Iconic figures

Simon O'Rourke creating the Lady of Marbury sculpture

The Marbury Lady Sculpture

The Marbury Lady Sculpture 960 960 Simon O'Rourke

Those of you follow Simon on social media will have already seen his stunning Marbury Lady sculpture.
The sculpture is inspired by a ghost story associated with the former Marbury Estate. People in the area frequently claim to have seen this ghost, as she haunts the park. The most recent sighting is reported as being last year! Simon has carved many figures from books, moviesmyths and legends, but we think this is the first time he has carved a ghost!
We had another reason too for wanting to share her story. The Marbury Lady sculpture is carved from a  tree that died due to salt poisoning. We wanted to share a little more about it to highlight the issue, and hopefully help prevent unnecessary damage and death to other trees.

Simon O'Rourke's Marbury Lady sculpture viewed from the road

The Marbury Lady viewed from the road

The Location:

Marbury Hall was a country house in Marbury, near Northwich. Several houses existed on the site from the 13th century, which formed the seat of the Marbury, Barry and Smith-Barry families, until 1932, and the story behind the mysterious Marbury Lady is connected with James Smith Barry, who inherited the hall in 1787.
The buildings have all fallen into disrepair though and no longer exist on the site. It is now woodland known as Marbury Country Park. 

For any interested in visiting, it’s a great spot for a walk. You can wander along the mere with splendid views over the water to the church at Great Budworth, or explore the arboretum (the avenues of limes are quite well known) and community orchard. There is also a play area and swimming pool.

The park is cared for by The Friends of Anderton and Marbury (FOAM). They not only look after the park, but have a busy programme of walks, talks, conservation tasks and events. If you are thinking of visiting, it’s definitely worth checking out their website to see what they have happening. It was FOAM who commissioned the Lady of Marbury sculpture, after the death of several of their trees due to salt poisoning.

The Lady of Marbury sculpture by Simon O'Rourke in process

At work on the sculpture

Salt Poisoning

So what is salt poisoning?
Basically if a tree is exposed to too much sodium, it stops the flow of potassium and magnesium. In turn, this stops the tree making chlorophyll. For those who can’t remember their high school science, that’s the ‘green stuff’ needed by plants to turn light from the sun into energy (photosynthesis)! Salt is so effective n this, you can actually use it to intentionally kill a tree –  or any plant!

Salt damage is extremely common, especially in urban areas in the winter when we use salt to de-ice the roads. Spray from the roads hits the tree, as well as being absorbed/spread through running water, and melting ice and snow.

Early sign to watch out for are the edges of the leaves turning brown. At this point it is still possible to reverse damage and prevent death through leaching – basically just adding water to the soil. Good drainage is a key factor too in preventing and curing salt poisoning. If you need to know more, we found this helpful article on reducing the salinity of soil that you might find interesting.

In the case of Marbury Park, the trees were damaged by salt leaking from a split brine pipe.
However, rather than remove them, FOAM decided to give them new life, and commissioned Simon to create something….

Simon O'Rourke creating the Lady of Marbury sculpture

The Story of the Marbury Lady

FOAM wanted one of the damaged trees to represent something of the Marbury Park history. There are several ghost stories connected to the area, but the most well known locally are the variations of The Marbury Lady.

The version Simon chose to tell is of the Egyptian lady. Smith-Barry traveled extensively, and spent much of his time in Italy, Greece and the Levant. It is said that on one of his travels he met with a lovely Egyptian girl. He fell madly in love with her, and when he had to return to England, he told her he would send for her to follow him and make her his wife. As in all good romances though, there was a third person involved, and this is where stories begin to vary. Some say there was an arranged marriage, others a scandal with a housekeeper. Either way, Smith-Barry failed to send for his Egyptian lady…..

Marbury Lady Sculpture by Simon O'Rourke

The Story Continues…..

Some time later it is said that the Egyptian lady came to England. Again, stories vary at this point. Some say she worked as his housekeeper, others that he kept her as a mistress. They all agree though that she asked that when she died, her body be embalmed and kept in the hallway at Marbury Hall. When Smith-Barry died some years later, the family didn’t really want what they considered to be a mummy in a coffin! They arranged a burial, and moved the body to a nearby church. What they did not expect however, was the hauntings that would follow!

In the years (decades now!) that have followed, there have been reportings of sightings of a lady in a white veil, and well as tales of strange sounds and happenings. Whether you believe in ghost stories or not, she makes an interesting subject for a sculpture….

Simon’s Marbury Lady Sculpture

Simon decided to depict the Egyptian lady in his sculpture. However, always creative, he carved her as both a living person AND the ghost! He sculpted the face that faces the road to show the girl alive. Her face is smooth, her expression regal, and proud. The orchard view shows her eyes closed, hands clutching her chest, giving the story of her sad demise. Her face is also covered with fragments of veil which reflect the accounts of sightings of The Marbury Lady.
As well as depicting her in both life and death, Simon did this because he wanted to encourage people not just to view passively, but to physically engage with the sculpture. In carving her this way, people have to physically move round to the other side of the sculpture to see the full story.

The Living depiction of The Marbury Lady by Simon O'Rourke

 

The Marbury Lady, ghost side, Simon O'Rourke

The side depicting the ghostly Marbury Lady

A Test of Skill

Simon had been looking forward to this project ever since it was approved last year. She wasn’t without her challenges though. To begin with, their is the challenge of carving a standing stump, rather than a piece of timber in the workshop. With a piece of timber, it may be tricky to source another ‘perfect’ piece….but it can be done. With a standing stump that is being transformed, there is only one chance! No room for mistakes!

Behind the Veil

The other distinct challenge (and a first for Simon on a commission) was the veiling over the ghostly side. When painting or drawing, it is possible to draw the whole face, then ad the veil over the top. Even in sculpting with clay or similar, the veil is added. In the case of tree carving, Simon could only take away. That meant not only using technical skill and tool like the golden ratio to envision the correct proportions and expression, but being able to do so whilst also imagining where and how the veiling would fall, and taking into account having to leave that behind.

Tools of the Trade

As always, he cut as far down as he could with his larger Stihl chainsaws, before using manpatools angle grinder followed by the saburrtooth bits (especially the large flame bit) to finish the detail and texture. We’re sure you can imagine too, working at the top of all that scaffolding, the cordless saws with backpack for holding the battery pack (Stihl) were essential!

Looking at the finished sculpture though, you can see Simon rose to the challenges, and created something absolutely unique, relevant to the area, and enthralling for the viewer. Thank you to Filmage.co.uk for the video!

Here's the time lapse video of the Marbury Lady! Thanks to filmage.co.uk for the excellent editing!

Posted by Simon O'Rourke – Tree Carving on Wednesday, 5 February 2020

We think this is one of Simon’s best examples of sculpting female form, and certainly stands alongside his Spirit of Ecstasy, Angel at the Pool of Bethesda and Viking Raid. Which are your favourite of Simon’s female sculptures? Why not comment below and let us know?!

And, as always, if you have a damaged tree that you would like to breathe new life into, email [email protected] to talk about some possibilities.

Into the 20’s – A Review of the Decade

Into the 20’s – A Review of the Decade 150 150 Simon O'Rourke

As we start a new decade, we’ve been reflecting on the many changes that have happened personally and professionally over the last ten years. Professionally, it’s been a great decade with some fantastic opportunities and commissions. We’ve also met some amazing people and seen some wonderful places along the way. Before we move forward into the 20’s, we thought we would bring you our ‘review of the decade’. And, as we do, let us wish you a Happy New Year from all at Tree Carving.

Simon O'Rourke Game of Thrones Egg Carrier carving

Simon and Liz O’Rourke wish you a happy new year (and decade) on behalf of the Tree Carving team.

Review of the Decade: 2010

As we looked back, we could definitely see we didn’t use social media as much! And the technology we used definitely didn’t produce the kind of photos and videos we do today! But here is a look back at two competition pieces from that year, both taking second place. Neptune from the English Open Chainsaw competition, and a traditional miner from the Huskycup.
A quick glimpse at Simon’s awards shows that this was a good decade for competition, placing in most things he entered and winning seven awards. However, when it comes to competitions Simon says:
“Competitive sculpture has taught me a lot about completing work to a deadline. I have competed all over the world and although I have placed highly in many events, the most important thing to me is being happy with my own work.”

Neptune by Simon O'Rourke as featured in his review of the decade

Simon O'Rourke second place huskycup 2010

Review of the Decade: 2011

Two of the projects we chose as highlights from 2011 are The Giant Hand of Vrynwy, and the Somerset Tree.

At 50′ tall, it was no wonder the hand caught the attention of the local press, as you can see in the article by The Leader newspaper. Simon’s inspiration for the hand came from the name for the woodland area, which made reference to giants. Creating something on this scale reminded Simon how small we are compared to some of the living organisms on this planet. He described the experience as being very humbling!

Giant hand by Simon O'Rourke

The next project although tall still, was a little smaller in scale! Simon was commissioned by the Museum of Somerset to create this stunning tree for their new museum. Sourced from local wood, it stands proudly in the museum where it tells some of the area’s 400 million year history.

Tree of Somerset by Simon O'Rourke

Review of the decade: Tree of Somerset by Simon O'Rourke

Review of the Decade: 2012

Another Huskycup entry! This time, the sculpture of “Christian and Mary”. Simon worked on this piece as part of ‘Team Europe’ with Tommy Craggs and Michael Tamoszus. They placed fourth overall, with some tough competition from a great bunch of talented artists. As we had a quick glimpse back at the Facebook album of the event it was lovely to be reminded of the support, encouragement and lovely comments.

Christian & Martha Huskycup 2012 by O'Rourke, Cloggs and Tamoszus

Review of the decade: Christian & Martha Huskycup 2012 by O'Rourke, Cloggs and Tamoszus

fourth place Huskycup 2012 by O'Rourke, Cloggs and Tamoszus

Review of the Decade: 2013

For our 2013 highlight, we chose something a little different. During that year Simon created this incredible Alice in Wonderland booth for Steak of the Art in Bristol. Their vision is for the restaurant to be an ever-changing art gallery that compliments their delicious menu. As you can see from the photos in the case study Simon wrote, his booth more than fits their vision. Every single character is its own work of art, and with so much to see, although the piece doesn’t change, there is something new to notice each time you sit within it. Here we get a reflection of the changing technology too, with this timelapse video of its making!

Alice in Wonderland booth at Steak of the Art by Simon O'Rourke (a review of the decade)

Alice in Wonderland booth by Simon O'Rourke, Steak of the Art

Alice in Wonderland booth by Simon O'Rourke, Steak of the Art

Review of the Decade: 2014

2014 saw us receive a lot of publicity for two ‘guardians’.

The first was created for the ‘Pawtraits‘ series by Maria Slough, and was actually named ‘The Guardian‘. The series featured people photographed alongside animals that had impacted their lives, and Simon was brought in to create a piece to be used for the portrait of Virginia McKenna. Understandably, the actress wasn’t too keen on reclining on a real lion – hence Simon stepping in with The Guardian! As McKenna was so impressed with his work, Simon was later commissioned to sculpt a lion cub for the Born Free Foundation charity auction, a charity McKenna established. As well as the photos below, you can click HERE to see a timelapse of The Guardian being made.

 

The Guardian by Simon O'Rourke

Maria Slough Pawtrait Virginia McKenna featuring lion by Simon O'Rourke

Photograph copyright of Maria Slough from the Pawtraits Series

The other ‘guardian’ created by Simon that year is just as iconic. Phil and Leah from Wahoo Group wanted to harness the power of social media and do something novel to help sell their home. Thinking completely outside of the box (no baked cookies here!) they commissioned a sculpture of…..Batman!

The caped crusader sat on top of their home where it gained attention from both local and global news outlets, and helped the couple find tenants for their property.

Wooden Batman carving by Simon O'Rourke

Wooden Batman carving by Simon O'Rourke

Batman by Simon O'Rourke and St Giles Church Wrexham

As one of Simon’s strengths is Human Form, we also couldn’t resist throwing in this sculpture of Scottish explorer, Mungo Park. He was commissioned for a pub in the explorer’s hometown of Peebles, and sits on this bench for passers by to enjoy.

Review of the decade 2014 Mungo Park

 

 

Review of the decade 2014 Mungo Park

Review of the Decade: 2015

2015 was the year when Simon won the English Open Chainsaw Competition with Hemlock the Dragon.

Since then Hemlock has made countless appearances around the country, including at a wedding! Hemlock has recently had some repair work on the wings, and is ready to meet the public again. If you are interested in hiring Hemlock for your event, just email us on [email protected]

Hemlock the Dragon English Open Chainsaw Competition 2015 by Simon O'Rourke

Review of the Decade: 2016

2016’s highlight is another Huskycup Flashback: Viking Raid.

As well as the Viking Raid Case Study Simon wrote, we also have a blog about Viking Raid for those who want to know more. As we mentioned in our Huskycup 2019 blog, 2016 was actually the last year Huskycup was a competition. It meant Simon was the last ever Huskycup champion, as Viking Raid took first place. What a way to end the competition for him! Although it is no longer a competition, Simon continues to participate, and it is something of a highlight each year.

In 2016 Simon also became an affiliate of Olfi. We love their action cameras, and how they’ve transformed what we’re able to share with you through timelapse videos. Find out more in our Olfi blog!

Viking Raid at Huskycup 2016 by Simon o'Rourke

 

 

Viking Raid at Huskycup 2016 by Simon o'Rourke

 

Review of the Decade: 2017

2017’s highlight is from Liverpool. Simon created a tribute to The Beatles by carving life size figures of the Fab Four live along the dockside over a weekend. You can read more about the event in our Global Beatles Day Blog, and keep scrolling to enjoy our flashback photos and video.

2017 was also the year Simon began being sponsored by Stihl. Not only do they manufacture quality equipment, but it was something of a ‘full circle’ for Si, as his very first chainsaw experience was using Stihl equipment.

 

Beatles at the Liverpool dockside by Simon O'Rourke

 

Nearly done!!

Posted by Simon O'Rourke – Tree Carving on Monday, 28 August 2017

 Review of the Decade: 2018

As Simon says in his case study about the Spirit of Ecstasy, this was one of his most challenging sculptures to date.
You may remember from our Spirit of Ecstasy blog, that Simon recreated the Rolls Royce icon for an enthusiast to give new life and purpose to a beautiful oak tree which had died. Despite the challenges, the finished piece was faithful to the Rolls Royce concept, graceful and simply stunning. We hope you enjoy the finished result as much as we (and most importantly, the client!) did.

Spirit of Ecstasy by Simon O'Rourke

 

 

Review of the Decade: 2019

In our new year blog at the start of last year, we told you 2019 would be our ‘year of the dragon’. We weren’t wrong! Over the year Simon created seven new dragon-related carvings, including an ice dragon in our local town.
It all started off with The Dragon of Bethesda. It sits in an arboretum in North Wales after the landowner commissioned Simon to create something spectacular from a fallen tree. Y Ddraig Derw was featured in national media, and we are still overwhelmed by the encouraging response from so many people to the piece.

Dragon of Bethesda by Simon O'Rourke

 

Our other dragon highlight from the year, is this stunning casket created for HBO’s Game of Thrones.

Game of Thrones egg props Simon O'Rourke

Simon was commissioned by HBO as part of a wider project where artists re-imagined original props from the show. He received these beautiful dragon eggs, and created the casket for them to sit in. You can remind yourself of the whole project and process in our Game of Thrones blog.

Again, we were amazed, thankful and VERY encouraged by all the positive comments we received.

This is also the year Simon became an affiliate for ManpaTools. Their angle grinders especially have taken some of his texture and detail to a whole new level.

Simon O'Rourke casket Game of Thrones Season Eight

Moving into 2020, Simon has also become an affiliate for Saburrtooth. With quality tools and equipment from Stihl, Manpa and Saburr, Simon’s talent and creativity, and the continued support of all our amazing clients and co-workers, we look forward to what the next decade – the roaring 20’s – will hold.

We hope you enjoyed our Review of the Decade. We definitely loved seeing some of these pieces afresh as we looked back.
As always, if you have a project in mind, email us on [email protected]

Ayrton Senna Tribute Sculpture

Ayrton Senna Tribute Sculpture 150 150 Simon O'Rourke

When we think about ‘celebrity deaths’ over the last 25 years, many tragic or difficult stories come to mind. We think of many phenomenally talented individuals where we lament the loss, and the potential unfulfilled. None more so than Brazilian F1 driver, Ayrton Senna.
2019 marked 25 years since his tragic death at the San Marino Grand Prix. Anniversary tributes appeared in the media over the year, and caught Simon’s attention as he remembered ‘F1’s darkest weekend‘. Fascinated by Senna’s character and story, Simon decided to create his own memorial to the legend: this Ayrton Senna Tribute Sculpture.

Ayrton Senna Tribute sculpture by Simon O'Rourke

Choosing the Timber

Simon wanted the sculpture to not only look like a fitting tribute, but to also reflect, tell or share some of Senna’s story. For that reason, he took his time selecting the wood.

Eventually he found a piece of oak through a local farmer that he decided was perfect. However, it wasn’t just the size and shape that made it ‘the one’. Simon was looking for a piece of timber which had shared some of its lifetime with Senna himself.

Knowing the date this particular oak was felled meant Simon could count the growth rings and find the piece of timber that was alive and growing during Senna’s lifetime. This led to a unique feature on his Ayrton Senna tribute sculpture. Simon has marked out on Senna’s shoulder the growth rings for 1960-1994; the 34 years of Senna’s life.

growth rings for senna's lifetime marked on the ayrton senna tribute sculpture by simon o'rourke

Reflecting Character

When Simon carves a real person, his concern is not just for the physical features – although that is immensely important to him. He is also concerned about reflecting the character of the person. That meant Simon had to get to know afresh the character he had seen on screen as a teenager. Books, photographs, interviews, articles and documentaries helped re-introduce Simon to the person of Ayrton Senna.
It became clear that Senna was charismatic but also enigmatic, thoughtful and pensive.
He was sensible and intentional – but also playful.
It was these qualities which, ironically, meant Senna was chosen to head up a group of drivers dedicated to making the sport to make it safer, the weekend of his death.
Simon chose to reflect these characteristics by giving his  Ayrton Senna tribute sculpture a serene posture and gaze, but with a real twinkle in his eye.

Simon o'Rourke working on the eyes of his Ayrton Senna tribute sculpture

Working on getting that twinkle and expression right

Ayrton Senna by Simon O'Rourke in progress

Sculpting the Face

As we talked about in our blog about the golden ratio, sculpting faces is always a challenge. It is always so much harder too when Simon can’t meet the person. As Simon says:
“It’s always difficult working from photos. You’re constantly having to evaluate the structure of the face based on multiple light sources and camera lens distortion. Two photos of the same person can look vastly different. You have to understand the structure of the human face to make those decisions on depth and form.”

It’s clear the time spent studying, measuring and re-evaluating has paid off though, as the likeness to images of Senna is uncanny, and the sculpture is instantly recognisable as the Brazilian legend.

Images of Ayrton Senna in the workshop of Simon O'Rourke

Some of the images Simon worked from for his Ayrton Senna tribute sculpture

Finished Ayrton Senna tribute sculpture in the workshop by simon o'rourke

The finished piece in the workshop

On Display

Unlike many of Simon’s pieces, this Senna homage was a passion project rather than a specific commission. Thanks to the Wahoo Group and Real Five Networking though, rather than remain in the workshop, the sculpture is currently available for the public to view. Their support and connections meant that in December, the sculpture is now being exhibited at Mews of Mayfair; a beautiful restaurant and bar in Mayfair. If you’re visiting London, why not book yourselves in for a delicious meal and take a look? We’d love it if you got any photos or selfies with the sculpture if you could tag us too!

Bust of Ayrton Senna by Simon O'Rourke

Continuing a Legacy

During his lifetime Senna was dedicated to far more than just being the best in his sport. He also had a passion and felt a sense of responsibility to use his position to better the lives of children in his native Brazil. As such, he was also a philanthropist, the creator of Senninha, and had talked with his sister before his final trip to Italy about creating a charity. His sister honoured that conversation, and has built the Ayrton Senna Foundation.

Keeping in that spirit, Simon has chosen to sell this Ayrton Senna tribute sculpture in a sealed bid auction. A significant portion of the winning bid will then be donated to the Grand Prix Trust. This charity provides support for Formula 1’s helping team personnel, trackside or factory-based, to put their lives back on track when things go wrong. We believe from all the research into Senna’s life that this would be a cause that he himself would have been behind.

You can place you bid by visiting www.treecarving.co.uk/senna/  where there is an online bidding form at the bottom of the article.

 

The Case of the Sherlock Holmes Bust

The Case of the Sherlock Holmes Bust 150 150 Simon O'Rourke

Sherlock Holmes. He may not have been the first recorded fictional detective, but Guinness World Records lists him as the most portrayed. Ever since his first appearance in 1887, we’ve seen him in books, comics, movies, TV series, art work and more. In fact, he’s been played by over 75 actors! Now, in 2019, we bring you: Simon O’Rourke’s tree carving ‘Sherlock Holmes Bust’.

Sherlock Holmes bust by Simon O'Rourke

The Timber

The Sherlock Holmes bust was for a private client who commissioned it as a gift. He’s made from oak which means that although he is pale at the moment and has some yellow tones, in time he will get darker. The rings and markings will become black as it makes contact with rain, and the UV rays of the sun will cause the wood to pick up greyish hues. In combination with the natural darkening, it means that as he ages, the wood will become more reminiscent of the furniture and drawing room decor of the Sherlock’s own era.

Sherlock Holmes bust by Simon O'Rourke

It’s all in the Details!

Fans of the detective will have noticed a few interesting details on the Sherlock Holmes bust that refer to Conan Doyle’s original short stories, and four novels.
Incidentally, as well using his trusted Stihl and Manpa tools for this project, Simon also used the Saburrtooth burr bits on the die grinder and some of their small rotary tools to achieve the details and texture. But back to the details! Simon included nine ‘clues’ or references to the Sherlock Holmes stories on the bust. Can you spot them all? See how many you can find before we reveal all later!

Sherlock Holmes Sculpture by Simon O'Rourke

The Inspiration

One of the problems when creating a sculpture of a character from a book, is that there isn’t a definitive image to work from as there would be a historic figure. This is only heightened when he has been represented by so many different people on screen too! As the client is a fan of the fiction and not just a particular on-screen representation of Sherlock, Simon chose the Sidney Paget illustrations as his inspiration.

Paget illustrated the original Conan Doyle stories for The Strand magazine. With over 350 illustrations created by Paget, there was no shortage of imagery to work from! Simon not only used the facial features of the Paget artwork as the basis for his carving, but was also attentive to the original stories as he added details to the bust. One of the most obvious of these is the shape of the pipe. Although we have come to associate Sherlock Holmes with a large, curved meerschaum pipe, there is actually no reference to this in the original stories. By choosing something simpler and less iconic, Simon has ensured the bust is faithful to the original illustrations rather than the images that evolved over time.

Sherlock Holmes by Simon O'Rourke

The Big Reveal!

All good detective stories end with a ‘big reveal’. Thankfully, when this sculpture was revealed to the birthday person, it was received better than the surprise the characters often get in crime fiction! We are glad to say that the client told us Sherlock arrived this afternoon and is now in its final location. We’re absolutely delighted – it is stunning!”

And now, for our other ‘big reveal’: The clues within the Sherlock Holmes Bust……

Snake and Baker Street Detail from Sherlock Holmes Sculpture by Simon O'Rourke

 

The Hidden Clues

As you look at the various views of Sherlock, you should hopefully find the following ten references to stories:

1. Stiletto dagger he used to pin correspondence to the mantle piece
2. Pince nez glasses – The Golden Pince-nez
3. Honeycomb – His Last Bow
4. Broken crown – Musgrave ritual
5. Persian slipper he used for storing tobacco

Sherlock Holmes tree carving statue by Simon O'Rourke

6. Handgun
7. 221b plaque
8. Snake – The Speckled Band
9. Violin
10. Stick Men – The Adventure of the Dancing Men

Oak Sherlock Holmes Bust by Simon O'Rourke

We loved this commission, because as well as being an opportunity for Simon to show his talent for human form, it was such a unique gift to create. If you need a beautiful, unique and sustainable gift for somebody, contact us on [email protected] to talk about the details.

Queen of the South Legends Unveiled

Queen of the South Legends Unveiled 150 150 Simon O'Rourke

Back in May we started sharing videos and photos of a statue of three footballers that Simon was working on. Five months later, we’re proud to see the statue of the Queen of the South legends finally installed and unveiled!

Queen of the South Legends statue by Simon O'Rourke unveiled in Dumfries

Queen of the South Legends Statue unveiled October 2019

The Commission

The statue was commissioned by The People’s Project and stands outside the Queen of the South stadium in Dumfries. The People’s Project exists to help rekindle community within Dumfries. It does this through practical projects, funding of community initiatives, and creating opportunities to remind people of the heritage of their town. This statue isn’t their first commission, and they have also restored or commissioned statues of Robert De Bruce, and Peter Pan.

This particular commission commemorates three of the legends of Queen of the South FC: Billy Houliston, Alan Ball, and Stephen Dobbie. Each player represents a different era, achievement and contribution to the club. To find out more about each player, visit http://www.qosfc.com/news-4765. We think it’s always inspiring to read about passion t,alent and dedication, even if football may not be your thing!

Stephen Dobbie with his likeness at the unveiling of the Queen of the South Legends by Simon O'Rourke

Current player Stephen Dobbie with his likeness at the unveiling

Making the Statue

This statue was always going to be a challenge. The original goal was to make the three life-sized players out of one piece of oak:

About to begin a project that will be a big challenge… And for once it isn't a dragon!!Three life size footballers in one log…

Posted by Simon O'Rourke – Tree Carving on Wednesday, 22 May 2019

If you watched the video, you would have seen Simon refer to a crack throughout the timber. That obviously meant he had to react immediately, and think about how to work with and around that crack. In the beginning this seemed to have a simple solution. Just turn the trunk upside down!

In addition though, he had to think not only about what that crack is like in the moment, but what would happen in years to come. It turned out that when he considered the Scottish weather, that crack was going to create some problems. Simon ended up having to cut out one player, and use a second piece of timber, as you can see in the next video. Every cloud has a silver lining though! Removing that player helped Simon overcome one of the other challenges in a 360° statue – reaching the backs of the other players!

An update on the footballers!!

Posted by Simon O'Rourke – Tree Carving on Monday, 1 July 2019

Queen of the South FC statue in process after a player had been removed, allowing Simon to access the backs of the other players

The statue in process after a player had been removed, allowing Simon to access the backs of the other players

Creating a Likeness

As well as technical challenges, there was then the task of creating an accurate likeness. As we’ve mentioned in this blog, this means not only dealing with correct shape and ratio, but also the challenge of depth. In this case too, it also has to be true to life, and there isn’t as much artistic license. Especially in the case of a statue like this where the purpose is to honour people, Simon always wishes to capture them in a way which is accurate and tells a story of who they really are. For those who wonder how possible that is when using power tools, this comparison says it all!

Close up of Billy Houliston statue with one of the photos Simon worked from to create The Queen of the South legends

Billy Houliston statue with one of the photos Simon worked from

Creating Community – Not Just a Statue.

Part of the purpose of this statue was to commemorate the Queen of the South legends. It is has a bigger purpose that goes beyond this though.

The reason for commemorating these players is to remind the Dumfries community of their heritage. To remind them of town and community achievements they can be proud of. It reminds them of things they have in common like the love of a sport or a hero. It gives a focus for unity and remembering positive moments in their community. For the younger person looking at these players immortalised in wood, it gives something to aspire to. And for the older generation, it can bring about a sense of nostalgia and ‘the good old days’ that brings joy and encouragement. The kits from the different eras clearly show achievements across the years and history, and so it helps unite generations in a mutual appreciate of their team and its history.

Stephen Dobbie and club officials at the unveiling of the Queen of the South legends statue by Simon o'Rourke

Stephen Dobbie and club officials at the unveiling

And so, statues like this are more than just pieces of art to be admired. They also help unite, inspire, and promote community. Even the simple act of coming together for an unveiling ceremony helps create all these things.

If you are part of a town, club, society or community and would like to explore a similar idea, why not send us a message? As always, Simon is available on [email protected] to talk about your vision, hopes and the practical details.

Radagast the Brown, (Blue and Pink).

Radagast the Brown, (Blue and Pink). 150 150 Simon O'Rourke

Isn’t he amazing?! Meet Radagast the Brown!

Radagast the Brown by Simon O'Rourke

 

Simon recently worked on this sculpture of Radagast the Brown from Tolkien’s ‘Lord of the Rings’.

We think he makes a striking figure rising up among the shrubbery. We love the detail too like his wise, all-seeing eyes and wild beard. It’s so easy to imagine birds nesting in it, as the story goes. The bird on his head and the bottle of medicine are perfect references to the series. Radagast the Brown is known to communicate with ‘beasts and birds’, so it is especially appropriate that this sculpture is found outdoors.

Radagast the Brown by Simon O'Rourke

 

 

Why the decision to have a wizard in this otherwise typical garden?

Sadly, it came about because of disease in the tree: a blue atlas cedar.

The fungus responsible is sirococcus, and its incidence has gradually been increasing throughout the UK since 2016. It’s thought that it spreads through rain splash, strong winds, and possibly seed transmission, and there is unfortunately no known cure. Damaged trees must be cut back. Although it will sometimes kill younger trees, the RHS reports mature trees can live for many years.

If you are the owner of a Blue Atlas Cedar, there are a couple of signs to watch out for. The main one is pink needles. This is a sign of death, and they will later turn brown and drop off. The tree may also get cankers, gum bleeds, and grow fruiting bodies on the dead leaves. Click HERE to find out more and see images of things to look out for. Forest Research have also published a helpful article HERE.

Sirococcus-conigenus-on-cedar-of-Lebanon-

Example of the typical pink needles of an infected tree.

Government bodies are also trying to track the spread.

That means it’s important to report it, if you see a tree you think may be infected. The link and everything you need to know to make a report can be found HERE. Reporting is so important, so we ask you to PLEASE consider doing your part.

Radagast the Brown by Simon O'Rourke

All is not lost though if  your own tree is infected!

Simon is on hand to transform it and give it new life. Whether a fantasy sculpture like this, or something more ‘natural’ like THESE are your thing, Simon is able to create something beautiful for your garden.

Email  [email protected] to find out how he can help you.

 

Viewing Our Lady of Pen Llyn

Viewing Our Lady of Pen Llyn 150 150 Simon O'Rourke
Our Lady of Pen Llyn

One of the beautiful things about art, is that while the artist may have a vision or message, it speaks to people in different ways as they view. Our recent sculpture Our Lady of Pen Llyn is no different, so we wanted to share some thoughts others have had, and invite you to comment too.

Our Lady of Pen Llyn displayed at St Peter's, Pwllheli

Our Lady of Pen Llyn displayed at St Peter’s, Pwllheli

 

Reflecting On The Sculpture

One viewer has commented on the serenity of her expression, and a kind of wisdom and depth in her eyes.
Father Huw Bryant (the man behind the redevelopment project that led to the commission) has shared some of his thoughts in the statue description found at the church:

“One of the main features of the statue is Mary’s open handed pose. The Open Hand Image represents a hand open to give, as well as open to receive. Mary gave herself fully to the will of God, and she received the Holy Spirit. She gave the world her Son on the cross and she received the consolation of Joy in the resurrection. She lived with those hands open, open in trust, open in faith. Something we can emulate, to live with open hands, to not only give, but to receive as well. Out of living with open hands comes fresh new growth.  Living with open hands is an expression of an open mind, open heart, and open will.  Not only does living with open hands bring forth beauty but it is also the source of the passion of compassion. The flames of love are not stifled but are fanned into all-consuming, all-embracing, all-inclusive, unconditional love.”

Here her open hands are more visible

A Fountain of Grace

He adds:

Another feature worth contemplating is the plinth which is carved from Welsh Oak. It is designed to represent a fountain on which Mary sits. This is a representation of the Holy Well on Uwchmynydd and links to the vision of her, unique to that place. The fountain is that fountain of grace which Mary unlocks for us through her Yes to God as she bares our Christ into the world. A fountain, like that well on Uwchmynydd which is open for us today, for all to drink from it’s pure waters and thirst no more.”

Close up of the plinth mentioned by Father Huw

Of course, photos often don’t do justice to a piece of art. For those who would like a better visual, but can’t see the statue during her tour, our friends at Public-Art UK have created this fantastic 3D image for you to see.

We’d love to hear your thoughts about our sculpture, and what aspects speak most to you. Why not leave us a comment below?

 

 

Our Lady of Pen Llyn

Our Lady of Pen Llyn 150 150 Simon O'Rourke
The Commission

Every commission has its own story, and some go back further than others. This week our blog is the story behind Our Lady of Pen Llyn – a story that spans generations and continents.
Our thanks go to Father Huw Bryant of Bro Enlli who helped us understand the history and significance. He graciously supplied far more than we could include in this blog. If it catches your attention, we recommend visiting their Facebook page to find out more, or visiting any of the links.

Early sketches of Our Lady of Pen Llyn by Simon O'Rourke

Early sketches of Our Lady of Pen Llyn

Our Lady of Pen Llyn (Mair Forwyn Y Mor) is a commission from St Peter’s Church, Pwllheli. She is one small part of their ongoing redevelopment of the church as a site for pilgrimage. When people think of sacred sites in North Wales, they usually name Bardsey Island (Ynys Enlli). However, in centuries past, Pwllheli was also a significant site for pilgrimage. Three years ago the shrine was re-opened. Believers began to come once again to St Peter’s to spend time in quiet, prayer and contemplation.

Mary sculpture in progress in Simon O'Rourke's workshop

Our Lady of Pen Llyn in progress in Simon’s workshop

The Journey of a Sculpture

The idea for this sculpture began when one such visitor donated a relic believed to be a piece of the veil worn by Mary (the mother of Jesus) at the cross. The church began looking for a way of displaying the relic, to make it accessible to visitors.  As they explored possibilities, they remembered the works of Hywel Rheinallt. He describes a statue of Mary in the area, that is believed to have been lost during the reformation. In wishing to reinstate that heritage, Fr Huw Bryant began to talk with Simon about a new statue.

Simon O'Rourkes sculpture displayed at St Peter's Pwllheli

Our Lady of Pen Llyn displayed at St Peter’s Pwllheli

The Artistic Process

Mary has been a popular subject for art in all mediums over the ages. One of the challenges with being commissioned to create such a sculpture is where to start, and how to bring something fresh.

What age should she be?
What mood are we portraying?
Should she stand, sit, or knee?

Simon and Father Huw began their conversation around the original statue, and the ancient seal of Pwllheli which also depicted Mary. Although all images of both seem to have been lost, there are descriptions of a vision of Mary at Uwchmynydd (a holy well in the area). Local artist Su Walls has a series depicting these visions, and these formed the basis for early conversation about the statue.

Our Lady of Pen Llyn displayed at St Peter's, Pwllheli

Our Lady of Pen Llyn displayed at St Peter’s, Pwllheli

A Beautiful Unveiling

Simon’s statue was unveiled last weekend, accompanied by a performance “The Protecting Veil” by Sir John Tavener.
In keeping with a tradition of religious statues going on tour, Our Lady of Pen Llyn is now rotating round churches in the area (view dates HERE).
She will return to St Peter’s on 15th August and will stay in the shrine area of the church where the relic is already on display. The church hopes she will be part of the devotional life of the shrine – another way of helping people enter the story of faith.

Close up view of Our Lady of Pen Llyn at St Peter's, Pwllheli

Close up view of Our Lady of Pen Llyn at St Peter’s, Pwllheli

Praise For Our Lady of Pen Llyn

Father Huw Bryant has said of the sculpture:

“It’s great to be able to have something that is both ancient and new, something to replace the medieval statue which is part of our cultural heritage that had been lost but made new for a new generation of Christians. What could symbolise such a fresh and new approach to an ancient practice than to carve it with a chainsaw!
It is a privilege over the last 3 years to see a shrine re-born and begin to bear fruit and this statue is the next step in the life of the Shrine being re-established for generations to come. Given that the Image of Our Lady of Walsingham has been used by Christian’s to guide them to Christ for over 950 years, it’s humbling to think Simon’s carving may be helping people find their way to God for hundreds of years to come.”

We agree! This is one of those times where art has an incredible impact on the soul and spirit. When we think of impacting people over the decades – maybe even centuries – to come, it’s humbling for us too !
Close up of the face of Our Lady of Pen Llyn by Simon O'Rourke

Close up of the face of Our Lady of Pen Llyn

Viewing the Sculpture

St Peter’s Church and Shrine are open Tuesday – Sunday for pilgrims to visit. There is also a shrine mass every Saturday at 10am.

If groups are interested in coming and would like services and devotions laid on, you can message them via their Facebook page or calling 01758 614693.

As always, Simon is available to talk about similar commissions at [email protected]

Carved Day’s Night: Global Beatles Day

Carved Day’s Night: Global Beatles Day 150 150 Simon O'Rourke

June 25th was Global Beatles Day. Yes, there is such a thing!
The day celebrates the ideals of The Beatles, and honours them as individuals. We love the music of the Beatles, and with Simon also being a Liverpudlian, we couldn’t let it pass without a flashback to Simon’s Beatles carvings.

Simon carving The Beatles

Work in progress!

Simon created The Beatles sculptures over four days in Liverpool in August 2017. It was part of an event at the pier head, so locals were also able to watch Simon at work. Needless to say, they loved seeing their very own ‘fab four’ coming to life!


Beatles Sculptures outside the Liver building for Global Beatles Day

Making each figure took around six hours. From facial details to posture, each one is a great representation, and reflects Simon’s talent for human form. The ‘Fab Four’ were then auctioned off in aid of Variety charity, and ended up raising over £15,000! Global development and human rights were important to the members of the band, and as Global Beatles Day also celebrates their values, we reckon that fantastic result is another good reason to revisit these pieces today.

Simon O'Rourke Celebrating Global Beatles Day with his Beatles sculptures

Simon with the finished band!

Since then Simon has recreated lots of figures from the airman at Highclere Castle to other Liverpudlians like Cilla Black and Ken Dodd. You can see some of his human form portfolio here.

If there are events, anniversaries etc that you would like marked with your own sculpture, get in touch with us at [email protected] to find out more.

Spirit of Ecstasy: Recreating an Icon

Spirit of Ecstasy: Recreating an Icon 150 150 Simon O'Rourke
  • She was originally created in 1909
  • She’s based on the then company secretary, Eleanor Thornton
  • The owner of the company didn’t agree with her presence, even though today she is synonymous with the brand
  • She can be made from silver and gold plated nickel or steel, stainless steel, crystal, with adaptations such as black matte paint, diamond studding or even ‘faberge’ styling
  • She has many names, and is sometimes still known today as Emily, Silver Lady, or Flying Lady
  • We’re featuring her in this blog because it ties in with the London Motor Show which is being held this week

Can you guess what today’s blog is about yet?

What about from these photos of the work in progress?

Work in Progress: Spirit of Ecstasy by Simon O'Rourke

Today’s featured work in progress

Spirit of Ecstasy

Some of that was probably a bit obscure, so we won’t leave in any more suspense!

Today we’re featuring Simon’s representation of ‘The Spirit of Ecstasy’; the figurine found on the bonnet of Rolls Royce Vehicles. If you were to wander around the Motor Show this weekend, we’re pretty sure you’d see a few different examples of her – but none quite as tall as this one!

Spirit of Ecstasy by Simon O'Rourke

Spirit of Ecstasy by Simon O’Rourke

The Background Story

This particular sculpting of the iconic figure was a private commission for the garden of a Rolls Royce enthusiast. She was quite the undertaking as she is ‘larger than life’, and took several days to complete. With her grace and elegance though we think that she’s the perfect addition to this car-lover’s garden, especially months on, when the plants have matured around her plinth.

Spirit of Ecstasy by Simon O'Rourke with matured plants

Spirit of Ecstasy with matured plants

Something for the Future

The figure of ‘The Flying Lady’ lends itself nicely to becoming a classical-looking garden statue. It got us wondering though, for all the other car lovers out there, what other emblems or figurines would you like to see Simon carve?

Perhaps the Ferrari horse for their head office in Maranello?

Maybe a jaguar for a fountain of the grounds of ….well, Jaguar?

Or, for something really obscure, a Marlin for a classic car collector?

Comment or tweet to let us know your ideas!

Spirit of Ecstasy by Simon O'Rourke

Spirit of Ecstasy by Simon O’Rourke

If you would like a carving for your offices, community area, home or garden to reflect your passion or hobby, contact @[email protected] to commission something truly unique to you.