chainsaw art

The Perfect Portrait Sculpture for You: Part One

The Perfect Portrait Sculpture for You: Part One 960 960 Simon O'Rourke

There’s an app for that!
We often hear that when we need a digital solution. But did you know, when it comes to portraits, Simon’s ‘got a carve for that!’
It’s true!  Portraiture has changed a lot over the centuries, and there are lots of different ways to capture and represent a person. Whatever your preferences  or the occasion, we’re pretty sure there’s a perfect portrait sculpture for you!

 

Review of the decade 2014 Mungo Park

Portrait of explorer Mungo Park

When Portraits Go Wrong!

The idea of having a portrait done can be daunting though.
Let’s face it, there are enough comedic moments on TV shows and movies based on unveiling a portrait that horrifies the subject!
Most often, that horror seems to be because the portrait looks like a child’s drawing, or Picasso on steroids! Remember Martin’s portrait of Jackie in Friday Night Dinner?!
Before we look at some of the different portraits Simon has created, let’s look at why people sometimes don’t consider a sculpture portrait.

Actress Tamsin Greig in character as Jackie from Friday Night Dinner, standing next to the comedic portrait her onscreen husband painted.

Tapping Into Insecurities

Other times the onscreen comedy (or real life fear) is the possibility of seeing something that picks out or exaggerates features we don’t like. Like the time  James Cordon pranked David Beckham with a sculpture of himself! This fear is usually unfounded though. Portraits have almost always been flattering, and Simon’s goal is ALWAYS to create something beautiful. Not just that, but a portrait that goes beyond physical features and captures character and countenance.

David Beckham and the sculpture James Cordon used as a prank

And speaking of soccer-related sculptures, thankfully Simon’s Queen of the South footballer portraits are a MUCH better likeness than James Cordon’s David Beckham!

Simon’s Billy Houliston side by side with one of the pictures Simon used for reference

Sometimes our discomfort with the idea of a portrait isn’t so much that it DOESN’T look like us, so much as it might look  bit TOO familiar! There were certainly plenty of laughs when Steve McCroskey was ‘caught’ standing by his portrait in the movie Airplane!

Steve McCroskey by his likeness in Airplane

It was HOW BIG?!

The scale of a portrait is often find it is used for comedy too. Although entertaining, moments like that can genuinely put us off commissioning a portrait! Who else watched the Gilmore Girls scene where Loralei sees a stern Richard looming over the family home for the first time? And who else watched it and, putting themselves in that position, secretly hoped nobody ever did that to them?!

Loralei sees Richard’s portrait for the first time

Moving Beyond the Fear

All in all, TV and movies have done a great job of convincing us that portraits are associated with words like ‘pretenious’ or just plain awkward. That truly isn’t the realty though, and many people have been moved by a meaningful portrait. They can be a beautiful way to honour and commemorate somebody. Human form sculptures are one of Simon’s favourite things to carve, and his skill and versatility as an artist mean he can produce a wide range of styles and types. In this series we’ll walk through a few Simon has created over the years and explore some forms you may not have considered. We’re sure that whatever your preferences, setting or occasion, one of them is the perfect portrait sculpture for you……

A portrait created as part of Huskycup

The Classic

One of the most common sculpture portraits Simon makes are full length ‘statues’. They are always met with admiration, appreciation and even awe, no matter the subject or setting. No matter how large scale the sculpture portrait, Simon is still all about the details that make the difference between a good sculpture and a stunning piece of art.
The direction of a glance
Some texture to show the age of a face
A hair that doesn’t quite lie flat
The angle of an arm which tells a whole story

All of these and more combine to make sure that each and every full length portrait is a piece of art worthy of the person it honours.

Wooden sculpture portrait of a pilgrim sitting on a bench by simon o'rourke

 

Timbersports Full length Portraits

Simon has a real desire to understand his subject, what they did and who they were, and to bring that out in his sculptures. Look at these portraits of the Stihl Timbersports athletes! Simon created them in 2018 when his home town of Liverpool hosted the tournament. Each sculpture is a to-scale portrait of one of the athletes who took part from around the world.

Perfect sculpture portrait for you series, stihl timbersport athlete sculptures in front of the liver building

So, where and when might you commission a full length portrait sculpture?

They are most popular in public places, where they commemorate a person, event or tie in with a theme. They make a wonderful addition to village greens, halls, stadiums, theatres, and even pubs and restaurants like Mungo Park pictured at the start of the blog. Sometimes they are historic figures, relevant to a place, such as Friedrich Froebel pictured below. Other times they are deeply personal, such as the sculpture he made as a memorial to a young girl who died of leukaemia.

Classic Bust

Not everyone is looking for something so ….. large!
Full length, full size portraits are great in entrances to public buildings, open spaces and large gardens, but not always viable for the average home! If a full length, to-scale portrait is not the perfect sculpture portrait for you, a good alternative might just be a bust….

Perfect sculpture portrait for you example of elvis presley bust by simon o'rourke

These also work brilliantly indoors or out, which opens up your choices of wood too. You can read about why that’s a factor in our blog about Is my tree suitable for carving?
In brief though, indoor sculptures can be made from less durable woods, as they aren’t exposed to the elements.

As a bust can be less visible to the public, it can also be more personal. Private. Reflect aspects of our story or passions we may not want everyone to see. Maybe some ‘fan art’ of a favourite TV show or character, or a famous person we admire. We might want something as a tribute but – not want it on a scale where it has to be in front of our house for everyone to see! A bust in that case makes a wonderful gift or treat to yourself, such as the Ayrton Senna and Sherlock Holmes Simon made.

Perfect portrait sculpture for you series sherlock holmes tree carving bust by simon o'rourke

Ayrton senna chainsaw carving scultped bust by Simon O'Rourke

And Yet More Options!

These are just two options when it comes to finding the perfect sculpture portrait for you. Next week we will explore four other possibilities that you may like to consider for commemorating or honouring someone in your own life.

 

If you would like to talk to Simon about possibilities for a portrait or other commission, visit our contact page to send an inquiry.

Fforest Fawr Woodland Sculpture Trail

Fforest Fawr Woodland Sculpture Trail 150 150 Simon O'Rourke

We’ve had some beautiful weather this week – perfect for a woodland walk! With Wales, Scotland and Northern Ireland still in lockdown though, we know that for many of us, that isn’t an option. And so, once again, we decided to bring the woods to you! This week we visit Tongwynlais, in South Wales, and the Fforest Fawr Woodland Sculpture trail….

Castell Coch viewed through fforest fawr

Castell Coch and Fforest Fawr

About Fforest Fawr Woodland Sculpture Trail

Fforest Fawr is a beautiful woodland close to Castell Coch and a short walk from the centre of Tongwynlais. As well as beautiful woodland, it has trails for cycling and walking and a tea shop that serves delicious Bara Brith.
There was also sculpture trail to attract and encourage visitors. As it was deteriorating, Natural Resources Wales commissioned Simon to create a new trail, which was installed in April 2018. All the sculptures are made from a Giant Redwood which was removed from Oswestry as it was dying, and posing a threat to the public. A perfect repurposing of a stunning resource!

Tree carving chainsaw artist simon o'rourke photographed with the redwood lynx from the fforest fawr woodland sculpture trail he created

Simon photographed with the lynx

Fforest Fawr Woodland Sculpture Trail: The Message

The commission from Natural Resources Wales asked for a trail that was engaging for families with young children. It was to make it have an educational aspect, and to be appealing to a broad range of ages as well. With that in mind, Simon returned to his illustrator roots. He wanted to give it a storybook feel which would encourage people to walk the whole thing, and so a new poem was born.

This is not unusual for Simon, as you will know if you read our blogs about Meadow Park and Page’s Wood.
Usually though, the trails focus on the current inhabitants of that area. However, in the case of the Fforest Fawr woodland sculpture trail, Simon also wanted to draw attention to what we  have lost……

close up of a redwood tree carving of a forest lynx from simon o'rourke's fforest fawr woodland sculpture trail

Close up of the lynx in the fforest fawr woodland sculpture trail

Past meets Present

Simon’s created story in poem form, about the wildlife that not only lives in the forest, but also species that are no longer there. The trail then ends with a call to action, encouraging the viewer to look after the woodland.
The aim of the trail is to make the viewer aware of what was there before, but also to highlight the need to preserve what is there now.

Bilingual Challenges!

The English form of the poem is in rhyming couplets which makes it fun and memorable for younger viewers. Translation always proves a challenge though. The Welsh translation isn’t in poetry form, but still conveys the feel, and – most importantly – the message of the story Simon and Liz wrote. 

Local press articles about the trail show it was very well received. We think you’ll like it too!
The concept sketches with the poem read as a beautiful children’s story book in themselves, so we have included those for you as well. We hope you enjoy them as much as the sculptures!

And so, without further ado, join us on a walk through the Fforest Fawr Woodland Sculpture Trail!

Introductory Sculpture:

In Fforest Fawr, deep, and green,
There’s so much to discover, so much to be seen,
All kinds of creatures, great and small,
And wonderful trees, towering and tall!

Yn nyfnder a gwyrddni Fforest Fawr,
mae cymaint i’w ddarganfod… Cymaint i’w weld:
Pob math o greaduriaid, – mawr a bach,
a choedydd rhyfeddol, – tyrog a thal!

Simple redwood sculpture of trees as part of simon o'rourke's tree carving chainsaw art woodland sculpture trail in fforest fawr

 

A Forest Timeline

On the path we see wonders in the forest today
But there are stories and treasures along the way!
There were creatures living here in the past, you’ll see,
Let’s take a walk, back through history!

Heddiw, ar y llwybr, gwelwn ryfeddodau yn y fforest.
Ond, mae storïau a thrysorau ar hyd y ffordd!
Cewch weld bod creaduriaid yn byw yma yn y gorffennol.
Gadewch inni fynd am dro…yn ôl drwy hanes!

 

timeline from fforest fawr woodland sculpture trail carved from redwood, featuring wolf, lynx and pine marten

 

A Red Squirrel

A long time ago, in the tops of tall trees,
Leaping and climbing on branches and leaves,
A long fuzzy tail, and nimble toes,
It’s a little red squirrel, with a little pink nose!

Amser maith yn ôl, – ar ben prennau uchel,
yn neidio a dringo ar ganghennau a dail,
wele gynffon hir, grychiog, a bysedd traed heini
wiwer goch fechan, – gyda thrwyn bach pinc!

A redwood bench with red squirrel details as part of fforest fawr woodland sculpture trail

 

The Brown Otter

Diving in rivers and hunting for fish,
A long, strong tail that goes swish, swish, swish!
Swimming through reeds, and with barely a splash,
It’s a sleek brown otter, that’s gone in a flash!

Yn plymio mewn afonydd ac yn hela pysgod, –
cynffon gref, hir sy’n siffrwd, siffrwd, siffrwd!
Yn nofio drwy gorsennau, – a phrin dynnu sylw, –
dyfrgi brown llyfn ydyw… ddiflanna mewn fflach!

 

A European Lynx

Crouching in the tall tall grass so green,
Silently stalking its prey, unseen,
The tufts on its ears, and the piercing eyes
It’s a European lynx! With its eyes on the prize!

Yng nghwrcwd yn y glaswellt tal, tal mor wyrdd, –
nas gwelir, – yn dawel ddilyn ei ysglyfaeth,
y cudynnau ar ei glustiau a’r llygaid treiddgar…
wele Lyncs Ewropeaidd, – a’i lygaid ar y wobr!

Fforest Fawr woodland sculpture trail by Simon O'Rourke: european lynx

 

A Red Deer

In the woodland we see a majestic sight,
With smooth red fur and a tail so white.
Velvety antlers that reach for the skies
It’s a stunning red deer, with big brown eyes!

Yn y goedlan, gwelwn olygfa urddasol
gyda ffwr coch llyfn, cynffon mor wen,
a chyrn melfedaidd sy’n cyrraedd i’r awyr…
Carw coch syfrdanol ydyw, – â llygaid mawr brown!

Simon O'Rourkes fforest fawr woodland sculpture trail: A Red Deer. Lifesized, created with chainsaws from redwood

 

The European Wolf

Hunting in packs, on the woodland floors,
Through forest and field, and across the moors,
Grey shaggy fur from its head to its paws,
It’s a European wolf, with strong, strong jaws!

Yn hela mewn cnudoedd ar loriau’r goedlan,
drwy fforest a chae, ac ar draws y rhosydd,
wele ffwr blewog, llwyd o’i ben i’w bawennau, –
blaidd Ewropeaidd, – gyda genau cryf, cryf.

fforest fawr woodland sculpture trail by simon o'rourke: european wolf

 

A Pine Marten

Hiding in old hollow trees, out of sight,
Climbing, and running, and hunting at night,
With soft sleek fur, and sharp little claws,
It’s a pine marten, foraging on the forest floor!

Yn cuddio mewn hen goed gwag, – allan o’r golwg, –
yn dringo a rhedeg ac yn hela’r nos, –
gyda ffwr graenus, llyfn, a chrafangau bach miniog…
wele Fela’r Coed, – yn casglu porthiant ar lawr y fforest!

Fforest Fawr Woodland Sculpture Trail by Simon O'Rourke: Pine Marten

 

Devil’s Coach Horse Beetle

Crawling in leaves, and black as night,
With spindly legs, and jaws that bite.
When it raises its tail, you’d better beware,
Devil’s Coach Horse beetle leaves a stink in the air!

Yn ymlusgo mewn dail, a chyn ddued â’r nos,
Gyda choesau main, a genau sy’n brathu, –
gwell ichi ochel pan gwyd ei chynffon:
Mae Chwilen Gnoi yn gadael drewdod yn yr awyr!

 

Wildlife Still Present in the Forest

These creatures are gone from the forest now
But the ones who live here today can be found!
There’s badgers and dormice and buzzards I’ve heard,
Goshawks, owls, and other woodland birds!

Mae’r creaduriaid hyn wedi mynd o’r fforest ‘nawr,
ond, gellir dod o hyd i’r rhai sy’n byw yma heddiw!
Clywais fod moch daear a llygod daear a boncathod,
gwyddweilch, tylluanod ac adar y goedlan eraill.

 

 

A Final Call to Action

We’ve learned about creatures from times gone by,
And the ones living here, that walk, and that fly.
Fforest Fawr is a beautiful place as we’ve seen,
Help us to keep it tidy and clean!


‘Rydym wedi dysgu am greaduriaid o’r amseroedd a fu
a’r rhai sy’n byw yma, – sy’n cerdded ac sy’n hedfan.
Fel y gwelsom, mae Fforest Fawr yn le hardd.
Rhowch help inni i’w chadw yn daclus a glân!

Mike James, Woodland Manager from Natural Resources Wales said:

“We hope people will enjoy our new sculpture trail and the woodland characters will bring to life the story of the forest, its wildlife, and its history. And with the story comes a strong message – the importance of looking after our environment and our forest so the wildlife which currently live there can continue to thrive for years to come.”

We hope you enjoyed the tour through Fforest Fawr Woodland Sculpture trail, and feel inspired to do your part in ensuring we will still be enjoying the wildlife we see round us for decades to come – and beyond!

chainsaw art/tree carver simon o'rourke photogrpahed with a redwood red deer he carved for fforest fawr woodland sculpture trail

Commissioning a Woodland Sculpture Trail

If you are involved with managing or maintaining and green area, and would like an educational sculpture trail, you can find out more about prices, concept etc by reading our Page’s Wood Case Study.
To chat to Simon about details, email us via https://www.treecarving.co.uk/contact/

We’re looking forward to hearing from you!

 

 

Woodland Sculpture Trail: Pages Wood

Woodland Sculpture Trail: Pages Wood 150 150 Simon O'Rourke

Welcome back to our woodland sculpture trail series!

If you read our blogs about the Pages Wood commission, and the Meadow Park woodland sculpture trail, you will know that sculpture trails are a great way to encourage people to get outside. They also encourage engagement with the environment and its care – something Simon and Liz are both passionate about. At the moment, we obviously can’t get out to enjoy our beautiful woodlands and parks, so we thought we would bring them to you!

Last time we visited the Wirral and Meadow Park. This week we take you to revisit the Pages Wood sculpture trail….

Verity Vole by Simon O'Rourke, part of the Page's Wood sculpture trail

Verity Vole, the second protagonist at the Page’s Wood sculpture trail

About Pages Wood

Pages Wood is the Forestry Commission’s largest site in Thames Chase and home to 100,000 trees. The wood offers 6.5km of walking and cycling paths and 2.2km of bridlepaths. This valley of green space offers excellent views as well as a rich mosaic of habitats for wildlife – all reflected in Simon’s sculptures.

Extensive views, an excellent path network, developing woodlands, and (of course) Simon’s woodland sculpture trail  all make Pages Wood a “must-visit” site – either for some brisk exercise or just simple relaxation.

As with Meadow Park, Simon and Liz wrote a story to engage the viewer. The trail follows the adventures of Horatio Hedgehog and Verity Vole as they meet other animals in the forest.

Verity Vole Woodland Sculpture Trail

This is Verity! She wanders through Pages Wood, and teaches about the friends she meets through verse, and the visual of the sculpture. See how many of the animals you recognise and knew inhabited the south east of England.

Original Woodland sculpture trail concept sketch by simon o'rourke, Verity Vole

Verity Vole by Simon O'Rourke, part of the Page's Wood sculpture trail

Verity Vole, the second protagonist at the Page’s Wood sculpture trail

 

dragonfly bench concept sketch by simon o'rourke for pages wood woodland sculpture trail

 

 

 

 

What do you think? Did Verity teach you anything new? And which was your favourite sculpture from her story?

Horatio Hedgehog Woodland Sculpture Trail

Next we have Horatio! You can scroll through and follow him on his adventure, not only as he meets his woodland friends, but also from his concept sketch to fully installed sculpture!

 

 

 

 

hedgehog and badger tree carving sculpture by simon o'rourke from pages wood woodland sculpture trail

 

 

Horatio Hedgehog meets Squirrel at Page's Wood Sculpture Trail by Simon O'Rourke

 

Horatio Hedgehog meets a fox at Page's Wood. By Simon O'Rourke.

We love that each trail ends with a bench so people can sit and relax and enjoy being in our great British outdoors. It also gives time to ponder on anything they learned it the trail. Our hope is that when Simon makes a woodland sculpture trail, it isn’t just fun to look at, but actually inspires people to action too.

If you are involved in running a local conservation area, and would like to consider adding an educational sculpture trail, why not check out the Meadow Park Case Study on on website for ideas and information?

To talk more about specifics, email Simon on [email protected] Can’t wait to hear from you!

Ruby Meets a Squirrel woodland sculpture trails by simon o'rourke

Woodland Sculpture Trails: Meadow Park

Woodland Sculpture Trails: Meadow Park 2000 2000 Simon O'Rourke

Over the years Simon has created several Woodland Sculpture Trails. As we can’t easily go out and access our beautiful woodlands during lockdown, we thought we would bring them to you! Over the next few blogs we will share Simon’s Woodland Sculpture Trails so you can see them at home. And maybe once lockdown is over, you will feel inspired to go and see them for yourselves. We’ll also include some of the story behind their creation.
The first in our series, is Meadow Park, Ellesmere Port.

Original concept sketch of Ruby the Owl from meadow park woodland sculpture trails by simon o'rourke

Original sketch of Ruby the Owl

About Meadow Park

Meadow Park is a green space in the North West of England, on The Wirral.  The Friends of Meadow Park have been working on improving the space since 2013. Their vision is to involve local residents in improving the space and making it a centre for recreation, education and practical conservation.  If you read our previous blog about Simon’s woodland sculpture trails, you’ll know this vision is something that is shared by him and his wife Liz. In fact, Liz is a qualified forest school teacher!
The idea for the sculpture trail was part of their improvements to the area. Simon worked on the project in the latter half of 2017, and the whole thing was installed in December of that year.

Ruby meets an adder from Meadow Park woodland sculpture trail by simon o'rourke

Wildlife Education

One of the goals when Simon creates woodland sculpture trails is to raise awareness of local wildlife. In the case of Meadow Park, he did this through story form.
Using stories actively encourages the viewer to follow the whole trail and brings about a connection to the wildlife through characterisation. It also aids the educational content, helping families with young children to engage with the message.
And so, to aid with that, he and Liz created Ruby the Owl.

The Meadow Park Woodland Sculpture trail follows Ruby as she explores the area and looks for a place to call home. Along the way she meets other animals in their habitat, creating a delightful range of characters, akin to classics such as Watership Down, Animals of Farthing Wood or Wind in the Willows.

Ruby the Owl by Simon O'Rourke

Ruby the owl is searching for a home.
Looking for a place to call her own.
We’re sure you can help, we have no doubt,
Can you join her and seek it out?

Ruby’s Adventures

Ruby has proved very popular with the local population as well as visitors from further afield. However, she also had a few adventures that Simon and Liz didn’t author! After the successful opening of the trail, Ruby clearly caught the eye of some local thieves. She disappeared one night, and even made it on the local Television news! Thankfully Ruby was returned, and she was reinstalled in her home not long after.

And so, grab a cup of tea or coffee (maybe make it in a flask to make it seem authentic?!), and join us as we take you round the rest of the Meadow Park Sculpture Trail, along with the original sketch……

Ruby Meets an Adder
owl meets adder woodland sculpture by simon o'rourke

Along the path in the long long grass,
An adder slithered and wriggled past.
Is this my home? Said the owl with a frown,
I can’t stay here, it’s too low down!

Encounter with a Squirrel

Original sketch for ruby meets a squirrel by simon o'rourke

Ruby Meets a Squirrel woodland sculpture trails by simon o'rourke

Tree carving sculpture of ruby the owl and a squirrel

In the fork of a tree is a leafy drey,
And a sleek little squirrel, furry and grey.
Is this my home? It’s a cosy little ball,
But I can’t fit my head in, it’s far too small!

 

 

 

Meeting the Bat!

Bat sculpture from meadow park sculpture trail by simon o'rourke, original concept sketch

Ruby and the Fox

Owl and fox tree carving sculpture by simon o'rourke

By the roots of a tree, in a hole in the ground, A fox with a bushy red tail is found Is this my home? Lined with soil and bark? I don’t like it here, it’s much too dark!

Meeting the Toad

Original concept sketch ruby and the toad simon o'rourke

On the edge of the brook, in an old wet log
A fat warty toad looks at home in the bog.
Is this my home? It looks a bit grimy,
I can’t live here, it’s far too slimy!

A Heron Along the Way

Heron meets ruby the owl in one of simon o'rourke's woodland sculpture trails

Here’s a pond with reeds and trees
And a tall tall Heron, with knobbly knees
Is this my home? It’s not too flashy,
The watery pond is too wet and splashy!

Ruby and the Rabbits

Concept sketch by simon o'rourke for ruby the owl meeting the rabbits

Here’s a warren with holes and furrows
With Rabbits a plenty, making long long burrows.
Is this my home? It seems quite handy…
But the long long tunnels are far too sandy!

Then Ruby Finds her Home

original concept sketch from meadow park woodland sculpture trail by simon o'rourke of all the animals gathered together

Here’s a hole in a hollow tree
Out of the rain and lined with dry leaves.
Is this my home? Yes yes, You’ll see,
It’s warm, and dry and perfect for me!

As you can see, in the final sculpture where Ruby finds her home, Simon cleverly incorporated all the characters.

And they all lived happily ever after?

Well, that’s something that we, as humans get to decide for them in many ways. Our hope is that through trails like these we are able to encourage people to engage with their environment in positive ways. We hope that the characterisation makes the wildlife more real to them. Then, in turn, they will become part of a movement that helps sustain and not plunder the earth.

We hope you enjoyed this virtual tour of Meadow Park Sculpture Trail. Next week in our Woodland Sculpture Trails series, we will take you to Page’s Wood in the South East of England.

Until then, enjoy the outdoors in your area, whilst also staying safe.

Close up of St Georg in the St George and the dragon sculpture by Simon O'Rourke

St George and the Dragon Sculpture

St George and the Dragon Sculpture 720 960 Simon O'Rourke

It’s a day late, but Happy St George’s Day to my English friends!
It’s actually quite the week for important days. The Queen’s birthday, St George’s Day, and the anniversary of both Shakespeare’s birth and death. Definitely lots of choice there for a blog that fits the calendar! We decided to balance out all the dragons on this blog a little though, and share about this St George and the Dragon sculpture. I actually carved the piece earlier this year, so you might have seen the pictures on social media already. Every sculpture has its own story though,  so keep reading to find out about this one…..

St George and the Dragon tree carving sculpture by Simon O'Rourke

The Subject

This St George and the dragon sculpture was a commission from a client in the south of England. She had an oak stump in the garden, and began exploring ideas with Simon as to what it could become.
Commissioning a sculpture is never just one email requesting a particular subject. There is the actual timber itself to consider (is the size, shape etc suitable), client preferences, artist vision and skill, and the overall impact in its environment. Investing in a piece of art isn’t a small decision, especially when it’s a tree stump and physically not so easy to move as selling a small picture!

In this case, of the ideas discussed, St George was most meaningful to the client. St George’s Day is special to her as it is also her birthday! The sculpture will now be part of her annual celebration as, in her own words, she can “raise a glass every year standing by [her] stunning tree carving!”

Original client concept sketch of St George and the Dragon by Simon O'Rourke

Original sketch for the commission overlaying the stump

Finalising the Design
Once a subject is chosen, there is still more discussion between Simon and a client. Simon will share some of his ideas, as well as talking about how to make that happen. He will take into account not only the kind of piece the client wants, but also the timber. Sometimes there may be cracks that need to be taken into account. Other times there may be a beautiful grain pattern. Sometimes knots or the shape of the branches will lend themselves to a particular feature.
Close up of St Georg in the St George and the dragon sculpture by Simon O'Rourke
Refining an Idea
In this case, some of the main conversation points were focused on:
Scale
Given the diameter of the trunk, St George couldn’t be life size. Simon suggested that instead, he could be stood on a precarious pile of rocks, which would give a nice context. Ultimately, St George would need to be no higher than 18″. This ‘miniature’ turned out to be a fun contrast for Simon, as it immediately followed the Marbury Lady!
Story
Those of you familiar with Simon’s work, know he takes his inspiration from artists like Rodin and Bernini. They changed the concept of portrait work from being static, to telling a story. In the same way, Simon’s work always invites the viewer into a narrative. In this case there was a natural story to tell…..the legend of St George and the Dragon.
St George and the Dragon sculpture by Simon O'Rourke
Choosing the Narrative
SPOILER ALERT!
For those who are unfamiliar with the story of St George and the Dragon, basically an English knight tames and slays a dragon. Simon suggested that this sculpture incorporate that story. His suggestions included portraying George in the act of stabbing the dragon with a spear.
Alternatively, he suggested the dragon could be underneath him, or it could be rearing up above him, even adding wings on to give a striking silhouette.
This is where dialogue is important, as although these ideas could look fantastic, they weren’t fully what the client was after. She had concerns stabbing the dragon could look a little macabre (and who wants to celebrate a birthday that way!!), and wanted the emphasis on St George.
With this in mind, Simon decided to include the dragon as part of the story, but to merge it into the trunk. As well as hinting at the legend, this would also have the effect of emphasising the figure of St George. And so, the St George and the Dragon sculpture was decided!
Dragon from Simon O'Rourke's St George and the Dragon sculpture
Creating the St George and the Dragon Sculpture

As you look at the concept sketch next to the finished design, you will notice it wasn’t identical. This is part of the process of working with wood. When Simon saw the stump in person, the design changed due to the centre of the tree being offset. This meant that as it ages, it won’t split as much, as if he had used the original design.

Concept sketch with finished st george and the dragon sculpture

Creating this in the client’s garden involved copious use of the Stihl battery saws. As he was carving, Simon hit a few nails, hence the dark blue staining on the inside of the tree. Luckily he had spare chain with him for the saw he was using for detail. Hitting metal with that delicate chain is usually terminal for the cutters!!

 

St george and the dragon in process

The sculpture as Simon finished with the chainsaws, and was ready to begin with the smaller tools.

Saburrtooth burrs also played a bit part in the detailing. The detail on the face was made using the 3/8″ eye cutter and 1/4″ taper – a couple of staple tools that Simon relies on.

 

Visible detail on St George and the Dragon Sculpture by Simon O Rourke

Visible detail on the rocks and dragon

And that brings to an end our story of the St George and the Dragon sculpture!
We hope you enjoyed hearing a little more about the process behind finalising a design.
If you would like Simon to create something truly unique for your own home, garden or business, contact him on [email protected]
Although at the moment he is unable to carve at the moment, he is still able to sketch ideas and work on initial concepts and quotes, as well as working on his upcoming online art courses.

Next week, as we can’t go outdoors and travel as much, we will be bringing some of the UKs forest trails to you instead!

We leave you with the time lapse of the creation of this stunning St George and the Dragon sculpture.
Stay safe, and stay well.

 

 

 

Thinking about superheroes: spierman by simon o'rourke

Thinking About Superheroes

Thinking About Superheroes 960 960 Simon O'Rourke

This week we’ve been looking through old photos and videos, and remembering some fun commissions.  There are several comic book characters among Simon’s past pieces, which got us thinking about Superheroes. Come and join us on this walk down memory lane, thinking about superheroes Simon has made before…..

Wooden Batman carving by Simon O'Rourke

Some superheroes like Batman have great physical strength, intellect, wealth, and some awesome technology! This batman sculpture also helped sell a house!

Thinking about superheroes: spierman by simon o'rourke

Other superheroes have incredible agility. And let’s not forget their unfortunate back story (radioactive spider bite anyone?) and profound quotes!

thinking about superheroes: superman wooden illustration by simon o'rourke

When thinking about superheroes, we can also be impressed by their lightning speed. Or their ability to fly. Or,  and the way they somehow still ‘get the girl’ whilst wearing their underwear on the outside!

groot tree carving sculpture by simon o'rourke

Other superheroes warm our hearts with their likeability and loyalty. And sometimes wow us by growing body parts whenever they’re needed!

comic book illustration in wood by simon o'rourke

When we’re thinking about superheroes, they usually defy expectations, and can perform superhuman feats. All whilst looking great in lycra! This one even controls the elements – something I bet we all wish we could do from time to time!

Thinking about superheroes illustrated wooden panel y simon o'rourke

Beyond the Comic Books

It’s fun thinking about those superheroes. It’s also fun to sculpt those superheroes, and we hope you enjoyed this flashback to some of Simon’s work from the past decade. But in thinking about superheroes of comic books and movies, we also can’t help but think about the superheroes all around us at the moment.

We see superhero parents, trying to balance working from home whilst educating their children.

Superhero shop workers and public transport drivers, often working without PPE to ensure we still have what we need.

There are superheroes volunteering with foodbanks, donating money and helping neighbours.

Lockdown can bring out the worst in people, but it can also bring out the best. And we honour all of you every day superheroes today.

BUT as we’re thinking about superheroes, we especially want to take this opportunity to public thank and honour our NHS heroes. We see the numbers, we see the online photos of the damage done wearing PPE all day. We see you carrying on and making sacrifices for the wellbeing of others. And we’re thankful.

Some superheroes wear lycra and a cape. Others wear stethoscopes and facemasks.

So to all our NHS and Healthcare Superheroes out there, we thank you.

Stay safe.

Angel at the Pool of Bethesda sculpture by Simon O'Rourke at Biddulph Old Hall

Sculpture for Historic Property

Sculpture for Historic Property 420 630 Simon O'Rourke

alsoOne of the things Simon has enjoyed over the years, is creating sculpture for historic property. These projects usually combine Simon’s love of human form with his passion for storytelling. They also add value for the owner in sometimes unexpected ways. Over the years Simon has created many pieces for historic properties, ranging from National Trust homes or places of worship to private home owners. He has also had a season as ‘artist in residence’ at Erddig, a local National Trust property.
This week we share examples from that extensive portfolio, and explore the value of commissioning sculpture for historic property.

Highclere Castle Airman by Simon O'Rourke

The airman at Highclere Castle

Reasons to Commission a Sculpture for Historic Property: Commemoration & Storytelling

There are many reasons to commission a sculpture for your historic property. One of those reasons is to have a commemorative piece, to mark an event or occasion.  The Airman at Highclere Castle (pictured above) is an example of this. He is also an example of another reason for commissioning a sculpture. That is, story telling.  If you ever read our blog about the Highclere Airman, you will know that he tells a part of the story of that property. Although people may be aware of the history of a building, a visual aid telling that story is always powerful. Even traditional school text books become much more interesting with a picture! How much more so when the visual story telling is in 3D?! If your building is open to the public, this enhances their experience, which is always a good thing!

Mungo Park sculpture by Simon O'Rourke

A Tourist Attraction!

Another reason that a sculpture can add value to a historic sculpture, is it can become an attraction in itself. Take Mungo Park for example, photographed above.
This likeness of the Scottish explorer was created in 2014 for a Wetherspoons in Peebles, Park’s home town. It reflects the history of the area, so enhances the experience of the visitor, and helps provide information about the town. It also helps to set that restaurant apart from the others in the area. It’s a focus point for visitors – something unique the other eateries in town don’t have. It’s also fun –  customers also sit alongside Mungo on the bench outside the pub, for a photograph. And we all know the power of a shared photograph on social media!

 

Angel at the Pool of Bethesda sculpture by Simon O'Rourke at Biddulph Old Hall, Sculpture for historic property

Case Study: Angel at the Pool of Bethesda

One of Simon’s favourite sculptures that he has created for a historic property is the Angel at the Pool of Bethesda. She was carved from oak in 2016 as a commission for Biddulph Old Hall.  Although the property has an extensive history dating back to 1480, this commission relates to a 19th Century resident…..

The Story Behind the Sculpture

In 1871, attracted by the romance of the ruins in their moorland setting, artist Robert Bateman took up residence in the hall. He actually painted most of his best works in the Hall between 1871 and 1890. In 1874  he and the love of his life, Caroline Howard, were separated. Then, in 1876, Caroline married the Rev Charles Wilbraham. Bateman was heart broken, and painted The Pool of Bethesda as “an autobiographical cry of anguish”. The commission of the sculpture was to commemorate Robert and Caroline’s memory as part of the house’s story.

To read more about the history of the painting, click here.

Angel at the pool of bethesda by simon o'rourke at biddulph old hall is an example of sculpture for historic property

Creating the Sculpture

The setting with the angel stepping down a few steps towards a pool of water replicates the Bateman painting. The difficulty for Simon centered around the fact that all he had to work from was a flat 2D image. This meant that to begin with, he had to visualize what the painting would look like in 3D. From there, he then had to create what he was imagining. Which, according to owner Nigel Daly,  “he has done magnificently…. The piece fully represents the sense of Caroline stepping down into the water that Bateman created in the original painting.”

 

Testimonies of the Value Added

Obviously art always enhances or ‘adds’ something to a room, or wherever it’s located. However, in a historic property it does more than this. It captures the attention of the viewer. They are drawn in, as it narrates the story of that place. It also helps them envision, imagine and remember.

Nigel Daly is “thrilled” at the impact of the sculpture:
“Visitors never fail to gasp as they are led through a small octagonal tower from the ruins themselves into the small courtyard with the pool in its centre and Caroline at its head. As time has passed she has weathered beautifully to settle into the time-worn surroundings of the Hall.

The work has been much admired, and such is the skill of the work we are saving up for a second sculpture for the centre of the ruins based on Burne-Jones’s ‘Love Leading the Pilgrim’, which we feel is just up Simon’s street!”

Angel at the pool of bethesda by simon o'rourke at biddulph old hall

Your Own Commission

If you would like to enhance story-telling and scene-setting with a unique sculpture for your historic property, contact Simon on [email protected].

Poppy met stihl helmet and ear protection

When Poppy met Stihl!

When Poppy met Stihl! 1536 2048 Simon O'Rourke

We thought this would be a good week for something a little different, and a little fun. Simon has been sponsored by Stihl since 2017. It’s a perfect partnership, and a truly authentic one, as he really does love the quality, and range of products. Whether it’s a chainsaw he needs or protective clothing, Stihl have it covered! In this blog, we’ll share some of their products that are used almost daily – featuring our very own pet (and unofficial Tree Carving mascot), POPPY! Scroll down to see what happened when Poppy met Stihl!

Poppy Stihl with the MS500i

When Poppy Met Stihl: The Stihl MS500i

Obviously chainsaw art can’t happen without good, dependable chainsaws! The Stihl MS500i is a high performance saw that makes easy work of large pieces of timber. It uses innovative technology to achieve rapid acceleration from 0 to 100 km/h in an unbelievable 0.25 seconds! Definitely not for use on your garden hedge!  In fact, Simon describes it as a ‘beast’! With that kind of power, it’s his first choice for the large cuts to block out big sculptures.
With a hint back to our blog about Acton Health and Safety, this saw also features STIHL’s anti-vibration system. This is important for Simon for minimising some of the well-documented health challenges associated with vibrations from power tools.

When Poppy met stihl clothing

When Poppy Met Stihl: Advance X-TREEm Jacket

If a dog’s got to be out working in all conditions, they need a decent jacket.  The Stihl X-Treem jacket (see what they did there?!)  featured in all these photos does it ALL! We think Poppy makes it look pretty good too! Anyone know any canine modeling agents?
But back to the jacket!
Attachment points for saw guard…… Removable sleeves, spacer material on the shoulders and adjustable ventilation openings for comfortable regulation of body temperature……Ceramic dots on the elbows offer abrasion protection…..Outer shoulder zone has grip dot abrasion protection…… Large areas of high visibility orange with contrast areas for excellent visibility……Two breast pockets, one inside pocket and one sleeve pocket…..
What more could a dog want? Works pretty well for Simon too!

Poppy wasn’t so keen on wearing them, but Simon also relies on the cut-proof and waterproof trousers and lightweight jackets, whether working in the workshop or outdoors.

When poppy met stihl ear protection

When Poppy Met Stihl: Ear Protection

Ear protection is an essential….at least for Simon! Stihl have a great range of gloves, safety glasses, head and ear protection.  Notice the cap too. According to Poppy, Stihl clothing is also for leisure time and not just work!

Poppy met stihl helmet and ear protection

When Poppy Met Stihl: Safety Helmet

Poppy’s final photo features another essential piece of protection. Did you spot it? That’s right, a blanket – an essential for tree carving trips.
OK, not really!
As you may have seen in our blogs about the Marbury Lady, the Spirit of Ecstasy, or the Giant Hand of Vrnwy, Simon often has to climb some fairly tall scaffolding. When he has projects that need him to work at height, he always wears his Stihl safety helmet. Safety is incredibly important, and their helmets have all kinds of ‘add ons’ or design features specific to this kind of work. These range from integrated ear or face protection to vents, or lightweight versions.

If you work with machinery, heights, or just in any area of your work, we do encourage you to follow safety protocols. It may be uncomfortable initially, but optimum health and safety is always worth the initial discomfort.

Poppy, Simon, Liz O'Rourke with the Game of Thrones eggs and casket

Poppy Stihl!

For those who enjoyed our blog featuring Poppy, she actually has her own Instagram account. You can follow her at www.instagram.com/poppystihl. If you come out and see us at the workshop, a show, or an appearance of Hemlock the Dragon, you may also meet her in person as she often comes along. She may be a bit trickier to spot though, as she isn’t always wearing ‘Stihl Orange’!

We hope you enjoyed something slightly different, and (hopefully) more ‘fun’ this week.
We leave you with this video from Simon, sharing a little more about his partnership with Stihl.

Stay safe, stay well, and stay connected.

 

A Bespoke Tawny Owl Sculpture

A Bespoke Tawny Owl Sculpture 150 150 Simon O'Rourke

One of the things that Simon was known for early on in his career was carving owls! Although he prefers human form, his attention to form, story, structure and detail mean he has created some incredible owls over the years. Some of them have become famous in their own right too, such a Ruby the owl. She’s part of Meadow Park sculpture trail on the Wirral and was actually stolen and – amazingly – returned! This week we look at Simon’s most recent example: a bespoke tawny owl sculpture that will be installed in Pocklington, Yorkshire.

A bespoke tawny owl by Simon O'Rourke for the town of Pocklington, Yorks

The Commission

This bespoke tawny owl is for public display in the town of Pocklington. When it was originally commissioned, the clients came to Simon with an existing Horse Chestnut stump. Their hope was that the owl could be carved from that. However, Simon advised them that it would be unsuitable as Horse Chestnut rots quickly. Instead, they decided to have the owl carved from oak, and to mount it upon the original stump.

To create the owl, Simon paid careful attention to the shape, size and proportions of the owl. He also imitated perfectly the way the feathers fall, and how the lengths and appearance vary on the different body parts. We can see clearly the fluffier chest and legs compared with the sleek, defined tails and wings.

bespoke tawny owl and original by Simon O'Rourke
As the Sculpture Ages….

Wood changes over the years. That means a commission such as this bespoke tawny owl will weather and gradually change in appearance. When Simon creates a sculpture, he takes into account how it will crack in future. This is important, so he can carve in a way that although the appearance will change, the structure will still be sound.
The face below is a perfect example of this. It has small cracks appearing but retains its structure and shape – and will for decades to come!

Face by Simon O'Rourke

Changing and Protecting Colour

Another aspect of this changing appearance that Simon considers, is the colour. All wood will change colour as it ages and is bleached by the sun. Once that happens, the only way to get the colour back is to sand it or re-finish the surface. Long-lasting woods such as oak and sweet chestnut weather nicely and last well without any finish. This means this bespoke tawny owl sculpture didn’t need any additional treatment.

For some sculptures, the bleaching and aging adds to the beauty and aesthetic of the sculpture. Maybe it is part of a forest trail and it needs to blend in with the environment. In other cases, the nature or setting of the sculpture lends itself to the aging process. The Angel at the Pool of Bethesda (included in our review of the decade) is a perfect example of this. It is based on an old painting, and sits in a Biddulph Old Hall, a historic property. The sculpture was left untreated so it would bleach naturally in the sun, and age to fit in with its environment. We love the way it looks two years on….

Angel at the pool of bethesda by simon o'rourke at biddulph old hall

Angel at the pool of bethesda by simon o'rourke at biddulph old hall

Recommended Treatment

The bespoke tawny owl sculpture is made of oak, so didn’t need treatment. However, if you do want to retain colour of the original sculpture, decking oil applied every 4 months will do this. It acts mostly as a weather proofer, allowing the sculpture to keep its original colour. It also offers UV protection, and has an additional bonus of containing mould inhibitors too. Unlike most other weatherproofing options, the oil is a good choice as it allows the wood to breathe. Over the years Simon has number of different brands . While he doesn’t necessarily have a favourite, he always buys from  www.restexpress.co.uk and recommends them as a supplier.

In addition, if the wood needs an initial treatment of wood preserver, he applies that before the oil. The preserver soaks in like water and prevents surface growth of mould and fungi.

barn owl by simon o'rourke

A Sculpture for Life!

Whenever Simon creates a sculpture, he considers the future appearance and carves and treats so it will last. However, if you do have damage or something that needs re-working, Simon is available for repair, upkeep and restoration. Contact him on [email protected] whether to talk about upkeep of a current sculpture, or a new commission.

Simon O'Rourke creating the Lady of Marbury sculpture

The Marbury Lady Sculpture

The Marbury Lady Sculpture 960 960 Simon O'Rourke

Those of you follow Simon on social media will have already seen his stunning Marbury Lady sculpture.
The sculpture is inspired by a ghost story associated with the former Marbury Estate. People in the area frequently claim to have seen this ghost, as she haunts the park. The most recent sighting is reported as being last year! Simon has carved many figures from books, moviesmyths and legends, but we think this is the first time he has carved a ghost!
We had another reason too for wanting to share her story. The Marbury Lady sculpture is carved from a  tree that died due to salt poisoning. We wanted to share a little more about it to highlight the issue, and hopefully help prevent unnecessary damage and death to other trees.

Simon O'Rourke's Marbury Lady sculpture viewed from the road

The Marbury Lady viewed from the road

The Location:

Marbury Hall was a country house in Marbury, near Northwich. Several houses existed on the site from the 13th century, which formed the seat of the Marbury, Barry and Smith-Barry families, until 1932, and the story behind the mysterious Marbury Lady is connected with James Smith Barry, who inherited the hall in 1787.
The buildings have all fallen into disrepair though and no longer exist on the site. It is now woodland known as Marbury Country Park. 

For any interested in visiting, it’s a great spot for a walk. You can wander along the mere with splendid views over the water to the church at Great Budworth, or explore the arboretum (the avenues of limes are quite well known) and community orchard. There is also a play area and swimming pool.

The park is cared for by The Friends of Anderton and Marbury (FOAM). They not only look after the park, but have a busy programme of walks, talks, conservation tasks and events. If you are thinking of visiting, it’s definitely worth checking out their website to see what they have happening. It was FOAM who commissioned the Lady of Marbury sculpture, after the death of several of their trees due to salt poisoning.

The Lady of Marbury sculpture by Simon O'Rourke in process

At work on the sculpture

Salt Poisoning

So what is salt poisoning?
Basically if a tree is exposed to too much sodium, it stops the flow of potassium and magnesium. In turn, this stops the tree making chlorophyll. For those who can’t remember their high school science, that’s the ‘green stuff’ needed by plants to turn light from the sun into energy (photosynthesis)! Salt is so effective n this, you can actually use it to intentionally kill a tree –  or any plant!

Salt damage is extremely common, especially in urban areas in the winter when we use salt to de-ice the roads. Spray from the roads hits the tree, as well as being absorbed/spread through running water, and melting ice and snow.

Early sign to watch out for are the edges of the leaves turning brown. At this point it is still possible to reverse damage and prevent death through leaching – basically just adding water to the soil. Good drainage is a key factor too in preventing and curing salt poisoning. If you need to know more, we found this helpful article on reducing the salinity of soil that you might find interesting.

In the case of Marbury Park, the trees were damaged by salt leaking from a split brine pipe.
However, rather than remove them, FOAM decided to give them new life, and commissioned Simon to create something….

Simon O'Rourke creating the Lady of Marbury sculpture

The Story of the Marbury Lady

FOAM wanted one of the damaged trees to represent something of the Marbury Park history. There are several ghost stories connected to the area, but the most well known locally are the variations of The Marbury Lady.

The version Simon chose to tell is of the Egyptian lady. Smith-Barry traveled extensively, and spent much of his time in Italy, Greece and the Levant. It is said that on one of his travels he met with a lovely Egyptian girl. He fell madly in love with her, and when he had to return to England, he told her he would send for her to follow him and make her his wife. As in all good romances though, there was a third person involved, and this is where stories begin to vary. Some say there was an arranged marriage, others a scandal with a housekeeper. Either way, Smith-Barry failed to send for his Egyptian lady…..

Marbury Lady Sculpture by Simon O'Rourke

The Story Continues…..

Some time later it is said that the Egyptian lady came to England. Again, stories vary at this point. Some say she worked as his housekeeper, others that he kept her as a mistress. They all agree though that she asked that when she died, her body be embalmed and kept in the hallway at Marbury Hall. When Smith-Barry died some years later, the family didn’t really want what they considered to be a mummy in a coffin! They arranged a burial, and moved the body to a nearby church. What they did not expect however, was the hauntings that would follow!

In the years (decades now!) that have followed, there have been reportings of sightings of a lady in a white veil, and well as tales of strange sounds and happenings. Whether you believe in ghost stories or not, she makes an interesting subject for a sculpture….

Simon’s Marbury Lady Sculpture

Simon decided to depict the Egyptian lady in his sculpture. However, always creative, he carved her as both a living person AND the ghost! He sculpted the face that faces the road to show the girl alive. Her face is smooth, her expression regal, and proud. The orchard view shows her eyes closed, hands clutching her chest, giving the story of her sad demise. Her face is also covered with fragments of veil which reflect the accounts of sightings of The Marbury Lady.
As well as depicting her in both life and death, Simon did this because he wanted to encourage people not just to view passively, but to physically engage with the sculpture. In carving her this way, people have to physically move round to the other side of the sculpture to see the full story.

The Living depiction of The Marbury Lady by Simon O'Rourke

 

The Marbury Lady, ghost side, Simon O'Rourke

The side depicting the ghostly Marbury Lady

A Test of Skill

Simon had been looking forward to this project ever since it was approved last year. She wasn’t without her challenges though. To begin with, their is the challenge of carving a standing stump, rather than a piece of timber in the workshop. With a piece of timber, it may be tricky to source another ‘perfect’ piece….but it can be done. With a standing stump that is being transformed, there is only one chance! No room for mistakes!

Behind the Veil

The other distinct challenge (and a first for Simon on a commission) was the veiling over the ghostly side. When painting or drawing, it is possible to draw the whole face, then ad the veil over the top. Even in sculpting with clay or similar, the veil is added. In the case of tree carving, Simon could only take away. That meant not only using technical skill and tool like the golden ratio to envision the correct proportions and expression, but being able to do so whilst also imagining where and how the veiling would fall, and taking into account having to leave that behind.

Tools of the Trade

As always, he cut as far down as he could with his larger Stihl chainsaws, before using manpatools angle grinder followed by the saburrtooth bits (especially the large flame bit) to finish the detail and texture. We’re sure you can imagine too, working at the top of all that scaffolding, the cordless saws with backpack for holding the battery pack (Stihl) were essential!

Looking at the finished sculpture though, you can see Simon rose to the challenges, and created something absolutely unique, relevant to the area, and enthralling for the viewer. Thank you to Filmage.co.uk for the video!

Here's the time lapse video of the Marbury Lady! Thanks to filmage.co.uk for the excellent editing!

Posted by Simon O'Rourke – Tree Carving on Wednesday, 5 February 2020

We think this is one of Simon’s best examples of sculpting female form, and certainly stands alongside his Spirit of Ecstasy, Angel at the Pool of Bethesda and Viking Raid. Which are your favourite of Simon’s female sculptures? Why not comment below and let us know?!

And, as always, if you have a damaged tree that you would like to breathe new life into, email [email protected] to talk about some possibilities.