action camera

International Pet Day

International Pet Day 150 150 Simon O'Rourke

11th April was International Pet Day and as a bunch of animal lovers, we loved seeing all the photos of pets that appeared online. Sometimes though a photo of our furry family member is just not enough. Over the years we have had a few people commission sculptures and illustrations of their beloved pet, so we thought that in honour of International Pet Day, we’d use this blog to share with you some of Simon’s ‘Pet Portraits’

Our first is ‘Cheila’, a German Shepherd completed around this time last year.

Cheila, the German Shepherd: a pet portrait by Simon O'Rourke

Cheila, the German Shepherd: a pet portrait by Simon O’Rourke

After purchasing Simon’s ‘Lion Cub’ sculpture at a Born Free charity dinner around 18 months ago (a charity very close to our heart due to our involvement with the ‘Pawtraits’ book and exhibition a few years ago which featured Virginia McKenna), our clients – Steven and Leslie Smith – decided that they would like to commission Simon to produce a life size sculpture of their beloved dog, Cheila, to immortalise her in wood.

Simon spent time measuring Cheila and photographing her here at the workshop when Steven and Leslie came to visit, to make sure that the sculpture was absolutely accurate and then drew a number of sketches of her in the pose that Steven had requested in order to best capture all of her wonderful features, characteristics and quirks that make her, ‘Cheila’.

Needless to say that they were absolutely thrilled with the finished piece and wrote us a fantastic testimonial to back that up which you can find here.

Dachshund Bust by Simon O’Rourke

Our most recent Pet Portrait was the bust of a dachshund, photographed above. People often ask us about the process and are fascinated watching Simon in action, so last week he got out his Olfi Action Camera, so you can see him at work!

I finished a bust of a #Weimaraner dog yesterday! Here's some action footage shot on an Olfi action camera!

Posted by Simon O'Rourke – Tree Carving on Saturday, 20 April 2019

 

Of course, not everybody has room for a sculpture of their pet, and as the saying goes, ‘We have an app for that’!!! Well, not really an app, but a solution! Other clients over the years have opted to take advantage of Simon’s illustration training, and commissioned instead, a portrait on flat wooden ‘panels’.

Scruffy: Pet Potratit by Simon O’Rourke

Staffordshire Bull Terrier by Simon O’Rourke

If you are interested in having a Pet Portrait, whether sculpture or illustration, please get in touch with us at [email protected]
Simon is able to work from photos or in-person ‘sittings’ and we’d love to talk with you about your vision.
Although this blog has focused on ‘man’s best friend’, Simon loves the challenge of sculpting animals and is happy to talk with you about any pet.  To see more of his animal and wildlife work, just visit his portfolio on the new website.

We leave you this week with some examples of other pets; Debbie the cat and Dan the horse!
And of course, no International Pet Day Blog would be complete without our own O’Rourke pet and Tree Carving mascot, Poppy – photographed here ready for a day of work and, -just like Simon –  wearing her Stihl clothing!

 

Debbie the Cat: Pet Portrait by Simon O'Rourke

Debbie the Cat: Pet Portrait by Simon O’Rourke

Dan the Shire Horse: Pet Portrait by Simon O'Rourke

Dan the Shire Horse: Pet Portrait by Simon O’Rourke

Poppy, our family pet and Tree Carving 'mascot'

Poppy, our family pet and Tree Carving ‘mascot’ wearing her Stihl gear!

For The Throne

For The Throne 150 150 Simon O'Rourke

Toward the end of last year, Simon received one of his most exciting projects to date – the opportunity to take part in HBO’s #forthethrone campaign, promoting season eight of the popular TV series.
18 artists from around the world were selected by HBO, who then sent them an original prop from the Game of Thrones series, and each artist either had to come up with a way to make them ‘their own’, or received a brief for the prop.

Simon was sent the three dragon eggs that were given to Daenerys as a wedding gift during season one. Not only was it awe-inspiring to be able to see and hold in person such an iconic object, but as pieces of art they were even more beautiful in real life with their detailed scaly texture and incredible ombre, blended metallic colouring.  His task was to create a new casket for the eggs that would not only be both functional and aesthetically pleasing, but would also tie-in with the era and location of the series. You can see Simon receiving the eggs in this video of the making of the Dragon Egg Casket.

Opening the dragon eggs from HBO

 

Simon has had lots of experience of the years in carving dragons of all scales and for all projects, so the ideas for shape, texture, and details were flowing. There were some very practical considerations though which added to the challenge.

  • The casket had to actually be large enough to hold all three eggs.
  • It needed to be able to open and close without damaging the eggs.
  • The eggs had to be held securely in place to withstand travel – both in real life to get it back to HBO, but also in the series, the eggs are a gift from far away and would have to be carried to the wedding.
  • The casket needed to be weatherproof, as in the series, it would have needed to withstand various weather conditions.
  • It needed to have some way of being transportable.
  • It needed to sit on a flat surface, or have some additional stand or similar that would enable it to do so.

The open dragon mouth lid

With those practicalities in place there was then the artistic side to consider. In Simon’s own words:
The concept was the first thing to get right. My first idea was to include dragon-like wings shrouding the eggs, but moved on to a skull because I felt it would look more impressive. After hearing the dragon skull idea would clash with another design I moved back to my original thought and explored the shroud idea. I went through several design ideas about what to include, whether or not to put a dragons eye in the design, or a representation of a head. I settled on a simple organic looking lid that opened like a bread bin. I was inspired by a real mixture of Nature, Alien, Star Wars and of course Game of Thrones! The almost Alien egg like texture is also representative of dragon scales, and the mismatched teeth give it a slight feel of Saarlach from Star Wars with a hint of alligator!”

Showing the texture and details of the mouth

The casket was carved out of yew, which in itself had some beautiful markings and colouring, and the design was actually altered as Simon went along to allow this to be seen. An added bonus was that this colouring and texture was reminiscent of Danerys’ hair! Seemingly random Dragon teeth throughout the interior hold the eggs securely in place, with the random placing, irregular shapes and texture lending the feel of danger or uncertainty.
There is an organic, unsymmetrical feel to the lid which snaps shut to protect and hide the eggs, “Like a mutated dragon”. Again, the random placing and irregular shaping and direction of the teeth adds not only an organic feel, but heightens the sense of danger. Whilst feeling dangerous, the scales and the misshaping of the teeth invite touch, in the same way the eggs themselves do. Just as the eggs are experienced differently in the series, with Daenerys being the only one who feels life within them, (and is drawn inexplicably to them), each person will experience or focus on something slightly different as they are drawn to feel the texture of the casket.

Finished project with the lid closed to hide the eggs

The dragon mouth casing is then shrouded in abstract dragon wings, which further protects the eggs, and perfectly exhibits the grain of the wood. The smooth finish is contrast to the scales of the inner shell and the rippled texture of the outer wood. Finally, “the ash wood carrying poles were a functional and useful addition, as well as giving an impression of a very valuable cargo, needing two or four slaves to bear the precious gift! I [Simon] chose stainless steel rings to thread the poles through as the shiny steel is a real compliment to the natural material of the wood.”

Image taken from HBO For the Throne campaign, ‘The fire collection’.


Simon is quoted as saying the biggest challenge was  “getting a lid mechanism to cover the eggs when closed, sit nicely on the edges of the wings, and not touch the eggs when opening and closing” In retrospect however, we wonder if his greater challenge was actually keeping such an exciting project secret until now! We’re all excited here at Simon O Rourke Tree Carving to see the rest of the pieces produced by the other artists, which will be revealed in a series of five collections leading up to the release of the newest season of Game of Thrones.
This campaign isn’t just for professionals though! HBO would love to see other work inspired by the series, so you are invited to post your own projects online. Simply use the hashtag #forthethrone for the opportunity for your own work to be included in the campaign.

The Power of Vanquis!!

The Power of Vanquis!! 150 150 Simon O'Rourke

We were asked earlier this year to create a carving of a Game of Thrones style character emerging from a log. It transpired that it was needed to film a commercial for a credit card! I was so busy I had to enlist the help of Paul from Ossum Tree Carving, my apprentice, to help me.

Having delivered it to the back of beyond, somewhere in Betws Y Coed, the following day this advert was filmed!

 

 

Exciting start to 2018!

Exciting start to 2018! 150 150 Simon O'Rourke

A very happy new year to you all!

We hope that your January so far has been really brilliant and not blue at all.

Ours has been crazy cool, with lots of commissions, meetings, networking and travel, but the most exciting thing was having the Stihl GB team come to film Simon with their fab marketing team and film crew, HROC!

Here’s a couple of snaps from the day a couple of weeks ago and there will be some fantastic video footage being released in early March, so watch this space!

Lights, Action Camera!! OLFI? what’s that?

Lights, Action Camera!! OLFI? what’s that? 150 150 Simon O'Rourke

I know what you’re thinking, but those words are the right way round!

I have been using the amazing little OLFI action camera for a year now, and it’s an incredible bit of kit!

My most recent time-lapse videos are filmed on it using the really useful video lapse setting, which saves the time of stitching together all the photos in separate software.

Click on the link or the picture to see what all the fuss is about! #OLFI = One Life Film It!

OLFI Action Camera