Events

Ice Carving for Christmas

Ice Carving for Christmas 150 150 Simon O'Rourke

The countdown to Christmas is on! Shops are full of decorations, calendars are filling up, and Christmas music is starting to hit the radio. It’s also that time of year where Simon takes a break from wood for an evening or two, and turns his hand to ice sculptures. This year he’ll be digging out his thermals to take part in ‘Ice Carving for Christmas‘ organised by Wrexham Museums. Although Simon is privileged to travel nationally and internationally, it’s also fun for us when we get to participate in local events, and important to us to be engaged with our local community. We can’t wait for December 5th!

Wrexham Ice Carving for Christmas posters 2019 featuring Simon O'Rourke

The Event

Ice Carving for Christmas promises to be a great evening for all ages. Guests follow a trail that starts at St Giles Church and ends at the museum. They also have not one, not two, but THREE opportunities to see Simon carving along the way!

Station One is near to St Giles church and Victorian Market (5pm-6pm). After watching Simon carve, guests can spend time at the market which promises to be bigger and better than previous years. There’ll be all kinds of stalls ranging from local crafts to food and drink.

 After enjoying the market, guests can move on to work station two from 6-7pm. There will also be food and drink vendors along the street, as well as late night opening for some of our high street shops. 

Then it’s on to the Museum for the main event (7pm-9pm ). People who watched the first two stations can make their guess as to what the finished carve will be, with prizes for those who guess correctly. So, much as we would love to tell you, we’re keeping it quiet. No spoilers here! At the museum, there will also be opportunity to sing somecarols and join in the Christmas spirit with festive refreshments from the café.There’ll also be chance to get some photos with Simon and the finished carve. Perfect for sending out with family Christmas cards!

Past Ice Sculptures

Regular followers will know this isn’t Simon’s first time ice carving. This week we shared this Facebook post with a flashback to some spectacular ice carving he did for Cardiff Ice Kingdom in 2015.

Cardiff Ice Kingdom sculptures by Simon O'Rourke

Simon’s work at 2015 Cardiff Ice Kingdom

Cardiff Ice Kingdom Santa sculpture by Simon O'Rourke

2015 Cardiff Ice Kingdom Santa Sculpture by Simon

Local Ice Carving

Simon also took part in Wrexham’s 2017 Ice Carving for Christmas. As he will in this year’s event too, Simon worked outside the museum. People could watch as he transformed these blocks of ice into beautiful, detailed penguins.

Simon O'Rourke at the start of 2017's Ice Carving for Christmas event

Simon at the start of 2017’s Ice Carving for Christmas event

Penguins in Ice by Simon O'Rourke

Finished penguin ice carving

From Wood to Ice

Obviously ice is a very different material to wood! When Simon makes the transition, there are a few things he has to keep in mind for a successful carve.  For example, time!

One thing we all know about ice, is it melts. Fast! So whereas Simon might work on a typical sculpture over several hours or days, with ice it is more like one of the ‘speed carving’ events.

Simon O'Rourke Ice Carving in progress 2017

Penguins in progress in 2017

Another difference is that ice is much more brittle.
This means when Simon begins thinking about his designs, he can’t include as many delicate shapes. The work focuses on bringing lots of detail and texture to larger shapes for the light to shine through and bounce off. Which leads to the final difference we’ll highlight here today: presentation.

When using wood, working with the tree’s natural lines, colours and shapes is crucial. The sculpture then speaks for itself as people view it. With ice, the success is often down to light. That includes the nature of the lighting itself e.g. will it be multicoloured? Shades of the same colour? How will the lighting help tell the story of the sculpture and set the scene?

It also includes how the sculpture will ‘interact’ with the light. Where will the light hit and bounce off? At what points will it shine through? Where will it help bring depth to a particular part of the sculpture? And so, Simon must consider this both as he plans, and as he progresses.

These photos show perfectly both the texture and the impact of lighting on his 2017 Ice Carving for Christmas penguins.

Close up of penguin ice carving by simon o'rourke

Close up of ice penguin showing the impact and importance of lighting

Penguin Ice Carving by Simon O'Rourke for Ice Carving for Christmas 2017

Close up of ice penguin showing the impact and importance of lighting

Not All Change!

Of course, it isn’t all change! Some things will stay the same as Simon switches from wood to ice this year.

He will still be using his faithful Stihl chainsaws, and their battery chainsaws are perfect for events like this. He’ll also be thankful for their thermal clothing and waterproof protective trousers! Whether wood or ice, or any other outdoors work, nobody wants to be cold and wet! Obviously, whatever he’s carving (remember, no spoilers here!) and whether wood or ice, the level of excellence, creativity and skill that Simon brings will stay the same.

Ice carving penguins by Simon O'Rourke

 

Skulptur Rabatz: A Cacophony of Carvers!

Skulptur Rabatz: A Cacophony of Carvers! 150 150 Simon O'Rourke

Skulptur Rabatz 2019 certainly lived up to its name! ‘Rabatz’ translates as ‘din’, and with 13 simultaneous sculptures in production, there certainly was a ‘din’! There was also a lot of fun, community, and creativity on show at this event hosted by Florian Lindner.

Florian is a well-known character in the tree carving world. He hosts an event around this time each year, usually called ‘Holz-Flori & Friends’. This year, the change of name reflected the task: creating an ‘orchestra’ of zodiac figures.

Participants in Skulptur Rabatz

Participants in Skulptur Rabatz

 

Skulptur Rabatz stands 2019

Participant ‘booths’ at Skulptur Rabatz, displaying the flag of each participant

The Event

Over the event, 15 tree carvers took part and each created a ‘sign of the zodiac’ playing an instrument. When displayed together, they make up a ‘zodiac orchestra’. The sculptures will be displayed in a circle, as if they mark numbers on a clock. Simon carved the conductor, who will stand in the centre as the ‘gnomon’ (the piece that casts the shadow).

The rabbit gnomon by Simon O'Rourke

The rabbit gnomon

The Concept

The idea of zodiac figures playing instruments is quite comic, and meant the artists could all really use their imaginations.  Most are oversized and have a cartoon or caricature-like quality, adding to the fun of the concept. Simon’s finished sculpture is an ‘Alice-in-Wonderland’-like moon-gazing hare (fits with the zodiac/astrology theme) with a fly-away tail coat and over-sized feet and ears. And what better thing to use to conduct such an orchestra than a chainsaw with a blade Stihl would be proud of!

Rabbit Gnomon with chainsaw baton by Simon O'Rourke

The rabbit conductor ‘gnomon’ with chainsaw ‘baton’

Speed Carving

There was also a speed carve where Simon carved this elegant-looking lady in under an hour!

elegant lady Speed carve by Simon O'Rourke

Simon’s speed carve from the event

Atmosphere & Culture

As with all these events, there is far more happening than just the carving – impressive as that is. As well as other attractions, Skulptur Rabatz also featured ‘The Sprockets’ – a band made up of some of the carvers and their wives, including Si and Liz! No footage has emerged yet, but if you give Skulptur Rabatz a follow on their Facebook page, some might appear soon!

The 13 sculptures completed for the Skulptur Rabatz sundial

The 13 sculptures completed for the sundial

Pets and family are also welcome and get incorporated into the fun. This gave @poppystihl chance to build her own following/fan club!
Poppy is Liz and Si’s dog, and can often be found ‘helping’ at events. You can follow her tree carving adventures separate from Simon on Instagram. If you ever stop to see Simon and Liz at an event, feel free to give her a belly rub!

Attending the Event

If you are able, we fully recommend coming to a tree carving event. Not only is it impressive to watch the artists at work, but the events are great fun. There is a wonderful sense of community and inspired creativity. They usually happen surrounded by beautiful scenery, and there is often plenty to do for the whole family.

Did you enjoy the ‘zodiac’ theme? Maybe it’s something you’d like to incorporate into your own garden, using the star signs of your family? If so, message us on [email protected] to talk about possibilities and costs.

The Rauschwitz Angel

The Rauschwitz Angel 150 150 Simon O'Rourke

Germany has a big tree carving tradition, and throughout the year there are events, festivals and competitions. We love that we get to be part of these events and the tree carving community. Each time we participate we meet wonderful people and grow friendships whilst helping to maintain the tradition. Simon’s recent Rauschwitz Angel carving was one of those opportunities.

The Rauschwitz Angel is from one of the newer events in the Tree Carving calendar. The event is hosted by Rauschwitzer Wood Culture Community and is run by Christian Schmidt – a talented tree carver himself. It featured several artists creating exhibits, as well as a speed carving competition.

The location was an open air church in Rauschwitz. The ‘walls’ of the church are trees, and there is a clear space between them, with benches for the congregation to sit on. The task this year for all the participants was to carve an angel for the end of each of the church benches.

Rauschwitz Church Angel by Simon O'Rourke

Rauschwitz Angel by Simon O’Rourke – notice the photobomb by @poppystihl!

The angel ‘theme’ tied the carvings together, and created the effect of an exhibition. Whilst there was incredible diversity as each artist was free to carve their own interpretation, there is also a real unity as they all carved the same subject. Obviously, this makes for a good exhibit! This diversity within unity is a also great depiction of what church is supposed to be too.

Rather than just focus on Simon’s sculpture, we thought we would also share some others from the event. What do you like about each, and why? Leave us a comment and let us know!

Griffon Ramsey angel

Angel by Griffon Ramsey

Angel at Rauschwitz by Dieter Kruger

Angel by Andrej Lochel

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A Bavarian Fairy Tale

A Bavarian Fairy Tale 150 150 Simon O'Rourke
The Event

Every two years friends of ours organise and host ‘Allgauer Schnitzevent‘ in the Bavaria region of Germany. As well as tree carving, there’s an opportunity to enjoy beautiful scenery and take part in family activities and games. Oh, and of course, there’s great German food and beer!

The event is a wonderful way of preserving the Bavarian tree carving tradition, and it’s an honour to take part. This year Simon carved the Bavarian Fairy of our title. We hope you enjoy reading about some of the challenges in making her, and how they are overcome.

Entrance to Allegauer Schnitzevent

The Bavarian Fairy

The ‘Bavarian Fairy’ Simon created is in the video below. She beautifully balances realistic human form (especially with her wistful or pensive expression) and whimsy or fantasy (her toadstool seat, and delicately patterned wings). Whilst Simon often uses a lot of texture to bring life to his human sculptures, we love how her smooth limbs and delicate hands and feet add to the sense of a delicate, whimsical being.

Apologies the video I posted yesterday was the wrong one so I deleted it! This one walks around the whole sculpture!!

Posted by Simon O'Rourke – Tree Carving on Sunday, 7 July 2019

Challenges with the carving

Carving faces is no easy task. In fact, Simon had to actually cut this one right back and start again! Part of the challenge he faces (pun intended?!) is getting a sense of depth when carving right on top of the sculpture. The face can look great up close, but it’s only when stepping back that it’s possible to get a sense of depth, and see if it’s ‘correct’.
Do the nose, cheeks and lips protrude the right amount?
How deeply set are the eyes?
Is everything in the right place in relation to each other?

Even then, it’s often not easy to say what needs fixing. Sometimes it’s only when it’s ‘right’ that both artist and viewer can see what was wrong before.

The fairy with her face in profile.

The technical stuff!

This is where training, and technical knowledge come into play. Simon has found researching what’s under the surface is essential for carving human form accurately.
What bones are there?
What about muscle definition?
Does that part actually move that way from that joint?

When carving faces, like many artists before him, Simon has been fascinated by The Golden Ratio.
“What’s the golden ratio?” Keep reading!

Close up of a perfectly proportioned face.

The Golden Ratio

The Golden Ratio has been studied by mathematicians since Euclid. It’s a ‘special number’ (1.618) and describes how the length and width of an object relate to each other. You can find a simple explanation here.

Throughout time people have studied how it appears in different areas. This includes, geometry, nature (eg the human face) and even man made systems, such as financial markets. The artist Dali is known to have incorporated it into his work. Others have speculated that Da Vinci did too, although he seems to deny this. Even architects (eg Le Corbusier) and composers (eg Ravel, Satie, Debussy) have used the golden ratio their work!

 

Applying The Golden Ratio

In recreating faces, the golden ration applies in how the different parts of the face relate to each other, as well as their size and shape. It applies in at least eight different ways, maybe more! For those who are interested, some examples can be found here.

Although studying the golden ration can get quite in-depth and intense, it can often be simplified into a few simple pointers. For example:

  • The distance between the crown of the head and chin, is equal to the distance between the nose and back of the head
  • The gap between the eyes is approximately the size of one eye
  • The tip of the nose and the pupils form a triangle
  • The spaces from the forehead to the eyebrows, from the eyebrows to the bottom of the nose, and from the bottom of the nose, will be a third of the face each

As you can tell from this short ‘lesson’, there’s a LOT more to recreating human form than just jumping in with a brush, pencil or even chainsaw! And to succeed and improve, art, like most areas of life, needs study, practice, and – as with this fairy – humility of the part of the artist to recognise when something isn’t quite right, and re-work it.

What are some of the things you’ve studied or tips you’ve been given that made most difference to your art? Leave us a comment below and let us know!

 

Carved Day’s Night: Global Beatles Day

Carved Day’s Night: Global Beatles Day 150 150 Simon O'Rourke

June 25th was Global Beatles Day. Yes, there is such a thing!
The day celebrates the ideals of The Beatles, and honours them as individuals. We love the music of the Beatles, and with Simon also being a Liverpudlian, we couldn’t let it pass without a flashback to Simon’s Beatles carvings.

Simon carving The Beatles

Work in progress!

Simon created The Beatles sculptures over four days in Liverpool in August 2017. It was part of an event at the pier head, so locals were also able to watch Simon at work. Needless to say, they loved seeing their very own ‘fab four’ coming to life!


Beatles Sculptures outside the Liver building for Global Beatles Day

Making each figure took around six hours. From facial details to posture, each one is a great representation, and reflects Simon’s talent for human form. The ‘Fab Four’ were then auctioned off in aid of Variety charity, and ended up raising over £15,000! Global development and human rights were important to the members of the band, and as Global Beatles Day also celebrates their values, we reckon that fantastic result is another good reason to revisit these pieces today.

Simon O'Rourke Celebrating Global Beatles Day with his Beatles sculptures

Simon with the finished band!

Since then Simon has recreated lots of figures from the airman at Highclere Castle to other Liverpudlians like Cilla Black and Ken Dodd. You can see some of his human form portfolio here.

If there are events, anniversaries etc that you would like marked with your own sculpture, get in touch with us at [email protected] to find out more.

Huskycup 2019

Huskycup 2019 150 150 Simon O'Rourke
Huskycup 2019

And just like that, Huskycup 2019 is over! After a week of carving by some of the best chainsaw carvers in the world, Blockhausen now has several dragons added to its exhibits – including the fabulous Water Dragon by Simon and Japanese tree carver Keiji Kidokoro.

As we wrote in THIS BLOG, Simon and Keiji had the freedom to make anything relating to the theme ‘dragons’. They decided to create a dragon which would reflect both their cultures, in an ‘east meets west’ Water Dragon.

Simon and Keiji with the finished water dragon

Simon and Keiji with the finished water dragon

East meets West

Initially the dragon seems predominantly Asian because of the serpentine shape and the wave it rests on. Closer look shows a beautiful merging of the cultures though. For example, the wings are very much the scale of those seen in western interpretations of dragons. It also features a more typically western profile with the sloped nose. Up close, we can also see scales more consistent with the dragons of Hollywood movies than those of Asian design.
What other features can you see belonging to each culture?

Initial sketch of Water Dragon by Simon O Rourke and Keiji for Huskycup 2019

The initial concept sketch by Simon

 

Profile view of the finished Water Dragon

Profile view of the finished Water Dragon

Team Work

Part of the success of this dragon was working to each of their strengths. Simon and Keiji have carved together before (Japan 2015 & 2016) which was an asset when designing the piece. Simon imagined and drew the initial design, but very much incorporated Keiji’s skill in fine detailing and consistent texturing. Keiji is also talented with an airbrush, and painted the eyes and a piece of tail. We think both are lovely finishing touches which help bring life to the sculpture.

Keiji painting the eye

Keiji painting the eye

 

View showing the scales over the entire body

View showing the scales over the entire body

 

View from the tail shows another airbrushed touch of colour

View from the tail shows another airbrushed touch of colour

One of Simon’s strengths is creating movement and story in his pieces. As such, he enjoyed working on the coils that create the shape and movement of the dragon. That meant creating the shape of each piece, but also working out placement, so it would be realistic and retain the overall flow of the sculpture. We think he did a great job!

Focus on the coils that gave the eastern serpentine feel

Focus on the coils that gave the eastern serpentine feel

Not All Smooth Sailing (Carving)

Those who follow us on our Facebook page will have seen that the dragon wasn’t without its challenges though! Reaching some parts of the dragon needed some serious climbing and balancing skills! They also drew the smallest pieces of timber in the lottery, and later discovered some rotten wood which meant pausing work to resource something more suitable. Small challenges though in a week which was otherwise packed with successful carving, being inspired by others and enjoying time with the tree carving community.

Their initial wood supply

 

Carving those hard-to-reach places at Huskycup 2019

Carving those hard-to-reach places!

Only As Good As Your Tools!

Simon also got to try some new tools. As always, Stihl (Stihl DE) were faithful to provide chainsaws which are always up to the task! He also got to try some new angle grinding tools provided by Korean company, Manpa. It can be a bit of a gamble working with unfamiliar tools, but in this case it worked out. Both the Stihl and Manpa tools turned out to be great choices for Simon.

Simon working on some fine detail

 

Simon O'Rourke working on some detail for his Huskycup 2019 carve

Working on some fine detail on the wings

Beyond the Carve

Huskycup is about more than the carving though. Blockhausen itself is always worth a visit, but part of what makes the event great and draws back such a high calibre of artist, is the atmosphere and community. The venue even features its own Walk of Fame, honouring artists in the tree carving community! Simon received his star in 2012, and he felt this year’s additions were great choices.

Huskycup 2019 finished carve by Simon O'Rourke and Keiji Kidokoro

The finished head

 

A final photo of the finished Water Dragon

A final photo of the finished Water Dragon

Oh, and for those who noticed the little guy at the front right of the photo? This baby dragon is not only bringing the cute to your screen right now (and showing Simon’s versatility in dragon carving!), but will feature in the Huskycup 2019 charity auction.
Baby dragon for charity auction

Baby dragon for charity auction

For those wanting to see more, the organisers have already started to upload photos and videos which you can enjoy HERE.
Of course, there’s nothing quite like experiencing it for yourself! Huskycup is open to the public, and Blockhausen is open all year round where you can see the Water Dragon for yourself, as well as other creations from over the years.

Huskycup Flashback: Miners & Vikings

Huskycup Flashback: Miners & Vikings 150 150 Simon O'Rourke

It canIn a week’s time (8th-10th June) Simon and his wife Liz will be in Germany for The Huskycup.
The Huskycup is an annual event in Blockhausen with demonstrations, exhibits, and a speed-carving competition. At one time it was a competition, but is now a more relaxed demonstration and exhibition event. Artists pair up over the week to create something that ties in with the theme, without the pressure of competition. Simon has often participated, and took first place in 2016 with our first Huskycup Flashback: Viking Raid

Viking Raid, Huskycup 2016

Viking Raid, Huskycup 2016

About Huskycup 2019

Simon will partner with Japanese artist Keji Kedokoro for this year’s event. They will join five other teams to produce the best sculpture they can over the two days. This year’s theme is especially fitting for 2019 for us – Dragons!

The teams can produce anything their imagination allows! It can be realistic, comic, imagined or recognisable from a movie or TV show. The choice is theirs! We’ve seen Simon create amazing dragons in all those styles, so we can’t wait to see what he makes this time!

Until then, here’s another Huskycup flashback: The Bergmen (Miners)….

Simon O'Rourke's Bergmen in progress at Huskycup 2018s

Simon O’Rourke’s Bergmen in progress at Huskycup 2018

Revisiting Huskycup 2018

Simon’s challenge was to recreate a likeness of 15th Century German miners. He loves sculpting human form, so this was a project he could really sink his teeth into. This carve allowed him to show his skill in creating not only lifelike human form, but also historically accurate, realistic clothing through details like buttons on the uniform or the sense of movement of the cloth.

Simon O'Rourke miner carving

Working on details of the miners at Huskycup 2018

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Simon’s inspiration for his human form sculpting comes from Rodin and Bernini. Both are artists known for their use of texture, and for pioneering a style where they created motion and ‘story’ in their sculptures. Simon was faithful to that ideal when he carved these miners. Rather than being presented in a pose, they invite us into a story. It’s pretty clear these re-enactment 15th century Bergmen are delighted with their likeness!

The finished Miners, Huskycup 2018

The finished Miners, Huskycup 2018

Looking Forward

As well as the opportunity to carve, one of the fantastic parts of events like this is the community. The website shows it is going to be an amazing event. There will be great food and drink and entertainment. The speed carve features Germany against a combined Czech Republic and Slovakian team – who are keen to win after their defeat to Germany last time. There will be various demonstrations and craft stands as well as machinery exhibits and even glass work. We just hope the weather co-operates!

We’ll be sharing Simon’s work and news from the event on our Facebook and Instagram.  We wish all the artists good luck, and look forward to sharing with you the finished dragon!

Huskycup 2018

Simon is available for competitions, events and commissioned work. Email [email protected] or use the form on our contact page for information, quotes and availability.

 

 

 

 

Arb Show 2019

Arb Show 2019 150 150 Simon O'Rourke

Every year in May, the Aboricultural Association runs its flag ship event: The Arb Show. It describes itself as being “A celebration of the science of trees”, and Arb Show 2019 definitely lives up to that!

Simon & Stihl

This year the main sponsor for the event was Stihl – who also sponsor Simon! They had a large exhibit at the event, and Simon was invited to take part. Over the two days he performed demonstrations of chain saw carving, and met with people to talk about his art.

Stihl Exhibit at The Arb Show 2019

Simon at the Stihl Exhibit, Arb Show 2019

Demonstration Time!

Simon carved two pieces over the two days, while talking people through his process. He used Stihl’s new MS500i chainsaw for the first time to make the first piece; a horse’s head. Looking at the finished piece (can you believe that was a speed carve?!), we’d say it’s a hit!

Simon O'Rourke with the finished speed carve horse

Simon with the finished speed carve horse

Arb Show 2019 Auction

At the end of each day the pieces were auctioned off for the charity Greenfingers, which creates gardens and respite spaces for children in hospice care across the UK. Thank you to the winning bidders, and we hope you enjoy your sculptures!

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If you’re thinking of coming to check out one of Simon’s demonstrations in future, we thoroughly recommend The Arb Show.

The venue (The National Arboretum), is actually worth a visit at any time of the year. However, during The Arb Show, you can also enjoy exhibits from companies who work with trees in a whole range of ways.

Stihl Exhibit at The Arb Show 2019

Stihl Exhibit at The Arb Show 2019

Beyond the Carving

Exhibitors range from manufacturers of equipment for people working in forestry to conservation groups, from forest schools to artists using trees. Tree surgeons, tree carvers, timber processors and even tree climbers also come along to enjoy the show! In fact, it is also home to the 3ATC open climbing competition!

As well as the expected food stands, there is also entertainment and the opportunity to try your own hand at some of the timber sports – or even axe throwing!

With camping on site for those who want to spend both days enjoying the show, maybe we’ll see you next year?

A Dutch Jungle Throne!

A Dutch Jungle Throne! 150 150 Simon O'Rourke
The Setting

Every year the village of Garderen (Netherlands) is proud to be home to Zandsculpturenfestijn. It describes itself as  ‘Europe’s most beautiful sand sculpture park’  and has won several regional tourist awards. As well as sand sculpture, the outdoor part of the exhibit also features wooden carvings, completed each summer. Simon was invited to contribute again this year, and was excited to take part. This is the setting for this week’s featured sculpture: A Dutch Jungle Throne.

Simon working on his exhibit – easily identifiable by his Stihl clothing!

A Jungle Throne

The theme for the year (‘Journey Round the World’) gave a LOT of scope for the artists to create. With such an open title, they were free to sculpt natural wonders, architecture, people or animals. The artists who were there at the same time as Simon though all focused on nature, and created animal carvings. Wanting to help build a united exhibit, Simon decided to also focus on animals in his piece. As this wasn’t a commission where he had to replicate one specific animal, he decided to stretch himself and try something a little different, inspired by one of the indoor sand pieces.

The exhibit in question was a huge jungle scene with lots of different animals. Simon set himself the challenge of creating something similar which would feature lots of different animals. The result? A hollowed-out seat featuring not one or two animals, but 34! A ‘Jungle Throne’ fit for even King Louis, Jungle Book’s “King of the Swingers”!

The finished 'Jungle Throne'

The finished ‘Jungle Throne’

The Beginning….

Simon had a few ideas, but the decision about the final piece was settled by the piece of wood itself! Nick Lumb of Acorn Furniture (where Simon began his carving work) recently said that one of the enjoyable things with working with wood is that you never reach the end of learning about it. Other materials behave a specific way under a specific set of conditions. However, wood is different every time – you never know fully what you will get  until you begin to cut. In this instance, Simon discovered some defects in the centre, so decided to hollow out the timber, and the concept of a ‘seat’ was born!

Two different angles showing the animals in the jungle throne

Two different angles showing the animals in the jungle throne

Jungle Seat by Simon O'Rourke at Zandsculpturenfestijn

Two more angles showing the animals in the jungle seat

The Details

Creating 3d, realistic animals like this is no easy task. Simon had to find a way to create depth when the piece of wood didn’t allow for large, dramatic shapes. The effectiveness of the piece is all down to deep relief cuts to create the shapes of the animals and foliage, with much more shallow cuts and markings to create the outstanding details, such as the smile in the eyes of the sloth, or the slightly grumpy crocodile as well as the varying textures of fur, feather and scales.

Close up of the sloth and crocodile in the Jungle Seat by Simon O'Rourke

Close up of the sloth and crocodile

Much as we love them, photos of all 34 animals would be a bit much for one blog post. Why don’t you take a look at them here and let us know your favourite? You can also watch this video (posted below for those who can see it) to see Simon’s own thoughts about the seat too!

Simon is available for events around the world. If you would like to invite him to your tree carving event, contact [email protected]

 

Face to Face

Face to Face 150 150 Simon O'Rourke

Earlier in May, Simon had the privilege of being one of the artists to take part in The Sculpture Garden 2019; the launch event of The Cookham Art Festival in Berkshire. He created this fantastic exhibit ‘Face to Face as part of that event.

THE FESTIVAL

The festival itself is over 40 years old, has around 15,000 attendees, and celebrates art in several forms. This year includes the sculpture garden, music, galleries, food, poetry, spoken word, and theatre to name a few. What an amazing, rounded celebration of creativity, talent and skill!

THE EVENT

The Sculpture Garden was a brilliant launch to the festival. It was held at The Odney Club, a private house and gardens owned by the John Lewis Partnership. The venue is not normally open to the public, so the exclusivity added to the festival atmosphere. Visitors to the sculpture garden enjoyed some beautiful carved creations, and live demonstrations of works in progress. They could also the beauty of creation itself as they walked round the stunning gardens. In total there were around 150 exhibits for people to enjoy over the two weeks of the show, created by around 30 different artists, all working in different mediums and styles. Such rich variety in this exhibition alone!

The Odney Club, venue for the 2019 Sculpture Garden

The Odney Club, venue for the 2019 Sculpture Garden

 

SIMON’S EXHIBITS

Simon’s contribution were two finished faces, one which was first created during the APF Show last year (you can flashback and watch the video here). He also exhibited a third smaller version which he completed at the exhibition as a demonstration. Watching him live is undoubtedly the most impressive, but for those who are reading this blog from a distance and won’t be able to catch him at any of the shows this year, here’s the video! For those who are fascinated by the chainsaws and tools, it’s a Milwaukee Cordless Angle Grinder!

 

Face I on display at The Sculpture Garden 2019

Face I on display at The Sculpture Garden 2019

 

ABOUT THE ART

These are a very different style from Simon’s typical human form work, so we asked him to share a little bit more about his inspiration and process:

“I have always had a passion for the human form, and to recreate the human race in a realistic manner can be difficult. I wanted to zone in on sections of the face, giving the impression you’re seeing a snapshot up close. With the one with the detailed eye I wanted to recreate the feel of a real eye sculpturally, and capture the reflection and depth without the use of colour. When we see a face our brains determine what we are seeing with the help of colour and light. When you remove the colour element it really helps you to break down what makes us see and perceive depth. I make cuts deeper than they would be in reality in order to cast a darker shadow to give the illusion of depth.”

 

Face II on display at The Sculpture Garden 2019

Face II on display at The Sculpture Garden 2019

Face I, Face II and Face III are on show as part of the sculpture garden and can be purchased by contacting curator Lucy Irvine on [email protected]. If you who would like to commission a bespoke ‘Face’, email [email protected]

For those who enjoy watching the videos of Simon working, we are now in festival and competition season, so he will be competing and demonstrating in various locations over the next few months. If you would like to see him in action, watch this space or our Facebook page for details!