Human Form

The Rauschwitz Angel

The Rauschwitz Angel 150 150 Simon O'Rourke

Germany has a big tree carving tradition, and throughout the year there are events, festivals and competitions. We love that we get to be part of these events and the tree carving community. Each time we participate we meet wonderful people and grow friendships whilst helping to maintain the tradition. Simon’s recent Rauschwitz Angel carving was one of those opportunities.

The Rauschwitz Angel is from one of the newer events in the Tree Carving calendar. The event is hosted by Rauschwitzer Wood Culture Community and is run by Christian Schmidt – a talented tree carver himself. It featured several artists creating exhibits, as well as a speed carving competition.

The location was an open air church in Rauschwitz. The ‘walls’ of the church are trees, and there is a clear space between them, with benches for the congregation to sit on. The task this year for all the participants was to carve an angel for the end of each of the church benches.

Rauschwitz Church Angel by Simon O'Rourke

Rauschwitz Angel by Simon O’Rourke – notice the photobomb by @poppystihl!

The angel ‘theme’ tied the carvings together, and created the effect of an exhibition. Whilst there was incredible diversity as each artist was free to carve their own interpretation, there is also a real unity as they all carved the same subject. Obviously, this makes for a good exhibit! This diversity within unity is a also great depiction of what church is supposed to be too.

Rather than just focus on Simon’s sculpture, we thought we would also share some others from the event. What do you like about each, and why? Leave us a comment and let us know!

Griffon Ramsey angel

Angel by Griffon Ramsey

Angel at Rauschwitz by Dieter Kruger

Angel by Andrej Lochel

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A Bavarian Fairy Tale

A Bavarian Fairy Tale 150 150 Simon O'Rourke
The Event

Every two years friends of ours organise and host ‘Allgauer Schnitzevent‘ in the Bavaria region of Germany. As well as tree carving, there’s an opportunity to enjoy beautiful scenery and take part in family activities and games. Oh, and of course, there’s great German food and beer!

The event is a wonderful way of preserving the Bavarian tree carving tradition, and it’s an honour to take part. This year Simon carved the Bavarian Fairy of our title. We hope you enjoy reading about some of the challenges in making her, and how they are overcome.

Entrance to Allegauer Schnitzevent

The Bavarian Fairy

The ‘Bavarian Fairy’ Simon created is in the video below. She beautifully balances realistic human form (especially with her wistful or pensive expression) and whimsy or fantasy (her toadstool seat, and delicately patterned wings). Whilst Simon often uses a lot of texture to bring life to his human sculptures, we love how her smooth limbs and delicate hands and feet add to the sense of a delicate, whimsical being.

Apologies the video I posted yesterday was the wrong one so I deleted it! This one walks around the whole sculpture!!

Posted by Simon O'Rourke – Tree Carving on Sunday, 7 July 2019

Challenges with the carving

Carving faces is no easy task. In fact, Simon had to actually cut this one right back and start again! Part of the challenge he faces (pun intended?!) is getting a sense of depth when carving right on top of the sculpture. The face can look great up close, but it’s only when stepping back that it’s possible to get a sense of depth, and see if it’s ‘correct’.
Do the nose, cheeks and lips protrude the right amount?
How deeply set are the eyes?
Is everything in the right place in relation to each other?

Even then, it’s often not easy to say what needs fixing. Sometimes it’s only when it’s ‘right’ that both artist and viewer can see what was wrong before.

The fairy with her face in profile.

The technical stuff!

This is where training, and technical knowledge come into play. Simon has found researching what’s under the surface is essential for carving human form accurately.
What bones are there?
What about muscle definition?
Does that part actually move that way from that joint?

When carving faces, like many artists before him, Simon has been fascinated by The Golden Ratio.
“What’s the golden ratio?” Keep reading!

Close up of a perfectly proportioned face.

The Golden Ratio

The Golden Ratio has been studied by mathematicians since Euclid. It’s a ‘special number’ (1.618) and describes how the length and width of an object relate to each other. You can find a simple explanation here.

Throughout time people have studied how it appears in different areas. This includes, geometry, nature (eg the human face) and even man made systems, such as financial markets. The artist Dali is known to have incorporated it into his work. Others have speculated that Da Vinci did too, although he seems to deny this. Even architects (eg Le Corbusier) and composers (eg Ravel, Satie, Debussy) have used the golden ratio their work!

 

Applying The Golden Ratio

In recreating faces, the golden ration applies in how the different parts of the face relate to each other, as well as their size and shape. It applies in at least eight different ways, maybe more! For those who are interested, some examples can be found here.

Although studying the golden ration can get quite in-depth and intense, it can often be simplified into a few simple pointers. For example:

  • The distance between the crown of the head and chin, is equal to the distance between the nose and back of the head
  • The gap between the eyes is approximately the size of one eye
  • The tip of the nose and the pupils form a triangle
  • The spaces from the forehead to the eyebrows, from the eyebrows to the bottom of the nose, and from the bottom of the nose, will be a third of the face each

As you can tell from this short ‘lesson’, there’s a LOT more to recreating human form than just jumping in with a brush, pencil or even chainsaw! And to succeed and improve, art, like most areas of life, needs study, practice, and – as with this fairy – humility of the part of the artist to recognise when something isn’t quite right, and re-work it.

What are some of the things you’ve studied or tips you’ve been given that made most difference to your art? Leave us a comment below and let us know!

 

Viewing Our Lady of Pen Llyn

Viewing Our Lady of Pen Llyn 150 150 Simon O'Rourke
Our Lady of Pen Llyn

One of the beautiful things about art, is that while the artist may have a vision or message, it speaks to people in different ways as they view. Our recent sculpture Our Lady of Pen Llyn is no different, so we wanted to share some thoughts others have had, and invite you to comment too.

Our Lady of Pen Llyn displayed at St Peter's, Pwllheli

Our Lady of Pen Llyn displayed at St Peter’s, Pwllheli

 

Reflecting On The Sculpture

One viewer has commented on the serenity of her expression, and a kind of wisdom and depth in her eyes.
Father Huw Bryant (the man behind the redevelopment project that led to the commission) has shared some of his thoughts in the statue description found at the church:

“One of the main features of the statue is Mary’s open handed pose. The Open Hand Image represents a hand open to give, as well as open to receive. Mary gave herself fully to the will of God, and she received the Holy Spirit. She gave the world her Son on the cross and she received the consolation of Joy in the resurrection. She lived with those hands open, open in trust, open in faith. Something we can emulate, to live with open hands, to not only give, but to receive as well. Out of living with open hands comes fresh new growth.  Living with open hands is an expression of an open mind, open heart, and open will.  Not only does living with open hands bring forth beauty but it is also the source of the passion of compassion. The flames of love are not stifled but are fanned into all-consuming, all-embracing, all-inclusive, unconditional love.”

Here her open hands are more visible

A Fountain of Grace

He adds:

Another feature worth contemplating is the plinth which is carved from Welsh Oak. It is designed to represent a fountain on which Mary sits. This is a representation of the Holy Well on Uwchmynydd and links to the vision of her, unique to that place. The fountain is that fountain of grace which Mary unlocks for us through her Yes to God as she bares our Christ into the world. A fountain, like that well on Uwchmynydd which is open for us today, for all to drink from it’s pure waters and thirst no more.”

Close up of the plinth mentioned by Father Huw

Of course, photos often don’t do justice to a piece of art. For those who would like a better visual, but can’t see the statue during her tour, our friends at Public-Art UK have created this fantastic 3D image for you to see.

We’d love to hear your thoughts about our sculpture, and what aspects speak most to you. Why not leave us a comment below?

 

 

Our Lady of Pen Llyn

Our Lady of Pen Llyn 150 150 Simon O'Rourke
As thThe Commission

Every commission has its own story, and some go back further than others. This week our blog is the story behind Our Lady of Pen Llyn – a story that spans generations and continents.
Our thanks go to Father Huw Bryant of Bro Enlli who helped us understand the history and significance. He graciously supplied far more than we could include in this blog. If it catches your attention, we recommend visiting their Facebook page to find out more, or visiting any of the links.

Early sketches of Our Lady of Pen Llyn by Simon O'Rourke

Early sketches of Our Lady of Pen Llyn

Our Lady of Pen Llyn (Mair Forwyn Y Mor) is a commission from St Peter’s Church, Pwllheli. She is one small part of their ongoing redevelopment of the church as a site for pilgrimage. When people think of sacred sites in North Wales, they usually name Bardsey Island (Ynys Enlli). However, in centuries past, Pwllheli was also a significant site for pilgrimage. Three years ago the shrine was re-opened. Believers began to come once again to St Peter’s to spend time in quiet, prayer and contemplation.

Mary sculpture in progress in Simon O'Rourke's workshop

Our Lady of Pen Llyn in progress in Simon’s workshop

The Journey of a Sculpture

The idea for this sculpture began when one such visitor donated a relic believed to be a piece of the veil worn by Mary (the mother of Jesus) at the cross. The church began looking for a way of displaying the relic, to make it accessible to visitors.  As they explored possibilities, they remembered the works of Hywel Rheinallt. He describes a statue of Mary in the area, that is believed to have been lost during the reformation. In wishing to reinstate that heritage, Fr Huw Bryant began to talk with Simon about a new statue.

Simon O'Rourkes sculpture displayed at St Peter's Pwllheli

Our Lady of Pen Llyn displayed at St Peter’s Pwllheli

The Artistic Process

Mary has been a popular subject for art in all mediums over the ages. One of the challenges with being commissioned to create such a sculpture is where to start, and how to bring something fresh.

What age should she be?
What mood are we portraying?
Should she stand, sit, or knee?

Simon and Father Huw began their conversation around the original statue, and the ancient seal of Pwllheli which also depicted Mary. Although all images of both seem to have been lost, there are descriptions of a vision of Mary at Uwchmynydd (a holy well in the area). Local artist Su Walls has a series depicting these visions, and these formed the basis for early conversation about the statue.

Our Lady of Pen Llyn displayed at St Peter's, Pwllheli

Our Lady of Pen Llyn displayed at St Peter’s, Pwllheli

A Beautiful Unveiling

Simon’s statue was unveiled last weekend, accompanied by a performance “The Protecting Veil” by Sir John Tavener.
In keeping with a tradition of religious statues going on tour, Our Lady of Pen Llyn is now rotating round churches in the area (view dates HERE).
She will return to St Peter’s on 15th August and will stay in the shrine area of the church where the relic is already on display. The church hopes she will be part of the devotional life of the shrine – another way of helping people enter the story of faith.

Close up view of Our Lady of Pen Llyn at St Peter's, Pwllheli

Close up view of Our Lady of Pen Llyn at St Peter’s, Pwllheli

Praise For Our Lady of Pen Llyn

Father Huw Bryant has said of the sculpture:

“It’s great to be able to have something that is both ancient and new, something to replace the medieval statue which is part of our cultural heritage that had been lost but made new for a new generation of Christians. What could symbolise such a fresh and new approach to an ancient practice than to carve it with a chainsaw!
It is a privilege over the last 3 years to see a shrine re-born and begin to bear fruit and this statue is the next step in the life of the Shrine being re-established for generations to come. Given that the Image of Our Lady of Walsingham has been used by Christian’s to guide them to Christ for over 950 years, it’s humbling to think Simon’s carving may be helping people find their way to God for hundreds of years to come.”

We agree! This is one of those times where art has an incredible impact on the soul and spirit. When we think of impacting people over the decades – maybe even centuries – to come, it’s humbling for us too !
Close up of the face of Our Lady of Pen Llyn by Simon O'Rourke

Close up of the face of Our Lady of Pen Llyn

Viewing the Sculpture

St Peter’s Church and Shrine are open Tuesday – Sunday for pilgrims to visit. There is also a shrine mass every Saturday at 10am.

If groups are interested in coming and would like services and devotions laid on, you can message them via their Facebook page or calling 01758 614693.

As always, Simon is available to talk about similar commissions at [email protected]

Carved Day’s Night: Global Beatles Day

Carved Day’s Night: Global Beatles Day 150 150 Simon O'Rourke

June 25th was Global Beatles Day. Yes, there is such a thing!
The day celebrates the ideals of The Beatles, and honours them as individuals. We love the music of the Beatles, and with Simon also being a Liverpudlian, we couldn’t let it pass without a flashback to Simon’s Beatles carvings.

Simon carving The Beatles

Work in progress!

Simon created The Beatles sculptures over four days in Liverpool in August 2017. It was part of an event at the pier head, so locals were also able to watch Simon at work. Needless to say, they loved seeing their very own ‘fab four’ coming to life!


Beatles Sculptures outside the Liver building for Global Beatles Day

Making each figure took around six hours. From facial details to posture, each one is a great representation, and reflects Simon’s talent for human form. The ‘Fab Four’ were then auctioned off in aid of Variety charity, and ended up raising over £15,000! Global development and human rights were important to the members of the band, and as Global Beatles Day also celebrates their values, we reckon that fantastic result is another good reason to revisit these pieces today.

Simon O'Rourke Celebrating Global Beatles Day with his Beatles sculptures

Simon with the finished band!

Since then Simon has recreated lots of figures from the airman at Highclere Castle to other Liverpudlians like Cilla Black and Ken Dodd. You can see some of his human form portfolio here.

If there are events, anniversaries etc that you would like marked with your own sculpture, get in touch with us at [email protected] to find out more.

Huskycup Flashback: Miners & Vikings

Huskycup Flashback: Miners & Vikings 150 150 Simon O'Rourke

It canIn a week’s time (8th-10th June) Simon and his wife Liz will be in Germany for The Huskycup.
The Huskycup is an annual event in Blockhausen with demonstrations, exhibits, and a speed-carving competition. At one time it was a competition, but is now a more relaxed demonstration and exhibition event. Artists pair up over the week to create something that ties in with the theme, without the pressure of competition. Simon has often participated, and took first place in 2016 with our first Huskycup Flashback: Viking Raid

Viking Raid, Huskycup 2016

Viking Raid, Huskycup 2016

About Huskycup 2019

Simon will partner with Japanese artist Keji Kedokoro for this year’s event. They will join five other teams to produce the best sculpture they can over the two days. This year’s theme is especially fitting for 2019 for us – Dragons!

The teams can produce anything their imagination allows! It can be realistic, comic, imagined or recognisable from a movie or TV show. The choice is theirs! We’ve seen Simon create amazing dragons in all those styles, so we can’t wait to see what he makes this time!

Until then, here’s another Huskycup flashback: The Bergmen (Miners)….

Simon O'Rourke's Bergmen in progress at Huskycup 2018s

Simon O’Rourke’s Bergmen in progress at Huskycup 2018

Revisiting Huskycup 2018

Simon’s challenge was to recreate a likeness of 15th Century German miners. He loves sculpting human form, so this was a project he could really sink his teeth into. This carve allowed him to show his skill in creating not only lifelike human form, but also historically accurate, realistic clothing through details like buttons on the uniform or the sense of movement of the cloth.

Simon O'Rourke miner carving

Working on details of the miners at Huskycup 2018

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Simon’s inspiration for his human form sculpting comes from Rodin and Bernini. Both are artists known for their use of texture, and for pioneering a style where they created motion and ‘story’ in their sculptures. Simon was faithful to that ideal when he carved these miners. Rather than being presented in a pose, they invite us into a story. It’s pretty clear these re-enactment 15th century Bergmen are delighted with their likeness!

The finished Miners, Huskycup 2018

The finished Miners, Huskycup 2018

Looking Forward

As well as the opportunity to carve, one of the fantastic parts of events like this is the community. The website shows it is going to be an amazing event. There will be great food and drink and entertainment. The speed carve features Germany against a combined Czech Republic and Slovakian team – who are keen to win after their defeat to Germany last time. There will be various demonstrations and craft stands as well as machinery exhibits and even glass work. We just hope the weather co-operates!

We’ll be sharing Simon’s work and news from the event on our Facebook and Instagram.  We wish all the artists good luck, and look forward to sharing with you the finished dragon!

Huskycup 2018

Simon is available for competitions, events and commissioned work. Email [email protected] or use the form on our contact page for information, quotes and availability.

 

 

 

 

Arb Show 2019

Arb Show 2019 150 150 Simon O'Rourke

Every year in May, the Aboricultural Association runs its flag ship event: The Arb Show. It describes itself as being “A celebration of the science of trees”, and Arb Show 2019 definitely lives up to that!

Simon & Stihl

This year the main sponsor for the event was Stihl – who also sponsor Simon! They had a large exhibit at the event, and Simon was invited to take part. Over the two days he performed demonstrations of chain saw carving, and met with people to talk about his art.

Stihl Exhibit at The Arb Show 2019

Simon at the Stihl Exhibit, Arb Show 2019

Demonstration Time!

Simon carved two pieces over the two days, while talking people through his process. He used Stihl’s new MS500i chainsaw for the first time to make the first piece; a horse’s head. Looking at the finished piece (can you believe that was a speed carve?!), we’d say it’s a hit!

Simon O'Rourke with the finished speed carve horse

Simon with the finished speed carve horse

Arb Show 2019 Auction

At the end of each day the pieces were auctioned off for the charity Greenfingers, which creates gardens and respite spaces for children in hospice care across the UK. Thank you to the winning bidders, and we hope you enjoy your sculptures!

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If you’re thinking of coming to check out one of Simon’s demonstrations in future, we thoroughly recommend The Arb Show.

The venue (The National Arboretum), is actually worth a visit at any time of the year. However, during The Arb Show, you can also enjoy exhibits from companies who work with trees in a whole range of ways.

Stihl Exhibit at The Arb Show 2019

Stihl Exhibit at The Arb Show 2019

Beyond the Carving

Exhibitors range from manufacturers of equipment for people working in forestry to conservation groups, from forest schools to artists using trees. Tree surgeons, tree carvers, timber processors and even tree climbers also come along to enjoy the show! In fact, it is also home to the 3ATC open climbing competition!

As well as the expected food stands, there is also entertainment and the opportunity to try your own hand at some of the timber sports – or even axe throwing!

With camping on site for those who want to spend both days enjoying the show, maybe we’ll see you next year?

Spirit of Ecstasy: Recreating an Icon

Spirit of Ecstasy: Recreating an Icon 150 150 Simon O'Rourke
  • She was originally created in 1909
  • She’s based on the then company secretary, Eleanor Thornton
  • The owner of the company didn’t agree with her presence, even though today she is synonymous with the brand
  • She can be made from silver and gold plated nickel or steel, stainless steel, crystal, with adaptations such as black matte paint, diamond studding or even ‘faberge’ styling
  • She has many names, and is sometimes still known today as Emily, Silver Lady, or Flying Lady
  • We’re featuring her in this blog because it ties in with the London Motor Show which is being held this week

Can you guess what today’s blog is about yet?

What about from these photos of the work in progress?

Work in Progress: Spirit of Ecstasy by Simon O'Rourke

Today’s featured work in progress

Spirit of Ecstasy

Some of that was probably a bit obscure, so we won’t leave in any more suspense!

Today we’re featuring Simon’s representation of ‘The Spirit of Ecstasy’; the figurine found on the bonnet of Rolls Royce Vehicles. If you were to wander around the Motor Show this weekend, we’re pretty sure you’d see a few different examples of her – but none quite as tall as this one!

Spirit of Ecstasy by Simon O'Rourke

Spirit of Ecstasy by Simon O’Rourke

The Background Story

This particular sculpting of the iconic figure was a private commission for the garden of a Rolls Royce enthusiast. She was quite the undertaking as she is ‘larger than life’, and took several days to complete. With her grace and elegance though we think that she’s the perfect addition to this car-lover’s garden, especially months on, when the plants have matured around her plinth.

Spirit of Ecstasy by Simon O'Rourke with matured plants

Spirit of Ecstasy with matured plants

Something for the Future

The figure of ‘The Flying Lady’ lends itself nicely to becoming a classical-looking garden statue. It got us wondering though, for all the other car lovers out there, what other emblems or figurines would you like to see Simon carve?

Perhaps the Ferrari horse for their head office in Maranello?

Maybe a jaguar for a fountain of the grounds of ….well, Jaguar?

Or, for something really obscure, a Marlin for a classic car collector?

Comment or tweet to let us know your ideas!

Spirit of Ecstasy by Simon O'Rourke

Spirit of Ecstasy by Simon O’Rourke

If you would like a carving for your offices, community area, home or garden to reflect your passion or hobby, contact @[email protected] to commission something truly unique to you.

Face to Face

Face to Face 150 150 Simon O'Rourke

Earlier in May, Simon had the privilege of being one of the artists to take part in The Sculpture Garden 2019; the launch event of The Cookham Art Festival in Berkshire. He created this fantastic exhibit ‘Face to Face as part of that event.

THE FESTIVAL

The festival itself is over 40 years old, has around 15,000 attendees, and celebrates art in several forms. This year includes the sculpture garden, music, galleries, food, poetry, spoken word, and theatre to name a few. What an amazing, rounded celebration of creativity, talent and skill!

THE EVENT

The Sculpture Garden was a brilliant launch to the festival. It was held at The Odney Club, a private house and gardens owned by the John Lewis Partnership. The venue is not normally open to the public, so the exclusivity added to the festival atmosphere. Visitors to the sculpture garden enjoyed some beautiful carved creations, and live demonstrations of works in progress. They could also the beauty of creation itself as they walked round the stunning gardens. In total there were around 150 exhibits for people to enjoy over the two weeks of the show, created by around 30 different artists, all working in different mediums and styles. Such rich variety in this exhibition alone!

The Odney Club, venue for the 2019 Sculpture Garden

The Odney Club, venue for the 2019 Sculpture Garden

 

SIMON’S EXHIBITS

Simon’s contribution were two finished faces, one which was first created during the APF Show last year (you can flashback and watch the video here). He also exhibited a third smaller version which he completed at the exhibition as a demonstration. Watching him live is undoubtedly the most impressive, but for those who are reading this blog from a distance and won’t be able to catch him at any of the shows this year, here’s the video! For those who are fascinated by the chainsaws and tools, it’s a Milwaukee Cordless Angle Grinder!

 

Face I on display at The Sculpture Garden 2019

Face I on display at The Sculpture Garden 2019

 

ABOUT THE ART

These are a very different style from Simon’s typical human form work, so we asked him to share a little bit more about his inspiration and process:

“I have always had a passion for the human form, and to recreate the human race in a realistic manner can be difficult. I wanted to zone in on sections of the face, giving the impression you’re seeing a snapshot up close. With the one with the detailed eye I wanted to recreate the feel of a real eye sculpturally, and capture the reflection and depth without the use of colour. When we see a face our brains determine what we are seeing with the help of colour and light. When you remove the colour element it really helps you to break down what makes us see and perceive depth. I make cuts deeper than they would be in reality in order to cast a darker shadow to give the illusion of depth.”

 

Face II on display at The Sculpture Garden 2019

Face II on display at The Sculpture Garden 2019

Face I, Face II and Face III are on show as part of the sculpture garden and can be purchased by contacting curator Lucy Irvine on [email protected]m. If you who would like to commission a bespoke ‘Face’, email [email protected]

For those who enjoy watching the videos of Simon working, we are now in festival and competition season, so he will be competing and demonstrating in various locations over the next few months. If you would like to see him in action, watch this space or our Facebook page for details!

 

 

 

 

 

 

 

Spring is in the Air

Spring is in the Air 150 150 Simon O'Rourke
Spring is in the Air

Spring is in the air this week. That means our thoughts (or at least the shop displays!) turn to longer days, birds singing, sunshine, walks in the park, new life, and fluffy newborn animals! People in the streets seem more smiley as the weather warms. Even those wet, rainy days seem better as the blossom on the trees and the appearance of daffodils and tulips reminds us of the hope of new life that comes after a Winter – whether literally or metaphorically.

To mark the shift in season, we’re bringing you some ‘Spring themed’ carvings this week.

Spring is in the air with this selection of baby animals and families by Simon O'Rourke

Spring is in the Air: Baby Animals

Featured above are some ‘animal family’ or ‘new life’ carvings Simon has completed in the past. It’s definitely not an easy thing to make something that is so small and detailed in real life into something this size whilst also keeping its realism (like the sheep). Shape alone doesn’t work unless the desired result is something very modern and stylised. That means what we see here – especially in the birds – represents a lot of time spent on detail and texture.

Spring is in the Air: The Easter Bunny

As well as the change in weather, we’ve noticed the supermarket aisles filling up with chocolate. Incidentally, anyone else looking forward to April 22nd when it all goes on sale???!!! That means we can’t help but think of Easter. In turn, we can’t think of Easter without thinking of the  ‘bringer’ of all that sugary goodness – the Easter Bunny!  And whether real or fictional, Simon is no stranger to our leporine friends…..

Spring is in the air - easter bunny sculptures by Simon O'Rouke

Spring is in the Air: The Big Clean

We’re also no strangers to the garden ‘Spring Clean’. If you’re anything like us, you might only just be starting the real work of cleaning up the garden after winter. If you find storm damaged trees or pieces of timber in your garden as part of your clean up, why not consider commissioning something unique from us? Even if you finish the big clean and find yourself with some spots that somehow don’t seem complete, Simon is on hand to help!

Whether a loved pet, favourite animal, creating your own whimsical fairy garden or adding something with a touch of humour, we’re sure Simon can create something that will be the perfect completion to your garden Spring Clean up. As well as looking great, a tree carving looks much more at home in the garden compared with plastic or stone ornaments. It’s also sourced sustainably. That means you can make your garden look great whilst also being environmentally responsible!

As always, if something has caught your attention and you’d like to commission something, contact us on [email protected]