Private Commissions

Blogs about private sculpture commissions by Simon O’Rourke. These sculptures are not able to be viewed by the public.

Perfect Portrait for You: Part Two

Perfect Portrait for You: Part Two 720 960 Simon O'Rourke

If you regularly read our blog, you’ll know that last week we began writing about the perfect portrait scultpure for you. We feel people sometimes shy away from commissioning a portrait. That can be for lots of different reasons. However, we also know that portraiture is extremely varied. Simon is also able to sculpt in many different styles and scales. This means there is ALWAYS a perfect portrait for you!

Last week we looked at some of Simon’s classic full length sculptures, and a classic bust. There is no doubt that every time Simon creates a new full full size portrait, it has impact. However, they may not be the perfect portrait for YOU. Space, budget, style preferences and more mean the perfect portrait for you might be something a little different….

Chainsaw carving artist Simon O'Rourke standing with his life size sculptures of soccer players kenny dalglish and Bill Shankley

 

The Bobble Head!

If a classic sculpture isn’t quite your thing, and you want something more ‘relaxed’, what about a bobble head?

Typically bobble heads are a figurine with a disproportionately large head mounted on a spring. This allows it to bob up and down – hence the name! They are often made as a caricature of a famous person. You can find out more in this article about the history of the bobble head as a portrait.


The perfect portrait for you, your space and your preferences might be something fun like this bobblehead sculpture of Gary Barlow. In the photo simon o'rourke is pictured with three shots of a full size sculpture of gary barlow with a disproportionately large head!

A bobble head portrait can be created in any size to suit your space. Simon can create a flattering representation, or more of a caricature or the person. They definitely bring some fun to the idea of a portrait! If a bobbing head causes you concern, don’t worry. Simon can still carve in this style with a fixed head that stays firmly in place!

perfect portrait for you might be a bobble head like this life size carving of chainsaw artist steve backus depicted with an oversized head and carrying chainsaw carving equipment

A bobble head of fellow chainsaw artist Steve Backus

The Collage/Group Portrait

Maybe you’re looking for something unique instead of a family photo. Or something to commemorate a team. n which case, the perfect portrait for you may be some kind of collage.

A collage can be created in an endless number of ways, depending on the number of subjects and how you want to pose them. Again, they are something a little different to a classic portrait. The presenters from BBC’s Country File certainly loved the sculptures Simon created for them a few years ago!

 

a perfect portrait for you and your family might be a collage. this photo is of a sculpture of multiple faces in one piece of wood.

Stylised/Modern

Are you more of a modernist when it comes to sculpture? Perhaps something more stylised would suit you. These faces were exhibition pieces Simon created at a couple of different events in 2019. You can read about their story in our Face to Face blog.
Even though they appear simple, in-person, they are incredibly striking!
Although these are not direct likenesses, they are great examples of Simon’s versatility as a portrait artist.

The ‘Cheeky Nod’

The perfect portrait for you may not actually be an actual portrait! Rather, it may be that you incorporate the features or likeness of someone into something else. Kind of a cheeky nod to the person rather than a formal depiction.

One example of that is Simon’s dragon for St George’s hospital garden. Mark Owen (former Take that singer) was the special guest who would be opening the garden. So, when Simon carved the dragon, he chose to use Mark Owen’s features in the dragon. It’s subtle, but there is definitely a fun likeness!

When might this ‘cheeky nod’ be appropriate? Maybe your club or society is commisioning  a sculpture to commemorate an event or occasion. The sculpture itself can’t be of the individual, but using the features of a specific key person on a character or object can be a fun way of acknowledging them and their involvement.

Singer Mark Owen photographed next to chainsaw carver simon o'rourke

A chainsaw carved dragon by simon o'rourke in cartoon style. The dragon's face has been carved to incorporate the features of singer Mark Owen so it bears a resemblance to him

If that’s a bit TOO subtle for you, what about using the faces of specific people on other objects? More of a ‘hybrid’ or combination than just a ‘cheeky nod’ to the person.

One client did just that. She wanted traditional ornaments for her garden, like pixies, fairies and gnomes. However, as a loving grandmother, she also wanted to depict her grandchildren. That led to the unique commission below. Simon carved these cute miniature pixies appropriately sized for her garden. Rather than imagining a character and featurs for each though, the face of each sculpture was one of the client’s granchildren!

Three traditional pixies carved in miniature on a small tree stump.

The Wall Hanging

Finally, maybe space doesn’t allow for you to have a 3D sculpture. Maybe it just isn’t your thing. In which case, these illustrated wall hangings could be the perfect portrait commission for you.

If you have read his biography, you’ll know Simon trained in illustration. He initially had aspirations to be an illustrate children’s books, and stumbled into tree carving! An alternative to a sculpture is a portrait in wood. Like all Simon’s portraits (except a bust!), wall hangings can be for individiual or group portraits. They can be created in a wood to suit your room, and make a great gift or commemorative piece.

prefect portrait for you series featuring a pyrography portrait of marilyn monroe by simon o'rourke

 

The faces of the four beatles created by simon o'rourke through burning and etching a wood panel

We hope you have enjoyed exploring some of Simon’s portrait work. We also hope you feel inspired, and know that there really is a perfect portrait for you, no matter your preference, budget, space, or occasion!

If you would like to explore commissioning a portrait, contact Simon at http://www.treecarving.co.uk/contact/

We’d love to hear from you!

The Perfect Portrait Sculpture for You: Part One

The Perfect Portrait Sculpture for You: Part One 960 960 Simon O'Rourke

There’s an app for that!
We often hear that when we need a digital solution. But did you know, when it comes to portraits, Simon’s ‘got a carve for that!’
It’s true!  Portraiture has changed a lot over the centuries, and there are lots of different ways to capture and represent a person. Whatever your preferences  or the occasion, we’re pretty sure there’s a perfect portrait sculpture for you!

 

Review of the decade 2014 Mungo Park

Portrait of explorer Mungo Park

When Portraits Go Wrong!

The idea of having a portrait done can be daunting though.
Let’s face it, there are enough comedic moments on TV shows and movies based on unveiling a portrait that horrifies the subject!
Most often, that horror seems to be because the portrait looks like a child’s drawing, or Picasso on steroids! Remember Martin’s portrait of Jackie in Friday Night Dinner?!
Before we look at some of the different portraits Simon has created, let’s look at why people sometimes don’t consider a sculpture portrait.

Actress Tamsin Greig in character as Jackie from Friday Night Dinner, standing next to the comedic portrait her onscreen husband painted.

Tapping Into Insecurities

Other times the onscreen comedy (or real life fear) is the possibility of seeing something that picks out or exaggerates features we don’t like. Like the time  James Cordon pranked David Beckham with a sculpture of himself! This fear is usually unfounded though. Portraits have almost always been flattering, and Simon’s goal is ALWAYS to create something beautiful. Not just that, but a portrait that goes beyond physical features and captures character and countenance.

David Beckham and the sculpture James Cordon used as a prank

And speaking of soccer-related sculptures, thankfully Simon’s Queen of the South footballer portraits are a MUCH better likeness than James Cordon’s David Beckham!

Simon’s Billy Houliston side by side with one of the pictures Simon used for reference

Sometimes our discomfort with the idea of a portrait isn’t so much that it DOESN’T look like us, so much as it might look  bit TOO familiar! There were certainly plenty of laughs when Steve McCroskey was ‘caught’ standing by his portrait in the movie Airplane!

Steve McCroskey by his likeness in Airplane

It was HOW BIG?!

The scale of a portrait is often find it is used for comedy too. Although entertaining, moments like that can genuinely put us off commissioning a portrait! Who else watched the Gilmore Girls scene where Loralei sees a stern Richard looming over the family home for the first time? And who else watched it and, putting themselves in that position, secretly hoped nobody ever did that to them?!

Loralei sees Richard’s portrait for the first time

Moving Beyond the Fear

All in all, TV and movies have done a great job of convincing us that portraits are associated with words like ‘pretenious’ or just plain awkward. That truly isn’t the realty though, and many people have been moved by a meaningful portrait. They can be a beautiful way to honour and commemorate somebody. Human form sculptures are one of Simon’s favourite things to carve, and his skill and versatility as an artist mean he can produce a wide range of styles and types. In this series we’ll walk through a few Simon has created over the years and explore some forms you may not have considered. We’re sure that whatever your preferences, setting or occasion, one of them is the perfect portrait sculpture for you……

A portrait created as part of Huskycup

The Classic

One of the most common sculpture portraits Simon makes are full length ‘statues’. They are always met with admiration, appreciation and even awe, no matter the subject or setting. No matter how large scale the sculpture portrait, Simon is still all about the details that make the difference between a good sculpture and a stunning piece of art.
The direction of a glance
Some texture to show the age of a face
A hair that doesn’t quite lie flat
The angle of an arm which tells a whole story

All of these and more combine to make sure that each and every full length portrait is a piece of art worthy of the person it honours.

Wooden sculpture portrait of a pilgrim sitting on a bench by simon o'rourke

 

Timbersports Full length Portraits

Simon has a real desire to understand his subject, what they did and who they were, and to bring that out in his sculptures. Look at these portraits of the Stihl Timbersports athletes! Simon created them in 2018 when his home town of Liverpool hosted the tournament. Each sculpture is a to-scale portrait of one of the athletes who took part from around the world.

Perfect sculpture portrait for you series, stihl timbersport athlete sculptures in front of the liver building

So, where and when might you commission a full length portrait sculpture?

They are most popular in public places, where they commemorate a person, event or tie in with a theme. They make a wonderful addition to village greens, halls, stadiums, theatres, and even pubs and restaurants like Mungo Park pictured at the start of the blog. Sometimes they are historic figures, relevant to a place, such as Friedrich Froebel pictured below. Other times they are deeply personal, such as the sculpture he made as a memorial to a young girl who died of leukaemia.

Classic Bust

Not everyone is looking for something so ….. large!
Full length, full size portraits are great in entrances to public buildings, open spaces and large gardens, but not always viable for the average home! If a full length, to-scale portrait is not the perfect sculpture portrait for you, a good alternative might just be a bust….

Perfect sculpture portrait for you example of elvis presley bust by simon o'rourke

These also work brilliantly indoors or out, which opens up your choices of wood too. You can read about why that’s a factor in our blog about Is my tree suitable for carving?
In brief though, indoor sculptures can be made from less durable woods, as they aren’t exposed to the elements.

As a bust can be less visible to the public, it can also be more personal. Private. Reflect aspects of our story or passions we may not want everyone to see. Maybe some ‘fan art’ of a favourite TV show or character, or a famous person we admire. We might want something as a tribute but – not want it on a scale where it has to be in front of our house for everyone to see! A bust in that case makes a wonderful gift or treat to yourself, such as the Ayrton Senna and Sherlock Holmes Simon made.

Perfect portrait sculpture for you series sherlock holmes tree carving bust by simon o'rourke

Ayrton senna chainsaw carving scultped bust by Simon O'Rourke

And Yet More Options!

These are just two options when it comes to finding the perfect sculpture portrait for you. Next week we will explore four other possibilities that you may like to consider for commemorating or honouring someone in your own life.

 

If you would like to talk to Simon about possibilities for a portrait or other commission, visit our contact page to send an inquiry.

Close up of St Georg in the St George and the dragon sculpture by Simon O'Rourke. This is one of his many sculptures of myths and legends.

St George and the Dragon Sculpture

St George and the Dragon Sculpture 720 960 Simon O'Rourke

It’s a day late, but Happy St George’s Day to my English friends!
It’s actually quite the week for important days. The Queen’s birthday, St George’s Day, and the anniversary of both Shakespeare’s birth and death. Definitely lots of choice there for a blog that fits the calendar! We decided to balance out all the dragons on this blog a little though, and share about this St George and the Dragon sculpture. I actually carved the piece earlier this year, so you might have seen the pictures on social media already. Every sculpture has its own story though,  so keep reading to find out about this one…..

St George and the Dragon tree carving sculpture by Simon O'Rourke

The Subject

This St George and the dragon sculpture was a commission from a client in the south of England. She had an oak stump in the garden, and began exploring ideas with Simon as to what it could become.
Commissioning a sculpture is never just one email requesting a particular subject. There is the actual timber itself to consider (is the size, shape etc suitable), client preferences, artist vision and skill, and the overall impact in its environment. Investing in a piece of art isn’t a small decision, especially when it’s a tree stump and physically not so easy to move as selling a small picture!

In this case, of the ideas discussed, St George was most meaningful to the client. St George’s Day is special to her as it is also her birthday! The sculpture will now be part of her annual celebration as, in her own words, she can “raise a glass every year standing by [her] stunning tree carving!”

Original client concept sketch of St George and the Dragon by Simon O'Rourke

Original sketch for the commission overlaying the stump

Finalising the Design
Once a subject is chosen, there is still more discussion between Simon and a client. Simon will share some of his ideas, as well as talking about how to make that happen. He will take into account not only the kind of piece the client wants, but also the timber. Sometimes there may be cracks that need to be taken into account. Other times there may be a beautiful grain pattern. Sometimes knots or the shape of the branches will lend themselves to a particular feature.
Close up of St Georg in the St George and the dragon sculpture by Simon O'Rourke
Refining an Idea
In this case, some of the main conversation points were focused on:
Scale
Given the diameter of the trunk, St George couldn’t be life size. Simon suggested that instead, he could be stood on a precarious pile of rocks, which would give a nice context. Ultimately, St George would need to be no higher than 18″. This ‘miniature’ turned out to be a fun contrast for Simon, as it immediately followed the Marbury Lady!
Story
Those of you familiar with Simon’s work, know he takes his inspiration from artists like Rodin and Bernini. They changed the concept of portrait work from being static, to telling a story. In the same way, Simon’s work always invites the viewer into a narrative. In this case there was a natural story to tell…..the legend of St George and the Dragon.
St George and the Dragon sculpture by Simon O'Rourke
Choosing the Narrative
SPOILER ALERT!
For those who are unfamiliar with the story of St George and the Dragon, basically an English knight tames and slays a dragon. Simon suggested that this sculpture incorporate that story. His suggestions included portraying George in the act of stabbing the dragon with a spear.
Alternatively, he suggested the dragon could be underneath him, or it could be rearing up above him, even adding wings on to give a striking silhouette.
This is where dialogue is important, as although these ideas could look fantastic, they weren’t fully what the client was after. She had concerns stabbing the dragon could look a little macabre (and who wants to celebrate a birthday that way!!), and wanted the emphasis on St George.
With this in mind, Simon decided to include the dragon as part of the story, but to merge it into the trunk. As well as hinting at the legend, this would also have the effect of emphasising the figure of St George. And so, the St George and the Dragon sculpture was decided!
Dragon from Simon O'Rourke's St George and the Dragon sculpture
Creating the St George and the Dragon Sculpture

As you look at the concept sketch next to the finished design, you will notice it wasn’t identical. This is part of the process of working with wood. When Simon saw the stump in person, the design changed due to the centre of the tree being offset. This meant that as it ages, it won’t split as much, as if he had used the original design.

Concept sketch with finished st george and the dragon sculpture

Creating this in the client’s garden involved copious use of the Stihl battery saws. As he was carving, Simon hit a few nails, hence the dark blue staining on the inside of the tree. Luckily he had spare chain with him for the saw he was using for detail. Hitting metal with that delicate chain is usually terminal for the cutters!!

 

St george and the dragon in process

The sculpture as Simon finished with the chainsaws, and was ready to begin with the smaller tools.

Saburrtooth burrs also played a bit part in the detailing. The detail on the face was made using the 3/8″ eye cutter and 1/4″ taper – a couple of staple tools that Simon relies on.

 

Visible detail on St George and the Dragon Sculpture by Simon O Rourke

Visible detail on the rocks and dragon

And that brings to an end our story of the St George and the Dragon sculpture!
We hope you enjoyed hearing a little more about the process behind finalising a design.
If you would like Simon to create something truly unique for your own home, garden or business, contact him on [email protected]
Although at the moment he is unable to carve at the moment, he is still able to sketch ideas and work on initial concepts and quotes, as well as working on his upcoming online art courses.

Next week, as we can’t go outdoors and travel as much, we will be bringing some of the UKs forest trails to you instead!

We leave you with the time lapse of the creation of this stunning St George and the Dragon sculpture.
Stay safe, and stay well.

 

 

 

Thinking about superheroes: spierman by simon o'rourke

Thinking About Superheroes

Thinking About Superheroes 960 960 Simon O'Rourke

This week we’ve been looking through old photos and videos, and remembering some fun commissions.  There are several comic book characters among Simon’s past pieces, which got us thinking about Superheroes. Come and join us on this walk down memory lane, thinking about superheroes Simon has made before…..

Wooden Batman carving by Simon O'Rourke

Some superheroes like Batman have great physical strength, intellect, wealth, and some awesome technology! This batman sculpture also helped sell a house!

Thinking about superheroes: spierman by simon o'rourke

Other superheroes have incredible agility. And let’s not forget their unfortunate back story (radioactive spider bite anyone?) and profound quotes!

thinking about superheroes: superman wooden illustration by simon o'rourke

When thinking about superheroes, we can also be impressed by their lightning speed. Or their ability to fly. Or,  and the way they somehow still ‘get the girl’ whilst wearing their underwear on the outside!

groot tree carving sculpture by simon o'rourke

Other superheroes warm our hearts with their likeability and loyalty. And sometimes wow us by growing body parts whenever they’re needed!

comic book illustration in wood by simon o'rourke

When we’re thinking about superheroes, they usually defy expectations, and can perform superhuman feats. All whilst looking great in lycra! This one even controls the elements – something I bet we all wish we could do from time to time!

Thinking about superheroes illustrated wooden panel y simon o'rourke

Beyond the Comic Books

It’s fun thinking about those superheroes. It’s also fun to sculpt those superheroes, and we hope you enjoyed this flashback to some of Simon’s work from the past decade. But in thinking about superheroes of comic books and movies, we also can’t help but think about the superheroes all around us at the moment.

We see superhero parents, trying to balance working from home whilst educating their children.

Superhero shop workers and public transport drivers, often working without PPE to ensure we still have what we need.

There are superheroes volunteering with foodbanks, donating money and helping neighbours.

Lockdown can bring out the worst in people, but it can also bring out the best. And we honour all of you every day superheroes today.

BUT as we’re thinking about superheroes, we especially want to take this opportunity to public thank and honour our NHS heroes. We see the numbers, we see the online photos of the damage done wearing PPE all day. We see you carrying on and making sacrifices for the wellbeing of others. And we’re thankful.

Some superheroes wear lycra and a cape. Others wear stethoscopes and facemasks.

So to all our NHS and Healthcare Superheroes out there, we thank you.

Stay safe.

A Bespoke Tawny Owl Sculpture

A Bespoke Tawny Owl Sculpture 150 150 Simon O'Rourke

One of the things that Simon was known for early on in his career was carving owls! Although he prefers human form, his attention to form, story, structure and detail mean he has created some incredible owls over the years. Some of them have become famous in their own right too, such a Ruby the owl. She’s part of Meadow Park sculpture trail on the Wirral and was actually stolen and – amazingly – returned! This week we look at Simon’s most recent example: a bespoke tawny owl sculpture that will be installed in Pocklington, Yorkshire.

A bespoke tawny owl by Simon O'Rourke for the town of Pocklington, Yorks

The Commission

This bespoke tawny owl is for public display in the town of Pocklington. When it was originally commissioned, the clients came to Simon with an existing Horse Chestnut stump. Their hope was that the owl could be carved from that. However, Simon advised them that it would be unsuitable as Horse Chestnut rots quickly. Instead, they decided to have the owl carved from oak, and to mount it upon the original stump.

To create the owl, Simon paid careful attention to the shape, size and proportions of the owl. He also imitated perfectly the way the feathers fall, and how the lengths and appearance vary on the different body parts. We can see clearly the fluffier chest and legs compared with the sleek, defined tails and wings.

bespoke tawny owl and original by Simon O'Rourke
As the Sculpture Ages….

Wood changes over the years. That means a commission such as this bespoke tawny owl will weather and gradually change in appearance. When Simon creates a sculpture, he takes into account how it will crack in future. This is important, so he can carve in a way that although the appearance will change, the structure will still be sound.
The face below is a perfect example of this. It has small cracks appearing but retains its structure and shape – and will for decades to come!

Face by Simon O'Rourke

Changing and Protecting Colour

Another aspect of this changing appearance that Simon considers, is the colour. All wood will change colour as it ages and is bleached by the sun. Once that happens, the only way to get the colour back is to sand it or re-finish the surface. Long-lasting woods such as oak and sweet chestnut weather nicely and last well without any finish. This means this bespoke tawny owl sculpture didn’t need any additional treatment.

For some sculptures, the bleaching and aging adds to the beauty and aesthetic of the sculpture. Maybe it is part of a forest trail and it needs to blend in with the environment. In other cases, the nature or setting of the sculpture lends itself to the aging process. The Angel at the Pool of Bethesda (included in our review of the decade) is a perfect example of this. It is based on an old painting, and sits in a Biddulph Old Hall, a historic property. The sculpture was left untreated so it would bleach naturally in the sun, and age to fit in with its environment. We love the way it looks two years on….

Angel at the pool of bethesda by simon o'rourke at biddulph old hall

Angel at the pool of bethesda by simon o'rourke at biddulph old hall

Recommended Treatment

The bespoke tawny owl sculpture is made of oak, so didn’t need treatment. However, if you do want to retain colour of the original sculpture, decking oil applied every 4 months will do this. It acts mostly as a weather proofer, allowing the sculpture to keep its original colour. It also offers UV protection, and has an additional bonus of containing mould inhibitors too. Unlike most other weatherproofing options, the oil is a good choice as it allows the wood to breathe. Over the years Simon has number of different brands . While he doesn’t necessarily have a favourite, he always buys from  www.restexpress.co.uk and recommends them as a supplier.

In addition, if the wood needs an initial treatment of wood preserver, he applies that before the oil. The preserver soaks in like water and prevents surface growth of mould and fungi.

barn owl by simon o'rourke

A Sculpture for Life!

Whenever Simon creates a sculpture, he considers the future appearance and carves and treats so it will last. However, if you do have damage or something that needs re-working, Simon is available for repair, upkeep and restoration. Contact him on [email protected] whether to talk about upkeep of a current sculpture, or a new commission.

Simon O'Rourke creating an oak maiden using Stihl battery chainsaw

Creating an Oak Maiden

Creating an Oak Maiden 720 960 Simon O'Rourke

There are two approaches to tree carving that Simon practices. The first is to design the piece, and then find timber suitable for the project. The three footballers that you may remember from last year are an example of this. In fact,  as you may remember from the Queen of the South Legends blog, completion was actually delayed because of sourcing timber after the original piece had a split.
The other approach is carving a standing stump. This means letting the tree dictate the design rather than the design dictate the timber. Sometimes the shape inspires the subject. Other times, it means making changes to the design along the way to accommodate the shape, size, twists turns and any surprises once the bark is stripped and Simon begins cutting. This was certainly the case with Simon’s latest project: creating an Oak Maiden.

Simon O'Rourke creating an oak maiden using Stihl battery chainsaw

 

Creating an Oak Maiden: The initial concept

This Oak Maiden looks incredible! However, she wasn’t actually what Simon had planned! The client who commissioned the hydra rising out of the ground, had asked Simon to look at another tree. There was an oak that had died and she wondered if it would make a good sculpture. When Simon first saw it, he could see female form. He also noticed the many branches at the top. Rather than cut these off, he imagined them to be a key part of the sculpture. And so, his initial concept was Medusa. The trunk could be transformed into a striking female form, and Simon imagined those undulating branches would make perfect ‘snake hair’. As a Greek mythological character, she would be a beautiful compliment too, to The Hydra. The client agreed, and Simon arrived at the start of last week expecting to create another Greek myth…..

Simon o'Rourke in the process of creating an oak maiden

Day one of creating an oak maiden. It’s easy to see why those branches suggested Medusa!

Creating an Oak Maiden: Change of plan!

Just as happened with The Hydra though (originally it was going to be a flock of birds or pterodactyls rising from the ground), once he began work, Simon realised that his original design wasn’t going to work. The branches at the top simply weren’t right, and he knew it would be better not to try and make them into snakes.

This flexibility and ability to respond to the timber is part of what makes Simon a great artist. Adapting his design to the work with the shape and features of the timber means creates sculptures which aren’t contrived. In fact, one comment on his Marbury Lady sculpture was that it seemed like she was always there in the timber, and Simon simply uncovered her.

An Oak Maiden by Simon O'Rourke

Creating an Oak Maiden: Adapting the Design

Adapting the design to work with the branches was an aesthetic decision. However, sometimes Simon also has to make changes because of practical reasons. This isn’t just about what he can see either. He also has to take into account what will happen to the timber as it ages. What may seem a small crack at the time for example, could cause massive damage to a sculpture later if he isn’t wise.

Another change in creating this oak maiden was because of one of these practical considerations. When we look at the oak maiden, her ‘crown’ appears bulkier to the left. In his ‘ideal’, Simon would have reduced some of that wood to create a more elegant or slimline look. However, there is a large amount of weight in the branches above it. This meant Simon faced the choice of losing some of that weight (and some of the rustic, organic, woodland feel to the character), or adapting his initial vision.

Simon O'Rourke Oak Maiden with moon

Close up showing the bulk of wood on the left

Creating an Oak Maiden: More Changes!

Simon chose to leave the wood on the left side of the face, to support the weight above it, and again demonstrated his skill at using challenges to create something even better! The extra wood became this fantastically textured crown instead, rather than being unnecessary bulk, it is now part of the story that Simon tells through sculpture. The weight and size is suggestive of a crown that now seems to enhance the status of this Oak Maiden. It reflects the strength and majesty of an oak tree, and conjures up an image of this Oak Maiden being a princess or queen among the woodland characters.

simon o'rourke in the process of creating an oak maiden with the stihl MS400

This photo gives a sense of the scale of the sculpture

Creating an Oak Maiden: Sculpting Human Form

One of the things that makes Simon’s human form sculptures so exceptional, is his attention to story and structure and how they create movement. We saw this with the Marbury Lady and Prestatyn Hiker that you may have spotted on Facebook or Instagram. The clothes in both showed the lines and wrinkles associated with being worn by a living, moving being rather than being hung static in a wardrobe. In this case particularly paid attention to the shape of the form underneath the cloth. For example, the skeleton, muscles, shape, size and position of the subject. Similarly to the Marbury lady, he also left raised wrinkles to imply a very thin material which skims the body.

Body of the Oak Maiden by Simon O'Rourke

Creating an Oak Maiden: The Tools!

It sometimes seems amazing to think that suck a beautiful thing can be created by something as destructive as a chainsaw! In the case of the Oak Maiden, Simon relied a lot on the Stihl MS400. Stihl’s MS400 is the first chainsaw  to make the change to a magnesium piston. This, and it’s “impressive power-to-weight ratio of 1.45 kilograms per kilowatt”, has made it much more ‘punchy’. Combined with the 20 inch Tsumara carving bar, Simon found  it worked really nicely for controlled shaping.
The Saburrtooth bits have fast become an essential on the job too. These are largely what Simon used for refining the face and hands, creating small areas like the eyes, and adding texture. Some of his favourites are the conical burr, and the large coarse flame bit. The small eye bit also helped create sharper lines and bring more expression to the eyes.

Face of an oak maiden by simon o'rourke

This nymph (or as we’ve been calling her, ‘Oak Maiden’) has definitely been a hit on social media. Most importantly though, the client loves her! The Oak Maiden may not have been the original plan, but Simon has created something even better and truly lovely, restoring life to this dead oak.

If you have a dead tree on your property, why not chat with Simon to see if he can imagine something in it? He loves to bring life back to dead or damaged trees, and can create you something completely unique. Contact him on [email protected] to talk about ideas and quotes.

 

The Great Resc-yew (rescue): Two Towers and a Dragon

The Great Resc-yew (rescue): Two Towers and a Dragon 150 150 Simon O'Rourke

Two Towers and a dragon.
Sorry, nothing to do with the movie! Although if you enjoy Tolkien, you could read our blog about Simon’s Lord of the Rings sculpture.
Rather these two towers and a dragon were straight from Simon’s imagination. As well as telling a story, they are actually also a happy ending in themselves! Read on to find out more about ‘the great resc-yew’…

Two towers and a dragon by Simon O'Rourke

The Resc-Yew Plan

These stunning sculptures began their life as yew trees (now the ‘rescue – rescyew puns make sense!) which had become problematic. Yew is a fascinating and beautiful wood which grows in all kinds of shapes and patterns. They are some of the oldest trees in the country, are great for making all kinds of things. This ranges from carving household objects and art to furniture. Most famously though, they have the reputation of making the best long bows! However, that wild beauty can sometimes cause problems for the landowners.
In this case, they were growing too close to the house.

Initially, the owners had the tops removed, but it turned out that wasn’t going to be a good long-term solution. Rather than remove them completely, they decided to turn them into a different kind of beautiful – a Simon O’Rourke sculpture! All projects have their points of fun and excitement, but one of the things Simon enjoys about this kind of commission is the sense of giving life and purpose back to something that had either died, was damaged, or could no longer remain as it was. Even better when it’s something as fun and unique as this fairytale sculpture!

Incidentally, if you have trees which are becoming problematic, read our blog about Treetech, a tree surgeon we work with and recommend to give you an evaluation!

The dragon from Two Towers and a Dragon by Simon O'Rourke

Creating the Sculptures

After chatting with the owners about what they would like, Simon went to work, employing not only his skill, but his creativity and imagination to create this scene from a story Tolkien or C S Lewis would be proud of!

Simon kept some of the bark to allow the trees to blend in more with the rest of the garden. This also adds age and authenticity to the towers, as if they are something from an long-ago, far away adventure. He created the initial shapes using Stihl chainsaws, then used his Manpa angle grinders and chainsaw bars, and Saburrtooth bits to create the details and added texture. The beautiful natural patterns within the yew combined with Simon’s deeper cuts that mark the stone and tiles, to create the feel of ancient stone towers that have been weathered over the years.

The Two Towers from Two towers and a dragon by simon o'rourke

Choose Your Own Adventure

One of the fun things about a sculpture like this, is it not only looks great, but sparks the imagination. This is something that is important to Simon in every sculpture he creates, and even shares in his biography that he wants “people to feel like they’ve experienced part of a story”

In this story, with the two towers and a dragon, the castle is under threat from the dragon. As we look at him, we see he is quietly watching, formulating his plan, and resting his wings, which although relaxed at this moment, are clearly powerful and large.

But what happens next?

Simon has set the scene and created a stunning piece of art, but the rest is up to you.
Can the towers withstand the attack?
Who or what is within them to attract the dragon?
Who will be victorious and how?

We think it would be wonderful to spend a summer’s evening in this garden – perhaps after a BBQ with a glass of your favourite drink in hand – inviting family and friends to tell the rest of the story. What do you think happens next? How would you end this great resc-yew story? Why not comment below and let us know!

As always, if you feel inspired by this week’s featured carving, you can talk to Simon about commissioning something unique for your home and garden. Contact us on [email protected].

Into the 20’s – A Review of the Decade

Into the 20’s – A Review of the Decade 150 150 Simon O'Rourke

As we start a new decade, we’ve been reflecting on the many changes that have happened personally and professionally over the last ten years. Professionally, it’s been a great decade with some fantastic opportunities and commissions. We’ve also met some amazing people and seen some wonderful places along the way. Before we move forward into the 20’s, we thought we would bring you our ‘review of the decade’. And, as we do, let us wish you a Happy New Year from all at Tree Carving.

Simon O'Rourke Game of Thrones Egg Carrier carving

Simon and Liz O’Rourke wish you a happy new year (and decade) on behalf of the Tree Carving team.

Review of the Decade: 2010

As we looked back, we could definitely see we didn’t use social media as much! And the technology we used definitely didn’t produce the kind of photos and videos we do today! But here is a look back at two competition pieces from that year, both taking second place. Neptune from the English Open Chainsaw competition, and a traditional miner from the Huskycup.
A quick glimpse at Simon’s awards shows that this was a good decade for competition, placing in most things he entered and winning seven awards. However, when it comes to competitions Simon says:
“Competitive sculpture has taught me a lot about completing work to a deadline. I have competed all over the world and although I have placed highly in many events, the most important thing to me is being happy with my own work.”

Neptune by Simon O'Rourke as featured in his review of the decade

Simon O'Rourke second place huskycup 2010

Review of the Decade: 2011

Two of the projects we chose as highlights from 2011 are The Giant Hand of Vrynwy, and the Somerset Tree.

At 50′ tall, it was no wonder the hand caught the attention of the local press, as you can see in the article by The Leader newspaper. Simon’s inspiration for the hand came from the name for the woodland area, which made reference to giants. Creating something on this scale reminded Simon how small we are compared to some of the living organisms on this planet. He described the experience as being very humbling!

Giant hand by Simon O'Rourke

The next project although tall still, was a little smaller in scale! Simon was commissioned by the Museum of Somerset to create this stunning tree for their new museum. Sourced from local wood, it stands proudly in the museum where it tells some of the area’s 400 million year history.

Tree of Somerset by Simon O'Rourke

Review of the decade: Tree of Somerset by Simon O'Rourke

Review of the Decade: 2012

Another Huskycup entry! This time, the sculpture of “Christian and Mary”. Simon worked on this piece as part of ‘Team Europe’ with Tommy Craggs and Michael Tamoszus. They placed fourth overall, with some tough competition from a great bunch of talented artists. As we had a quick glimpse back at the Facebook album of the event it was lovely to be reminded of the support, encouragement and lovely comments.

Christian & Martha Huskycup 2012 by O'Rourke, Cloggs and Tamoszus

Review of the decade: Christian & Martha Huskycup 2012 by O'Rourke, Cloggs and Tamoszus

fourth place Huskycup 2012 by O'Rourke, Cloggs and Tamoszus

Review of the Decade: 2013

For our 2013 highlight, we chose something a little different. During that year Simon created this incredible Alice in Wonderland booth for Steak of the Art in Bristol. Their vision is for the restaurant to be an ever-changing art gallery that compliments their delicious menu. As you can see from the photos in the case study Simon wrote, his booth more than fits their vision. Every single character is its own work of art, and with so much to see, although the piece doesn’t change, there is something new to notice each time you sit within it. Here we get a reflection of the changing technology too, with this timelapse video of its making!

Alice in Wonderland booth at Steak of the Art by Simon O'Rourke (a review of the decade)

Alice in Wonderland booth by Simon O'Rourke, Steak of the Art

Alice in Wonderland booth by Simon O'Rourke, Steak of the Art

Review of the Decade: 2014

2014 saw us receive a lot of publicity for two ‘guardians’.

The first was created for the ‘Pawtraits‘ series by Maria Slough, and was actually named ‘The Guardian‘. The series featured people photographed alongside animals that had impacted their lives, and Simon was brought in to create a piece to be used for the portrait of Virginia McKenna. Understandably, the actress wasn’t too keen on reclining on a real lion – hence Simon stepping in with The Guardian! As McKenna was so impressed with his work, Simon was later commissioned to sculpt a lion cub for the Born Free Foundation charity auction, a charity McKenna established. As well as the photos below, you can click HERE to see a timelapse of The Guardian being made.

 

The Guardian by Simon O'Rourke

Maria Slough Pawtrait Virginia McKenna featuring lion by Simon O'Rourke

Photograph copyright of Maria Slough from the Pawtraits Series

The other ‘guardian’ created by Simon that year is just as iconic. Phil and Leah from Wahoo Group wanted to harness the power of social media and do something novel to help sell their home. Thinking completely outside of the box (no baked cookies here!) they commissioned a sculpture of…..Batman!

The caped crusader sat on top of their home where it gained attention from both local and global news outlets, and helped the couple find tenants for their property.

Wooden Batman carving by Simon O'Rourke

Wooden Batman carving by Simon O'Rourke

Batman by Simon O'Rourke and St Giles Church Wrexham

As one of Simon’s strengths is Human Form, we also couldn’t resist throwing in this sculpture of Scottish explorer, Mungo Park. He was commissioned for a pub in the explorer’s hometown of Peebles, and sits on this bench for passers by to enjoy.

Review of the decade 2014 Mungo Park

 

 

Review of the decade 2014 Mungo Park

Review of the Decade: 2015

2015 was the year when Simon won the English Open Chainsaw Competition with Hemlock the Dragon.

Since then Hemlock has made countless appearances around the country, including at a wedding! Hemlock has recently had some repair work on the wings, and is ready to meet the public again. If you are interested in hiring Hemlock for your event, just email us on [email protected]

Hemlock the Dragon English Open Chainsaw Competition 2015 by Simon O'Rourke

Review of the Decade: 2016

2016’s highlight is another Huskycup Flashback: Viking Raid.

As well as the Viking Raid Case Study Simon wrote, we also have a blog about Viking Raid for those who want to know more. As we mentioned in our Huskycup 2019 blog, 2016 was actually the last year Huskycup was a competition. It meant Simon was the last ever Huskycup champion, as Viking Raid took first place. What a way to end the competition for him! Although it is no longer a competition, Simon continues to participate, and it is something of a highlight each year.

In 2016 Simon also became an affiliate of Olfi. We love their action cameras, and how they’ve transformed what we’re able to share with you through timelapse videos. Find out more in our Olfi blog!

Viking Raid at Huskycup 2016 by Simon o'Rourke

 

 

Viking Raid at Huskycup 2016 by Simon o'Rourke

 

Review of the Decade: 2017

2017’s highlight is from Liverpool. Simon created a tribute to The Beatles by carving life size figures of the Fab Four live along the dockside over a weekend. You can read more about the event in our Global Beatles Day Blog, and keep scrolling to enjoy our flashback photos and video.

2017 was also the year Simon began being sponsored by Stihl. Not only do they manufacture quality equipment, but it was something of a ‘full circle’ for Si, as his very first chainsaw experience was using Stihl equipment.

 

Beatles at the Liverpool dockside by Simon O'Rourke

 

Nearly done!!

Posted by Simon O'Rourke – Tree Carving on Monday, 28 August 2017

 Review of the Decade: 2018

As Simon says in his case study about the Spirit of Ecstasy, this was one of his most challenging sculptures to date.
You may remember from our Spirit of Ecstasy blog, that Simon recreated the Rolls Royce icon for an enthusiast to give new life and purpose to a beautiful oak tree which had died. Despite the challenges, the finished piece was faithful to the Rolls Royce concept, graceful and simply stunning. We hope you enjoy the finished result as much as we (and most importantly, the client!) did.

Spirit of Ecstasy by Simon O'Rourke

 

 

Review of the Decade: 2019

In our new year blog at the start of last year, we told you 2019 would be our ‘year of the dragon’. We weren’t wrong! Over the year Simon created seven new dragon-related carvings, including an ice dragon in our local town.
It all started off with The Dragon of Bethesda. It sits in an arboretum in North Wales after the landowner commissioned Simon to create something spectacular from a fallen tree. Y Ddraig Derw was featured in national media, and we are still overwhelmed by the encouraging response from so many people to the piece.

Dragon of Bethesda by Simon O'Rourke

 

Our other dragon highlight from the year, is this stunning casket created for HBO’s Game of Thrones.

Game of Thrones egg props Simon O'Rourke

Simon was commissioned by HBO as part of a wider project where artists re-imagined original props from the show. He received these beautiful dragon eggs, and created the casket for them to sit in. You can remind yourself of the whole project and process in our Game of Thrones blog.

Again, we were amazed, thankful and VERY encouraged by all the positive comments we received.

This is also the year Simon became an affiliate for ManpaTools. Their angle grinders especially have taken some of his texture and detail to a whole new level.

Simon O'Rourke casket Game of Thrones Season Eight

Moving into 2020, Simon has also become an affiliate for Saburrtooth. With quality tools and equipment from Stihl, Manpa and Saburr, Simon’s talent and creativity, and the continued support of all our amazing clients and co-workers, we look forward to what the next decade – the roaring 20’s – will hold.

We hope you enjoyed our Review of the Decade. We definitely loved seeing some of these pieces afresh as we looked back.
As always, if you have a project in mind, email us on [email protected]

Ayrton Senna Tribute Sculpture

Ayrton Senna Tribute Sculpture 150 150 Simon O'Rourke

When we think about ‘celebrity deaths’ over the last 25 years, many tragic or difficult stories come to mind. We think of many phenomenally talented individuals where we lament the loss, and the potential unfulfilled. None more so than Brazilian F1 driver, Ayrton Senna.
2019 marked 25 years since his tragic death at the San Marino Grand Prix. Anniversary tributes appeared in the media over the year, and caught Simon’s attention as he remembered ‘F1’s darkest weekend‘. Fascinated by Senna’s character and story, Simon decided to create his own memorial to the legend: this Ayrton Senna Tribute Sculpture.

Ayrton Senna Tribute sculpture by Simon O'Rourke

Choosing the Timber

Simon wanted the sculpture to not only look like a fitting tribute, but to also reflect, tell or share some of Senna’s story. For that reason, he took his time selecting the wood.

Eventually he found a piece of oak through a local farmer that he decided was perfect. However, it wasn’t just the size and shape that made it ‘the one’. Simon was looking for a piece of timber which had shared some of its lifetime with Senna himself.

Knowing the date this particular oak was felled meant Simon could count the growth rings and find the piece of timber that was alive and growing during Senna’s lifetime. This led to a unique feature on his Ayrton Senna tribute sculpture. Simon has marked out on Senna’s shoulder the growth rings for 1960-1994; the 34 years of Senna’s life.

growth rings for senna's lifetime marked on the ayrton senna tribute sculpture by simon o'rourke

Reflecting Character

When Simon carves a real person, his concern is not just for the physical features – although that is immensely important to him. He is also concerned about reflecting the character of the person. That meant Simon had to get to know afresh the character he had seen on screen as a teenager. Books, photographs, interviews, articles and documentaries helped re-introduce Simon to the person of Ayrton Senna.
It became clear that Senna was charismatic but also enigmatic, thoughtful and pensive.
He was sensible and intentional – but also playful.
It was these qualities which, ironically, meant Senna was chosen to head up a group of drivers dedicated to making the sport to make it safer, the weekend of his death.
Simon chose to reflect these characteristics by giving his  Ayrton Senna tribute sculpture a serene posture and gaze, but with a real twinkle in his eye.

Simon o'Rourke working on the eyes of his Ayrton Senna tribute sculpture

Working on getting that twinkle and expression right

Ayrton Senna by Simon O'Rourke in progress

Sculpting the Face

As we talked about in our blog about the golden ratio, sculpting faces is always a challenge. It is always so much harder too when Simon can’t meet the person. As Simon says:
“It’s always difficult working from photos. You’re constantly having to evaluate the structure of the face based on multiple light sources and camera lens distortion. Two photos of the same person can look vastly different. You have to understand the structure of the human face to make those decisions on depth and form.”

It’s clear the time spent studying, measuring and re-evaluating has paid off though, as the likeness to images of Senna is uncanny, and the sculpture is instantly recognisable as the Brazilian legend.

Images of Ayrton Senna in the workshop of Simon O'Rourke

Some of the images Simon worked from for his Ayrton Senna tribute sculpture

Finished Ayrton Senna tribute sculpture in the workshop by simon o'rourke

The finished piece in the workshop

On Display

Unlike many of Simon’s pieces, this Senna homage was a passion project rather than a specific commission. Thanks to the Wahoo Group and Real Five Networking though, rather than remain in the workshop, the sculpture is currently available for the public to view. Their support and connections meant that in December, the sculpture is now being exhibited at Mews of Mayfair; a beautiful restaurant and bar in Mayfair. If you’re visiting London, why not book yourselves in for a delicious meal and take a look? We’d love it if you got any photos or selfies with the sculpture if you could tag us too!

Bust of Ayrton Senna by Simon O'Rourke

Continuing a Legacy

During his lifetime Senna was dedicated to far more than just being the best in his sport. He also had a passion and felt a sense of responsibility to use his position to better the lives of children in his native Brazil. As such, he was also a philanthropist, the creator of Senninha, and had talked with his sister before his final trip to Italy about creating a charity. His sister honoured that conversation, and has built the Ayrton Senna Foundation.

Keeping in that spirit, Simon has chosen to sell this Ayrton Senna tribute sculpture in a sealed bid auction. A significant portion of the winning bid will then be donated to the Grand Prix Trust. This charity provides support for Formula 1’s helping team personnel, trackside or factory-based, to put their lives back on track when things go wrong. We believe from all the research into Senna’s life that this would be a cause that he himself would have been behind.

You can place you bid by visiting www.treecarving.co.uk/senna/  where there is an online bidding form at the bottom of the article.

 

The Case of the Sherlock Holmes Bust

The Case of the Sherlock Holmes Bust 150 150 Simon O'Rourke

Sherlock Holmes. He may not have been the first recorded fictional detective, but Guinness World Records lists him as the most portrayed. Ever since his first appearance in 1887, we’ve seen him in books, comics, movies, TV series, art work and more. In fact, he’s been played by over 75 actors! Now, in 2019, we bring you: Simon O’Rourke’s tree carving ‘Sherlock Holmes Bust’.

Sherlock Holmes bust by Simon O'Rourke

The Timber

The Sherlock Holmes bust was for a private client who commissioned it as a gift. He’s made from oak which means that although he is pale at the moment and has some yellow tones, in time he will get darker. The rings and markings will become black as it makes contact with rain, and the UV rays of the sun will cause the wood to pick up greyish hues. In combination with the natural darkening, it means that as he ages, the wood will become more reminiscent of the furniture and drawing room decor of the Sherlock’s own era.

Sherlock Holmes bust by Simon O'Rourke

It’s all in the Details!

Fans of the detective will have noticed a few interesting details on the Sherlock Holmes bust that refer to Conan Doyle’s original short stories, and four novels.
Incidentally, as well using his trusted Stihl and Manpa tools for this project, Simon also used the Saburrtooth burr bits on the die grinder and some of their small rotary tools to achieve the details and texture. But back to the details! Simon included nine ‘clues’ or references to the Sherlock Holmes stories on the bust. Can you spot them all? See how many you can find before we reveal all later!

Sherlock Holmes Sculpture by Simon O'Rourke

The Inspiration

One of the problems when creating a sculpture of a character from a book, is that there isn’t a definitive image to work from as there would be a historic figure. This is only heightened when he has been represented by so many different people on screen too! As the client is a fan of the fiction and not just a particular on-screen representation of Sherlock, Simon chose the Sidney Paget illustrations as his inspiration.

Paget illustrated the original Conan Doyle stories for The Strand magazine. With over 350 illustrations created by Paget, there was no shortage of imagery to work from! Simon not only used the facial features of the Paget artwork as the basis for his carving, but was also attentive to the original stories as he added details to the bust. One of the most obvious of these is the shape of the pipe. Although we have come to associate Sherlock Holmes with a large, curved meerschaum pipe, there is actually no reference to this in the original stories. By choosing something simpler and less iconic, Simon has ensured the bust is faithful to the original illustrations rather than the images that evolved over time.

Sherlock Holmes by Simon O'Rourke

The Big Reveal!

All good detective stories end with a ‘big reveal’. Thankfully, when this sculpture was revealed to the birthday person, it was received better than the surprise the characters often get in crime fiction! We are glad to say that the client told us Sherlock arrived this afternoon and is now in its final location. We’re absolutely delighted – it is stunning!”

And now, for our other ‘big reveal’: The clues within the Sherlock Holmes Bust……

Snake and Baker Street Detail from Sherlock Holmes Sculpture by Simon O'Rourke

 

The Hidden Clues

As you look at the various views of Sherlock, you should hopefully find the following ten references to stories:

1. Stiletto dagger he used to pin correspondence to the mantle piece
2. Pince nez glasses – The Golden Pince-nez
3. Honeycomb – His Last Bow
4. Broken crown – Musgrave ritual
5. Persian slipper he used for storing tobacco

Sherlock Holmes tree carving statue by Simon O'Rourke

6. Handgun
7. 221b plaque
8. Snake – The Speckled Band
9. Violin
10. Stick Men – The Adventure of the Dancing Men

Oak Sherlock Holmes Bust by Simon O'Rourke

We loved this commission, because as well as being an opportunity for Simon to show his talent for human form, it was such a unique gift to create. If you need a beautiful, unique and sustainable gift for somebody, contact us on [email protected] to talk about the details.