Myths and Legends

Into the 20’s – A Review of the Decade

Into the 20’s – A Review of the Decade 150 150 Simon O'Rourke

As we start a new decade, we’ve been reflecting on the many changes that have happened personally and professionally over the last ten years. Professionally, it’s been a great decade with some fantastic opportunities and commissions. We’ve also met some amazing people and seen some wonderful places along the way. Before we move forward into the 20’s, we thought we would bring you our ‘review of the decade’. And, as we do, let us wish you a Happy New Year from all at Tree Carving.

Simon O'Rourke Game of Thrones Egg Carrier carving

Simon and Liz O’Rourke wish you a happy new year (and decade) on behalf of the Tree Carving team.

Review of the Decade: 2010

As we looked back, we could definitely see we didn’t use social media as much! And the technology we used definitely didn’t produce the kind of photos and videos we do today! But here is a look back at two competition pieces from that year, both taking second place. Neptune from the English Open Chainsaw competition, and a traditional miner from the Huskycup.
A quick glimpse at Simon’s awards shows that this was a good decade for competition, placing in most things he entered and winning seven awards. However, when it comes to competitions Simon says:
“Competitive sculpture has taught me a lot about completing work to a deadline. I have competed all over the world and although I have placed highly in many events, the most important thing to me is being happy with my own work.”

Neptune by Simon O'Rourke as featured in his review of the decade

Simon O'Rourke second place huskycup 2010

Review of the Decade: 2011

Two of the projects we chose as highlights from 2011 are The Giant Hand of Vrynwy, and the Somerset Tree.

At 50′ tall, it was no wonder the hand caught the attention of the local press, as you can see in the article by The Leader newspaper. Simon’s inspiration for the hand came from the name for the woodland area, which made reference to giants. Creating something on this scale reminded Simon how small we are compared to some of the living organisms on this planet. He described the experience as being very humbling!

Giant hand by Simon O'Rourke

The next project although tall still, was a little smaller in scale! Simon was commissioned by the Museum of Somerset to create this stunning tree for their new museum. Sourced from local wood, it stands proudly in the museum where it tells some of the area’s 400 million year history.

Tree of Somerset by Simon O'Rourke

Review of the decade: Tree of Somerset by Simon O'Rourke

Review of the Decade: 2012

Another Huskycup entry! This time, the sculpture of “Christian and Mary”. Simon worked on this piece as part of ‘Team Europe’ with Tommy Craggs and Michael Tamoszus. They placed fourth overall, with some tough competition from a great bunch of talented artists. As we had a quick glimpse back at the Facebook album of the event it was lovely to be reminded of the support, encouragement and lovely comments.

Christian & Martha Huskycup 2012 by O'Rourke, Cloggs and Tamoszus

Review of the decade: Christian & Martha Huskycup 2012 by O'Rourke, Cloggs and Tamoszus

fourth place Huskycup 2012 by O'Rourke, Cloggs and Tamoszus

Review of the Decade: 2013

For our 2013 highlight, we chose something a little different. During that year Simon created this incredible Alice in Wonderland booth for Steak of the Art in Bristol. Their vision is for the restaurant to be an ever-changing art gallery that compliments their delicious menu. As you can see from the photos in the case study Simon wrote, his booth more than fits their vision. Every single character is its own work of art, and with so much to see, although the piece doesn’t change, there is something new to notice each time you sit within it. Here we get a reflection of the changing technology too, with this timelapse video of its making!

Alice in Wonderland booth at Steak of the Art by Simon O'Rourke (a review of the decade)

Alice in Wonderland booth by Simon O'Rourke, Steak of the Art

Alice in Wonderland booth by Simon O'Rourke, Steak of the Art

Review of the Decade: 2014

2014 saw us receive a lot of publicity for two ‘guardians’.

The first was created for the ‘Pawtraits‘ series by Maria Slough, and was actually named ‘The Guardian‘. The series featured people photographed alongside animals that had impacted their lives, and Simon was brought in to create a piece to be used for the portrait of Virginia McKenna. Understandably, the actress wasn’t too keen on reclining on a real lion – hence Simon stepping in with The Guardian! As McKenna was so impressed with his work, Simon was later commissioned to sculpt a lion cub for the Born Free Foundation charity auction, a charity McKenna established. As well as the photos below, you can click HERE to see a timelapse of The Guardian being made.

 

The Guardian by Simon O'Rourke

Maria Slough Pawtrait Virginia McKenna featuring lion by Simon O'Rourke

Photograph copyright of Maria Slough from the Pawtraits Series

The other ‘guardian’ created by Simon that year is just as iconic. Phil and Leah from Wahoo Group wanted to harness the power of social media and do something novel to help sell their home. Thinking completely outside of the box (no baked cookies here!) they commissioned a sculpture of…..Batman!

The caped crusader sat on top of their home where it gained attention from both local and global news outlets, and helped the couple find tenants for their property.

Wooden Batman carving by Simon O'Rourke

Wooden Batman carving by Simon O'Rourke

Batman by Simon O'Rourke and St Giles Church Wrexham

As one of Simon’s strengths is Human Form, we also couldn’t resist throwing in this sculpture of Scottish explorer, Mungo Park. He was commissioned for a pub in the explorer’s hometown of Peebles, and sits on this bench for passers by to enjoy.

Review of the decade 2014 Mungo Park

 

 

Review of the decade 2014 Mungo Park

Review of the Decade: 2015

2015 was the year when Simon won the English Open Chainsaw Competition with Hemlock the Dragon.

Since then Hemlock has made countless appearances around the country, including at a wedding! Hemlock has recently had some repair work on the wings, and is ready to meet the public again. If you are interested in hiring Hemlock for your event, just email us on [email protected]

Hemlock the Dragon English Open Chainsaw Competition 2015 by Simon O'Rourke

Review of the Decade: 2016

2016’s highlight is another Huskycup Flashback: Viking Raid.

As well as the Viking Raid Case Study Simon wrote, we also have a blog about Viking Raid for those who want to know more. As we mentioned in our Huskycup 2019 blog, 2016 was actually the last year Huskycup was a competition. It meant Simon was the last ever Huskycup champion, as Viking Raid took first place. What a way to end the competition for him! Although it is no longer a competition, Simon continues to participate, and it is something of a highlight each year.

In 2016 Simon also became an affiliate of Olfi. We love their action cameras, and how they’ve transformed what we’re able to share with you through timelapse videos. Find out more in our Olfi blog!

Viking Raid at Huskycup 2016 by Simon o'Rourke

 

 

Viking Raid at Huskycup 2016 by Simon o'Rourke

 

Review of the Decade: 2017

2017’s highlight is from Liverpool. Simon created a tribute to The Beatles by carving life size figures of the Fab Four live along the dockside over a weekend. You can read more about the event in our Global Beatles Day Blog, and keep scrolling to enjoy our flashback photos and video.

2017 was also the year Simon began being sponsored by Stihl. Not only do they manufacture quality equipment, but it was something of a ‘full circle’ for Si, as his very first chainsaw experience was using Stihl equipment.

 

Beatles at the Liverpool dockside by Simon O'Rourke

 

Nearly done!!

Posted by Simon O'Rourke – Tree Carving on Monday, 28 August 2017

 Review of the Decade: 2018

As Simon says in his case study about the Spirit of Ecstasy, this was one of his most challenging sculptures to date.
You may remember from our Spirit of Ecstasy blog, that Simon recreated the Rolls Royce icon for an enthusiast to give new life and purpose to a beautiful oak tree which had died. Despite the challenges, the finished piece was faithful to the Rolls Royce concept, graceful and simply stunning. We hope you enjoy the finished result as much as we (and most importantly, the client!) did.

Spirit of Ecstasy by Simon O'Rourke

 

 

Review of the Decade: 2019

In our new year blog at the start of last year, we told you 2019 would be our ‘year of the dragon’. We weren’t wrong! Over the year Simon created seven new dragon-related carvings, including an ice dragon in our local town.
It all started off with The Dragon of Bethesda. It sits in an arboretum in North Wales after the landowner commissioned Simon to create something spectacular from a fallen tree. Y Ddraig Derw was featured in national media, and we are still overwhelmed by the encouraging response from so many people to the piece.

Dragon of Bethesda by Simon O'Rourke

 

Our other dragon highlight from the year, is this stunning casket created for HBO’s Game of Thrones.

Game of Thrones egg props Simon O'Rourke

Simon was commissioned by HBO as part of a wider project where artists re-imagined original props from the show. He received these beautiful dragon eggs, and created the casket for them to sit in. You can remind yourself of the whole project and process in our Game of Thrones blog.

Again, we were amazed, thankful and VERY encouraged by all the positive comments we received.

This is also the year Simon became an affiliate for ManpaTools. Their angle grinders especially have taken some of his texture and detail to a whole new level.

Simon O'Rourke casket Game of Thrones Season Eight

Moving into 2020, Simon has also become an affiliate for Saburrtooth. With quality tools and equipment from Stihl, Manpa and Saburr, Simon’s talent and creativity, and the continued support of all our amazing clients and co-workers, we look forward to what the next decade – the roaring 20’s – will hold.

We hope you enjoyed our Review of the Decade. We definitely loved seeing some of these pieces afresh as we looked back.
As always, if you have a project in mind, email us on [email protected]

Ice Carving for Wrexham Museum

Ice Carving for Wrexham Museum 150 150 Simon O'Rourke

Last night Simon was on ‘home territory’ as he took part in the annual Victorian Christmas market in Wrexham. Don’t worry though, he hasn’t traded his chainsaw for a stall and money pouch! Simon’s contribution to the evening was much cooler, if we do say so ourselves. He swapped timber for something much wetter, and did some ice carving for Wrexham Museum.

Crowds watching ice carving for Wrexham Museum

Outside Wrexham Museum*

About the Victorian Market

Wrexham’s Christmas Market has become one of the most eagerly awaited events in the town’s calendar and successfully attracts thousands of shoppers year after year.  This year there was a Victorian theme to the market with Punch and Judy shows throughout the day, and period street performers. The main feature though was 100 stalls from Queens Square right up to and inside St Giles’ Church.

Punch and Judy show at Wrexham Victorian Christmas Market

Punch & Judy on Hope Street

About Ice Carving for Christmas

To coincide with the event, Wrexham Museums also organised and hosted an event: Ice Carving for Christmas. As well as Simon’s ice carving, the museum was open for the public and people could do Christmas shopping in the gift shop and enjoy a hot chocolate or mulled wine in the cafe. Various school choirs performed, including Bryn Hafod Primary who sang in both Welsh and English, and Libby and Sign of the Times. As you can see from the first photo we shared, plenty of people came to enjoy the evening.

Crowds watching Simon O'Rourke Ice Carving for Wrexham Museum

Crowds watching Simon Ice Carving for Wrexham Museum*

Ice Carving for Wrexham Museum

If you read the blog we wrote a couple of weeks ago about the event (visit it here) then you’ll know Simon didn’t just complete one carving. The Ice carving for Wrexham Museum was actually a trail through the town. It began at St Giles church, where most of the market stalls were located, and ended at the Museum.

In the first location, Simon began by carving one block of ice, which was a clue as to what the final ice sculpture would be. People could then follow him to second location where he carved a second block, giving people a second clue.

They could then follow him to the museum where they could submit their guesses as to what his final carving would be, and any correct answers won a prize.

*spoiler alert*

For those who know that 2019 was a year full of dragons for us, it will come as no surprise that the final sculpture was this stunning dragon head.

It lives!! The dragon head, complete with smoke!!

Posted by Simon O'Rourke – Tree Carving on Thursday, 5 December 2019

Let us take you back though through the evening as the audience experienced it though…..

Setting up:

Working in the multiple areas gave Simon and Paul the first challenge of the night – getting all the equipment through the thousands of people attending the Victorian Market! They had everything loaded up on a cart, and the high vis jackets definitely helped them get noticed so the crowds could part a little. It definitely wasn’t the quickest or easiest transportation of equipment though!

Paul and Simon making their way through the crowds attending the market!

Simon O'Rourke safety jacket

Paul and Simon making their way through the crowds attending the market!

St Giles Location

The first location was St Giles church where Simon carved this stunning dragon’s eye. Standing it the crowd, it was fun to be able to hear people’s awe as they watched. Especially as the chain saw went all the way through the ice to carve the space that became the eye! Several people were also commenting on how clear the ice was. Many guessed correctly that we didn’t just freeze water from our hosepipe to make the blocks. Rather, they are especially made for events like this. There’s a science behind it, but you can actually do it at home! Read all about how crystal clear ice is made at Barschool.Net. We’re happiest to leave it to the professionals, but if you try it yourselves, let us know if it works!

As we have said before, it is the lighting that makes the difference when ice carving. This green lighting reflecting off the scales Simon created is definitely eerie and mysterious, which helped add to the sense of mystery and anticipation of what the final carving would be.

Viewers outside St Giles*

Early on in the work on the dragon’s eye

Simon O'Rourke working on an ice carving of a dragon's eye, Wrexham 2019

Adding textured to create the scales*

Dragon eye at Ice Carving for Wrexham by Simon O'Rourke

The finished dragon’s eye*

Henblas Square

The second location of the night was Henblas Square.
Here, as well as the general admiration of what Simon was doing, I could hear many more questions about the equipment.

“His hands must be freezing” was also a pretty common theme!

Unlike most people were thinking, Simon wasn’t using specialist ‘ice carving’ equipment. He used his faithful Stihl battery powered chainsaws (complete with the handy backpack you will have noticed for the battery packs) for most of the initial carving. This meant they were lightweight and didn’t need a power supply. Perfect for this kind of mobile evening. He also used his Manpa tools angle grinder, with burr bits by Saburrtooth. And, while we’re speaking of Saburrtooth, we’re excited to announce Simon will become one of their ambassadors in 2019!

It was nice to see so many people stay and watch the entire carve here. For a long time people were guessing it was going to be eagles, rather than (as you can see) this amazing dragon claw (clue number two)! It really is fascinating to watch, but the audience were also encouraged to stay by the unusually warm evening. After several nights of hard frost, it was 10°c! Although being a warmer night was helpful for the audience and shoppers, the warmer weather meant Simon had to carve extra fast as the ice was melting far more quickly that he’d hoped!

Simon O'Rourke ice carving: dragon claw

Simon o Rourke Ice Carving for Wrexham Museums 2019 Dragon Claw

The finished dragon claw, clue number two in the ice carving trail

The finished dragon claw, clue number two in the ice carving trail*

Wrexham Museum

The museum location was the longest of Simon’s carves, and he used six blocks of ice rather than the one that he used at the other locations. Even before he arrived, people were fascinated by the ice on the museum forecourt.

ice blocks for carving wrexham museum 2019

Blocks of ice waiting for carving!

Simon was challenged here not only by the ice melting in the warmer weather, but also an impressive wind. At one point the leaves spiraling in the air looked like a scene from The Wizard of Oz! It didn’t put people off watching though, and in some cases it was hard for parents to pry their children away.

Ice Carving for Wrexham museum 2019

Watching outside Wrexham Museum*

Simon o'Rourke ice carving dragon Wrexham 2019

Adding texture with an angle grinder

Simon O'Rourke adding detail to an ice carving dragon, Wrexham 2019

Adding detail to the dragon

One of the perks of Simon being on ‘home turf’ is being able to watch him. Another is being able to hear and see other people’s reactions. The audiences at all the locations were a mix of people who have followed Simon and his work for years, and others who had never even imagined creating something with a chainsaw!

“The precision is unbelievable”

“I’m so impressed with the talent and detail he is able to produce with a chainsaw”

“I’ve never seen anything like it before. It’s bold and beautiful”

“I was only going to stay ten minutes but once I started watching, I had to stay until the end”

“The detail is unbelievable”

“Stunning. Simply stunning”

We can’t help but agree! The lighting bouncing off the textured scales and the smoke  just made it perfect. Even still in process, it looked spectacular in the light.

Dragon Ice carving in process by Simon O'Rourke

The Finished Piece.

Thank you to Wrexham Museums for organising and hosting the event so well (and for the mulled wine the staff not wielding chainsaws enjoyed!). Thank you too to Shaine Bailey and Treetech for sponsoring the event. And to everybody who came and watched, shared on social media, and complimented Simon on his work. It’s lovely to be able to meet people, and to have such a lovely and encouraging audience. It’s also great to finish our year as it began, with a dragon that captured the attention and hearts of the people who saw it (read about the first dragon HERE).

And so, we leave you with the finished piece for 2019’s Ice Carving for Christmas*:

Ice Carving for Wrexham Museum Christmas 2019 Finished dragon head by Simon O'Rourke

 

Dragon head in ice by Simon O'Rourke

Dragon head in ice by Simon O'Rourke

If you would like to book Simon for your event (ice or timber!) email us on [email protected] to talk about details.

*photo credit to Gareth Thomas from Wrexham Museums.

A Phoenix Arises

A Phoenix Arises 150 150 Simon O'Rourke

There’s something very poetic about this week’s featured sculpture, where a phoenix arises from a Douglas Fir.

Unlike many commissions where a tree is damaged or diseased and a customer wants to turn it into something beautiful, in this case there was nothing wrong with the tree. Rather, it had simply become too big for its location, and couldn’t stay where it was planted. This isn’t uncommon. Lots of people plant trees in gardens not realising how big they’ll get, and they become a potential hazards. There are plenty of ways to transform the story of that tree though if that happens, including commissioning a unique piece of art!

Work in progress on Simon O'Rourke's phoenix

Work in progress

The Legend of the Phoenix

The phoenix is a bird which has come to represent new life. More specifically, it has also come to represent the birth of something beautiful out of the end of something else. Greek and Roman mythology says this long-lived bird dies in a show of flames. Then, out of the ashes from the fire, a phoenix arises in a majestic show. It then seems fitting that a tree that has seen the end of its natural life, would give birth to this stunning phoenix sculpture. The parallels don’t end there. Legend also says the phoenix dies and regenerates after 1000 years of life. Did you know that’s also the possible life span of the Douglas Fir?! As an evergreen tree, the Douglas Fir can also represent eternal life – as does the phoenix because of its legendary cycle death and regeneration.

A Phoenix Arises by Simon O'Rourke

About the Sculpture

This particular fir  had an interesting shape that Simon needed to work with. Trees always come with their own sets of twists, knots and potential for future cracks, and Simon has to constantly adapt his design as he discovers those. The shapes and textures work so well in this sculpture though, you would never know it hadn’t been specifically and intentionally designed that way!

The twists and texture from the very base of the trunk to where the phoenix arises mimic the movement of the flames that legend says consumed the first bird. These get more intense, closer together and more detailed as they travel up the trunk, until they become actual flames. Their shape is also reminiscent of the sun, which is also closely tied the the legend of the phoenix.
From the centre of these flames, Simon’s stunning phoenix rises, with its wings unfurled as if about to take flight. Stray feathers carved into the trunk further down, enhance this sense of movement, as they seem to have dropped from powerfully flapping wings.

Full length picture of A Phoenix Arises by Simon O'Rourke showing the feathers falling in flight

Full length photo showing the falling feathers from the Phoenix taking flight

The Harry Cane

Are you as fascinated by the flames as we are? We think their texture and shape is magnificent, and creates a wonderful organic-looking flame for the phoenix to rise from.
Simon had to use a few different tools to create that look. Firstly, his Manpa Tools belts and cutters. Simon was recently sponsored by the company and is enjoying their products to take some of his sculptures to the next level. He also used gouging attachments gifted to him by The Harry Cane. These attachments were devised by Harry Cane to attach to the Stihl MS170 (Stihl’s recommended entry level chainsaw) or MSE170, and are ideal for ‘gouging’ as well as to add another level of depth. Anyone wanting to get their hands on one for themselves can visit The Harry Cane shop at http://theharrycane.de/shop.html

Harry Cane chainsaw attachments as used by Simon O'Rourke

The Harry Cane attachments on the Stihl MS 170

The Douglas Fir

It isn’t just the phoenix that has its own interesting story either. The Douglas Fir has its own interesting background too. As we are lovers of all things arboricultural and forestry, we’re sharing some random ‘tree trivia’ (should that be a hashtag?!) with you:

Tree Trivia

You probably know the Douglas Fir better as a ‘Christmas Tree’. Whilst we use several species to decorate our homes over the season, the Douglas fir is the most common.

The Douglas fir isn’t actually a true fir! That’s why we sometimes know it as Oregon Pine, Douglas Pine, Douglas Spruce and Puget Sound Pine.

The tree is native to the Pacific Northwest in the US (the alternative names might have been a giveaway).  It was brought to the UK by David Douglas in 1827 and is considered naturalised in the UK, Europe, South America and New Zealand.

Douglas fir is extremely versatile, and can be used for lumber, food, drink and traditional medicine. It is also frequently used ornamentally in trees and park, and is useful to wildlife as food and shelter.

The only remaining US Navy wooden ships are made from Douglas Fir.

Close up of the upper part of "A Phoenix Arises" by Simon O'Rourke

Close up of the phoenix rising from the sun-like flames

Testimonial

We hope you enjoy learning more about the trees Simon works with. We also hope you love the phoenix as much as we do. More importantly, as much as the owner does! We leave you this week with this testimonial from a very satisfied customer.

As always, if you find yourself in the same situation as this client, contact Simon on [email protected]  to talk about ways of giving it new life.

 

A Hydra Rising

A Hydra Rising 150 150 Simon O'Rourke
The Commission

Last week Simon was in Surrey completing a private commission for a client: A Hydra rising from the ground.

The nature of tree carving means really having to go with the flow. Or we should say, go with the grain.
And the flaws.
Plus the cracks and future cracks.
The knots too.
And more!
In this case, Simon had seen photos and had an idea of creating an animal emerging from the ground. However, it was only when he saw the timber in person, that he could fully commit to a design. A hydra rising from among the fallen tree.

A work-in-progress photo of a Hydra rising from the ground by Simon O'Rourke

The hydra in process

The Timber

The timber in question was willow, which is technically a ‘medium hard’ wood. That description is a little deceiving though, as it is actually lightweight, and very soft. That softness is actually why it’s a popular choice for whittling and wood carving. It means that it doesn’t make good  lumber for furniture or construction though. It also isn’t a good choice for firewood, as it gives off relatively little heat compared with other woods. That means a fallen willow is a perfect excuse for having something unique created in your garden!

Hydra tree carving sculpture by Simon O'Rourke

The Process

Once he got to work, Simon enjoyed creating heads from each of the branches. He used a range of Stihl, Milwaukee, and Manpa tools to create the faces and scales that make it appear a hydra is rising from the ground. In part, this effect is enhanced by the choice of leaving some bark and leaves lower down the individual branches. He was especially thankful for the Stihl MS193c petrol chainsaw as there was nowhere to charge any batteries! That said, there is an upgraded Stihl MS 151 C-E out now that he can’t wait to get his hands on. It promises an increase in power and torque, whilst still being their most lightweight back handle saw.

Hydra tree carving sculpture by Simon O'Rourke

Sponsorship News.

While we’re speaking of Stihl, it seems a good opportunity to share that they have renewed their sponsorship of Simon. We’re delighted by this, as they provide such consistent quality tools and customer service. You can see their full range of products at https://www.stihl.co.uk/products.aspx . We also thought we’d share this video from their website which shares a little more as to why we love this partnership.

The Finished Product.

But back to the hydra! After many hours playing with power tools, we have a finished hydra rising. For Greek Mythology purists, Simon suggests not counting the heads as it has a few more than tradition says! And speaking of Greek Mythology, whether it be the intricacies or the teeth and scales, or the ferociousness of expression that wins him over, we reckon even Heracles wouldn’t want to chop any of the heads off this particular hydra!

Close up of the Hydra Heads. A private tree carving commission by Simon O'Rourke

Close up of the heads showing the detail and texture.

Simon is available for bespoke sculptures from your damaged or fallen trees. Contact him using our online form or on [email protected] for quotes or just to find out more.

A New Bird In Town: The R Charity Liver Bird

A New Bird In Town: The R Charity Liver Bird 150 150 Simon O'Rourke

This week we want to share with you one of Simon’s latest projects: the R Charity Liver Bird.
For those who have never heard of Liver Birds, you are not alone. Read on to find out more!

2019 Liver Bird by Simon O'Rourke

2019 Liver Bird by Simon O’Rourke

 

THE LIVER BIRD LEGEND

The Liver Bird is a fictional bird, that usually looks like a cormorant, and its history dates back to 1207 when the city was founded. In fact, legend has it that if they mate and fly away the city will cease to exist!  The most iconic representation of Liver Birds is on the Liver Building near the docks. What people often don’t know though is that there are actually over 100 of them throughout the city! And now there’s a new O’Rourke Liver Bird in town!

Reverse of Simon O'Rourke's 2019 Liver Bird

Reverse of Simon O’Rourke’s 2019 Liver Bird

ABOUT THIS BIRD

Simon made this particular Liver Bird out of Redwood. It is carved with some of Simon’s favourite Stihl and Manpa tools, and stands around 2′ tall, and it was commissioned for an auction being held at the R Charity Annual Ball.

4th ANNUAL R CHARITY BALL

The ball takes place on 6th September. The organisers (R Charity), work with departments across the Royal Liverpool and Broadgreen University Hospital Trust. They identify and deliver projects that will provide staff with equipment and facilities that will enhance patient experience whilst within their care.
The 4th annual charity ball is specifically to raise money for the Urology department at the Royal.  Funds raised will go towards the purchase of a TRUB machine which helps to detect and diagnose prostate cancer.

Close up on the Simon O'Rourke logo and texture of the base

Close up on the Simon O’Rourke logo and texture of the base

R CHARITY

This is not the first time Simon has donated sculptures to R Charity. An auction at a previous ball raised over £2000 for the hospital, and earlier this year he donated work to raise funds for the hospital’s Roald Dahl Centre.
Simon himself is a ‘local lad’ (he grew up in the Waterloo area), and still has family in the city. More recently one of the Tree Carving team also became a patient at their Roald Dahl Centre. With friends and family benefiting from the excellent care the trust offers, Simon is happy to be able to ‘give something back’ in this way.

R Charity 4th Annual Ball

Tickets are still available for the ball where the auction for the R Charity Liver Bird will take place.
Email [email protected] call 0151 706 3150 or go use Eventbrite to buy your ticket.

If the cause itself is close to your heart, you can donate on their Just Giving page.

Although Simon’s time is limited, and he can’t say ‘yes’ to every request, you can contact us about commissions for charity at [email protected]

Tale of Two Carvings

Tale of Two Carvings 150 150 Simon O'Rourke

If you follow us on social media, you’ll know it’s been a busy week for Simon. And the locations and difference in style definitely mean that this week’s blog is definitely ‘A tale of two carvings’!

A Tale of Two Carvings Part One: Svantevit

The first of our tale of two carvings was complete in Germany. Si and Liz travelled to Putgarten, where Simon was commissioned to create a sculpture of Svantevit, the four headed Slavic god of war, fertility and abundance. This particular representation of the deity is 3 metres tall and made of oak. Although yellow-y now, it will weather into a beautiful silvery grey over the coming weeks, months and years. It has the typical four heads that, according to mythology, represent him being able to see to the four corners of the earth. Simon’s sculpture is also carrying two of the symbols that are an important part of Svantevit stories: his horn and sword.

Putgarten

Putgarten is a wonderful centre of creativity. A recent count estimated there are 70 sculptures on display and/or available to buy! What a great place to find something for your home, or even just to browse for inspiration.

If you would like to know more, visit their website by clicking here – and before you have to dig out that German dictionary from your schooldays, don’t forget google can do the translating for you!

 

 

A Tale of Two carvings Part Two: APF 2018

The second half of the week saw us return to APF 2018; the UKs largest forestry, woodland, arboricultural, fencing and biofuel exhibtion. This year there were over 320 exhibitors and 22000 visitors over the three days. it’s fair to say that number created a buzz far beyond the noise of the chainsaws!

As regulars at this event, it was great to reconnect with old friends, as well as having the privilege of being a demonstrator and competitor.

 

During the speed carving demonstrations, Simon created a wolf. Cheering him on was another of his creations. Meet Squishy!

Later, 25 of the top wood carvers in Europe competed against each other in the A W Jenkinson & Tilhill Forestry European Chainsaw Carving Championship, where each had to produce a sculpture from a 1 tonne piece of timber.

Simon used this as an opportunity to complete a project he’d been visualising for a while. He chose to create this beautiful representation of a female face. He made use of long smooth lines for her smooth skin tone, and contrasting areas of more intense texture and detail to create lips, eyes and hair. She didn’t place in this year’s competition, but we’ve had lots of lovely compliments about her. It was also wonderful to realise something after thinking about it for so long.

For anybody interested, two of the pieces mentioned in this post are available for sale. The lady is available after Futurescapes exhibition. Squishy is also available for purchase. If you are interested in either these pieces contact us on [email protected] or via our contact page.