Human Form

Trees for Kids Sculpture at Maes Y Pant

Trees for Kids Sculpture at Maes Y Pant 150 150 Simon O'Rourke

One of Simon’s pieces that caught people’s attention recently was a little boy, kneeling to plant a tree. The Trees for Kids sculpture was commissioned by a local community association, and unveiled during their Trees for Kids event.

Trees for Kids 'Boy Planting Sapling' sculpture by Simon O'Rourke

About Maes Y Pant

Maes Y Pant is a 70 acre forest on the outskirts of Wrexham.
The site is open to the public, but the land is actually owned and managed by a community association. It is a conservation area, recreation area and also sustains itself with soft lumber sales. Regular readers will remember that Simon and some our our affiliates have produced other sculptures on the site, including Stanley, and the children’s fort.

Trees for Kids sculpture by Simon O'Rourke in progress at the workshop

Trees for Kids sculpture in progress at the workshop

Trees for Kids

This particular commission was part of Trees for Kids, an event which was both sociable and educational. There was opportunity to explore the forest, as well as a story teller, stalls, and face painting. The HACK horse sanctuary brought a pony, and there were also educational stands to raise awareness of the importance of woodlands and taking care of the environment. The highlight of the day though, was planting saplings.

The Commission.

Each child who took part was able to plant a sapling to help sustain the forest. It’s easy to see how Simon’s sculpture tied in with such an event! One aspect that isn’t so easy to see though, is that like the forest around it, this sculpture will also grow and change!

What? How?!

Trees for Kids sculpture with rowan sapling. Simon O'Rourke for Maes Y Pant

With the planted sapling at Maes Y Pant

Growing and Changing

If you look closely at the photo above, you will notice what looks like a thick stick between his hands. That’s actually a Rowan sapling! In time, as well as gaining height, the tree trunk will broaden to fill his hands. The little boy was secured in the ground with a substantial foundation. This means that as the tree grows it will grow at a slight angle, giving room for the roots to establish. The community group will also manage and trim the tree so visitors will always have a good view of the sculpture.

Always a Story Teller

The boy is carved from Welsh Oak. The tree is native to the area, adding to the sense that the boy ‘belongs’. He makes a sweet addition to the forest. We love the look of concentration as he focuses on what he is planting! His haircut and outfit also seem to hint at a past age, and evoke memories of kids playing outside, and enjoying the outdoors.

We hope that the children (and adults!) who visit the area will be motivated to preserve not just this beautiful local area, but also our wider environment.

To commission Simon for your own special occasion, email us on [email protected]

The Case of the Sherlock Holmes Bust

The Case of the Sherlock Holmes Bust 150 150 Simon O'Rourke

Sherlock Holmes. He may not have been the first recorded fictional detective, but Guinness World Records lists him as the most portrayed. Ever since his first appearance in 1887, we’ve seen him in books, comics, movies, TV series, art work and more. In fact, he’s been played by over 75 actors! Now, in 2019, we bring you: Simon O’Rourke’s tree carving ‘Sherlock Holmes Bust’.

Sherlock Holmes bust by Simon O'Rourke

The Timber

The Sherlock Holmes bust was for a private client who commissioned it as a gift. He’s made from oak which means that although he is pale at the moment and has some yellow tones, in time he will get darker. The rings and markings will become black as it makes contact with rain, and the UV rays of the sun will cause the wood to pick up greyish hues. In combination with the natural darkening, it means that as he ages, the wood will become more reminiscent of the furniture and drawing room decor of the Sherlock’s own era.

Sherlock Holmes bust by Simon O'Rourke

It’s all in the Details!

Fans of the detective will have noticed a few interesting details on the Sherlock Holmes bust that refer to Conan Doyle’s original short stories, and four novels.
Incidentally, as well using his trusted Stihl and Manpa tools for this project, Simon also used the Saburrtooth burr bits on the die grinder and some of their small rotary tools to achieve the details and texture. But back to the details! Simon included nine ‘clues’ or references to the Sherlock Holmes stories on the bust. Can you spot them all? See how many you can find before we reveal all later!

Sherlock Holmes Sculpture by Simon O'Rourke

The Inspiration

One of the problems when creating a sculpture of a character from a book, is that there isn’t a definitive image to work from as there would be a historic figure. This is only heightened when he has been represented by so many different people on screen too! As the client is a fan of the fiction and not just a particular on-screen representation of Sherlock, Simon chose the Sidney Paget illustrations as his inspiration.

Paget illustrated the original Conan Doyle stories for The Strand magazine. With over 350 illustrations created by Paget, there was no shortage of imagery to work from! Simon not only used the facial features of the Paget artwork as the basis for his carving, but was also attentive to the original stories as he added details to the bust. One of the most obvious of these is the shape of the pipe. Although we have come to associate Sherlock Holmes with a large, curved meerschaum pipe, there is actually no reference to this in the original stories. By choosing something simpler and less iconic, Simon has ensured the bust is faithful to the original illustrations rather than the images that evolved over time.

Sherlock Holmes by Simon O'Rourke

The Big Reveal!

All good detective stories end with a ‘big reveal’. Thankfully, when this sculpture was revealed to the birthday person, it was received better than the surprise the characters often get in crime fiction! We are glad to say that the client told us Sherlock arrived this afternoon and is now in its final location. We’re absolutely delighted – it is stunning!”

And now, for our other ‘big reveal’: The clues within the Sherlock Holmes Bust……

Snake and Baker Street Detail from Sherlock Holmes Sculpture by Simon O'Rourke

 

The Hidden Clues

As you look at the various views of Sherlock, you should hopefully find the following ten references to stories:

1. Stiletto dagger he used to pin correspondence to the mantle piece
2. Pince nez glasses – The Golden Pince-nez
3. Honeycomb – His Last Bow
4. Broken crown – Musgrave ritual
5. Persian slipper he used for storing tobacco

Sherlock Holmes tree carving statue by Simon O'Rourke

6. Handgun
7. 221b plaque
8. Snake – The Speckled Band
9. Violin
10. Stick Men – The Adventure of the Dancing Men

Oak Sherlock Holmes Bust by Simon O'Rourke

We loved this commission, because as well as being an opportunity for Simon to show his talent for human form, it was such a unique gift to create. If you need a beautiful, unique and sustainable gift for somebody, contact us on [email protected] to talk about the details.

World War I Memorial Soldier

World War I Memorial Soldier 150 150 Simon O'Rourke

This coming Sunday is Remembrance Day: a day to remember those who lost their lives in war.
We don’t take that sacrifice lightly, so it’s always an honour when Simon receives a war memorial commission.  Whether it’s a statue or a giant poppy, it’s an opportunity to both do his best as an expression of his own respect thankfulness. It’s also an opportunity to help others remember and be thankful. His best known example is probably the Airman at Highclere Castle. However, today, we’re going to revisit this World War I memorial soldier.

World War I Memorial Soldier, Astley Park

The Commission.

The World War I Memorial Soldier was commissioned by Chorley Council, and is installed in Astley Park. It is not their only tribute to those who died during war, and guests can take part in a  whole World War One experience which includes this Garden of Reflection. Estimates suggest nine to 11 million military personnel died during World War I. This soldier standing alone though encourages us to think not of the masses, but of the individual soldier who lost his life. The son, brother, uncle, friend.

World War One memorial soldier by Simon O'Rourke Chorley

The Soldier

Looking at this soldier, it is easy to see some of the cost of war. The slump of his shoulders, and slightly hunched posture speaks of a fatigue. Maybe a disenchantment. His disheveled uniform and minimal weaponry tells us of men ill-prepared for the horrors of battle. And his face makes it clear he has seen loss and pain. The weathering of the wood and imperfections that appear over time, only enhance this portrait. This is not a soldier freshly out of boot camp, immaculate and passionate about his calling. This is a man who has given up everything and seen too much. And this man, and the millions like him are what we remember, with thanks.

World War I soldier by Simon O'Rourke, Chorley

Lest We Forget

This World War One memorial soldier is only one of thousands of tributes around the country. We hope that as people look at this one, Simon’s skill in portraying this soldier’s story through sculpture will speak to them. That it will help people to think about what it is that was lost, not in terms of millions, but the cost to each family of ‘the one’.

Of course, we couldn’t JUST revisit this soldier. Another name for remembrance day is ‘poppy day’, so to finish, we naturally had to include some of the poppies he has made. Skilled as Simon is with human form, these sculptures have also helped to catch attention and capture beautifully the flowers which appeared in Flanders after World War I.

Poppy scultpure by Simon O'Rourke

Giant poppy outside wrexham museum by Simon O'Rourke

Giant poppy in 2014

If you are interested in having your own memorial carved by Simon, why not email us on [email protected]

Whether it’s a specific person or thing, or something general, Simon is able to use his skills, imagination, creativity and attention to history and detail to create something perfect for your tribute.

Queen of the South Legends Unveiled

Queen of the South Legends Unveiled 150 150 Simon O'Rourke

Back in May we started sharing videos and photos of a statue of three footballers that Simon was working on. Five months later, we’re proud to see the statue of the Queen of the South legends finally installed and unveiled!

Queen of the South Legends statue by Simon O'Rourke unveiled in Dumfries

Queen of the South Legends Statue unveiled October 2019

The Commission

The statue was commissioned by The People’s Project and stands outside the Queen of the South stadium in Dumfries. The People’s Project exists to help rekindle community within Dumfries. It does this through practical projects, funding of community initiatives, and creating opportunities to remind people of the heritage of their town. This statue isn’t their first commission, and they have also restored or commissioned statues of Robert De Bruce, and Peter Pan.

This particular commission commemorates three of the legends of Queen of the South FC: Billy Houliston, Alan Ball, and Stephen Dobbie. Each player represents a different era, achievement and contribution to the club. To find out more about each player, visit http://www.qosfc.com/news-4765. We think it’s always inspiring to read about passion t,alent and dedication, even if football may not be your thing!

Stephen Dobbie with his likeness at the unveiling of the Queen of the South Legends by Simon O'Rourke

Current player Stephen Dobbie with his likeness at the unveiling

Making the Statue

This statue was always going to be a challenge. The original goal was to make the three life-sized players out of one piece of oak:

About to begin a project that will be a big challenge… And for once it isn't a dragon!!Three life size footballers in one log…

Posted by Simon O'Rourke – Tree Carving on Wednesday, 22 May 2019

If you watched the video, you would have seen Simon refer to a crack throughout the timber. That obviously meant he had to react immediately, and think about how to work with and around that crack. In the beginning this seemed to have a simple solution. Just turn the trunk upside down!

In addition though, he had to think not only about what that crack is like in the moment, but what would happen in years to come. It turned out that when he considered the Scottish weather, that crack was going to create some problems. Simon ended up having to cut out one player, and use a second piece of timber, as you can see in the next video. Every cloud has a silver lining though! Removing that player helped Simon overcome one of the other challenges in a 360° statue – reaching the backs of the other players!

An update on the footballers!!

Posted by Simon O'Rourke – Tree Carving on Monday, 1 July 2019

Queen of the South FC statue in process after a player had been removed, allowing Simon to access the backs of the other players

The statue in process after a player had been removed, allowing Simon to access the backs of the other players

Creating a Likeness

As well as technical challenges, there was then the task of creating an accurate likeness. As we’ve mentioned in this blog, this means not only dealing with correct shape and ratio, but also the challenge of depth. In this case too, it also has to be true to life, and there isn’t as much artistic license. Especially in the case of a statue like this where the purpose is to honour people, Simon always wishes to capture them in a way which is accurate and tells a story of who they really are. For those who wonder how possible that is when using power tools, this comparison says it all!

Close up of Billy Houliston statue with one of the photos Simon worked from to create The Queen of the South legends

Billy Houliston statue with one of the photos Simon worked from

Creating Community – Not Just a Statue.

Part of the purpose of this statue was to commemorate the Queen of the South legends. It is has a bigger purpose that goes beyond this though.

The reason for commemorating these players is to remind the Dumfries community of their heritage. To remind them of town and community achievements they can be proud of. It reminds them of things they have in common like the love of a sport or a hero. It gives a focus for unity and remembering positive moments in their community. For the younger person looking at these players immortalised in wood, it gives something to aspire to. And for the older generation, it can bring about a sense of nostalgia and ‘the good old days’ that brings joy and encouragement. The kits from the different eras clearly show achievements across the years and history, and so it helps unite generations in a mutual appreciate of their team and its history.

Stephen Dobbie and club officials at the unveiling of the Queen of the South legends statue by Simon o'Rourke

Stephen Dobbie and club officials at the unveiling

And so, statues like this are more than just pieces of art to be admired. They also help unite, inspire, and promote community. Even the simple act of coming together for an unveiling ceremony helps create all these things.

If you are part of a town, club, society or community and would like to explore a similar idea, why not send us a message? As always, Simon is available on [email protected] to talk about your vision, hopes and the practical details.

Downton Revisited: The Highclere Castle Airman

Downton Revisited: The Highclere Castle Airman 150 150 Simon O'Rourke
The Visit

No, our blog title doesn’t refer to the movie released this weekend. We mean the real life setting for the series and movie: Highclere Castle. The castle is part of Lady and Lord Carnavon’s estate and is located in Hampshire, over 200 miles from the fictional setting. But for the fans of the series who enjoy a good tear-jerker, today’s blog about visiting the Highclere Castle Airman is just as good!

You may remember that last year Simon and Dan worked on a memorial for the Highclere Estate. For those who need a refresher, the project was a sculpture of a WWII airman and a series of benches that were unveiled at the Highclere Heroes weekend. They were made as a tribute to the airmen who lost their lives in the eight plane crashes that occurred there during WWII.  The benches even featured actual wreckage from one of the B17s that crashed on the estate. This weekend Simon and Liz had the privilege of visiting to see how the Highclere Castle airman is doing.

Keep reading to find out what that entails for Simon, but also a wonderful ‘plot twist’!

Simon and Liz O'Rourke at Highclere Castle, home of his airman sculpture

Simon and Liz at Highclere

Highclere Castle Airman with the house in the background

The beautiful setting for the airman and benches

The ‘Check Up’

Simon looks out for a few things when checking on a sculpture. One is obviously any damage that needs repairing. Thankfully there is no damage to either the airman or benches. That is, except for the inevitable bird deposits! He also reports that the Sculpture is weathering nicely. It’s already turned a lovely silvery grey colour, which was the intention.
When Simon re-visits a sculpture, he also looks at where the wood has opened up. When he is carving, he has to calculate where cracks will appear as it ages, and take this into account. Using wood in the right way can ensures it doesn’t split across the face or important parts of the sculpture as the wood dries. Again, thankfully all is well!

Highclere Castle Airman by Simon O'Rourke

The airman

Highclere Castle Airman by Simon O'Rourke

Reflecting on the project

The estate is a beautiful place to  enjoy the British countryside, and the Highclere Castle Airman is located in a particularly tranquil spot. As Simon and Liz were able to sit and enjoy both countryside and sculpture, they took some time to reflect on the project.

The O’Rourkes still feel extremely honoured to have been involved in this memorial. They hope that people will be able to enjoy the sculpture and benches in this setting for years to come. They’re also still extremely grateful to Lord and lady Carnarvon for commissioning Simon and Dan, and for their hospitality to them. As at the original unveiling,  it was very moving for them to be in a place so many sacrificed their lives for others, and to be part of a project that makes that history a visible and ‘living memory’ for others.

Simon, Liz and Dan weren’t the only ones moved by this lovely tribute commissioned by Lady Carnarvon. Several news outlets picked up on the sculpture, but also some of the stories behind it. The BBC article focused on the story of Len Nitti; a serviceman who miraculously survived a crash. The Daily Post focused on the project itself, as does the Daily Mail who also reflect on how the commission was an example of life and art imitating each other, and mirrored the final scenes of Downton Abbey.

B17 Benches, part of the Highclere Castle Aiurman memorial by Simon O'Rourke and Dan Barnes

The ‘B17 benches by Dan Barnes featuring shrapnel from crashed planes

The 'B17 benches by Dan Barnes featuring shrapnel from crashed planes. Part of the Highclere Castle Airman memorial

The ‘B17 benches by Dan Barnes featuring shrapnel from crashed planes

And then…..

And now for that beautiful plot twist!

Simon and Liz met with families of the airmen who lost their lives as part of the project – a very meaningful part of the Highclere Castle Airman story for them. So much so in fact, they are still in touch with one of the families today. There was one family that they didn’t get to meet at the time though. The family of William Dutton were the only family who were unable to make the unveiling weekend last year. 2nd Lt Dutton died on May 5th 1945 in the B17 Flying Fortress. In fact, it’s parts from his plane that are in the bench legs!
Life is full of surprises though. Completely unexpectedly,  Simon and Liz got to meet Nancy Dutton Sanders this weekend – William Dutton’s sister!

Simon O'Rourke meets sister of deceased Highclere Castle Airman

Meeting with Nancy Dutton Sanders

It added a poignancy and beauty to the visit. As always, meeting the ‘real life people’ behind the stories, makes all of us feel afresh a thankfulness for those who fought in wars for our freedom. For Simon and Liz, meeting families and seeing how much it means to them to have their loved ones honoured, is also a privilege and a joy, and adds real purpose to a project. How much more fun when it is totally unexpected!

This really ‘made’ the visit. We only hope that people viewing Highclere on the Big Screen this weekend get as much of a happy ending!

Those Autumn Leaves – Enjoying The Changing Season

Those Autumn Leaves – Enjoying The Changing Season 150 150 Simon O'Rourke
“Autumn is a second spring when every leaf is a flower.”

In this quote Albert Camus describes beautifully the stunning displays of colour that we see at this time of year. From September, the trees around us change to display rich golds, fiery reds and warm oranges. Whether we mourn the loss of summer or enjoy the change of season, none of us can deny that Autumn leaves are glorious, and we think September and October are the perfect time to get outside and enjoy that beauty. The temperature hasn’t dropped too much, and the nights are not too dark yet. Plus, there’s the added bonus of being able to find fruits and berries to take home! If you fancy enjoying the outdoors this Autumn, then why not plan to follow one of Simon’s forest trails?

Stanley by Simon O'Rourke as Marford Quarry

Stanley, one of Simon’s sculptures along the trail at Marford Quarry

Sculpture Trails

Over the years, Simon has completed several ‘sculpture trails’ throughout the UK. Typically these add points of interest to the walk and give information about the local area. Usually the sculptures themselves reflect the environment, such as this lynx found in Fforest Fawr. Although the lynx, and wolf that make part of that trail are rarely seen any more, it is not that long ago that they roamed that part of South Wales.

Fforest Fawr Lynx by Simon O'Rourke

Fforest Fawr Lynx by Simon O’Rourke

Close up of Lynx at Fforest Fawr by Simon O'Rourke

Close up of the face of the lynx at Fforest Fawr

Pages Wood

Another example of these forest sculpture trails that Simon has created are the two in Page’s Wood. He and his wife Liz wrote a story that followed an animal character along each trail. Each sculpture showed an encounter with another animal resident of the woodland, and the story with each gave information about that animal. The trails have been so popular, that he will be back later this year to make some additions and tweaks!

Horatio Hedgehog meets Squirrel at Page's Wood Sculpture Trail by Simon O'Rourke

Horatio Hedgehog meets Squirrel at Page’s Wood Sculpture Trail

Those Autumn Leaves

While you’re out enjoying these trails, have you ever wondered why it is that the leaves are changing colour and falling though?
We have! And as we love all things ‘tree’ and forest, we thought we’d share a couple of random Autumn tree facts while reminding you of some of the forest trail animals you could go and see.

Wolf by Simon O'Rourke at Fforest Fawr

Howling wolf at Fforest Fawr

The Wonder of Nature

Fact One:
Trees don’t ‘lose’ their leaves, they actually actively shed them to ensure their survival! Find out more here.

Fact Two:
Trees can sense the shortening days, and that’s how they know when to begin shedding leaves

Red Deer at Fforest Fawr by Simon O'Rourke

Red Deer at Fforest Fawr

Fact Three:
Leaves change colour as the tree absorbs all the nutrients out of the leaf and stores it for winter. A little like an animal eating well and stashing food to prepare for hibernation!

Fact Four:
The colour of a tree’s ‘Autumn leaves’ depends on what other pigments the tree has. For example, hickories, aspen and some maples have a lot of carotenoids so they turn golden colours. Oaks and Dogwoods have a lot of anthocyanins so they turn russets and browns.

Verity Vole by Simon O'Rourke, part of the Page's Wood sculpture trail

Verity Vole, the second protagonist at the Page’s Wood sculpture trail

Fact Five
Nature is amazing, so it is no surprise that though leaves fall, they still have an important role. As they decompose, their nutrients trickle into the soil and feed future generations of plant and animal life. Quite likely, fallen Autumn leaves are essential not just for the survival of the individual tree, but for whole forests!
This means that you need not militantly rake up every fallen leaf.
In fact, leaving them on the ground is actually a helpful thing for other wildlife.

Horatio Hedgehog meets a fox at Page's Wood. By Simon O'Rourke.

Horatio Hedgehog meets a fox at Page’s Wood

What other fun facts do you know about Autumn? Why not drop us a comment and share some of your favourites.

If you enjoyed our tree facts and want to know more, Liz also teaches forest school and can be booked ofr regular or ‘one off’ sessions. Contact her at [email protected]

Don’t forget, that if you are out and about at one of Simon’s scultpure trails, use the hashtag #simonorouke or tag us using our Facebook page  (@simonorourketreecarving)or Instagram Account (@simonorourke)

English Open Chainsaw Competition 2019

English Open Chainsaw Competition 2019 150 150 Simon O'Rourke

The August bank holiday means one thing in the Tree Carving Calendar – The English Open Chainsaw Carving Competition! This year it took place at the Cheshire Game and Country Fair during one of our warmest weekends of the year. We’re happy to announce that Simon took a first and second place!
english open chainsaw competition

THE COMPETITION

Simon entered the ‘Combo’ competition this year. This meant he had up to ten hours on day one to create a piece using ONLY a chainsaw.  He then had up to 15 hours on the Sunday and Monday for the ‘Full Power Event’. The artist can use any power or hand tools, paints, oils and varnishes for this category. For both events the timber is provided and the artist can’t add any fixtures.

Fairy carved by Simon O'Rourke at The English Open Chainsaw Competition

The fairy which took second place in the chain saw only event

Angel carved by Simon O'Rourke at the English Open Chainsaw Carving Competition

The angel which took first place in the ‘full power’ event

THE CHAINSAW COMPETITION

The Chainsaw-only piece was this fairy, created with Simon’s trusty Stihl chainsaws. Although using only chainsaws typically means less detail, we love the texture of her sassy bob, the movement of her dress, and the intricate twisted base. Although she is clearly a more modern take on a fairy, she also has hints of the form you expect from a classic renaissance cherub, and hints of light whimsy with the detail in her wings. The fairy took second place and was part of the auction where all the competing artists sell their work.

Fairy carved by Simon O'Rourke at the English open Chainsaw CompetitionFairy carved by Simon O'Rourke at the English open Chainsaw Competition

THE FULL POWER COMPETITION

Simon’s ‘Full Power’ angel took first place in the competition. Simon has recently been sponsored by Manpa Tools, and this was his first piece using their equipment since their sponsorship. This video shows Simon using their angle grinder to create the ‘drapery’ on the angel. Although the fairy doesn’t lack texture by any means, the Manpa angle grinders create more subtle texture and details. As a private commission, the angel wasn’t part of the auction, but as always, if you like her, Simon is available to talk about a commission.

Loving these grinder attachments from Manpatools!! Here's me using them to create some drapery!

Posted by Simon James O'Rourke on Wednesday, 28 August 2019

Angel carved by Simon O'Rourke at the English open Chainsaw Competition

Altogether there were 30 carvers representing 14 nations who took part over the three days. As well as the classic and combo competitions, there were also speed carvings over the three days, which somehow Simon also managed to fit in! The event was a great time to see talented artists at work, and to connect with the community.
When asked about the event, Simon commented: “It was great to be back at the English Open and I’m really thrilled I placed 1st and second in the combo competition, there were a lot of great pieces!

 

Radagast the Brown, (Blue and Pink).

Radagast the Brown, (Blue and Pink). 150 150 Simon O'Rourke

Isn’t he amazing?! Meet Radagast the Brown!

Radagast the Brown by Simon O'Rourke

 

Simon recently worked on this sculpture of Radagast the Brown from Tolkien’s ‘Lord of the Rings’.

We think he makes a striking figure rising up among the shrubbery. We love the detail too like his wise, all-seeing eyes and wild beard. It’s so easy to imagine birds nesting in it, as the story goes. The bird on his head and the bottle of medicine are perfect references to the series. Radagast the Brown is known to communicate with ‘beasts and birds’, so it is especially appropriate that this sculpture is found outdoors.

Radagast the Brown by Simon O'Rourke

 

 

Why the decision to have a wizard in this otherwise typical garden?

Sadly, it came about because of disease in the tree: a blue atlas cedar.

The fungus responsible is sirococcus, and its incidence has gradually been increasing throughout the UK since 2016. It’s thought that it spreads through rain splash, strong winds, and possibly seed transmission, and there is unfortunately no known cure. Damaged trees must be cut back. Although it will sometimes kill younger trees, the RHS reports mature trees can live for many years.

If you are the owner of a Blue Atlas Cedar, there are a couple of signs to watch out for. The main one is pink needles. This is a sign of death, and they will later turn brown and drop off. The tree may also get cankers, gum bleeds, and grow fruiting bodies on the dead leaves. Click HERE to find out more and see images of things to look out for. Forest Research have also published a helpful article HERE.

Sirococcus-conigenus-on-cedar-of-Lebanon-

Example of the typical pink needles of an infected tree.

Government bodies are also trying to track the spread.

That means it’s important to report it, if you see a tree you think may be infected. The link and everything you need to know to make a report can be found HERE. Reporting is so important, so we ask you to PLEASE consider doing your part.

Radagast the Brown by Simon O'Rourke

All is not lost though if  your own tree is infected!

Simon is on hand to transform it and give it new life. Whether a fantasy sculpture like this, or something more ‘natural’ like THESE are your thing, Simon is able to create something beautiful for your garden.

Email  [email protected] to find out how he can help you.

 

The Rauschwitz Angel

The Rauschwitz Angel 150 150 Simon O'Rourke

Germany has a big tree carving tradition, and throughout the year there are events, festivals and competitions. We love that we get to be part of these events and the tree carving community. Each time we participate we meet wonderful people and grow friendships whilst helping to maintain the tradition. Simon’s recent Rauschwitz Angel carving was one of those opportunities.

The Rauschwitz Angel is from one of the newer events in the Tree Carving calendar. The event is hosted by Rauschwitzer Wood Culture Community and is run by Christian Schmidt – a talented tree carver himself. It featured several artists creating exhibits, as well as a speed carving competition.

The location was an open air church in Rauschwitz. The ‘walls’ of the church are trees, and there is a clear space between them, with benches for the congregation to sit on. The task this year for all the participants was to carve an angel for the end of each of the church benches.

Rauschwitz Church Angel by Simon O'Rourke

Rauschwitz Angel by Simon O’Rourke – notice the photobomb by @poppystihl!

The angel ‘theme’ tied the carvings together, and created the effect of an exhibition. Whilst there was incredible diversity as each artist was free to carve their own interpretation, there is also a real unity as they all carved the same subject. Obviously, this makes for a good exhibit! This diversity within unity is a also great depiction of what church is supposed to be too.

Rather than just focus on Simon’s sculpture, we thought we would also share some others from the event. What do you like about each, and why? Leave us a comment and let us know!

Griffon Ramsey angel

Angel by Griffon Ramsey

Angel at Rauschwitz by Dieter Kruger

Angel by Andrej Lochel

"<yoastmark

A Bavarian Fairy Tale

A Bavarian Fairy Tale 150 150 Simon O'Rourke
The Event

Every two years friends of ours organise and host ‘Allgauer Schnitzevent‘ in the Bavaria region of Germany. As well as tree carving, there’s an opportunity to enjoy beautiful scenery and take part in family activities and games. Oh, and of course, there’s great German food and beer!

The event is a wonderful way of preserving the Bavarian tree carving tradition, and it’s an honour to take part. This year Simon carved the Bavarian Fairy of our title. We hope you enjoy reading about some of the challenges in making her, and how they are overcome.

Entrance to Allegauer Schnitzevent

The Bavarian Fairy

The ‘Bavarian Fairy’ Simon created is in the video below. She beautifully balances realistic human form (especially with her wistful or pensive expression) and whimsy or fantasy (her toadstool seat, and delicately patterned wings). Whilst Simon often uses a lot of texture to bring life to his human sculptures, we love how her smooth limbs and delicate hands and feet add to the sense of a delicate, whimsical being.

Apologies the video I posted yesterday was the wrong one so I deleted it! This one walks around the whole sculpture!!

Posted by Simon O'Rourke – Tree Carving on Sunday, 7 July 2019

Challenges with the carving

Carving faces is no easy task. In fact, Simon had to actually cut this one right back and start again! Part of the challenge he faces (pun intended?!) is getting a sense of depth when carving right on top of the sculpture. The face can look great up close, but it’s only when stepping back that it’s possible to get a sense of depth, and see if it’s ‘correct’.
Do the nose, cheeks and lips protrude the right amount?
How deeply set are the eyes?
Is everything in the right place in relation to each other?

Even then, it’s often not easy to say what needs fixing. Sometimes it’s only when it’s ‘right’ that both artist and viewer can see what was wrong before.

The fairy with her face in profile.

The technical stuff!

This is where training, and technical knowledge come into play. Simon has found researching what’s under the surface is essential for carving human form accurately.
What bones are there?
What about muscle definition?
Does that part actually move that way from that joint?

When carving faces, like many artists before him, Simon has been fascinated by The Golden Ratio.
“What’s the golden ratio?” Keep reading!

Close up of a perfectly proportioned face.

The Golden Ratio

The Golden Ratio has been studied by mathematicians since Euclid. It’s a ‘special number’ (1.618) and describes how the length and width of an object relate to each other. You can find a simple explanation here.

Throughout time people have studied how it appears in different areas. This includes, geometry, nature (eg the human face) and even man made systems, such as financial markets. The artist Dali is known to have incorporated it into his work. Others have speculated that Da Vinci did too, although he seems to deny this. Even architects (eg Le Corbusier) and composers (eg Ravel, Satie, Debussy) have used the golden ratio their work!

 

Applying The Golden Ratio

In recreating faces, the golden ration applies in how the different parts of the face relate to each other, as well as their size and shape. It applies in at least eight different ways, maybe more! For those who are interested, some examples can be found here.

Although studying the golden ration can get quite in-depth and intense, it can often be simplified into a few simple pointers. For example:

  • The distance between the crown of the head and chin, is equal to the distance between the nose and back of the head
  • The gap between the eyes is approximately the size of one eye
  • The tip of the nose and the pupils form a triangle
  • The spaces from the forehead to the eyebrows, from the eyebrows to the bottom of the nose, and from the bottom of the nose, will be a third of the face each

As you can tell from this short ‘lesson’, there’s a LOT more to recreating human form than just jumping in with a brush, pencil or even chainsaw! And to succeed and improve, art, like most areas of life, needs study, practice, and – as with this fairy – humility of the part of the artist to recognise when something isn’t quite right, and re-work it.

What are some of the things you’ve studied or tips you’ve been given that made most difference to your art? Leave us a comment below and let us know!