Sculpture Projects

Radagast the Brown, (Blue and Pink).

Radagast the Brown, (Blue and Pink). 150 150 Simon O'Rourke

Isn’t he amazing?!

Radagast the Brown by Simon O'Rourke

 

Simon recently worked on this sculpture of Radagast the Brown from Tolkien’s ‘Lord of the Rings’.

We think he makes a striking figure rising up among the shrubbery. We love the detail too like his wise, all-seeing eyes and wild beard. It’s so easy to imagine birds nesting in it, as the story goes. The bird on his head and the bottle of medicine are perfect references to the series. Radagast is known to communicate with ‘beasts and birds’, so it is especially appropriate that this sculpture is found outdoors.

Radagast the Brown by Simon O'Rourke

 

 

Why the decision to have a wizard in this otherwise typical garden?

Sadly, it came about because of disease in the tree: a blue atlas cedar.

The fungus responsible is sirococcus, and its incidence has gradually been increasing throughout the UK since 2016. It’s thought that it spreads through rain splash, strong winds, and possibly seed transmission, and there is unfortunately no known cure. Damaged trees must be cut back. Although it will sometimes kill younger trees, the RHS reports mature trees can live for many years.

If you are the owner of a Blue Atlas Cedar, there are a couple of signs to watch out for. The main one is pink needles. This is a sign of death, and they will later turn brown and drop off. The tree may also get cankers, gum bleeds, and grow fruiting bodies on the dead leaves. Click HERE to find out more and see images of things to look out for. Forest Research have also published a helpful article HERE.

Sirococcus-conigenus-on-cedar-of-Lebanon-

Example of the typical pink needles of an infected tree.

Government bodies are also trying to track the spread.

That means it’s important to report it, if you see a tree you think may be infected. The link and everything you need to know to make a report can be found HERE. Reporting is so important, so we ask you to PLEASE consider doing your part.

Radagast the Brown by Simon O'Rourke

All is not lost though if  your own tree is infected!

Simon is on hand to transform it and give it new life. Whether a fantasy sculpture like this, or something more ‘natural’ like THESE are your thing, Simon is able to create something beautiful for your garden.

Email  [email protected] to find out how he can help you.

 

Skulptur Rabbatz: A Cacophony of Carvers!

Skulptur Rabbatz: A Cacophony of Carvers! 150 150 Simon O'Rourke

Skulptur Rabatz 2019 certainly lived up to its name! ‘Rabatz’ translates as ‘din’, and with 13 simultaneous sculptures in production, there certainly was a ‘din’! There was also a lot of fun, community, and creativity on show at this event hosted by Florian Lindner.

Florian is a well-known character in the tree carving world. He hosts an event around this time each year, usually called ‘Holz-Flori & Friends’. This year, the change of name reflected the task: creating an ‘orchestra’ of zodiac figures.

Participants in Skulptur Rabatz

Participants in Skulptur Rabatz

 

Skulptur Rabatz stands 2019

Participant ‘booths’ at Skulptur Rabatz, displaying the flag of each participant

Over the event, 15 tree carvers took part and each created a ‘sign of the zodiac’ playing an instrument. When displayed together, they make up a ‘zodiac orchestra’. The sculptures will be displayed in a circle, as if they mark numbers on a clock. Simon carved the conductor, who will stand in the centre as the ‘gnomon’ (the piece that casts the shadow).

The rabbit gnomon by Simon O'Rourke

The rabbit gnomon

The idea of zodiac figures playing instruments is quite comic, and meant the artists could all really use their imaginations.  Most are oversized and have a cartoon or caricature-like quality, adding to the fun of the concept. Simon’s finished sculpture is an ‘Alice-in-Wonderland’-like moon-gazing hare (fits with the zodiac/astrology theme) with a fly-away tail coat and over-sized feet and ears. And what better thing to use to conduct such an orchestra than a chainsaw with a blade Stihl would be proud of!

Rabbit Gnomon with chainsaw baton by Simon O'Rourke

The rabbit conductor ‘gnomon’ with chainsaw ‘baton’

There was also a speed carve where Simon carved this elegant-looking lady in under an hour!

elegant lady Speed carve by Simon O'Rourke

Simon’s speed carve from the event

As with all these events, there is far more happening than just the carving – impressive as that is. As well as other attractions, Skulptur Rabatz also featured ‘The Sprockets’ – a band made up of some of the carvers and their wives, including Si and Liz! No footage has emerged yet, but if you give Skulptur Rabatz a follow on their Facebook page, some might appear soon!

The 13 sculptures completed for the sundial

The 13 sculptures completed for the sundial

Pets and family are also welcome and get incorporated into the fun. This gave @poppystihl chance to build her own following/fan club!
Poppy is Liz and Si’s dog, and can often be found ‘helping’ at events. You can follow her tree carving adventures separate from Simon on Instagram. If you ever stop to see Simon and Liz at an event, feel free to give her a belly rub!

If you are able, we fully recommend coming to a tree carving event. Not only is it impressive to watch the artists at work, but the events are great fun. There is a wonderful sense of community and inspired creativity. They usually happen surrounded by beautiful scenery, and there is often plenty to do for the whole family.

Did you enjoy the ‘zodiac’ theme? Maybe it’s something you’d like to incorporate into your own garden, using the star signs of your family? If so, message us on [email protected] to talk about possibilities and costs.

Rauschwitz Angel

Rauschwitz Angel 150 150 Simon O'Rourke

Germany has a big tree carving tradition, and throughout the year there are events, festivals and competitions. We love that we get to be part of the events themselves. Bigger than this though, we love that we are able to be part of the tree carving community. Each time we participate we meet wonderful people and grow friendships whilst helping to maintain the tradition.

This week’s blog is from one of the newer events, hosted by Rauschwitzer Wood Culture Community. This particular event is run by Christian Schmidt who himself is a talented tree carver. It featured several artists carving angels (read on for the explanation) and a speed carving competition.

In Rauschwitz, there is an open air church, where the ‘walls’ are all trees, and a space cleared between them, with benches for the congregation to sit on. The task this year for all the participants, was to carve an angel for the end of each of the church benches.

Rauschwitz Church Angel by Simon O'Rourke

Rauschwitz Angel by Simon O’Rourke – notice the photobomb by @poppystihl!

The angel ‘theme’ really helped to tie the carvings together. There was incredible diversity as each artist was free to carve their own interpretation. There is also a real unity though as they all carved the same subject. This is a great depiction of what church is supposed to be – a celebration of diversity within unity.

Rather than just focus on Simon’s sculpture, we thought we would also share some others from the event. What do you like about each, and why? Leave us a comment and let us know!

Griffon Ramsey angel

Angel by Griffon Ramsey

Angel at Rauschwitz by Dieter Kruger

Angel by Andrej Lochel

Angel by Andrej Lochel

Angel by Andrej Lochel

Carved Day’s Night: Global Beatles Day

Carved Day’s Night: Global Beatles Day 150 150 Simon O'Rourke

June 25th was Global Beatles Day. Yes, there is such a thing! It was created to honour and celebrate the ideals of The Beatles, and we couldn’t let it pass without a flashback to Simon’s Beatles carvings – our own tribute to the legendary musicians.

Simon carving The Beatles

Work in progress!

The Beatles were carved over four days in Liverpool in August 2017. It was part of an event at the pier head, so locals were able to watch Simon at work. Needless to say, they loved seeing their very own ‘fab four’ coming to life!


Each figure was carved out of its own piece of timber and took around six hours. From facial details to posture, each one is a great representation, and reflects Simon’s talent for human form. The ‘Fab Four’ were auctioned off in aid of Variety charity, and ended up raising over £15,000!

Simon with the finished band!

Since then Simon has recreated lots of figures from the airman at Highclere Castle to other Liverpudlians like Cilla Black and Ken Dodd. You can see some of his human form portfolio here.

If there are events, anniversaries etc that you would like marked with your own sculpture, get in touch with us at [email protected] to find out more.

Huskycup 2019

Huskycup 2019 150 150 Simon O'Rourke

And just like that, Huskycup 2019 is over! After a week of carving by some of the best chainsaw carvers in the world, Blockhausen now has several dragons added to its exhibits – including the fabulous Water Dragon by Simon and Japanese tree carver Keiji Kidokoro.

As we wrote in THIS BLOG, Simon and Keiji had the freedom to make anything relating to the theme ‘dragons’. They decided to create a dragon which would reflect both their cultures, in an ‘east meets west’ Water Dragon.

Simon and Keiji with the finished water dragon

Simon and Keiji with the finished water dragon

Initially the dragon seems predominantly Asian because of the serpentine shape and the wave it rests on. Closer look shows a beautiful merging of the cultures though. For example, the wings are very much the scale of those seen in western interpretations of dragons. It also features a more typically western profile with the sloped nose. Up close, we can also see scales more consistent with the dragons of Hollywood movies than those of Asian design.
What other features can you see belonging to each culture?

Initial sketch of Water Dragon by Simon O Rourke and Keiji

The initial concept sketch by Simon

 

Profile view of the finished Water Dragon

Profile view of the finished Water Dragon

Part of the success of this dragon was working to each of their strengths. Simon and Keiji have carved together before (Japan 2015 & 2016) which was an asset when designing the piece. Simon imagined and drew the initial design, but very much incorporated Keiji’s skill in fine detailing and consistent texturing. Keiji is also talented with an airbrush, and painted the eyes and a piece of tail. We think both are lovely finishing touches which help bring life to the sculpture.

Keiji painting the eye

Keiji painting the eye

 

View showing the scales over the entire body

View showing the scales over the entire body

 

View from the tail shows another airbrushed touch of colour

View from the tail shows another airbrushed touch of colour

One of Simon’s strengths is creating movement and story in his pieces. As such, he enjoyed working on the coils that create the shape and movement of the dragon. That meant creating the shape of each piece, but also working out placement, so it would be realistic and retain the overall flow of the sculpture. We think he did a great job!

Focus on the coils that gave the eastern serpentine feel

Focus on the coils that gave the eastern serpentine feel

Those who follow us on our Facebook page will have seen that the dragon wasn’t without its challenges though! Reaching some parts of the dragon needed some serious climbing and balancing skills! They also drew the smallest pieces of timber in the lottery, and later discovered some rotten wood which meant pausing work to resource something more suitable. Small challenges though in a week which was otherwise packed with successful carving, being inspired by others and enjoying time with the tree carving community.

Their initial wood supply

 

Carving those hard-to-reach places!

Carving those hard-to-reach places!

Simon also got to try some new tools. As always, Stihl (Stihl DE) were faithful to provide chainsaws which are always up to the task! He also got to try some new angle grinding tools provided by Korean company, Manpa. It can be a bit of a gamble working with unfamiliar tools, but in this case it worked out. Both the Stihl and Manpa tools turned out to be great choices for Simon.

Simon working on some fine detail

 

Working on some fine detail on the wings

Working on some fine detail on the wings

Huskycup is about more than the carving though. Blockhausen itself is always worth a visit, but part of what makes the event great and draws back such a high calibre of artist, is the atmosphere and community. The venue even features its own Walk of Fame, honouring artists in the tree carving community! Simon received his star in 2012, and he felt this year’s additions were great choices.

The finished head

The finished head

 

A final photo of the finished Water Dragon

A final photo of the finished Water Dragon

Oh, and for those who noticed the little guy at the front right of the photo? This baby dragon is not only bringing the cute to your screen right now (and showing Simon’s versatility in dragon carving!), but will feature in a charity auction.

Baby dragon for charity auction

Baby dragon for charity auction

For those wanting to see more, the organisers have already started to upload photos and videos which you can enjoy HERE.
Of course, there’s nothing quite like experiencing it for yourself! Huskycup is open to the public, and Blockhausen is open all year round where you can see the Water Dragon for yourself, as well as other creations from over the years.

Miners Revisited

Miners Revisited 150 150 Simon O'Rourke

In a week’s time (8th-10th June) Simon and his wife Liz will be in Germany for The Huskycup.
The Huskycup is an annual event in Blockhausen with demonstrations, exhibits, and a speed-carving competition. At one time it was a competition, but is now a more relaxed event. Artists pair up over the week to create something that ties in with the theme, without the pressure of competition. Simon has often participated, and  took first place in 2016 with his Viking Raid.

Viking Raid, Huskycup 2016

Viking Raid, Huskycup 2016

Simon will partner with Japanese artist Kejie Kedokoro for this year’s event. They will join five other teams to produce the best sculpture they can over the two days. This year’s theme is especially fitting for 2019 for us – Dragons!

The teams can produce anything their imagination allows! Realistic, comic, imagined or recognisable from a movie or TV show – the choice is theirs! We’ve seen Simon create amazing dragons in all those styles, so we can’t wait to see what he makes this time!

Until then, we want to flashback to last year and The Bergmen (Miners)….

Simon O'Rourke's Bergmen in progress at Huskycup 2018s

Simon O’Rourke’s Bergmen in progress at Huskycup 2018

 

Simon’s challenge was to recreate a likeness of 15th Century German miners. He loves sculpting human form, so this was a project he could really sink his teeth into. This carve allowed him to show his skill in creating not only lifelike human form, but also historically accurate, realistic uniform whether through details like  buttons on the uniform or the sense of movement of the cloth.

Simon O'Rourke miner carving

Working on details of the miners at Huskycup 2018

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Simon’s inspiration for his human form sculpting comes from Rodin and Bernini. Both are artists known for their use of texture, and for pioneering a style where they created motion and ‘story’ in their sculptures, rather than presenting classical poses. Simon was faithful to that ideal when he carved these miners. It’s pretty clear in this photo of the final sculptures that these 15th century Bergmen are delighted with their likeness!

The finished Miners, Huskycup 2018

The finished Miners, Huskycup 2018

As well as the opportunity to carve, one of the fantastic parts of events like this is the community. The website shows it is going to be an amazing event. There will be great food and drink and entertainment. The speed carve features Germany against a combined Czech Republic and Slovakian team – who are keen to win after their defeat to Germany last time. There will be various demonstrations and craft stands as well as machinery exhibits and even glass work. We just hope the weather co-operates!

We’ll be sharing Simon’s work and news from the event on our Facebook and Instagram.  We wish all the artists good luck, and look forward to sharing with you the finished dragon!

Huskycup 2018

Simon is available for competitions, events and commissioned work. Email [email protected] or use the form on our contact page for information, quotes and availability.

 

 

 

 

Recreating an Icon

Recreating an Icon 150 150 Simon O'Rourke
  • She was originally created in 1909
  • She’s based on the then company secretary, Eleanor Thornton
  • The owner of the company didn’t agree with her presence, even though today she is synonymous with the brand
  • She has been made from silver and gold plated nickel or steel, stainless steel, crystal, with adaptations such as black matte paint, diamond studding or even ‘faberge’ styling
  • She has had many names, and is sometimes still known today as Emily, Silver Lady, or Flying Lady
  • We’re featuring her in this blog because it ties in with the London Motor Show which is being held this week

Can you guess what today’s blog is about yet?

What about from these photos of the work in progress?

Work in Progress: Spirit of Ecstasy by Simon O'Rourke

Today’s featured work in progress

Some of that was probably a bit obscure, so we won’t leave in any more suspense!

Today we’re featuring Simon’s representation of ‘The Spirit of Ecstasy’; the figurine found on the bonnet of Rolls Royce Vehicles. If you were to wander around the Motor Show this weekend, we’re pretty sure you’d see a few different examples of her – but none quite as tall as this one!  We also have a feeling she’s the only one carved out of oak!

Spirit of Ecstasy by Simon O'Rourke

Spirit of Ecstasy by Simon O’Rourke

This particular sculpting of the iconic figure was a private commission for the garden of a Rolls Royce enthusiast. She was quite the undertaking as she is ‘larger than life’, and took several days to complete. With her grace and elegance though we think that she’s the perfect addition to this car-lover’s garden, especially months on, when the plants have matured around her plinth.

Spirit of Ecstasy by Simon O'Rourke with matured plants

Spirit of Ecstasy with matured plants

The figure of ‘The Flying Lady’ lends itself nicely to becoming a classical-looking garden statue. It got us wondering though, for all the other car lovers out there, what other emblems or figurines would you like to see Simon carve?

Perhaps the Ferrari horse for their head office in Maranello?

Maybe a jaguar for a fountain of the grounds of ….well, Jaguar?

Or, for something really obscure, a Marlin for a classic car collector?

Comment or tweet to let us know your ideas!

Spirit of Ecstasy by Simon O'Rourke

Spirit of Ecstasy by Simon O’Rourke

If you would like a carving for your offices, community area, home or garden to reflect your passion or hobby, contact @[email protected] to commission something truly unique to you.

It’s a Jungle Out There!

It’s a Jungle Out There! 150 150 Simon O'Rourke

Every year the village of Garderen (Netherlands) is proud to be home to Zandsculpturenfestijn. It describes itself as  ‘Europe’s most beautiful sand sculpture park’  and has won several regional tourist awards. As well as sand sculpture, the outdoor part of the exhibit also features wooden carvings, and Simon was invited to contribute again this year.

Simon working on his exhibit – easily identifiable by his Stihl clothing!

The theme for the year (‘Journey Round the World’) gave a LOT of scope for the artists to create natural wonders, architecture, people and animals. The artists who were there at the same time as Simon though all focused on nature, and created animal carvings. Animals make up the majority of Simon’s work at the moment, but as this wasn’t a commission where he had to replicate one specific animal, he decided to stretch himself and try something a little different, inspired by one of the indoor sand pieces.

The exhibit that inspired him was a huge jungle scene with lots of different animals. Simon set himself the challenge of creating something similar which would feature lots of different animals. The result? A hollowed-out seat (or throne) featuring not one or two animals, but 34!

The finished Jungle Seat

The finished Jungle Seat

Simon had a few ideas, but the decision about the final piece was settled by the piece of wood itself! Nick Lumb of Acorn Furniture (where Simon began his carving work) recently said that one of the enjoyable things with working with wood is that you never reach the end of learning about it. Other materials behave a specific way under a specific set of conditions. However, wood is different every time – you never know fully what you will get  until you begin to cut. In this instance, Simon discovered some defects in the centre, so decided to hollow out the timber, and so the ‘seat’ concept was born!

Two different angles showing the animals in the jungle seat

Two different angles showing the animals in the jungle seat

Jungle Seat by Simon O'Rourke at Zandsculpturenfestijn

Two more angles showing the animals in the jungle seat

Creating 3d, realistic animals like this is no easy task. Simon had to find a way to create depth when the piece of wood didn’t allow for large, dramatic shapes. The effectiveness of the piece is all down to deep relief cuts to create the shapes of the animals and foliage, with much more shallow cuts and markings to create the outstanding details, such as the smile in the eyes of the sloth, or the slightly grumpy crocodile as well as the varying textures of fur, feather and scales.

Close up of the sloth and crocodile in the Jungle Seat by Simon O'Rourke

Close up of the sloth and crocodile

Much as we love them, photos of all 34 animals would be a bit much for one blog post. Why don’t you take a look at them here and let us know your favourite? You can also watch this video (posted below for those who can see it) to see Simon’s own explanation of the seat too!

 

 

 

 

Face to Face

Face to Face 150 150 Simon O'Rourke

Earlier in May, Simon had the privilege of being one of the artists to take part in The Sculpture Garden 2019; the launch event of The Cookham Art Festival in Berkshire.

THE FESTIVAL
The festival itself is over 40 years old, has around 15,000 attendees, and celebrates art in several forms. This year includes the sculpture garden exhibits and demonstrations, music, galleries, food, poetry, spoken word, and theatre to name a few. What an amazing, rounded celebration of creativity, talent and skill!

THE EVENT
The Sculpture Garden was a brilliant launch to the festival. It was held at The Odney Club, a private house and gardens owned by the John Lewis Partnership, not normally open to the public. Coming to see the exhibits not only allowed people to enjoy some beautiful creations (and demonstrations of works in progress), but also the beauty of creation as they walked round the stunning gardens. In total there were around 150 exhibits for people to enjoy over the two weeks of the show, created by around 30 different artists, all working in different mediums and styles. Such rich variety in this exhibition alone!

The Odney Club, venue for the 2019 Sculpture Garden

The Odney Club, venue for the 2019 Sculpture Garden

SIMON’S EXHIBITS
Simon’s contribution were two finished faces, one which was first created during the APF Show last year (you can flashback and watch the video here). He also exhibited a third smaller version which he completed at the exhibition as a demonstration. Watching him live is undoubtedly the most impressive, but for those who are reading this blog from a distance and won’t be able to catch him at any of the shows this year, here’s the video! For those who are fascinated by the chainsaws and tools, it’s a Milwaukee Cordless Angle Grinder!

 

Face I on display at The Sculpture Garden 2019

Face I on display at The Sculpture Garden 2019

 

ABOUT THE ART

These are a very different style from many of the portraits Simon does, so we asked him to share a little bit more about his inspiration and the process of carving something this striking:

“I have always had a passion for the human form, and to recreate the human race in a realistic manner can be difficult. I wanted to zone in on sections of the face, giving the impression you’re seeing a snapshot up close. With the one with the detailed eye I wanted to recreate the feel of a real eye sculpturally, and capture the reflection and depth without the use of colour. When we see a face our brains determine what we are seeing with the help of colour and light. When you remove the colour element it really helps you to break down what makes us see and perceive depth. I make cuts deeper than they would be in reality in order to cast a darker shadow to give the illusion of depth.”

 

Face II on display at The Sculpture Garden 2019

Face II on display at The Sculpture Garden 2019

Face I, Face II and Face III are on show as part of the sculpture garden and can be purchased by contacting curator Lucy Irvine on [email protected]. If you who would like to commission a bespoke ‘Face’, email [email protected]

For those who enjoy watching the videos of Simon working, we are now in festival and competition season, so he will be competing and demonstrating in various locations over the next few months. If you would like to see him in action, watch this space or our Facebook page for details!

 

 

 

 

 

 

 

Earth Day 2019

Earth Day 2019 700 400 Simon O'Rourke

In honour of this year’s Earth Day, we thought that we would spend some time in this blog talking about one of Earth’s most vital resources, and the basis for all of Simon’s work: trees!

As the biggest plants on the planet, they give us oxygen, store carbon, stabilise the soil and give life to the world’s wildlife. They are also the material that forms the basis for everything that Simon produces , whether life size human form commission, furniture, or accessories (have you ever seen his bowties?!)

Carving a dragon into a fallen tree

Carving a dragon into a fallen tree

Working with trees as a ‘medium’ wasn’t something Simon had planned as a career when he left school and began his degree in illustration. After graduation however, he took a job with Acorn Arbor Care as a tree surgeon while he built up his illustration portfolio, and began working for the first time with chainsaws – notably Stihl, who, in one of those ‘full circle’ kind of stories, are now his current sponsors!
Realising he could be creative as well as practical with a chain saw, he tried his hand at carving. There was something special for him in discovering that “such a potentially destructive tool can be used to create beauty”, and the rest, as they say, is history!

As well as the appeal of the chain saw, the wood itself is full of appeal. Even though a sculpture may be planned with sketches drawn and an idea of what it should look like when realised, it has to evolve a lot once the carving actually begins. The grain dictates where the natural strength of the timber is and can give so much inspiration for the shape of a sculpture. Every tree is unique and you never know what you’re going to find when you cut into a piece.

 

The timber used for this carving of a shire horse. The natural grain enhances the texture and shape of the horse.

The timber used for this carving of a shire horse. The natural grain enhances the texture and shape of the horse.

On a day like earth day when we are thinking about preserving the world’s resources, it is also natural to be wondering where all this wood is coming from and how good it is for the environment.

One advantage of working with a natural material is that although it weathers well (the colouring changes very quickly once outside, and becomes even more interesting with age), eventually it will degrade as all wood does, and is returned to the earth. In addition, all of Simon’s work is carved from trees that have either fallen naturally, or on trees that have become dangerous or diseased. Most importantly, he always uses wood that has come from a sustainable managed location, such as domestic housing or managed forests and woodlands.One of the most popular examples of this is his carving from earlier in the year of The Dragon of Bethesda, a commission that had its birth in an arboretum owner wishing to do something with a storm-damaged fallen tree.

The Dragon of Bethesda, before and after

The Dragon of Bethesda, before and after

As lovers of the outdoors and environmentally aware citizens, Simon and his wife Liz enjoy the opportunities that they get to educate others too about the resources we have and how to take care of them through their work. Whether it takes the form of educational captions on a nature trail commission, sharing their hearts in interviews, or through Liz’s role as a forest school teacher, their appreciation for the world around them is clear, and not only do they model responsible use of the world’s resources as individuals and businesses, but they also inspire others to do the same.

Liz at a forest school session. They even recycle the re-purposed wood, using off-cuts from scupltures for classroom supplies like these wood chips!

Liz at a forest school session. They even recycle the repurposed wood, using off-cuts from sculptures for classroom supplies like these wood chips!

If you find yourself with a tree that has fallen or been damaged, why not talk to us about giving it new life as a sculpture for your home or garden? Simon is available to talk about possibilities at [email protected]