chainsaw art

tips for carving big cats: a large sculpture of a roaring lion shows the importance of accurate proportions when sculpting.

Tips for Carving Big Cats

Tips for Carving Big Cats 720 960 Simon O'Rourke

As a sculptor, there are certain subjects that Simon is known for, and often asked to create. Fictional characters and dragons are definitely in the top two. Another popular subject for sculptures is the lion. In fact, any big cat!
Over the years Simon has created many sculptures of big cats, including lions, tigers and cheetahs. A couple of those sculptures that people have especially enjoyed include The Guardian and the Sri Lankan Lion. Carving the same subject allows for a lot of learning and refining. Since Simon recently created the lion family photographed below, we thought we would share some of his tips for carving big cats…

Tips for carving big cats by simon o'rourke. Photo shows a lion family Simon created from two separate tree trunks. One shows a male lion twisted to look in the direction of the second trunk which shows a lioness climbing down the trunk to reach a cub.

A lion family diptych Simon created this year

Tips for Carving Big Cats: Research

The starting point for a realistic sculpture of a big cat, is research. The goal of that research is to understand the underlying structure of the animal. That includes the skeleton, how the muscles lie (and where), and how each individual body part is formed. For example, understanding the paws is an area of study in itself. This is important because the proportions of the animal are dictated by its skeleton and muscles. They also dictate what positions the big cat may be in, and the shape we see on the outside.
Other research includes things like texture and direction of the fur and how it contrasts between different parts of the body.
If you are looking for a good basic tutor, Deviant Art has a big cat blog series that is worth checking out.
Once you have a good understanding of anatomy, you can move forward with your sculpture.

tips for carving big cats: a large sculpture of a roaring lion shows the importance of accurate proportions when sculpting.

The skeleton abnd muscle structure determin the proportions and shape of the sculpture.

Tips for Carving Big Cats: Determining a Realistic Pose

Understanding the underlying structure of a big cat allows you to move forward into creating your sculpture. It’s important to consider what your big cat is doing; what’s the story behind the sculpture? Once you have a sense of the story, you can create the basic shape of the animal.
At this point there is sometimes a plot twist or two as Simon discovers cracks or cavities in the wood.
That was the case with the male lion. However, that cavity meant Simon moved the position of the legs slightly, which ultimately created more drama and a sense of story. So don’t worry if you have a surprise or two! With some creative thinking (whilst still considering the basic skeleton and muscle structure) a re-think can actually be a blessing in disguise!

A tree carving by chainsaw artist simon o'rourke. The photo shows a large male lion with his front paws on a pile of rocks. He is twisted to glance over his shoulder. This realistic pose is one of simon's tips for carving big cats.

How realistic that pose will appear is determined not just by the basic shape, but also by emphasis. Simon will often use the tip of a bar to emphasise an indent, curve or a flap of skin. These are the things that help to show which muscles are flexed or relaxed, and where the pose is causing the animal to stretch. They also show the size and shape of the muscles which help to give Simon’s big cat sculptures their sense of strength and power.

a chainsaw carving or a lion in process in a workshop.

This photo of the lion in process shows where Simon is choosing to emphasise specific dips, flaps and twists, such as the flank.

Tips for Carving Big Cats: Keep Looking at Your Reference

Especially with big sculptures, being right on top of the sculpture while you carve can mean you lose a sense of perspective. This means it’s important to keep stepping back and looking at your sculpture. Check the proportions. And always check it against your reference for the animal, whether that’s your rough sketches or a series of animal photos. This principle isn’t unique to big cats. Simon often also talks about the importance of this in carving faces which you can read more about in this blog about the golden ratio.

close up of a lion cub carved into a tree trunk by simon o'rourke

Tips for Carving Big Cats: Adding Texture

Once you are happy with the shape of your sculpture, you can begin to add details and texture. Those details are key in conveying the story of a sculpture. For example, in what direction are the eyes looking? If the mouth is open, is the nose smooth showing a more relaxed animal, or is it wrinkled in a snarl?

At this point, Simon will often use something like the Manpatools multicutter. In this video Simon uses the triangle cutter head effectively to create this striking Sri Lankan lion mane.

At this stage, Simon often also uses his favourite range of Saburrtooth burr bits to create texture. They are especially useful for smaller details like claws, eyes, nose, mouth and ears. However, they can also add subtle rounded shapes like cheeks, or the shape of a paw. They really make a big difference and help take his sculptures to a whole new level!

Tips for carving big cats: SImon O'Rourke uses a saburrtooth flame burr bit to create texture on a lion's face

Tips for Carving Big Cats: Practice Makes Perfect

Simon’s final tip is true of everything. If your first big cats aren’t what you want, don’t give up. Practice is are really the biggest factor in improving your big cat sculptures. It really is true that practice makes perfect!

Friday ramblings about my thought process while carving big cats!!

Posted by Simon O'Rourke – Tree Carving on Friday, 21 August 2020

Your Own Big Cat Sculpture

Do you have a favourite of the big cat sculptures Simon has made? Drop us a comment and let us know!
And if you would like to commission your own big cat sculpture, contact us via the form on www.treecarving.co.uk/contact/
We’re looking forward to hearing from you!

a roraring lion carved by simon o'rourke

 

 

FAQs: Favourite Tools for Carving Faces

FAQs: Favourite Tools for Carving Faces 2048 2047 Simon O'Rourke

People often ask what tools Simon uses to create sculptures. Sometimes that’s hobbyists and professionals, keen to learn from fellow artists. Sometimes it’s from people watching Simon carve live. People are often amazed to find out the chainsaws are the same tools used by tree surgeons!
When it comes to chainsaw, Simon has a long-standing relationship with Stihl. In fact, that relationship actually goes back to the very first time he used a chainsaw! Their quality and functionality make them a firm favourite. However, Simon also uses other powertools to refine his work. In this blog we will talk about his favourite tools for carving faces.

3m tree trunk in the process of being carved into a sculpture of a woman. She is surrounded by scaffolding, and two stihl chainsaws used for carving are photographed in front of the work in progress. Sculpture is the Marbury Lady by Simon O'Rourke, and the photograph is to show his favourite tools for carving faces.

Simon’s preferred chainsaws are Stihl, for their quality, innovation, and functionality.

 

Favourite Tools for Carving Faces: Saburrtooth Bits

In recent years, Simon has been using Saburrtooth Burr Bits to refine and detail his faces. They have become some of his favourite tools for carving faces especially, and an essential part of his kit. Each of the different shapes come in various sizes and levels of coarseness and can be bought separately or in complete kits. They really help take faces to a whole other level, whether that be the shape and structure or texture.

a close up of Billy Houliston's face carved in oak by simon o'rourke. The face is coarsely textured and demonstrates the impact of some of Simon's favourite tools for carving faces

The texture on the face of Billy Houliston was created with a large flame bit, extra coarse

1: Large Extra Coarse Flame Bit

The first of Simon’s favourite tools for carving faces is the large flame bit, in extra coarse. It’s often the first of the smaller tools that Simon uses to create faces. It’s not only great for shaping, but also leaves the fantastic textured finish seen in sculptures like The Queen of the South footballers.

extra coarse large flame bit by saburrtooth, which is one of Simon O'Rourke's favourite tools for carving faces

Extra coarse large flame bit by Saburrtooth.

 

This particular bit is extremely versatile, has all kinds of uses when carving faces. Simon uses it to shape the corner of the eyes, form the bridge of the nose, and create the outline of the eye sockets. It’s also his tool of choice for the shaping underneath the chin, down the side of the mouth, and other gentle creases. This photo of it in action on the face of The Marbury Lady Sculpture again demonstrates the great texture it creates.

close up of a sculpture in process. the sculpture is a female face created by simon o'rourke and her face is being detailed using a daburrtooth flame bit, one of Simon's favourite tools for carving faces.

The extra coarse large flame bit in action on The Marbuty Lady

2: Large Coarse Taper Bit

Just like the flame bit, it’s obvious how the taper bit got its name! Like the flame bit, this taper is also essential in Simon’s kit.

coarse taper bit made by saburrtooth. photo demonostrates simon o'rourkes favourite tools for carving faces

One of the saburrtooth large taper bits in coarse grit

It’s another extremely versatile tool, and has two main uses depending on which side is used. Simon uses the point to shape the corners of the eyes, in both animal and human faces. It can also be used for the nostrils or lip line. As the tip is still quite wide, there won’t be very strong definition in these facial features yet, but it’s a useful starting point.
The other benefit comes from the flat side which is amazing for creating outlines and rounded shapes.

Although it may seem counter-intuitive to use a flat edge for rounded features, the flat edge is definitely superior for creating convex curves, such as cheeks. The forehead, cheeks, neck and chin on Our Lady of Pen Llyn are perfect examples of curves you can create with this tool.

life size sculpture of a young female carved from oak by Simon O'Rourke

Simon often uses the flat side of the large taper bit for gentle convex curves like the cheeks, forehead and chin on Our Lady of Penllyn

3: Small Flame Bit

The next of Simon’s favourite tools for carving faces is (in his words) “a brilliant little tool“. It’s the small flame bit, and as with all the bits, comes in a variety of grains from fine to extra coarse.

small flame bit by saburrtooth. photo is included to show one of simon o'rourke's favourite tools for carving faces.

One of the small flame bits by Saburrtooth

When sculpting human form, Simon can’t rely on some on colour to create expression and shape. This means he has to create a realistic appearance, life, and expression through the shape and crucially,  differing depths of ‘cuts’.
This bit has a fine tip which can create a finer, deeper cut to refine the face. Some of the applications would be cleaner, clearer nostrils and lips than the taper bit. Simon also used this bit for fine curves and creases, laughter lines, eyebrows, and other creases in the skin caused by movement of the subject. This kind of detail is especially useful for sculptures which will be seen up close, such as the Ayrton Senna bust. Creating something this realistic out of wood replies heavily on the kind of fine, deep lines that the small flame bit creates.

a wood carved bust of F1 driver Ayrton senna in the workshop of creator Simon O'Rourke

close up of simon o'rourke using a fine taper bit to shape the face of a female sculpture. the bit is one of his favourite tools for carving faces.

Fine taper in action on Simon’s Oak Maiden

4: Extra Fine Taper Bit

The fourth of Simon’s favourite tools for carving faces is the extra fine taper. This is used with a small rotary tool, such as a dremel.

Extra fine taper bit by saburrtooth, one of simon o'rourkes favourite tools for carving faces

Extra fine taper bit

If you watch the video on Simon’s Instagram at https://www.instagram.com/p/CEVNCZ6jGFW/, you will see this is an extremely thin bit. And thin, fine bits, create thin, fine details! Simon uses this bit for features like creating lines inside of eyelids for a sharper line and more emphasis. He also uses it for the top of eyelids and between the lips. But basically, it is ideal for anywhere you want to create a sharp, fine line.
As you can see, working with these smaller powertools means getting up close and personal with the sculpture! Being right on top of the sculpture can make it hard to get a real sense of what you are creating though. With that in mind, if you are using these tools, be sure to step back often to check. It’s also important when you do that, to assess your piece from multiple angles.

Sculptor Simon O'Rourke carving a wooden fairy at the Englihs Open CHainsaw competition

Some details require getting up close and personal!

5: Eye Bit

There’s a reason the eye bit has its name! With two flat edges moving to round, it’s shaped like a human eye. And – unsurprisingly – is another useful tool for sculpting eyes!

Eye bit by Saburrtooth

Example of an eye bit from the Saburrtooth range

The video below shows it best, but Simon uses this bit for shaping the eye when it is on its side. He also uses the point to emphasise the corners. Either way, it’s another of his favourite tools for carving faces as it provides great results.

Not Just For Humans!

Our examples so far of sculptures made with these favourite saburrtooth bits have all been human form. Although Simon’s favourite subject to sculpt is human form, he is also known for his amazing fantasy and wildlife sculptures. If you haven’t seen any by the way, why not check out the range of his portfolio at https://www.treecarving.co.uk/portfolio/ or follow on Instagram or Facebook?
But back to favourite tools!
In the same way that the bits we talked about today can be used for human faces, Simon also uses them when sculpting features on animal carvings. This Sri Lankan Lion sculpture shows how effective these bits are for creating those same textures and lines in fur!

a large coarse flame bit is being used by simon o'rourke to create texture in the mane of a lion sculpture

Large coarse flame bit in action on a lion sculpture

How Do You Use Yours?

We’re sure that tools this versatile have many more applications too. Why not drop us a comment with your favourite bits and how you use them? We’d love to hear from you, and it’s important to learn from other artists. Maybe you picked up some tips? Leave us a comment and photo of what you made – we’d love to see your work!

That just about finishes today’s blog, which we hope you found helpful in helping you select tools for your own projects. Before we go through, we couldn’t resist sharing one last sculpture featuring details created with some of Simon’s favourite tools for carving faces. This one is Radagast the Brown from Lord of the Rings, and we just love the texture and lines in the beard and wisened face that help depict Tolkien’s character so perfectly.

radagast the brown from Lord of the Rings carved in wood by simon o'rourke

As always, if you feel inspired by some of the sculptures in this blog and would like to commission your own, contact us through the form on www.treecarving.co.uk/contact/.

 

Face of the ent tree sculpture by simon o'rourke in Poulton Hall gardens

Monkey Puzzle Ent Tree Sculpture

Monkey Puzzle Ent Tree Sculpture 1920 2560 Simon O'Rourke

Simon spent the week working in the grounds of Poulton Hall, Bebington. Thankfully the weather cooperated for this outdoor project! Over four days of carving Simon transformed a monkey puzzle tree into this fantastic Ent tree sculpture…

ent tree sculpture by simon o'rourke. carved into a standing monkey puzzle tree outside poulton hall

Um, what’s an Ent Tree Sculpture?!

For those who are wondering, Ent are one of Tolkien’s literary creations. So this week’s sculpture would have fit perfectly in the literary fan art blog we posted a few weeks ago! The Ent feature in The Hobbit and The Lord of the Rings and are one of the oldest races of Middle Earth. They are described as shepherds and protectors of the trees. They are tree-like in appearance and take on the appearance of the trees they guard. Although we don’t often think of a ‘tree person’ as being a fearsome warrior, “Their punches can crumple iron like tin, and they can tear apart solid rock-like bread crusts.”!

front view of the ent tree sculpture by simon o'rourke at poulton hall

So, why an Ent tree sculpture?!

The choice of an Ent has a special story…
The sculpture is in the grounds of Poulton Hall, which is the ancestral home of the Lancelyn Green family. The present incumbent, or squire, is the 32nd lord of the manor of Poulton Lancelyn and Lower Bebington.  His father was Roger Lancelyn Green, the author of many well-known books about Robin Hood, King Arthur, Greek Heroes, Ancient Egypt, Norse Myths, Dragons, and all things imaginative and creative.  As one of the Oxford Inklings, Roger was friends with J. R. R. Tolkien and C. S. Lewis, who was an occasional visitor to Poulton. The Inklings praised the value of narrative in fiction and encouraged the writing of fantasy. Many aspects of the grounds have been inspired by imaginative literature.

blue plaque stating roger lancelyn green lived in poulton hall, bebington

The Poulton Hall Gardens

There are several different gardens at Poulton Hall, all of them stunning in their own way. They are open a few times a year, usually in aid of a charity. The walled gardens are also available for private functions such as weddings, tea parties, musical performances, and exhibitions. Details for opening are on their website www.poultonhall.co.uk/GardenOpenings/ if you would like to visit.

Each garden has a slightly different flavour as you can discover at www.poultonhall.co.uk/TheGardens.  The entrance to the walled gardens is intended to make you think you are entering a world of make-believe. Simon’s sculpture is not the only reference to fantasy and literature in the grounds. Other sculptures include a Jabberwock  (from Lewis Carroll’s poem Jabberwocky, in his book Through the Looking Glass) a Viking head, a Robin Hood, an Excalibur, and a Storyteller’s Chair.

This historic link with Tolkien and the property already having the sense of a fantasy garden meant a literary fantasy character was a natural choice for this latest addition.  The Ent not only fit the literary-fantasy theme but is also much more unusual than more commonly seen sculptures of fairies, wizards, and mythological animals. It has the benefit too of blending more naturally with the surrounding gardens than other human or animal subjects. And so, whilst an unusual choice, the Ent is perfect for Poulton Hall.

Face of the ent tree sculpture by simon o'rourke in Poulton Hall gardens

The Character of the Ent Tree Sculpture

As the Ent are moving, talking fictional beings with personalities, it was important that Simon first decide who this particular Ent is before he started carving. These all inform the pose, texture, expression – and more – of a sculpture. In this case, Simon was carving a Monkey Puzzle tree, and so Aracaurius the Ent was born! The name comes from the Latin name for the tree: aracauria Araucana. Aracaurius the Ent tree sculpture is 5m tall and has an affinity for the local wildlife. There’s a fox, a rabbit in his hand, an owl perched on his left hand, an angry stoat, a squirrel, a woodpecker, and a hidden mouse!

the fox at the foot of the ent tree sculpture by simon o'rourke at poulton hall

The fox at the foot of the Ent

 

Squirrel in the trunk of the ent tree sculpture by simon o'rourke

The squirrel peeping out from the leg of the ent tree sculpture

Depicting a Monkey Puzzle Ent

One of the features we mentioned of the Ent, is that they take on the features of the tree they protect. In this case, a monkey puzzle tree. The monkey puzzle tree is an evergreen with long, spiky branches. Simon captures this in the long vertical cuts down the length of the Ent.

close up of the ent tree sculpture by simon o'rourke, focusing on the rabbit in its left hand

Close up of the rabbit and the long vertical texture that suggests the long spiky coniferous branches of the monkey puzzle tree.

Monkey Puzzle trees also have a distinctive, leathery, pointy leaf. Simon has created variation in the texture of the ent tree sculpture by creating patches where the leaves are growing. This also hints at the evolutionary transformation of the Ent where it gradually takes on more and more of the characteristics of the tree it is guarding.

 

rear view of the ent tree sculpture by simon o'rourke, showing the leaf and trunk detail

Rearview of the Ent showing the monkey puzzle leaves

A Face That Tells a Story

An important part of anthropomorphising objects is the face. There have to be believable details that blend the object/animal with human features. A glimpse at the face shows that this gentleman is an older Ent, with wise eyes, and a hint of compassion.

ent sculpture by simon o'rourke at poulton hall

More Details

It’s amazing to think about the number of details that go into creating something like the Ent tree sculpture. For example, look at the shoulder. That ‘point’ makes all the difference in convincing the viewer the Ent is a ‘tree person’ and not human. Drop that shoulder, and it immediately becomes ‘too human’, and less organic. The arms need to have enough irregularities to appear as a branch and not a human arm.  Attention to details like this as well as the phenomenal texture are what makes this Ent so striking and convincing.

And speaking of details, we have to share the rest of those animals hiding about the Ent’s person!

woodpecker and owl in simon o'rourke's ent sculpture

View of the Ent showing the woodpecker and owl

The Process of Making the Ent Tree Sculpture

As always, it is fascinating to watch Simon at work. On this project the Stihl MS500i did a LOT of work! It’s a meaty saw with the best power-to-weight ratio on the market, and the simplest operation. It’s perfectly suited to arboriculture or sculpting large pieces of timber. Although a 5m Ent may not be what what Stihl had in mind when they developed the product!

When it came to texture and larger details, the battery powered saws by Stihl were invaluable. They allow for much more movement round the tree, are more lightweight, so easier to get into some of those angles.

As we have said before too, the saburrtooth burrs are a gamechanger for facial details! For eyes like this, there has to be quite a deep cut to create the shadow needed for the eyes to hold their expression, and to be seen from further away. This last part is especially important on something large scale. The burrs are perfect for creating these smaller, deep, details.

We’ll have a timelapse of the whole process ready soon, but until then, you can see Simon in action on day one of the project.

 

Over to You!

If you were going to commission a literary fantasy sculpture what would you choose? Would it be Middle Earth, Narnia, Discworld, Camelot, Neverland, Ga’hoole? Or something else? The possibilities are endless and can lead to a truly unique and beautiful piece of sustainable art.

Before we sign off, we need to give a shout out to JB Platform Hire. Great to work with, and it’s their cherry picker that enabled me to carve and get video like this one…

If you have an idea, contact us using the form on www.treecarving.co.uk/contact/ and Simon will get back to you to chat about ideas, details, and costs.

 

life size wood carving of a knight on a rearing horse by simon orourke.Sculpture is part of a sculpture trail in Northampton.

Why Commission a Sculpture Trail?

Why Commission a Sculpture Trail? 540 810 Simon O'Rourke

Autumn is the perfect time to get out into nature and visit one of Simon’s woodland sculpture trails. The reds and ambers of the leaves are stunning anyway, but they add a perfect touch of art and drama to his sculptures. If you need convincing, why not take a peek in our blogs about his trails at Meadow Park, Page’s Wood, or Fforest Fawr?
These are all woodland sculpture trails with a wildlife theme. But did you know there are many more applications for a sculpture trail? Read on to find out some reasons why your community, business, or charity could benefit by commissioning a sculpture trail…

 

wooden carved owl sitting on a tree stump. The Owl is from Simon O'Rourke's woodland sculpture trail in Meadow Park.

Ruby the Owl, from Simon’s Meadow Park sculpture trail

Why Commission a Sculpture Trail: Education

A sculpture trail is a great way to educate visitors about the purpose and history of your site. This is one of the reasons Simon and his wife Liz get excited about a woodland sculpture trail commission. They are passionate about nature and the environment, and about educating others. Liz is even a qualified Forest School teacher!
In the case of the woodland sculpture trails, they created characters and poetry for each sculpture which gave snippets of information about the environment and wildlife. Each trail ends with a call to action for the viewer.
Giving information in this way is more likely to engage families with young children. It also makes it more memorable for all ages, which is always a bonus!

picture shows the original sketch for a wooden bench designed by simon o'rourke for the page's wood sculpture trail

One of the original sketches and poetry for Page’s Wood Sculpture Trail

This concept of educational snippets is easily adapted to any business or local area – it’s not just for woodland! Sculptures could reflect events in the life of an individual or a town. Or they could be or based on characters from a specific book or film associated with the place or person. There’s truly no limit!
We’re living in a season where Covid regulations make it harder for people to go inside museums and other attractions to view their educational content, so an outdoor sculpture trail is a great way to bring that content outdoors.
One example of this is where Simon helped create a sculpture trail of knights in Northampton…

 

life size wood carving of a knight on a rearing horse by simon orourke.Sculpture is part of a sculpture trail in Northampton.

One of the knights Simon made as a collaboration with other artists for the Northampton Knight Trail

Why Commission a Sculpture Trail: Tourist Attraction

Another reason to consider commissioning a sculpture trail is that the trail could become a tourist attraction in and of itself. Whilst people have come to see the trail, they will then often visit the rest of the site. If they are in the area they are also likely to visit local shops, restaurants, etc, and therefore stimulate the local economy. If you are a small town with no other especially marketable points, a sculpture trail around the town could be the perfect way to draw people to the area. There is just something about the novelty of a chainsaw-carved sculpture that attracts people! They are drawn to it for selfies or post photos of the sculpture alone. As visitors post these on social media, the attraction gets free publicity. More visitors AND free publicity… sounds like a great deal!!!

Review of the decade 2014 Mungo Park

Portrait of Mungo Park – perfect to sit next to and snap a selfie!

An example of this in action would be Simon’s Dragon of Bethesda. The dragon was a private commission, but it happened to be visible from the road. People began to post photos, and it got so much attention, it made the BBC news! Local newspapers around the country picked up the story, and police even had to ask people not to slow down to get photos! This was a total accident, as it was never intended for public viewing – but it does show the power of art to draw people to a place!

wooden carved dragon with outstretched wings by simon o rourke.

The Dragon of Bethesda became an accidental tourist attraction!

Why Commission a Sculpture Trail: Covid Safe!

We already hinted at this reason to invest in a sculpture trail for your attraction. Right now many attractions are struggling to remain open, as they can’t allow the numbers into the building that are needed to remain solvent. An outdoor sculpture trail in the grounds of a venue are much safer and allow for more visitors. If budget or permanence is an issue, why not take an example from Erddig National Trust?
A few years ago, they commissioned an ‘apple trail’ for their Autumn season. Simon carved smaller apples in the style of Halloween pumpkins. Those apples were then placed around the grounds at Erddig, and visitors could follow the Erddig Apple Trail.
A trail like this can easily be turned into a family activity. Simply create maps or ‘treasure hunt sheets’, and off you go! You could even add a reward at the end as a reminder of their visit or an educational point.

a wooden apple is carved to look like a halloween pumpkin. part of the erddig apple sculpture trail by simon o rourke

One of the apples Simon created for the Erddig Apple Trail

 

Why Commission a Sculpture Trail: Double the Fundraising!

OK, so here we’re actually going to mention a few reasons to commission a sculpture trail for your venue. They have the benefit of being as permanent or temporary as you want. This means you could set up a trail for a specific season, such as an elf trail to lead a Christmas Santa Grotto. Or what about an egg or bunny trail for Easter?
But what to do with the sculptures if you don’t want to repeat the event?
What about an auction for your charity, venue, or association? In the past auctions of Simon’s work have raised anything from hundreds to thousands of pounds for charities. This means a sculpture trail has double the potential – bringing people in for the original event, and fundraising afterward!

Wooden sculpture of Queen of Hearts on her throne by Simon O Rourke. Sculpture is part of a sculpture trail in Scotland

Queen of Hearts from Simons Alice in Wonderland trail

 

Why Commission a Sculpture Trail: For Art’s Sake!

There are several other reasons we could give for a sculpture trail, but we’re going to leave it with this one: art for art’s sake! One of the many lessons we learned from lockdown is the value of the arts. People turned to music, craft, and many other hobbies that serve no utilitarian function. In the early days especially, people found respite in things of beauty around them. Photos on social media showed highlights of permitted outdoor exercise time included discovering a beautiful old building, gate, or statue in their town that they had never noticed. A sculpture trail at your venue may serve no other purpose than adding something beautiful, creative, and inspirational for people to enjoy. And that’s OK. Call us biased, but we think that is reason enough to commission a sculpture trail!

Fforest Fawr Sculpture Trail Lynx by Simon O'Rourke

Fforest Fawr Sculpture Trail Lynx

Choosing a Theme for Your Sculpture Trail

So now you’ve thought about some of the reasons to commission a sculpture trail, what theme will you choose?

The possibilities really are endless. However, some of the most popular sculptures Simon has made include fairies, wizards, and dragons. And even an Ent! These ‘fantasy’ figures will always attract people to your trail. Movies and books like the Narnia series, Harry Potter, and Lord of the Rings capture the imaginations of all generations. That makes them a great theme for a trail.

Another consideration is the historical context of a place. Chester, Bath, or York would be perfect for a trail of Roman Centurions for example. Similarly, a former monastery commissioned a series of monks that sit beautifully in the grounds.

monk by simon o rourke

One of the monks of Monksbridge

You could also think about any local people of prominence. For example, anywhere in Stratford-Upon-Avon would be a great location for some Shakespearian figures.

Finally, what festivals do you hold, and what season is it? Christmas could see an elf, reindeer, or snowman trail. Harvest is perfect for carved pumpkins.

Basically, the only limit is your imagination!

10' wooden fairy sculpture by simon o rourke

A private commission, but a fairy trail of any size could be a fun addition to any woodland space

Commission Your Sculpture Trail

Are you feeling inspired? If you would like to commission a sculpture trail, then contact us via www.treecarving.co.uk/contact/
We’re excited to hear your ideas and how we can help enhance your venues, events, communities, and attractions!

 

Wood logos and emblems by simon o'rourke. A large piece of timber stands horizontally with the logo for BIFOR carved inti it by simon o'rourke

Wood Logos and Emblems

Wood Logos and Emblems 2048 1158 Simon O'Rourke

This week on Twitter we posted a flashback to the time Simon created this fantastic logo for Olfi. We started thinking about other wood logos and emblems Simon has made. We had fun looking back, so decided to share some in this blog. Who knows, maybe you’ll feel inspired for your own company or organisation! Oh! Full story about the Olfi logo and Simon’s partnership with them right HERE!

Free-standing Sculptures

Some of the logos and emblems Simon has made, have been free standing sculptures. These are usually large and indicate an entrance or building. We feel it’s especially worth considering a wooden sculpture if your building is in a wooded or green environment. The sculpture is much more sympathetic to its surroundings than something metal or plastic, and much more pleasing to the viewer. It’s also a more environmentally friendly option as Simon sources his timber from trees that have died or had to be removed or cut back for other reasons.

Wood logos and emblems by SImon O'Rourke: RSPB COnway. Four planks of wood stand around 4' tall with a bird and RSBP burned onto them. Three men stand behind the sign.

This RSPB sign is our first example of Simon’s free-standing wood logos and emblems. The sustainability of word ties in with the organisation’s ethos, and it looks great against the background of this reserve. A wooden sculpture – even a logo! – actually makes a nice feature for people to stand next to and photograph themselves when they visit. Which in turn makes for more publicity for your organisation when people share their photos online. Makes it a bit of a win on many levels!

simon o'rourke kneels in front of a large piece of timber and uses a chainsaw to carve the logo for BIFOR into the wood

Simon working to create a sign for the Institute of Forest Research at the University of Birmingham.

Wood logos and emblems by simon o'rourke. A large piece of timber stands horizontally with the logo for BIFOR carved inti it by simon o'rourke

National Emblems

Maybe you don’t want your name on a sign, but want something that still captures something of who you are or what you do. Here we have a couple of very different examples that show there really are wooden logos and emblems for everyone!!!

Our first example is this redwood carving of the Prince of Wales Feathers. Although it is English in origin, it has become synonymous with Wales and all things Welsh.  So much so, the Rugby fans among you will recognise it as the emblem on the national kits.

This particular emblem sculpture was for a housing development in North Wales. The words ‘Ich dien’ on the emblem mean ‘I serve’ (replaced with WRU on the rugby kits!). That made it even more fitting for this housing development which used to be an army barracks. And as someone once asked about the colour, no it didn’t stay pink!!! Redwood is a pink-ish red when it is first cut down and carved. Over time though, it turns a rich, deep brown. For examples, this article on Tongwnlais.com about my Fforest Ffawr Woodland Sculpture Trail has some lovely photographs of aging redwood sculptures.

Wood logos and emblems: 6' redwood carving of prince of wales feathers by Simon O'Rourke.

Local Logos

Our next examples are two of Simon’s charity fundraising pieces. You can read more in our blog ‘A New Bird in Town‘, but basically they were made to auction off at fundraising events for R Charity – the charity for The Royal Liverpool Hospitals. Local symbols like this can make great pieces for an office or garden, whether at home or for the community. When a sculptures represents the area the way these do, it’s also more likely to hold meaning and capture attention if you are looking for a piece for your own fundraiser. If you have a fundraiser coming up, why not chat to Simon via www.treecarving.com/contact/ and see if something similar could be what you need?

Two wooden sculptures of liverbirds are shown side by side. Sculptures are one of the wood logos and emblems made by Simon O'Rourke

Patrotic Art

Our next example of wood logos and emblems is this stunning Sri Lankan lion sculpture. It was commissioned as a combined birthday-retirement gift – and what an incredible gift!
You may (understandably!) be wondering how it ties in with wood logos and emblems. However, if you look closely, the lion is holding a sword – like the lion on the Sri Lankan flag!
Obviously the lion looks a little different to the one depicted on the flag! However, bringing a flag to life like this is a lovely way to honour/reflect your heritage in a piece of art. Another similar option could be to commission a sculpture of your national or regional flower, animal, or bird. Definitely lots of ways to bring a logo or emblem to life through sculpture!

My client and her husband with Singha the lionA Derby 

Spirit of Ecstasy

One of the largest wood logos and emblems Simon has made is this sculpture of The Spirit of Ecstasy. For those unfamiliar with the figure, she is the figurine found atop Rolls Royce cars. Simon created her for an enthusiast, and she makes a striking addition to the garden.
Just like the lion, she shows that a logo or emblem can still be a beautiful piece of art. It also shows again, that sculptures of logos and emblems aren’t just for places of business. Perhaps a Ferrari enthusiast in your life would like a prancing horse sculpture? Or maybe someone in your life is a fan of a sports team and you’d like something based on that? An owl for a Sheffield Wednesday fan? A Derby County ram? Whatever the hobby or interest, we’re sure there’s a way of turning it into a beautiful sculpture…

Spirit of Ecstasy by Simon O'Rourke

Spirit of Ecstasy by Simon O’Rourke

Wall Signs

Perhaps a sculpture isn’t quite for you. Another alternative would be a wall hanging, such as this lovely bespoke sign for the Joshua Tree project.

bespoke sign for the Joshua Tree centre by simon o'rourke

Many businesses, charities, community groups, churches and individuals look to have some kind of signage. Again, a wooden logo, emblem or signage makes a great environmentally-friendly/sustainable option compared to some of the alternatives. If you have a logo, this can be the entire sign (as with the Joshua Tree) or could be a much smaller reference, such as this company sign below.

wood logos and emblems by simon o'rourke : sample wall hanging with the letter R carved into a corner and the rest blank for engraving a name or phrase

As you may remember, Simon also has a background in illustration. This means that he is also able to create beautiful and unique illustrations on wooden wall hangings. These could be incorporated into a sign for a home and could range from portraits of the residents to something that reflects the surroundings. How great would this cow be on an entrance sign to a farm or homestead?

illustrated wooden wall hanging by simon o'rourke

Your Own Wood Logos and Emblems

Whatever your company, community group, team or passion, we’re pretty sure there’s something Simon can create to meet your need! Whether you want a sculpture to reflect a company, country or activity or want specific signage, we welcome your inquiries.
Fill out the form at www.treecarving.co.uk/contact/ and Simon will be in touch to discuss ideas and details. We look forward to hearing from you!

chainsaw artist simon o'rourke stands between life size wood sculptures of Bill Shankly and Kenny Dalglish, two of many sporting sculptures made by simon

Sporting Sculptures made by Simon

Sporting Sculptures made by Simon 1536 2048 Simon O'Rourke

by  This week on Twitter we shared a portrait of sporting legend Bill Shankly that Simon made. He was one of four famous Liverpudlians that Simon created live at the Pierhead in 2018. Afterwards, the sculptures were all auctioned off for children’s charity, Variety. It got us thinking about other sports figures Simon has carved in the past and inspired this blog! And so, we hope you enjoy revisiting these sporting sculptures made by Simon over the years…

chainsaw artist simon o'rourke stands between life size wood sculptures of Bill Shankly and Kenny Dalglish, two of many sporting sculptures made by simon

Simon with his portraits of Kenny Dalglish and Bill Shankly

Sporting Sculptures Made by Simon: Queen of the South Footballers

Staying with the football (soccer for our international readers!) theme, our first flashback is to the Queen of the South players from 2019. This sculpture was installed outside the Queen of the South ground in Dumfries and represents three generations of football. Each of the players represents a different era, achievement, and contribution to the club. We think you’ll agree that each one is a fantastic likeness to the person…

photograph of billy houliston in his soccer kit shown alongside a wooden lifesized sculpture of the player made by artist simon o'rourke

Sculpture of Billy Houliston next to one of the photos Simon worked from to create the sculpture

Making the sculpture definitely had its challenges though! Originally, the hope was to create the sculpture out of a single piece of oak. However, as Simon began to work, he discovered a large crack in the timber. He initially thought he could overcome that by turning the piece upside down. BUT! Once he also factored in the Scottish weather, he realised that crack was going to cause problems. Thankfully he found another suitable piece of wood to use and attached that sculpture to the other two. Despite this hiccup, the club, fans, and players were all delighted with the finished sculpture. If you would like to know more about the story behind this sculpture, why not read our blog: Queen of the South Legends Unveiled?

sporting sculptures made by simon o'rourke. Photo shows sculpture of three soccer players standing back to back with onlookers admiring the piece

Stephen Dobbie pictured at the unveiling with his likeness

 

Sporting Sculptures Made by Simon: Vintage Cricketer

Moving on to another classic British sport now, we bring you Simon’s vintage cricketer!
The cricketer has had lots of attention in the past. Whenever we share the photos it’s definitely a popular sculpture! Contrary to what people expect though, it isn’t actually based on anybody in particular.
It was a commission from Hopkins Homes in 2019, and they just wanted ‘a vintage cricketer’. The company was building a housing estate on the former site of Norfolk County Cricket Club and felt the sculpture would be a meaningful addition to one of the green spaces. The site certainly had a lot of history. Five first-class and 13 a-list matches were played there during its time as a cricket ground!
Simon researched what the sport looked like during the 19390s, and created a sculpture of a player recognisable as being from that era.

Cricketer in Situ:

For those who would like to see the cricketer in situ, we recently found a website with photos of varying sporting sculptures – and the cricketer is there!  Visit http://www.offbeat.group.shef.ac.uk/statues/STUK_Anonymous_50.htm to have a peak!

sporting sculptures by simon o'rourke. diptych of his vintage cricketer made in cedar

man wearing protective ear wear carves a face out of cedar using a stihl chainsaw

Sporting Sculptures Made by Simon: Jockey

The next of our sporting sculptures flashbacks is a very different sport. Horse racing!

Simon created this sculpture in 2015. Like the cricketer, it isn’t based on anybody in particular, but one of Simon’s employees thought it looked like Norman Wisdom! What do you think?!

triptych showing different angles a jockey carved in oak, one of many sporting sculptures made by simon o'rourke

 

Sporting Sculptures Made by Simon: ‘Skater Chick’

Did you know skateboarding was going to make its debut in the Olympic Games in Tokyo this year? Even though The Games didn’t happen, we think it means we can definitely include this sculpture of a ‘Skater Chick’ that Simon made in 2010. You can find her in Eirias Skate Park in Colwyn Bay, North Wales. As always, Simon invites us into a moment in a bigger story with this sculpture. We love that she is ‘mid trick’ and that the movement Simon has created throughout the clothes and with his attention to anatomy, really shows the energy, passion, and skill of this fictional skateboarding girl.

wooden life size sculpture of a female skateboarder standing on one hand to perform a trick

sporting sculptures made by simon o'rourke: a wooden sculpture of a female skateboarder performing a trick on one hand

Sporting Sculptures Made by Simon: Timbersports

Did you know Timbersports is a thing? There’s actually a world championship where people from around the globe compete against each other. The athletes compete in the use of axes and saws in manners typical for ‘lumberjacks’. Stihl founded the world championship in 1985 and it grew over the years. It now includes six different disciplines, and collegiate and rookie leagues. As you may expect, this year’s championship was cancelled. However, we look forward to a return in 2021!
Anyway, back to the sculptures!

life-sized wooden sculptures of four timbersports athletes stand in front of a large building

In 2018 the Timberpsports championship was held in Simon’s hometown of Liverpool. Stihl commissioned him to create life-sized sculptures of some of the participating athletes. The sculptures stood in the entrance and greeted spectators as they arrived. So fun!
Once again these sculptures show Simon’s ability to create an accurate likeness and tell a story in his portraits. Jason Wynard definitely seems to approve of his!

sporting sculptures made by simon o'rourke: jason wynard stands next to a life-sized wooden portrait of himself. They are outside a dock building.

 

Commissioning a Sporting Sculpture by Simon

As you can see, sporting sculptures can make a perfect addition to a sports ground or an event. They help tell stories of a place and honour the people who take part. They can connect generations too in the love of a hero, team or sport. And they always make a fine attraction!

Bizarrely for someone who lives in Wales, Simon is yet to create a rugby sculpture. Could you be the first?! Or maybe you’re more of a tennis, swimming or even cheese rolling fanatic?!

Whatever the sport, if you would like to commission a sporting sculpture, we would love to hear from you. As always, although you can reach us on social media, we recommend filling out the form at www.treecarving.co.uk/contact/. We’re looking forward to hearing from you!

moving wood sculpture of a dragon by simon o'rourke

English Open Chainsaw Competition Entries Through the Years

English Open Chainsaw Competition Entries Through the Years 1160 770 Simon O'Rourke

Can you believe it’s already the August bank holiday weekend?! Time is definitely doing funny things! This weekend is a landmark in the Chainsaw Carving calendar, as it’s normally the English Open Chainsaw Competition. The competition is part of the Cheshire Game and Country Fair, and Simon has taken part many times over the last decade or so. Things are obviously a bit different this year, but we thought we’d mark the occasion by revisiting some of his English Open Chainsaw Competition Entries…

scene from english open chainsaw competition 2019

Where it all Began…

Simon first took part in the competition in 2004, and it was a key event in his career. It was his first competition, and he won third place. This helped prompt him to make a career from creating chainsaw-carved wood sculptures. After making that decision, he and his wife Liz set up Tree Carving in 2005… and the rest is history!

The 2004 Sculpture:

Despite being his first competition piece, the first of Simon’s English open chainsaw competition entries not only took third place but also gained national attention. At the end of the competition, artists can choose to auction off their pieces.  During that auction, Simon’s “Sleeping Girl” caught the attention of one of the Sandringham estate managers. Their bid won, and his sculpture was installed at the Queen’s Norfolk estate later that year. Not bad for a first-timer! National news networks picked up the story, which also helped as Simon began his carving career.

Unfortunately there aren’t many photos of this sculpture which proved to be such a landmark in Simon’s career. So, please forgive us the poor resolution of this photo! We promise the photos get better in the rest of the blog! If anyone is visiting the estate and gets a better photo, we would love it if you shared it and tagged us!

english open chainsaw entries by simon o'rourke: 2004 sleeping girl. A sleeping girl is carved onto a horzontal log

 

English Open Chainsaw Competition Entries: 2007

Simon has had a great deal of success at the English Open. In 2007 he created this whimsical fairy sitting on a mushroom. Although Simon’s style has evolved since then, and his sculptures become much more detailed, we can already see his ability to tell a story and create life-like human form sculptures. Judges also admired this piece and he placed first!

wooden sculpture of a fairy sitting on top of a mushroom, with woods in the background. the fairy is one of simon o'rourkes english open chainsaw competition entries from 2007

English Open Chainsaw Competition Entries: 2009

In 2008 and 2009 Simon also won first place with his Neptune sculpture. And once again, he demonstrated his skill at creating stunning human form sculptures.  We can already see much more of the texture that has become part of Simon’s signature style. His facial expression and details perfectly depict this wisened god of the sea, and that physique definitely reflects the power he is said to have.

 

english open chainsaw competition entries by simon o'rourke. Photo shows simon standing with a 10' sculpture of neptune carved onto a treek trunk

 

english open chainsaw competition entries by simon o'rourke. Photo shows simon standing with a 10' sculpture of neptune carved onto a treek trunk

 

English Open Chainsaw Competition Entries: 2010-2013

As Simon’s awards page shows, 2010-2013 were also good years for him at the English Open. He placed in the top two each year that he entered. By now he and Liz were a definite part of the tree carving community – one of the fun aspects of taking part in events and competitions.

The nature of chainsaw carving means many pieces are often on a very large scale. Some of Simon’s largest pieces have been the Marbury Lady and the Giant Hand of Vyrnwy. His 2013 entry wasn’t as large as these, but this giant bust definitely showed he could work on a large scale!

giant wood bust of a female. one of simon o'rourke's english open chainsaw competition entries

English Open Chainsaw Entries: 2014

During some competitions, Simon is able to take the opportunity to work on a commission. He may need to refine it later but is able to complete what he can during the time allocated for the competition. 2014 was one of those times. During the competition, Simon created this sculpture of Brother Francis. How special for a client to be able to say their sculpture is award-winning! The piece ‘only’ placed third, but the client was delighted, and this monk looks amazing installed among the trees, enjoying a moment of quiet contemplation.

life size sculpture of a monk sitting against a tree. Carved by simon o'rourke as one of his english open chainsaw competition entries

 

English Open Chainsaw Competition Entries: 2015

2015 was a winning year for Simon. He took first place with his incredible moving dragon sculpture. The detail is incredible with the scaly texture and attention to detail like the teeth and eyes. The movement was also a real novelty, and took Simon’s skill and creativity to the next level.

moving wood dragon sculpture

Hemlock today!

The sculpture didn’t sell at auction, but that turned out to be a good thing. Simon made some refinements to the sculpture and Hemlock was born! Hemlock has since travelled around the UK and is always a hit wherever she goes. She has helped to raise money for Clatterbridge Hospital and other causes, has taken part at ComicCon, and has even been part of a wedding! It’s true! She makes a great photo opportunity and is regularly treated to a dragon spa at the workshop (ie maintenance and repair!) to make sure she always looks her best at your events.

There is no doubt either that Hemlock played a big part in earning Simon his reputation for carving fantastic dragons. Since then he has gone on to create other incredible award-winning, viral dragon sculptures such as The Dragon of Bethesda, the egg casket from Game of Thrones, the yew dragon tower, and most recently, the fire-breathing dragon for The Dragon Tower that appeared on George Clarke’s Amazing Spaces.

To book Hemlock for your event (anyone thinking about a dragon-pulled Santa sleigh this year?!) email us using the form at www.treecarving.co.uk/contact/, and we’ll be in touch!

moving wood sculpture of a dragon by simon o'rourke

 

English Open Chainsaw Competition Entries: 2019

Moving on to 2019, and the English Open was another great year for Simon. He took part in the ‘combo’ competition. This meant creating two sculptures over the three days, one made with only a chainsaw, and the other using any power tools.

His chainsaw-only sculpture was this beautiful, intricate fairy that took second place. You can see the range of Stihl chainsaws he used in the background!

Fairy carved by Simon O'Rourke at the English open Chainsaw Competition

The ‘full power’ event meant Simon could also use his favourite Manpa angle grinder and Saburrtooth bits. He created this angel who is looking truly serene. She doesn’t look at all like she’s been surrounded by chainsaw noise and sawdust for two days!!! She shows all of Simon’s trademark movement in her clothing, and attention to detail in the face. And, as always, Simon tells a story with this sculpture and invites the viewer into this moment of serenity with her. The judges loved her too, and she took first place.

Angel carved by Simon O'Rourke at the English Open Chainsaw Carving Competition

The angel which took first place in the ‘full power’ event

 

Future Events?

Right now we don’t know when the next event or competition will take place. As you all know, the world and regulations about public events change constantly. Competitions and events are usually a big part of Simon’s summer though. They go beyond an opportunity to carve and are usually a brilliant time to connect with other artists and gain more inspiration, knowledge, and skills. We find some of them actually make for a fantastic day out too for observers, such as Huskycup or the WoodFest.  We’ve definitely missed them this year, although a change is nice too.

However! Simon does still have some space in his calendar later this year for outdoor events, such as ice carving demonstrations at Christmas, or even something ‘autumn-themed’ for your October half term event. Although the large scale events can’t happen, there are still ways to include and enjoy a live demonstration. Email us at [email protected] or use the form at www.treecarving.co.uk/contact/ to ask about ideas and availability.

 

Radagast the Brown by Simon O'Rourke. Radagast is on of his movie based sculptures.

Fan Art Series: Movie Based Sculptures

Fan Art Series: Movie Based Sculptures 720 960 Simon O'Rourke

This week we return to our Fan Art Series. In Part One we looked at sculptures based on literature. Then, in Part Two we shared some of Simon’s TV themed sculptures. This week, in Part Three, we are going to re-visit some of the movie based sculptures Simon has created over the years…

Movie Based Sculptures: Ent from Lord of the Rings

The first of these movie based sculptures had its own blog, but we think it’s worth sharing again. We’re talking about The Ent sculpture from Lord of the Rings. This Ent can be found in Poulton Hall on the Wirral, which is good news because it means it can be viewed by the public! The gardens are open on specific dates during the year, so if you’re in the North West why not take a look?

Movie Based Sculptures: Radagast the Brown

Again, our next sculpture has a blog of its own. You can read the full story at www.treecarving.co.uk/radagast-the-brown-blue-and-pink/, but basically, the Radagast tree sculpture came about as a way of transforming and giving life back to a diseased tree. For Lord of the Rings fans, there are endless possibilities for unique fan art. Simon is incredible at creating both fantasy and human form works of art and Lord of the Rings has plenty of both. If you’re looking for something unique either for yourself or a gift, why not a full-size sculpture or miniature piece for your garden? Create your own Hobbiton!

Radagast the Brown by Simon O'Rourke. Radagast is on of his movie based sculptures.

 

Movie Based Sculptures: Groot

Our next movie based sculpture is a character Simon has made on several occasions. Groot.

The loveable Flora Colossus was originally a Marvel creation and has featured in several popular films. Simon has created Groot sculptures for private and public commissions including this giant marionette version for Wales Comic-Con in 2015. This depiction of Groot is much more like the comic book version, or the Groot seen in Guardians of the Galaxy, 2014. It’s also an amazing likeness to the version in Marvel’s ‘Rocket and Groot’ animation from 2017.

sculptures based on movies: simon o'rourke creating a giant groot marionette for Wales Comic Con 2015

giant groot marionette tree carved sculpture by simon o'rourke

sculptures based on movies: giant groot marionette by simon o'rourke

Another version of Groot that Simon created is this sculpture. It shows a cuter, more cartoon-like Groot which is much closer to how we see him a little later.

groot by simon o'rourke, photographed in his workshop whilst in progress

Our final Groot sculpture was commissioned as a 50th birthday gift. He was hanging around the studio for one of our open days in aid of Clatterbridge Hospital. That was when this little chap got to meet him. As well as making for a cute photo, it shows the scale too – similar to an average nearly-two-year-old!

Movie based sculptures: a 3' groot carved by simon o'rourke stands next to a two year old in winter clothing to show scale

The client was kind enough to share the video with us from when she was given the Groot sculpture. Thankfully was less bemused by him than our little friend above! She shared:
Am over the moon with my 50th present off my family. As always Simon got the character spot on. Thank you so very much, he’s amazing
If you have a special birthday coming up and have a movie fan in the family, why not commission something for them?

Movie Based Sculptures: Spiderman

Continuing with the Marvel Comics theme, the next of our movie based sculptures is Spiderman. SPiderman is a little different from many of Simon’s pieces because he doesn’t just rely on shadow from cuts/texture to give him his distinctive pattern. Simon will sometimes use colouring techniques and stains or a blowtorch to create colour on a sculpture. These still allow for an organic colour and feel, so it remains in keeping with natural wood sculpture.

movie based sculptures: life sized spiderman wood sculpture created by simon o'rourke

Movie Based Sculptures: Batman

Looks like we’re on a roll here the comic book movie characters, because our next character is Batman. Good to give DC some representation too!

Batman was commissioned by Phil and Leah Jackson of Wahoo Marketing Agency (we are thankful as a business for their expertise), and helped them sell their house!
It’s true!
Batman doesn’t just fight crime, he moves real estate!
How?
Well basically, photos of the Batman sculpture went viral and drew international attention to their property.
Although it may seem excessive, in the context of the costs of renovating, improving, and staging a house for sale, a novelty sculpture can be a great investment. Not only can it help attract attention, but it may be that if the sculpture is free-standing, that you can take it with you or sell it later. A sculpture could also help tell the story of a property or area which moves the viewer in a way words don’t. So, if you are selling your property and think a sculpture may help, we’d love to hear from you!

Movie based sculptures: Batman by Simon O'Rourke

 

Movie Based Sculptures: Marilyn Monroe & More Comic Book Heroes

Our final example of movie based sculptures might be a bit of a cheat, as it’s not actually sculpture. But we’re going to go ahead and share anyway!
For people without room for a sculpture, an illustrated wall hanging may be just the solution. These are examples of some Simon has created over the years, including the original ‘blonde bombshell’, Marilyn Monroe.
Simon uses his background in illustration and combines it with his skill with an angle grinder, blow torch and, saw to create these unique illustrations. They make a striking piece of fan art, and are perfect for a gift or commemorating an occasion.
Please excuse the resolution. These were all created at events a few years ago, and cellphone camera technology wasn’t quite what it is today!

Marilyn Monroe illustration wall hanging by simon o'rourke

superhero wooden wall hanging illustrations by simon o'rourke

Commissioning Your Own Movie Based Sculpture

We hope you enjoyed this tour through some of Simon’s movie based sculptures. If you feel inspired and would like to commission a piece, we would love to hear from you. You can use the contact form on www.treecarving.co.uk/contact/ and Simon will get back to you to chat through the details.

giving tree sculpture by simon o'rourke. the sculpture is photographed in the entrance to ronald mcdonald house, oxford

Giving Tree Sculpture for Ronald McDonald House

Giving Tree Sculpture for Ronald McDonald House 1824 1368 Simon O'Rourke

As lockdown opens up more and more, Simon has been able to finish more projects, and install more sculptures. Sometimes it’s only once in place that the sculpture truly comes to life. It always looks so different than it did in the workshop! We think you’ll agree that this Giving Tree sculpture for Ronald McDonald House is one of them…

Giving tree sculpture for Ronald McDonald House, Oxford by Simon O'Rourke

About the Client

The Giving Tree sculpture was commissioned by Ronald McDonald House for their new house in Oxford. You can read more about the history at https://rmhc.org.uk/about/our-history/, but the goal of the charity is to build and run houses on or near hospital sites where children are treated for chronic conditions. They provide a safe space in which the families of the children in the hospital can get proper rest, away from the ward. For many families, this is the only way to be close to their child during cancer treatment.

The charity has grown a lot since the first house was built in 1974. There are now services in 64 countries! The first house in the UK was built in 1989. Since then, the charity has helped around 50,000 families – including some known to us.

Work in progress. A photo of the giving tree sculpture for Ronald McDonal house by simon O'Rourke.

Work in progress in the workshop

Where The Giving Tree Sculpture Began…

Ever since the first Ronald McDonald House opened in the UK, they have always had a “giving tree” of some description. Its purpose is to recognise donors and supporters of the Charity.  Usually, this would be a 2d piece of artwork. It was typically made out of a flat carved piece of wood, which was then mounted on a board on the wall. Plaques were then added to the leaves as people donated.
In 2016, they opened a new house to replace that first house at Guy’s. The new house was located right next to Archbishops Park in Lambeth in London and had a lovely big reception area. It seemed like a good idea to make more of the tree, and effectively bring the park into the House.  The architects researched sculptors and their work, and they felt Simon fit the bill!

giving tree sculpture by simon o'rourke at Ronald McDonald Evelina House

The Giving Tree at Evelina House, Simon’s first commission for Ronald McDonald House charities

A Tree for Every House!

A few months later Simon also created a similar smaller tree for their new Cardiff House. So, when it came to the new Oxford house, the charity reached out to Simon again.
Unfortunately, they had to remove a small number of trees from the site before they could start work to build the new house. This meant there was already a supply of timber for a new giving tree sculpture! And so, the charity commissioned him to remove one of those trees and change it into the new “giving tree” for the new house. So basically the tree has returned to where it started!

the 'giving tree sculpture' by Simon o'rourke. the photo shows the tree in simon's workshop while it is in progress

Work in progress in the workshop!

The Process

It would make sense to think that a tree is one of the easiest things for Simon to make. Well, it turns out that’s not quite true! There is actually quite a bit of work that goes into transforming a tree into a sculpture like this. That work is a combination of engineering, technical, and creative skill.

In this case, Simon needed to trim, remove, and replace branches so it would be a specific width and height. Meeting a specification is always important. Even more so however when the sculpture is being installed indoors. In addition, this particular sculpture was for the entrance area in the new house. This means foot traffic! Which in turn means ensuring there is enough space surrounding the tree for the foot traffic to maneuver!

branches for the giving tree sculpture by simon o'rourke

Recreating a Tree Continued…

Simon also needed to ensure the tree was easy to reassemble. No Ikea flatpack nightmares here!
The photo above shows the numbered branches on the workshop floor. Numbering parts in this way is extremely important. Where memory or a photo might be sufficient to get everything back in the right spot, numbers ensure that happens as quickly as possible. A definite bonus when they are working outside in the wind and rain!

Lastly, one of the most important parts of the process we’ll mention is one of the first things Simon does on every project. Stripping the bark. It sounds like something easy, but like many things in life, getting it right is actually a little more time-consuming. Compromising at this stage can impact the final result. So, if you are considering a similar project, you might find this article about stripping bark to be helpful.

the giving tree sculpture by simon o'rourke installed in ronald mcdonald oxford house

Installed in its New Home…

Simon installed the Giving Tree sculpture in the Ronald McDonald Oxford house earlier this month. Although the house hasn’t had its official opening yet, the first guests transferred from the old house at the end of April.  Staff, patients, and guests are already enjoying the sculpture. Parents have taken to it in a very positive way. Dads, in particular, seem to like the way it’s been formed, and staff from the charity have had comments around how it compliments the space it sits in.

One of the nice things about the Giving Tree sculpture is that it will continually evolve as leaves are added over time, each with the name of a donor engraved. This adds a bit more interest for regular guests as they see it change over time, and mirrors the growth and change of a living tree.

giving tree sculpture by simon o'rourke. the sculpture is photographed in the entrance to ronald mcdonald house, oxford

Speaking of Donors…

Speaking of leaves and donors! The fundraising for the Oxford house is far from finished…

The charity is still raising money to finish the house itself. Areas like the kitchen and rest areas need furnishing and equipping. They also need gardening equipment to be able to manage the grounds. Like many charities, they have found that Covid has impacted the number of donations they are receiving.

With the new house opening, the Oxford branch can support and accommodate around 2500 families a year – a massive increase on the capacity of the old house. If you would like to make a financial donation (and maybe be one of the first leaves!), visit https://rmhc.org.uk/donate/your-donation/.

Other Trees and Charities

This isn’t the first tree themed charity entrance piece Simon has created. As well as the other Giving Tree sculptures for Ronald McDonald House, Simon has created other bespoke pieces such as this sign for the Joshua Tree. Interestingly, they also work with families of children with cancer.

bespoke sign for the Joshua Tree centre by simon o'rourke

If you like the idea of having your own giving tree sculpture to honour donors to your charity, or even just a similar piece for your own home, do contact us. You can email Simon via the form at www.treecarving.co.uk/contact/ to talk about details, costing etc. Charities like the two we have mentioned do such incredible work, and it’s always a privilege for Simon to be involved in helping to create a beautiful environment for the people they serve.

Thank you to staff at Ronald McDonald House Charities for information and photos used in this blog.

Alice in Wonderland booth carved by Simon O'Rourke for Steak of the Art

Sculptures based on Literature: Fan Art Series

Sculptures based on Literature: Fan Art Series 960 960 Simon O'Rourke

Over the years, Simon has created many sculptures based on literature. They have been for a range of settings, including libraries, schools, National Trust property, and even restaurants! No two pieces are alike, even when they are based on the same book. Simon has been asked to carve figures from several different genres, and include sculptures based on works by Shakespeare, Tolkien, Dahl, Carroll, Conan Doyle, and Beatrix Potter.
One of the nice things about sculptures based on literature is that often there is no definitive image of the person to have to replicate. Books allow the imagination to flow, and creating sculptures based on literature is no different. With a description but no image to work from, Simon can get creative as he carves. Join us as we revisit some of his literary sculptures from over the years…

tree carving sculptures based on literature by simon o'rourke. an open book with the title alice in wonderland and the chesire cat sitting on a hollow log to the right

Part of Simon’s Alice in Wonderland sculpture trail at Erddig National Trust property

William Shakespeare Sculpture

Early examples of Simon’s sculpture based on literature are these Romeo and Juliet figures. Two trees at a local holiday park had become intertwined.  This positioning meant they perfectly lent themselves to becoming Shakespeare’s famous lovers. Simon worked the angles and shape of the trees brilliantly to depict them gazing lovingly into each other’s eyes. There is no doubt they are infatuated with each other! As well as creating figures of Romeo and Juliet, Simon also engraved text from the play into the trunks. If you had to choose only one quote from Romeo and Juliet to include, what would it be?

romeo and juliet tree carving sculpture by simon o'rourke, one of his sculptures based on literature

Sabine Obermaier

Our next literary sculpture is much less famous: Christian and Martha from “The Midwife” by Sabine Obermaier. You may have seen this sculpture in our blog about the Huskycup through the Years, or our Review of the Decade. We also have a Facebook album where you can see a bigger range of photos. “Christian and Martha” was created for the Huskycup competition in 2012. It was created in collaboration with Tommy Craggs and Michael Tamozus – TEAM EUROPE! The public loved the piece – and so did the judges! Christian and Martha took third place, making it Simon’s fourth time to finish in the top five.

Christian and Martha, one of Simon o@rourkes sculptures based on literature. It shows the two characters sitting on a giant shire horse

Conan Doyle Bust

On a TOTALLY different scale to the last two, our next sculpture based on literature is this Sherlock Holmes bust. It was a private commission for a fan, created towards the end of 2020. As well as depicting Conan Doyle’s famous detective, it also has hints and clues to elements of Sherlock stories. A bust is a great alternative portrait sculpture if you are looking for something small or more portable. They always add a touch of class and are a more subtle piece of fan art than a full-size sculpture.

Sculptures based on literature: Sherlock Holmes bust by Simon O'Rourke

Tolkien Sculpture

Another recent favourite of Simon’s sculptures based on literature is Radagast. The character may not be as well known as Gandalf, but the sculpture has been a hit!
This sculpture is also a great example of Simon transforming something sad into a beautiful piece of art. It came about after a Blue Atlas Cedar was infected with Sirococcus. Trees with this disease must be cut back as a minimum, but younger trees usually die. Rather than lose the tree, the owners contacted Simon, and the tree lives on in the form of Radagast the Brown!

Radagast the Brown by Simon O'Rourke

Lewis Carroll Sculptures

Alice in Wonderland has been a VERY popular theme, and Simon has had several commissions based on the Lewis Carroll classic. It doesn’t get repetitive though. Each time he gets to reimagine the characters and tell different parts of the story. Every commission also has a different purpose and setting too. Some have been individual sculptures such as this series created for a park in Scotland…

Alice in Wonderland sculpture by chainsaw artist simon o'rourke. Figures carved in wood of around 6' show the quuen of hearts, king of hearts, alice and tweedle dum

Photo credit Paul Worpole

Or this caterpillar which formed part of an  Alice in Wonderland trail at Erddig National Trust. Erddig is local to us, and we love the place. Simon was lucky enough to be their artist in residence for a season too!

wood carving of the caterpillar from alice in wonderland by simon o'rourke

Other Alice in Wonderland pieces have included a themed booth for Steak of the Art in Bristol…

Alice in Wonderland booth carved by Simon O'Rourke for Steak of the Art

And this themed chair created for The Storyhouse in Chester. The chair was a donation (read the full story here) for the children’s library, and incorporates other elements not seen in the other Alice pieces Do you have a favourite?

alice in wonderland themed chair by simon o'rourke for storyhouse chester. one of his sculptures based on literature

Roald Dahl Booth

For our next piece, we stay with children’s literature. This time, the author is Roald Dahl, and the book is Charlie and the Chocolate factory. Several years ago Simon was commissioned to create a booth for Steak of the Art in Cardiff. It was the first of three installations he has done for the chain now (the second is the Alice booth above). Each gives him the challenge of combining structural and practical requirements with artistic elements. It’s fun spotting all the different characters in a scene like this, as well as different elements in the story. How many can you find?

Alice in Wonderland booth by Simon O'Rourke, Steak of the Art

 

Hans Christian Anderson

Moving on, the next of our sculptures based on literature is from the timeless classic ‘The Little Mermaid’. The Hans Christian Anderson protagonist has been depicted in many different ways over the years, including as a redhead with a fish for a best friend – thank you, Disney! Fun fact: This little mermaid by Simon is much bigger than the Copenhagen landmark which is indeed a very little mermaid at only 1.25, tall!

Sculptures based on literature: a tree carved little mermaid by Simon O'Rourke

Beatrix Potter

Of course, not all literary heroes are human. And so, for our next piece, we bring you one of Simon’s furry literary sculptures: Peter Rabbit. A favourite for generations, this little Peter makes a cute addition to this garden.  With the facial features and little jacket, it’s unmistakeably the Beatrix Potter bunny. Not only does it look like Peter Rabbit though, but Simon also perfectly captured his cheeky character. A fun take on a literary sculpture!

sculptures based on literature by chainsaw artist simon o'rourke: Peter Rabbit eating carrots

J K Rowling

It’s amazing that despite the popularity of Harry Potter, Simon hasn’t yet been asked to carve any fan art based on the series. We have a feeling it won’t be long until he is though! However, although it isn’t strictly one of Simon’s sculptures based on literature, we think this phoenix rising from the ashes looks a lot like Fawkes. Especially as Jason Cockcroft depicted him on the original hardback cover of The Order of the Phoenix. What do think? Could this be Fawkes?!

Close up of the upper part of "A Phoenix Arises" by Simon O'Rourke

Close up of the phoenix rising from the sun-like flames

Who Would You Choose?

We hope you enjoyed this selection of Simon’s sculptures based on literature. He certainly enjoyed creating them!
Of course, with so many wonderful books, not everybody can choose a favourite character for their home, garden, library or school. So maybe a montage is in order? Something like this sculpture “Learning to Fly” but with figures from many books incorporated…

simon o'rourke sculptures based on literature. Child standing on a atower of books.

If you would like to commission a sculpture based on a literary figure, we’d love to hear from you. Contact Simon via the form at www.treecarving.co.uk/contact/ and someone will be in touch to chat about ideas and details. We’re looking forward to hearing from you.