 2019 blog. He teamed up with Keiji Kikodoro, where they had the task of creating a sculpture with the theme ‘dragons’. Simon’s relationship with Keiji goes back years, and he has been privileged to carve with him in Japan. As regular followers know, Simon has MANY dragons in his portfolio, and is something of an expert dragon carver. His most recent dragon sculpture even breathes fire! He wanted something completely unique though for Huskycup 2019, and came up with this idea:

Initial sketch of Water Dragon by Simon O Rourke and Keiji. Learn these skills in our online art courses with Simon.

The initial concept sketch by Simon

When we look at the finished piece, we see glimpses of the way dragons are traditionally portrayed in the cultures of both artists, and there is no doubt that their teamwork created something fantastic. Even without the competition, this is a winner!

Water Dragon by Keiji Kidokoro and Simon O'Rourke Huskycup 2019

Water Dragon by Simon and Keiji at Huskycup 2019

Profile view of the finished Water Dragon

Profile view of the finished Water Dragon

The finished head

The finished head

Huskycup 2020

And what about Huskycup 2020?
Well, at this point it’s hard to say. Andreas has postponed the main event, and planned a ‘mini huskycup‘ for October of this year, but whether Simon can be there or not is very much up in the air. If it goes ahead, the theme is ‘Brothers Grimm’, and participants are free to choose either modern or traditional interpretation. What a lot of scope for amazing fantasy sculptures AND human form. Some of Simon’s favourite kind of projects!

Either way, we feel strongly that safety needs to come first, so we watch and wait, and will choose wisely at the time, within the regulations.

Even if it goes ahead, it will be with much reduced attendance. So, with little likelihood of you enjoying Husycup in person this year, we hope you enjoyed seeing Huskycup through the years from Simon’s perspective. If you can’t go the the event, we bring the event to you!

But seriously, if you can ever get there, we recommend attending a Huskycup. The atmosphere is amazing, the carving off the charts, and the venue stunning. Andreas has created an incredible destination, and a great event, and it’s definitely been a highlight to be part of the whole thing.

If you feel inspired by any of these sculptures to commission your own, contact Simon using the form on www.treecarving.co.uk/contact/. We’re looking forward to hearing from you!

TV presneter George Clarkes standing in from of a small stone building with a wall mounted fire breathing dragon made from redwood by Simon O'Rourke

A Fire Breathing Dragon

A Fire Breathing Dragon 768 1033 Simon O'Rourke

This week Simon was featured on the series opener of Amazing Spaces. It was a great episode, featuring some spectacular architecture and engineering. Simon’s contribution? A 7ft fire breathing dragon!

The Clients

Local couple Guy and Tracey commissioned the fire breathing dragon. They were renovating a former bakehouse, and it was to be the finishing touch. When they approached Simon, he knew he couldn’t say no. He always loves a challenge, so a wall-mounted, fire breathing dragon was a project he couldn’t turn down!

TV presenter George Clarkes standing in from of a small stone building with a wall mounted fire breathing dragon made from redwood by Simon O'Rourke

George Clarke with the fire breathing dragon

The Building

The building itself is incredible. When Guy and Tracey bought their property, it came with a small stone building, which was a former bakehouse. Although it only measures around 3m x 2.5m, they had the idea to turn it into a little crash pad/den. A mini-house!
Space was obviously going to be an issue. Guy is a gifted engineer though and came up with an ingenious fix. In his own words:

“Your bathroom only needs to be big when you’re in it, so I figured you could have the whole bathroom wall moved across and stuck on the wall, and when you need it, pull it towards you to create the bathroom”

That’s right! Guy created a disappearing bathroom to maximise the space! George Clarke was so impressed, the property now ranks in his top three builds!

A Dream Holiday Home

Now finished, the property is a beautiful little getaway, ideal for a couple. Once lockdown is over, it will be available to rent via www.thedragontower.co.uk. If you are impressed with the creativity and engineering, you can also follow them on Twitter where they share more about the process.

fire breathing dragin made from redwood by simon o'rourke mounted on a small stone two storey building

The Story of Maggon the Dragon

The idea for Maggon the Fire Breathing Dragon came from Tracey. The fairytale look of the bakehouse captivated her, and she made a joke about needing a dragon to protect them. Tracey is also a big fan of children’s literature and illustration and had always wanted a piece of fantasy art. And so from there, the dragon commission was born! They also had the idea that he could breathe fire when the doorbell rang. Such a fun, and creative finishing touch to a creative and ingenious renovation!

Initially, they planned on making the dragon themselves. But then, they met Simon. His portfolio includes many incredible dragons, including the well-know Dragon of Bethesda. His background as an illustrator also tied in with Tracey’s love of children’s illustration. So all in all, he was the perfect fit for this commission.

redwood fire breathing dragon mounted on a small stone bake house in north wales

Making Maggon the Fire Breathing Dragon

Maggon is 7ft and made from a fallen redwood tree. The warm red colour is perfect for this property in North Wales, as it reflects the red dragon on our flag.
Nerd alert! In dry climates, redwood actually becomes a lighter-silvery tan shade if left to weather naturally. These clients needn’t worry though. In damp climates, redwood darkens, so the North Welsh weather will mean that lovely red colouring is retained for years to come.

Engineering Challenges!

The most obvious challenge for this commission was how to make it breathe fire! In this case, Guy had a plan, and Simon’s role was to create a cavity within the sculpture for the propane pipe. If you saw the episode you will have heard Tracey joking about the dragon breathing fire when the doorbell rings. So, for the curious among you.. yes, it is really connected to the doorbell! However, Guy and Tracey wanted to make the fire breathing dragon as environmentally friendly as possible. For this reason, they limit his ‘bursts’ using their own control box – which also helps limit accident potential! Health and Safety matters!

Another problem for Simon to think through was the installation. The dragon not only needed to breathe fire but was going to be mounted on the wall of the house – as if it was climbing towards the window. This meant keeping strictly within certain specifications so it would fit the space. It also meant Simon needed to create the dragon in sections so it would be easier to mount on the wall. Being able to visualise this and take account of it in the design is an essential aspect of larger projects.

More About Making a Fire Breathing Dragon

Simon used a few different Stihl chainsaws with various bars to create the main shape of the dragon. He also used these to begin to add a few cuts that give depth, and some of the more general shape and texture. No dragon is complete without scales though! Simon created the scales with the Manpa Tools Multicutter with a round cutter attachment. The friendly grin (we didn’t want Maggon scaring off guests!) and other facial details were created using Saburrtooth burrs.  The flame-shaped burr is an especially useful tool for these projects. You can see a bit of a ‘before and after’ in this photo, Tracey and Guy took in the workshop. Simon has created the main shape and some details with the chain saw, and begun to add the scales with the multi cutter around the dragon’s hind legs.

close up of a dragon tail made out of redwood

Although it took several days to create Maggon, you can watch the process in under a minute! What are your guesses for who the sculpture in the background will be?

Being on Amazing Spaces

As an artist, it is always an honour to have a piece featured on television. The focus of the show was the build itself, but Simon did also get to meet George Clarke on unveiling day, and enjoyed a good chat! He also loved seeing the build too:
It’s incredible what they’ve managed to do with such a small space! It was great to be involved and to add to a project like that.

chainsaw artist simon o'rourke with TV presente George Clarke. They are pictured in front of The Dragon Tower, a stone bake house converted to a guest house in NOrth Wales. Simon is holding a Stihl chainsaw

Simon with George Clarke and a trusty Stihl chainsaw!

What’s Your Fire Breathing Dragon?

Thank you to those who took the time to comment on social media. It is always lovely to hear from you, and we’re touched by all the great feedback.

If you have a rental property, a novelty piece of art is a GREAT way to make it stand out, and to attract attention – and gain business! If you have an idea for your home or rental property, why not have a chat with Simon? Contact us using the form on www.treecarving.co.uk/contact/ and someone will be in touch!

Thank you for reading our blog! Don’t forget to subscribe to make sure you don’t miss any of our posts.

Perfect Portrait for You: Part Two

Perfect Portrait for You: Part Two 720 960 Simon O'Rourke

If you regularly read our blog, you’ll know that last week we began writing about the perfect portrait scultpure for you. We feel people sometimes shy away from commissioning a portrait. That can be for lots of different reasons. However, we also know that portraiture is extremely varied. Simon is also able to sculpt in many different styles and scales. This means there is ALWAYS a perfect portrait for you!

Last week we looked at some of Simon’s classic full length sculptures, and a classic bust. There is no doubt that every time Simon creates a new full full size portrait, it has impact. However, they may not be the perfect portrait for YOU. Space, budget, style preferences and more mean the perfect portrait for you might be something a little different….

Chainsaw carving artist Simon O'Rourke standing with his life size sculptures of soccer players kenny dalglish and Bill Shankley

 

The Bobble Head!

If a classic sculpture isn’t quite your thing, and you want something more ‘relaxed’, what about a bobble head?

Typically bobble heads are a figurine with a disproportionately large head mounted on a spring. This allows it to bob up and down – hence the name! They are often made as a caricature of a famous person. You can find out more in this article about the history of the bobble head as a portrait.


The perfect portrait for you, your space and your preferences might be something fun like this bobblehead sculpture of Gary Barlow. In the photo simon o'rourke is pictured with three shots of a full size sculpture of gary barlow with a disproportionately large head!

A bobble head portrait can be created in any size to suit your space. Simon can create a flattering representation, or more of a caricature or the person. They definitely bring some fun to the idea of a portrait! If a bobbing head causes you concern, don’t worry. Simon can still carve in this style with a fixed head that stays firmly in place!

perfect portrait for you might be a bobble head like this life size carving of chainsaw artist steve backus depicted with an oversized head and carrying chainsaw carving equipment

A bobble head of fellow chainsaw artist Steve Backus

The Collage/Group Portrait

Maybe you’re looking for something unique instead of a family photo. Or something to commemorate a team. n which case, the perfect portrait for you may be some kind of collage.

A collage can be created in an endless number of ways, depending on the number of subjects and how you want to pose them. Again, they are something a little different to a classic portrait. The presenters from BBC’s Country File certainly loved the sculptures Simon created for them a few years ago!

 

a perfect portrait for you and your family might be a collage. this photo is of a sculpture of multiple faces in one piece of wood.

Stylised/Modern

Are you more of a modernist when it comes to sculpture? Perhaps something more stylised would suit you. These faces were exhibition pieces Simon created at a couple of different events in 2019. You can read about their story in our Face to Face blog.
Even though they appear simple, in-person, they are incredibly striking!
Although these are not direct likenesses, they are great examples of Simon’s versatility as a portrait artist.

The ‘Cheeky Nod’

The perfect portrait for you may not actually be an actual portrait! Rather, it may be that you incorporate the features or likeness of someone into something else. Kind of a cheeky nod to the person rather than a formal depiction.

One example of that is Simon’s dragon for St George’s hospital garden. Mark Owen (former Take that singer) was the special guest who would be opening the garden. So, when Simon carved the dragon, he chose to use Mark Owen’s features in the dragon. It’s subtle, but there is definitely a fun likeness!

When might this ‘cheeky nod’ be appropriate? Maybe your club or society is commisioning  a sculpture to commemorate an event or occasion. The sculpture itself can’t be of the individual, but using the features of a specific key person on a character or object can be a fun way of acknowledging them and their involvement.

Singer Mark Owen photographed next to chainsaw carver simon o'rourke

A chainsaw carved dragon by simon o'rourke in cartoon style. The dragon's face has been carved to incorporate the features of singer Mark Owen so it bears a resemblance to him

If that’s a bit TOO subtle for you, what about using the faces of specific people on other objects? More of a ‘hybrid’ or combination than just a ‘cheeky nod’ to the person.

One client did just that. She wanted traditional ornaments for her garden, like pixies, fairies and gnomes. However, as a loving grandmother, she also wanted to depict her grandchildren. That led to the unique commission below. Simon carved these cute miniature pixies appropriately sized for her garden. Rather than imagining a character and featurs for each though, the face of each sculpture was one of the client’s granchildren!

Three traditional pixies carved in miniature on a small tree stump.

The Wall Hanging

Finally, maybe space doesn’t allow for you to have a 3D sculpture. Maybe it just isn’t your thing. In which case, these illustrated wall hangings could be the perfect portrait commission for you.

If you have read his biography, you’ll know Simon trained in illustration. He initially had aspirations to be an illustrate children’s books, and stumbled into tree carving! An alternative to a sculpture is a portrait in wood. Like all Simon’s portraits (except a bust!), wall hangings can be for individiual or group portraits. They can be created in a wood to suit your room, and make a great gift or commemorative piece.

prefect portrait for you series featuring a pyrography portrait of marilyn monroe by simon o'rourke

 

The faces of the four beatles created by simon o'rourke through burning and etching a wood panel

We hope you have enjoyed exploring some of Simon’s portrait work. We also hope you feel inspired, and know that there really is a perfect portrait for you, no matter your preference, budget, space, or occasion!

If you would like to explore commissioning a portrait, contact Simon at http://www.treecarving.co.uk/contact/

We’d love to hear from you!

The Great Resc-yew (rescue): Two Towers and a Dragon

The Great Resc-yew (rescue): Two Towers and a Dragon 150 150 Simon O'Rourke

Two Towers and a dragon.
Sorry, nothing to do with the movie! Although if you enjoy Tolkien, you could read our blog about Simon’s Lord of the Rings sculpture.
Rather these two towers and a dragon were straight from Simon’s imagination. As well as telling a story, they are actually also a happy ending in themselves! Read on to find out more about ‘the great resc-yew’…

Two towers and a dragon by Simon O'Rourke

The Resc-Yew Plan

These stunning sculptures began their life as yew trees (now the ‘rescue – rescyew puns make sense!) which had become problematic. Yew is a fascinating and beautiful wood which grows in all kinds of shapes and patterns. They are some of the oldest trees in the country, are great for making all kinds of things. This ranges from carving household objects and art to furniture. Most famously though, they have the reputation of making the best long bows! However, that wild beauty can sometimes cause problems for the landowners.
In this case, they were growing too close to the house.

Initially, the owners had the tops removed, but it turned out that wasn’t going to be a good long-term solution. Rather than remove them completely, they decided to turn them into a different kind of beautiful – a Simon O’Rourke sculpture! All projects have their points of fun and excitement, but one of the things Simon enjoys about this kind of commission is the sense of giving life and purpose back to something that had either died, was damaged, or could no longer remain as it was. Even better when it’s something as fun and unique as this fairytale sculpture!

Incidentally, if you have trees which are becoming problematic, read our blog about Treetech, a tree surgeon we work with and recommend to give you an evaluation!

The dragon from Two Towers and a Dragon by Simon O'Rourke

Creating the Sculptures

After chatting with the owners about what they would like, Simon went to work, employing not only his skill, but his creativity and imagination to create this scene from a story Tolkien or C S Lewis would be proud of!

Simon kept some of the bark to allow the trees to blend in more with the rest of the garden. This also adds age and authenticity to the towers, as if they are something from an long-ago, far away adventure. He created the initial shapes using Stihl chainsaws, then used his Manpa angle grinders and chainsaw bars, and Saburrtooth bits to create the details and added texture. The beautiful natural patterns within the yew combined with Simon’s deeper cuts that mark the stone and tiles, to create the feel of ancient stone towers that have been weathered over the years.

The Two Towers from Two towers and a dragon by simon o'rourke

Choose Your Own Adventure

One of the fun things about a sculpture like this, is it not only looks great, but sparks the imagination. This is something that is important to Simon in every sculpture he creates, and even shares in his biography that he wants “people to feel like they’ve experienced part of a story”

In this story, with the two towers and a dragon, the castle is under threat from the dragon. As we look at him, we see he is quietly watching, formulating his plan, and resting his wings, which although relaxed at this moment, are clearly powerful and large.

But what happens next?

Simon has set the scene and created a stunning piece of art, but the rest is up to you.
Can the towers withstand the attack?
Who or what is within them to attract the dragon?
Who will be victorious and how?

We think it would be wonderful to spend a summer’s evening in this garden – perhaps after a BBQ with a glass of your favourite drink in hand – inviting family and friends to tell the rest of the story. What do you think happens next? How would you end this great resc-yew story? Why not comment below and let us know!

As always, if you feel inspired by this week’s featured carving, you can talk to Simon about commissioning something unique for your home and garden. Contact us on [email protected].

Into the 20’s – A Review of the Decade

Into the 20’s – A Review of the Decade 150 150 Simon O'Rourke

As we start a new decade, we’ve been reflecting on the many changes that have happened personally and professionally over the last ten years. Professionally, it’s been a great decade with some fantastic opportunities and commissions. We’ve also met some amazing people and seen some wonderful places along the way. Before we move forward into the 20’s, we thought we would bring you our ‘review of the decade’. And, as we do, let us wish you a Happy New Year from all at Tree Carving.

Simon O'Rourke Game of Thrones Egg Carrier carving

Simon and Liz O’Rourke wish you a happy new year (and decade) on behalf of the Tree Carving team.

Review of the Decade: 2010

As we looked back, we could definitely see we didn’t use social media as much! And the technology we used definitely didn’t produce the kind of photos and videos we do today! But here is a look back at two competition pieces from that year, both taking second place. Neptune from the English Open Chainsaw competition, and a traditional miner from the Huskycup.
A quick glimpse at Simon’s awards shows that this was a good decade for competition, placing in most things he entered and winning seven awards. However, when it comes to competitions Simon says:
“Competitive sculpture has taught me a lot about completing work to a deadline. I have competed all over the world and although I have placed highly in many events, the most important thing to me is being happy with my own work.”

Neptune by Simon O'Rourke as featured in his review of the decade

Simon O'Rourke second place huskycup 2010

Review of the Decade: 2011

Two of the projects we chose as highlights from 2011 are The Giant Hand of Vrynwy, and the Somerset Tree.

At 50′ tall, it was no wonder the hand caught the attention of the local press, as you can see in the article by The Leader newspaper. Simon’s inspiration for the hand came from the name for the woodland area, which made reference to giants. Creating something on this scale reminded Simon how small we are compared to some of the living organisms on this planet. He described the experience as being very humbling!

Giant hand by Simon O'Rourke

The next project although tall still, was a little smaller in scale! Simon was commissioned by the Museum of Somerset to create this stunning tree for their new museum. Sourced from local wood, it stands proudly in the museum where it tells some of the area’s 400 million year history.

Tree of Somerset by Simon O'Rourke

Review of the decade: Tree of Somerset by Simon O'Rourke

Review of the Decade: 2012

Another Huskycup entry! This time, the sculpture of “Christian and Mary”. Simon worked on this piece as part of ‘Team Europe’ with Tommy Craggs and Michael Tamoszus. They placed fourth overall, with some tough competition from a great bunch of talented artists. As we had a quick glimpse back at the Facebook album of the event it was lovely to be reminded of the support, encouragement and lovely comments.

Christian & Martha Huskycup 2012 by O'Rourke, Cloggs and Tamoszus

Review of the decade: Christian & Martha Huskycup 2012 by O'Rourke, Cloggs and Tamoszus

fourth place Huskycup 2012 by O'Rourke, Cloggs and Tamoszus

Review of the Decade: 2013

For our 2013 highlight, we chose something a little different. During that year Simon created this incredible Alice in Wonderland booth for Steak of the Art in Bristol. Their vision is for the restaurant to be an ever-changing art gallery that compliments their delicious menu. As you can see from the photos in the case study Simon wrote, his booth more than fits their vision. Every single character is its own work of art, and with so much to see, although the piece doesn’t change, there is something new to notice each time you sit within it. Here we get a reflection of the changing technology too, with this timelapse video of its making!

Alice in Wonderland booth at Steak of the Art by Simon O'Rourke (a review of the decade)

Alice in Wonderland booth by Simon O'Rourke, Steak of the Art

Alice in Wonderland booth by Simon O'Rourke, Steak of the Art

Review of the Decade: 2014

2014 saw us receive a lot of publicity for two ‘guardians’.

The first was created for the ‘Pawtraits‘ series by Maria Slough, and was actually named ‘The Guardian‘. The series featured people photographed alongside animals that had impacted their lives, and Simon was brought in to create a piece to be used for the portrait of Virginia McKenna. Understandably, the actress wasn’t too keen on reclining on a real lion – hence Simon stepping in with The Guardian! As McKenna was so impressed with his work, Simon was later commissioned to sculpt a lion cub for the Born Free Foundation charity auction, a charity McKenna established. As well as the photos below, you can click HERE to see a timelapse of The Guardian being made.

 

The Guardian by Simon O'Rourke

Maria Slough Pawtrait Virginia McKenna featuring lion by Simon O'Rourke

Photograph copyright of Maria Slough from the Pawtraits Series

The other ‘guardian’ created by Simon that year is just as iconic. Phil and Leah from Wahoo Group wanted to harness the power of social media and do something novel to help sell their home. Thinking completely outside of the box (no baked cookies here!) they commissioned a sculpture of…..Batman!

The caped crusader sat on top of their home where it gained attention from both local and global news outlets, and helped the couple find tenants for their property.

Wooden Batman carving by Simon O'Rourke

Wooden Batman carving by Simon O'Rourke

Batman by Simon O'Rourke and St Giles Church Wrexham

As one of Simon’s strengths is Human Form, we also couldn’t resist throwing in this sculpture of Scottish explorer, Mungo Park. He was commissioned for a pub in the explorer’s hometown of Peebles, and sits on this bench for passers by to enjoy.

Review of the decade 2014 Mungo Park

 

 

Review of the decade 2014 Mungo Park

Review of the Decade: 2015

2015 was the year when Simon won the English Open Chainsaw Competition with Hemlock the Dragon.

Since then Hemlock has made countless appearances around the country, including at a wedding! Hemlock has recently had some repair work on the wings, and is ready to meet the public again. If you are interested in hiring Hemlock for your event, just email us on [email protected]

Hemlock the Dragon English Open Chainsaw Competition 2015 by Simon O'Rourke

Review of the Decade: 2016

2016’s highlight is another Huskycup Flashback: Viking Raid.

As well as the Viking Raid Case Study Simon wrote, we also have a blog about Viking Raid for those who want to know more. As we mentioned in our Huskycup 2019 blog, 2016 was actually the last year Huskycup was a competition. It meant Simon was the last ever Huskycup champion, as Viking Raid took first place. What a way to end the competition for him! Although it is no longer a competition, Simon continues to participate, and it is something of a highlight each year.

In 2016 Simon also became an affiliate of Olfi. We love their action cameras, and how they’ve transformed what we’re able to share with you through timelapse videos. Find out more in our Olfi blog!

Viking Raid at Huskycup 2016 by Simon o'Rourke

 

 

Viking Raid at Huskycup 2016 by Simon o'Rourke

 

Review of the Decade: 2017

2017’s highlight is from Liverpool. Simon created a tribute to The Beatles by carving life size figures of the Fab Four live along the dockside over a weekend. You can read more about the event in our Global Beatles Day Blog, and keep scrolling to enjoy our flashback photos and video.

2017 was also the year Simon began being sponsored by Stihl. Not only do they manufacture quality equipment, but it was something of a ‘full circle’ for Si, as his very first chainsaw experience was using Stihl equipment.

 

Beatles at the Liverpool dockside by Simon O'Rourke

 

Nearly done!!

Posted by Simon O'Rourke – Tree Carving on Monday, 28 August 2017

 Review of the Decade: 2018

As Simon says in his case study about the Spirit of Ecstasy, this was one of his most challenging sculptures to date.
You may remember from our Spirit of Ecstasy blog, that Simon recreated the Rolls Royce icon for an enthusiast to give new life and purpose to a beautiful oak tree which had died. Despite the challenges, the finished piece was faithful to the Rolls Royce concept, graceful and simply stunning. We hope you enjoy the finished result as much as we (and most importantly, the client!) did.

Spirit of Ecstasy by Simon O'Rourke

 

 

Review of the Decade: 2019

In our new year blog at the start of last year, we told you 2019 would be our ‘year of the dragon’. We weren’t wrong! Over the year Simon created seven new dragon-related carvings, including an ice dragon in our local town.
It all started off with The Dragon of Bethesda. It sits in an arboretum in North Wales after the landowner commissioned Simon to create something spectacular from a fallen tree. Y Ddraig Derw was featured in national media, and we are still overwhelmed by the encouraging response from so many people to the piece.

Dragon of Bethesda by Simon O'Rourke

 

Our other dragon highlight from the year, is this stunning casket created for HBO’s Game of Thrones.

Game of Thrones egg props Simon O'Rourke

Simon was commissioned by HBO as part of a wider project where artists re-imagined original props from the show. He received these beautiful dragon eggs, and created the casket for them to sit in. You can remind yourself of the whole project and process in our Game of Thrones blog.

Again, we were amazed, thankful and VERY encouraged by all the positive comments we received.

This is also the year Simon became an affiliate for ManpaTools. Their angle grinders especially have taken some of his texture and detail to a whole new level.

Simon O'Rourke casket Game of Thrones Season Eight

Moving into 2020, Simon has also become an affiliate for Saburrtooth. With quality tools and equipment from Stihl, Manpa and Saburr, Simon’s talent and creativity, and the continued support of all our amazing clients and co-workers, we look forward to what the next decade – the roaring 20’s – will hold.

We hope you enjoyed our Review of the Decade. We definitely loved seeing some of these pieces afresh as we looked back.
As always, if you have a project in mind, email us on [email protected]

Ice Carving for Wrexham Museum

Ice Carving for Wrexham Museum 150 150 Simon O'Rourke

Last night Simon was on ‘home territory’ as he took part in the annual Victorian Christmas market in Wrexham. Don’t worry though, he hasn’t traded his chainsaw for a stall and money pouch! Simon’s contribution to the evening was much cooler, if we do say so ourselves. He swapped timber for something much wetter, and did some ice carving for Wrexham Museum.

Crowds watching ice carving for Wrexham Museum

Outside Wrexham Museum*

About the Victorian Market

Wrexham’s Christmas Market has become one of the most eagerly awaited events in the town’s calendar and successfully attracts thousands of shoppers year after year.  This year there was a Victorian theme to the market with Punch and Judy shows throughout the day, and period street performers. The main feature though was 100 stalls from Queens Square right up to and inside St Giles’ Church.

Punch and Judy show at Wrexham Victorian Christmas Market

Punch & Judy on Hope Street

About Ice Carving for Christmas

To coincide with the event, Wrexham Museums also organised and hosted an event: Ice Carving for Christmas. As well as Simon’s ice carving, the museum was open for the public and people could do Christmas shopping in the gift shop and enjoy a hot chocolate or mulled wine in the cafe. Various school choirs performed, including Bryn Hafod Primary who sang in both Welsh and English, and Libby and Sign of the Times. As you can see from the first photo we shared, plenty of people came to enjoy the evening.

Crowds watching Simon O'Rourke Ice Carving for Wrexham Museum

Crowds watching Simon Ice Carving for Wrexham Museum*

Ice Carving for Wrexham Museum

If you read the blog we wrote a couple of weeks ago about the event (visit it here) then you’ll know Simon didn’t just complete one carving. The Ice carving for Wrexham Museum was actually a trail through the town. It began at St Giles church, where most of the market stalls were located, and ended at the Museum.

In the first location, Simon began by carving one block of ice, which was a clue as to what the final ice sculpture would be. People could then follow him to second location where he carved a second block, giving people a second clue.

They could then follow him to the museum where they could submit their guesses as to what his final carving would be, and any correct answers won a prize.

*spoiler alert*

For those who know that 2019 was a year full of dragons for us, it will come as no surprise that the final sculpture was this stunning dragon head.

It lives!! The dragon head, complete with smoke!!

Posted by Simon O'Rourke – Tree Carving on Thursday, 5 December 2019

Let us take you back though through the evening as the audience experienced it though…..

Setting up:

Working in the multiple areas gave Simon and Paul the first challenge of the night – getting all the equipment through the thousands of people attending the Victorian Market! They had everything loaded up on a cart, and the high vis jackets definitely helped them get noticed so the crowds could part a little. It definitely wasn’t the quickest or easiest transportation of equipment though!

Paul and Simon making their way through the crowds attending the market!

Simon O'Rourke safety jacket

Paul and Simon making their way through the crowds attending the market!

St Giles Location

The first location was St Giles church where Simon carved this stunning dragon’s eye. Standing it the crowd, it was fun to be able to hear people’s awe as they watched. Especially as the chain saw went all the way through the ice to carve the space that became the eye! Several people were also commenting on how clear the ice was. Many guessed correctly that we didn’t just freeze water from our hosepipe to make the blocks. Rather, they are especially made for events like this. There’s a science behind it, but you can actually do it at home! Read all about how crystal clear ice is made at Barschool.Net. We’re happiest to leave it to the professionals, but if you try it yourselves, let us know if it works!

As we have said before, it is the lighting that makes the difference when ice carving. This green lighting reflecting off the scales Simon created is definitely eerie and mysterious, which helped add to the sense of mystery and anticipation of what the final carving would be.

Viewers outside St Giles*

Early on in the work on the dragon’s eye

Simon O'Rourke working on an ice carving of a dragon's eye, Wrexham 2019

Adding textured to create the scales*

Dragon eye at Ice Carving for Wrexham by Simon O'Rourke

The finished dragon’s eye*

Henblas Square

The second location of the night was Henblas Square.
Here, as well as the general admiration of what Simon was doing, I could hear many more questions about the equipment.

“His hands must be freezing” was also a pretty common theme!

Unlike most people were thinking, Simon wasn’t using specialist ‘ice carving’ equipment. He used his faithful Stihl battery powered chainsaws (complete with the handy backpack you will have noticed for the battery packs) for most of the initial carving. This meant they were lightweight and didn’t need a power supply. Perfect for this kind of mobile evening. He also used his Manpa tools angle grinder, with burr bits by Saburrtooth. And, while we’re speaking of Saburrtooth, we’re excited to announce Simon will become one of their ambassadors in 2019!

It was nice to see so many people stay and watch the entire carve here. For a long time people were guessing it was going to be eagles, rather than (as you can see) this amazing dragon claw (clue number two)! It really is fascinating to watch, but the audience were also encouraged to stay by the unusually warm evening. After several nights of hard frost, it was 10°c! Although being a warmer night was helpful for the audience and shoppers, the warmer weather meant Simon had to carve extra fast as the ice was melting far more quickly that he’d hoped!

Simon O'Rourke ice carving: dragon claw

Simon o Rourke Ice Carving for Wrexham Museums 2019 Dragon Claw

The finished dragon claw, clue number two in the ice carving trail

The finished dragon claw, clue number two in the ice carving trail*

Wrexham Museum

The museum location was the longest of Simon’s carves, and he used six blocks of ice rather than the one that he used at the other locations. Even before he arrived, people were fascinated by the ice on the museum forecourt.

ice blocks for carving wrexham museum 2019

Blocks of ice waiting for carving!

Simon was challenged here not only by the ice melting in the warmer weather, but also an impressive wind. At one point the leaves spiraling in the air looked like a scene from The Wizard of Oz! It didn’t put people off watching though, and in some cases it was hard for parents to pry their children away.

Ice Carving for Wrexham museum 2019

Watching outside Wrexham Museum*

Simon o'Rourke ice carving dragon Wrexham 2019

Adding texture with an angle grinder

Simon O'Rourke adding detail to an ice carving dragon, Wrexham 2019

Adding detail to the dragon

One of the perks of Simon being on ‘home turf’ is being able to watch him. Another is being able to hear and see other people’s reactions. The audiences at all the locations were a mix of people who have followed Simon and his work for years, and others who had never even imagined creating something with a chainsaw!

“The precision is unbelievable”

“I’m so impressed with the talent and detail he is able to produce with a chainsaw”

“I’ve never seen anything like it before. It’s bold and beautiful”

“I was only going to stay ten minutes but once I started watching, I had to stay until the end”

“The detail is unbelievable”

“Stunning. Simply stunning”

We can’t help but agree! The lighting bouncing off the textured scales and the smoke  just made it perfect. Even still in process, it looked spectacular in the light.

Dragon Ice carving in process by Simon O'Rourke

The Finished Piece.

Thank you to Wrexham Museums for organising and hosting the event so well (and for the mulled wine the staff not wielding chainsaws enjoyed!). Thank you too to Shaine Bailey and Treetech for sponsoring the event. And to everybody who came and watched, shared on social media, and complimented Simon on his work. It’s lovely to be able to meet people, and to have such a lovely and encouraging audience. It’s also great to finish our year as it began, with a dragon that captured the attention and hearts of the people who saw it (read about the first dragon, Y Ddraig Derw here).

And so, we leave you with the finished piece for 2019’s Ice Carving for Christmas*:

Ice Carving for Wrexham Museum Christmas 2019 Finished dragon head by Simon O'Rourke

 

Dragon head in ice by Simon O'Rourke

Dragon head in ice by Simon O'Rourke

If you would like to book Simon for your event (ice or timber!) email us on [email protected] to talk about details.

*photo credit to Gareth Thomas from Wrexham Museums.

Huskycup 2019

Huskycup 2019 150 150 Simon O'Rourke
Huskycup 2019

And just like that, Huskycup 2019 is over! After a week of carving by some of the best chainsaw carvers in the world, Blockhausen now has several dragons added to its exhibits – including the fabulous Water Dragon by Simon and Japanese tree carver Keiji Kidokoro.

As we wrote in THIS BLOG, Simon and Keiji had the freedom to make anything relating to the theme ‘dragons’. They decided to create a dragon which would reflect both their cultures, in an ‘east meets west’ Water Dragon.

Simon and Keiji with the finished water dragon

Simon and Keiji with the finished water dragon

East meets West

Initially the dragon seems predominantly Asian because of the serpentine shape and the wave it rests on. Closer look shows a beautiful merging of the cultures though. For example, the wings are very much the scale of those seen in western interpretations of dragons. It also features a more typically western profile with the sloped nose. Up close, we can also see scales more consistent with the dragons of Hollywood movies than those of Asian design.
What other features can you see belonging to each culture?

Initial sketch of Water Dragon by Simon O Rourke and Keiji for Huskycup 2019

The initial concept sketch by Simon

 

Profile view of the finished Water Dragon

Profile view of the finished Water Dragon

Team Work

Part of the success of this dragon was working to each of their strengths. Simon and Keiji have carved together before (Japan 2015 & 2016) which was an asset when designing the piece. Simon imagined and drew the initial design, but very much incorporated Keiji’s skill in fine detailing and consistent texturing. Keiji is also talented with an airbrush, and painted the eyes and a piece of tail. We think both are lovely finishing touches which help bring life to the sculpture.

Keiji painting the eye

Keiji painting the eye

 

View showing the scales over the entire body

View showing the scales over the entire body

 

View from the tail shows another airbrushed touch of colour

View from the tail shows another airbrushed touch of colour

One of Simon’s strengths is creating movement and story in his pieces. As such, he enjoyed working on the coils that create the shape and movement of the dragon. That meant creating the shape of each piece, but also working out placement, so it would be realistic and retain the overall flow of the sculpture. We think he did a great job!

Focus on the coils that gave the eastern serpentine feel

Focus on the coils that gave the eastern serpentine feel

Not All Smooth Sailing (Carving)

Those who follow us on our Facebook page will have seen that the dragon wasn’t without its challenges though! Reaching some parts of the dragon needed some serious climbing and balancing skills! They also drew the smallest pieces of timber in the lottery, and later discovered some rotten wood which meant pausing work to resource something more suitable. Small challenges though in a week which was otherwise packed with successful carving, being inspired by others and enjoying time with the tree carving community.

Their initial wood supply

 

Carving those hard-to-reach places at Huskycup 2019

Carving those hard-to-reach places!

Only As Good As Your Tools!

Simon also got to try some new tools. As always, Stihl (Stihl DE) were faithful to provide chainsaws which are always up to the task! He also got to try some new angle grinding tools provided by Korean company, Manpa. It can be a bit of a gamble working with unfamiliar tools, but in this case it worked out. Both the Stihl and Manpa tools turned out to be great choices for Simon.

Simon working on some fine detail

 

Simon O'Rourke working on some detail for his Huskycup 2019 carve

Working on some fine detail on the wings

Beyond the Carve

Huskycup is about more than the carving though. Blockhausen itself is always worth a visit, but part of what makes the event great and draws back such a high calibre of artist, is the atmosphere and community. The venue even features its own Walk of Fame, honouring artists in the tree carving community! Simon received his star in 2012, and he felt this year’s additions were great choices.

Huskycup 2019 finished carve by Simon O'Rourke and Keiji Kidokoro

The finished head

 

A final photo of the finished Water Dragon

A final photo of the finished Water Dragon

Oh, and for those who noticed the little guy at the front right of the photo? This baby dragon is not only bringing the cute to your screen right now (and showing Simon’s versatility in dragon carving!), but will feature in the Huskycup 2019 charity auction.
Baby dragon for charity auction

Baby dragon for charity auction

For those wanting to see more, the organisers have already started to upload photos and videos which you can enjoy HERE.
Of course, there’s nothing quite like experiencing it for yourself! Huskycup is open to the public, and Blockhausen is open all year round where you can see the Water Dragon for yourself, as well as other creations from over the years.