Chainsaw Carving Resources

simon o'rourke carving ken dodd sculpture using chainsaw with bar in collaboration with chainsawbars.co.uk

Collaboration with ChainsawBars.Co.Uk

Collaboration with ChainsawBars.Co.Uk 1200 900 Simon O'Rourke

We thought we’d take the opportunity of a lull in new sculptures to share some more from ‘behind the scenes’.  There are so many companies and individuals that are part of treecarving.co.uk. In the past we’ve shared about Acton Safety, OlfiCam and Treetech. This week we’re going to share a bit about our collaboration with ChainsawBars.Co.Uk.

simon o'rourke carving ken dodd sculpture using chainsaw with bar in collaboration with chainsawbars.co.uk

What is a Chainsaw Bar?

Firstly, let’s explain what a chainsaw bar is!
Basically, the ‘bar’ is the long piece of metal at the front of the saw, that the chain goes on. It’s typically an elongated bar with a round end of wear-resistant alloy steel. They are usually 40 to 90 cm (16 to 36 in) in length, although that can vary for more specialised work.  An edge slot guides the cutting chain. Specialized loop-style bars were also used at one time for bucking logs and clearing brush, although they are pretty rare now due to increased hazards of operation.

Not every bar or chain is right for every saw. For example, larger chainsaw bars work best with more powerful saws because it takes more energy to drive a chain around a long bar. That’s why electric saws use bars 18″ and shorter.

Chainsaw bars also have different specifications, such as coatings that make them more rust or water resistant. Add different chain options, and you get a LOT of different performance options. It’ll come as no surprise to you then that having a good choice of equipment is essential when we look for equipment suppliers, as well as them needing to have solid product knowledge. That’s where our collaboration with ChainsawBars.Co.Uk comes in.

close up of a chainsaw bar from a carving in process by Simon O'Rourke

About ChainsawBars.Co.Uk

ChainsawBars.Co.Uk is a British company run by Rob Dyer.  It has the largest online stock of chainsaw chains in the country, suitable for most chainsaw makes and models. Importantly for Simon, they are the only importer of Sugihara guide bars and ManpaTools in the UK.  One of their ‘claims to fame’ is that they supply 80% of the Japanese pro market. ChainsawBars.Co.UK is not just a retailer though, and they have been manufacturing bars themselves since 1967.

Those who follow Simon on social media will know that his ManpaTools angle grinders are an essential on his equipment list. Being able to obtain their tools easily and efficiently (such as the multicutter Simon is using to create fur in THIS VIDEO) is extremely important to us, so we’re thankful ChainsawBars.Co.UK make that possible!

Simon O'Rourke work in progress using chainsaw bars from our collaboration with chainsawbars.co.uk

Our Collaboration with ChainsawBars.Co.UK

Simon has been a loyal customer of Chainsawbars.Co.UK for several years now. But the relationship goes beyond that.  As well as buying Sugihara carving bars and ManpaTools before, Simon also reviews products for him.

One of the great things about ChainsawBars.Co.UK is their product review videos on their YouTube Channel. As Simon has been involved with creating these, we know that when you watch a review, it is genuine – something that’s SO important when buying equipment.  Below you can see Simon’s review of one of the products Rob Dyer created, the Panther Chainsaw Mill.

More Reviews
For those who are interested in finding out more about the equipment Simon uses, he will be producing some more review videos soon which you can find on his Facebook page, or YouTube Channel.
If you are looking to purchase chainsaw bars, chains, mills, we definitely recommend ChainsawBars.Co.Uk. They are knowledgeable, innovative, efficient and friendly. They also have some great loyalty discounts as an incentive! We are thankful for our collaboration with Chainsawbars.co.uk and the opportunity it gives us not just for great service and easy purchase of essentials, but also to see and try new products as they are released, and be part of the process of improving and developing them through our reviews and feedback.
Poppy met stihl helmet and ear protection

When Poppy met Stihl!

When Poppy met Stihl! 1536 2048 Simon O'Rourke

We thought this would be a good week for something a little different, and a little fun. Simon has been sponsored by Stihl since 2017. It’s a perfect partnership, and a truly authentic one, as he really does love the quality, and range of products. Whether it’s a chainsaw he needs or protective clothing, Stihl have it covered! In this blog, we’ll share some of their products that are used almost daily – featuring our very own pet (and unofficial Tree Carving mascot), POPPY! Scroll down to see what happened when Poppy met Stihl!

Poppy Stihl with the MS500i

When Poppy Met Stihl: The Stihl MS500i

Obviously chainsaw art can’t happen without good, dependable chainsaws! The Stihl MS500i is a high performance saw that makes easy work of large pieces of timber. It uses innovative technology to achieve rapid acceleration from 0 to 100 km/h in an unbelievable 0.25 seconds! Definitely not for use on your garden hedge!  In fact, Simon describes it as a ‘beast’! With that kind of power, it’s his first choice for the large cuts to block out big sculptures.
With a hint back to our blog about Acton Health and Safety, this saw also features STIHL’s anti-vibration system. This is important for Simon for minimising some of the well-documented health challenges associated with vibrations from power tools.

When Poppy met stihl clothing

When Poppy Met Stihl: Advance X-TREEm Jacket

If a dog’s got to be out working in all conditions, they need a decent jacket.  The Stihl X-Treem jacket (see what they did there?!)  featured in all these photos does it ALL! We think Poppy makes it look pretty good too! Anyone know any canine modeling agents?
But back to the jacket!
Attachment points for saw guard…… Removable sleeves, spacer material on the shoulders and adjustable ventilation openings for comfortable regulation of body temperature……Ceramic dots on the elbows offer abrasion protection…..Outer shoulder zone has grip dot abrasion protection…… Large areas of high visibility orange with contrast areas for excellent visibility……Two breast pockets, one inside pocket and one sleeve pocket…..
What more could a dog want? Works pretty well for Simon too!

Poppy wasn’t so keen on wearing them, but Simon also relies on the cut-proof and waterproof trousers and lightweight jackets, whether working in the workshop or outdoors.

When poppy met stihl ear protection

When Poppy Met Stihl: Ear Protection

Ear protection is an essential….at least for Simon! Stihl have a great range of gloves, safety glasses, head and ear protection.  Notice the cap too. According to Poppy, Stihl clothing is also for leisure time and not just work!

Poppy met stihl helmet and ear protection

When Poppy Met Stihl: Safety Helmet

Poppy’s final photo features another essential piece of protection. Did you spot it? That’s right, a blanket – an essential for tree carving trips.
OK, not really!
As you may have seen in our blogs about the Marbury Lady, the Spirit of Ecstasy, or the Giant Hand of Vrnwy, Simon often has to climb some fairly tall scaffolding. When he has projects that need him to work at height, he always wears his Stihl safety helmet. Safety is incredibly important, and their helmets have all kinds of ‘add ons’ or design features specific to this kind of work. These range from integrated ear or face protection to vents, or lightweight versions.

If you work with machinery, heights, or just in any area of your work, we do encourage you to follow safety protocols. It may be uncomfortable initially, but optimum health and safety is always worth the initial discomfort.

Poppy, Simon, Liz O'Rourke with the Game of Thrones eggs and casket

Poppy Stihl!

For those who enjoyed our blog featuring Poppy, she actually has her own Instagram account. You can follow her at www.instagram.com/poppystihl. If you come out and see us at the workshop, a show, or an appearance of Hemlock the Dragon, you may also meet her in person as she often comes along. She may be a bit trickier to spot though, as she isn’t always wearing ‘Stihl Orange’!

We hope you enjoyed something slightly different, and (hopefully) more ‘fun’ this week.
We leave you with this video from Simon, sharing a little more about his partnership with Stihl.

Stay safe, stay well, and stay connected.

 

Simon O'Rourke creating an oak maiden using Stihl battery chainsaw

Creating an Oak Maiden

Creating an Oak Maiden 720 960 Simon O'Rourke

There are two approaches to tree carving that Simon practices. The first is to design the piece, and then find timber suitable for the project. The three footballers that you may remember from last year are an example of this. In fact,  as you may remember from the Queen of the South Legends blog, completion was actually delayed because of sourcing timber after the original piece had a split.
The other approach is carving a standing stump. This means letting the tree dictate the design rather than the design dictate the timber. Sometimes the shape inspires the subject. Other times, it means making changes to the design along the way to accommodate the shape, size, twists turns and any surprises once the bark is stripped and Simon begins cutting. This was certainly the case with Simon’s latest project: creating an Oak Maiden.

Simon O'Rourke creating an oak maiden using Stihl battery chainsaw

 

Creating an Oak Maiden: The initial concept

This Oak Maiden looks incredible! However, she wasn’t actually what Simon had planned! The client who commissioned the hydra rising out of the ground, had asked Simon to look at another tree. There was an oak that had died and she wondered if it would make a good sculpture. When Simon first saw it, he could see female form. He also noticed the many branches at the top. Rather than cut these off, he imagined them to be a key part of the sculpture. And so, his initial concept was Medusa. The trunk could be transformed into a striking female form, and Simon imagined those undulating branches would make perfect ‘snake hair’. As a Greek mythological character, she would be a beautiful compliment too, to The Hydra. The client agreed, and Simon arrived at the start of last week expecting to create another Greek myth…..

Simon o'Rourke in the process of creating an oak maiden

Day one of creating an oak maiden. It’s easy to see why those branches suggested Medusa!

Creating an Oak Maiden: Change of plan!

Just as happened with The Hydra though (originally it was going to be a flock of birds or pterodactyls rising from the ground), once he began work, Simon realised that his original design wasn’t going to work. The branches at the top simply weren’t right, and he knew it would be better not to try and make them into snakes.

This flexibility and ability to respond to the timber is part of what makes Simon a great artist. Adapting his design to the work with the shape and features of the timber means creates sculptures which aren’t contrived. In fact, one comment on his Marbury Lady sculpture was that it seemed like she was always there in the timber, and Simon simply uncovered her.

An Oak Maiden by Simon O'Rourke

Creating an Oak Maiden: Adapting the Design

Adapting the design to work with the branches was an aesthetic decision. However, sometimes Simon also has to make changes because of practical reasons. This isn’t just about what he can see either. He also has to take into account what will happen to the timber as it ages. What may seem a small crack at the time for example, could cause massive damage to a sculpture later if he isn’t wise.

Another change in creating this oak maiden was because of one of these practical considerations. When we look at the oak maiden, her ‘crown’ appears bulkier to the left. In his ‘ideal’, Simon would have reduced some of that wood to create a more elegant or slimline look. However, there is a large amount of weight in the branches above it. This meant Simon faced the choice of losing some of that weight (and some of the rustic, organic, woodland feel to the character), or adapting his initial vision.

Simon O'Rourke Oak Maiden with moon

Close up showing the bulk of wood on the left

Creating an Oak Maiden: More Changes!

Simon chose to leave the wood on the left side of the face, to support the weight above it, and again demonstrated his skill at using challenges to create something even better! The extra wood became this fantastically textured crown instead, rather than being unnecessary bulk, it is now part of the story that Simon tells through sculpture. The weight and size is suggestive of a crown that now seems to enhance the status of this Oak Maiden. It reflects the strength and majesty of an oak tree, and conjures up an image of this Oak Maiden being a princess or queen among the woodland characters.

simon o'rourke in the process of creating an oak maiden with the stihl MS400

This photo gives a sense of the scale of the sculpture

Creating an Oak Maiden: Sculpting Human Form

One of the things that makes Simon’s human form sculptures so exceptional, is his attention to story and structure and how they create movement. We saw this with the Marbury Lady and Prestatyn Hiker that you may have spotted on Facebook or Instagram. The clothes in both showed the lines and wrinkles associated with being worn by a living, moving being rather than being hung static in a wardrobe. In this case particularly paid attention to the shape of the form underneath the cloth. For example, the skeleton, muscles, shape, size and position of the subject. Similarly to the Marbury lady, he also left raised wrinkles to imply a very thin material which skims the body.

Body of the Oak Maiden by Simon O'Rourke

Creating an Oak Maiden: The Tools!

It sometimes seems amazing to think that suck a beautiful thing can be created by something as destructive as a chainsaw! In the case of the Oak Maiden, Simon relied a lot on the Stihl MS400. Stihl’s MS400 is the first chainsaw  to make the change to a magnesium piston. This, and it’s “impressive power-to-weight ratio of 1.45 kilograms per kilowatt”, has made it much more ‘punchy’. Combined with the 20 inch Tsumara carving bar, Simon found  it worked really nicely for controlled shaping.
The Saburrtooth bits have fast become an essential on the job too. These are largely what Simon used for refining the face and hands, creating small areas like the eyes, and adding texture. Some of his favourites are the conical burr, and the large coarse flame bit. The small eye bit also helped create sharper lines and bring more expression to the eyes.

Face of an oak maiden by simon o'rourke

This nymph (or as we’ve been calling her, ‘Oak Maiden’) has definitely been a hit on social media. Most importantly though, the client loves her! The Oak Maiden may not have been the original plan, but Simon has created something even better and truly lovely, restoring life to this dead oak.

If you have a dead tree on your property, why not chat with Simon to see if he can imagine something in it? He loves to bring life back to dead or damaged trees, and can create you something completely unique. Contact him on [email protected] to talk about ideas and quotes.

 

Ice Carving for Christmas

Ice Carving for Christmas 150 150 Simon O'Rourke

The countdown to Christmas is on! Shops are full of decorations, calendars are filling up, and Christmas music is starting to hit the radio. It’s also that time of year where Simon takes a break from wood for an evening or two, and turns his hand to ice sculptures. This year he’ll be digging out his thermals to take part in ‘Ice Carving for Christmas‘ organised by Wrexham Museums. Although Simon is privileged to travel nationally and internationally, it’s also fun for us when we get to participate in local events, and important to us to be engaged with our local community. We can’t wait for December 5th!

Wrexham Ice Carving for Christmas posters 2019 featuring Simon O'Rourke

The Event

Ice Carving for Christmas promises to be a great evening for all ages. Guests follow a trail that starts at St Giles Church and ends at the museum. They also have not one, not two, but THREE opportunities to see Simon carving along the way!

Station One is near to St Giles church and Victorian Market (5pm-6pm). After watching Simon carve, guests can spend time at the market which promises to be bigger and better than previous years. There’ll be all kinds of stalls ranging from local crafts to food and drink.

 After enjoying the market, guests can move on to work station two from 6-7pm. There will also be food and drink vendors along the street, as well as late night opening for some of our high street shops. 

Then it’s on to the Museum for the main event (7pm-9pm ). People who watched the first two stations can make their guess as to what the finished carve will be, with prizes for those who guess correctly. So, much as we would love to tell you, we’re keeping it quiet. No spoilers here! At the museum, there will also be opportunity to sing somecarols and join in the Christmas spirit with festive refreshments from the café.There’ll also be chance to get some photos with Simon and the finished carve. Perfect for sending out with family Christmas cards!

Past Ice Sculptures

Regular followers will know this isn’t Simon’s first time ice carving. This week we shared this Facebook post with a flashback to some spectacular ice carving he did for Cardiff Ice Kingdom in 2015.

Cardiff Ice Kingdom sculptures by Simon O'Rourke

Simon’s work at 2015 Cardiff Ice Kingdom

Cardiff Ice Kingdom Santa sculpture by Simon O'Rourke

2015 Cardiff Ice Kingdom Santa Sculpture by Simon

Local Ice Carving

Simon also took part in Wrexham’s 2017 Ice Carving for Christmas. As he will in this year’s event too, Simon worked outside the museum. People could watch as he transformed these blocks of ice into beautiful, detailed penguins.

Simon O'Rourke at the start of 2017's Ice Carving for Christmas event

Simon at the start of 2017’s Ice Carving for Christmas event

Penguins in Ice by Simon O'Rourke

Finished penguin ice carving

From Wood to Ice

Obviously ice is a very different material to wood! When Simon makes the transition, there are a few things he has to keep in mind for a successful carve.  For example, time!

One thing we all know about ice, is it melts. Fast! So whereas Simon might work on a typical sculpture over several hours or days, with ice it is more like one of the ‘speed carving’ events.

Simon O'Rourke Ice Carving in progress 2017

Penguins in progress in 2017

Another difference is that ice is much more brittle.
This means when Simon begins thinking about his designs, he can’t include as many delicate shapes. The work focuses on bringing lots of detail and texture to larger shapes for the light to shine through and bounce off. Which leads to the final difference we’ll highlight here today: presentation.

When using wood, working with the tree’s natural lines, colours and shapes is crucial. The sculpture then speaks for itself as people view it. With ice, the success is often down to light. That includes the nature of the lighting itself e.g. will it be multicoloured? Shades of the same colour? How will the lighting help tell the story of the sculpture and set the scene?

It also includes how the sculpture will ‘interact’ with the light. Where will the light hit and bounce off? At what points will it shine through? Where will it help bring depth to a particular part of the sculpture? And so, Simon must consider this both as he plans, and as he progresses.

These photos show perfectly both the texture and the impact of lighting on his 2017 Ice Carving for Christmas penguins.

Close up of penguin ice carving by simon o'rourke

Close up of ice penguin showing the impact and importance of lighting

Penguin Ice Carving by Simon O'Rourke for Ice Carving for Christmas 2017

Close up of ice penguin showing the impact and importance of lighting

Not All Change!

Of course, it isn’t all change! Some things will stay the same as Simon switches from wood to ice this year.

He will still be using his faithful Stihl chainsaws, and their battery chainsaws are perfect for events like this. He’ll also be thankful for their thermal clothing and waterproof protective trousers! Whether wood or ice, or any other outdoors work, nobody wants to be cold and wet! Obviously, whatever he’s carving (remember, no spoilers here!) and whether wood or ice, the level of excellence, creativity and skill that Simon brings will stay the same.

Ice carving penguins by Simon O'Rourke

 

A Throne Fit for a King Officer

A Throne Fit for a King Officer 150 150 Simon O'Rourke

Sometimes you don’t need an excuse like an anniversary to install a piece of art.
Do you ever see something you admire and think ‘I’d like one of those’? That’s kind of what happened with this week’s featured sculpture: The RAF dragon throne.

Close up of the RAF Valley Dragon by Simon O'Rourke

The Story Behind the RAF Dragon Throne

The story of this sculpture actually began back in February, not long after Simon revealed The Dragon of Bethesda . Squadron Leader Leah Richmond at RAF Valley, Anglesey (North Wales) saw the dragon Simon had carved as a private commission. She had a space on the RAF base that needed ‘something’, so she contacted Simon about getting their very own dragon! Or at least, that’s the quick summary! Simon created this rather dignified looking beast in the Spring, and it was unveiled this week during the annual base reception and sunset parade.

RAF Valley Dragon Throne by Simon O'Rourke in progress

Early work on the dragon throne

The Dragon Throne’s New Home

RAF Valley provides fast-jet training as well as training for aircrew working with search and rescue. The base became known throughout the UK when Prince William was stationed there 2010-2013. The North Waelsh population knew of it a long time before that however. Many a holiday-goer in Snowdonia is treated to the sight (and sound!!!) of a low flying Hawk!

The dragon was a meaningful choice for this base, as not only is the dragon on the national flag of Wales, but it is also on the RAF Valley emblem. This side by side shows how Simon has taken the very simplistic image from the badge, and re-imagined how that would translate into a real animal. The dragon’s expression and more rugged texturing (rather than smooth, even scales) really enhance the sense of a rugged,  aged guardian.

Comparison of RAF Valley Dragon with Simon O'Rourke's Sculpture

Comparison of the dragons

The Making of the Throne

Making the dragon took six days of work, from the initial hollowing out of the oak that is the main frame for the thone, to completing the fine detail. The shape of the wings which provide the back and sides of the throne, remain faithful to the dragon on the badge, and the overall scale provides a fittingly regal overall impression. Truly a throne fit for an officer!

As the oak ages, it will take on a much darker colour and warmer tones. In time, those tones will contrast beautifully with the seat which is made from Cedar of Lebanon. The cedar will also darken in time, but take on grey hues – coincidentally reminiscent of the RAF uniforms!

As always, Simon used his faithful Stihl chainsaws to create the throne. For those who are interested in this side of what Simon does, check out the MS 500i and the MSA 200 which were both used for this sculpture. Both have been great additions to his collection of tools. The MS500i is great for its power, lightweight design and how easy it is to operate when there is heavy duty ‘chopping’, hollowing and shaping to do! The MSA 200 gives Simon the usual Stihl functionality as well as all the benefits of using a battery operated saw – and is quiet enough to use on site in residential or public areas.

Completed Dragon Throne by Simon O'Rourke

The finished throne!

Unveiling the RAF Dragon Throne

The unveiling of the throne happened at the annual base reception this week. It made quite the impact, and was admired by the staff, local dignitaries and other attendees. It also created some entertaining Twitter conversation that you can read here!

Simon O'Rourke with RAF Valley Station Commander Chris Jones and the completed dragon throne

Simon O’Rourke with RAF Valley Station Commander Chris Jones and the completed dragon throne

 

Liz O'Rourke with Sqn Ldr Leah Richmond who envisioned and initiated the throne

Liz O’Rourke with Sqn Ldr Leah Richmond who envisioned and initiated the throne

This sculpture began life when somebody saw and admired another of Simon’s pieces. Which carvings have you seen and thought ‘I want one of those’? Drop us a comment below!
Even better, why not email [email protected] and have a chat about how you could have your own?

Blood Donor Day!

Blood Donor Day! 150 150 Simon O'Rourke

 

June 14th is WHO Blood Donor Day. The event raises awareness of the need for safe blood and blood products. It is also used to thank donors for their life-saving gifts of blood. Working with chainsaws, there’s obviously a lot that can go wrong, so we’re thankful that nobody on the team has ever needed to be the recipient of donor blood!!!!

We wanted to take the opportunity though to highlight Blood Donor Day (if you’re a healthy adult, have you ever thought about being a donor?). We also thought it’s a good excuse to look at some of the good practice that has kept Simon and the other staff away from A&E, and give some tips to anybody thinking of exploring chainsaw carving.

stihl chainsaw

Stihl Chainsaw – can be used for creative or practical purposes, but either way, safety is paramount!

The Legal Stuff

The first thing is GET YOUR CHAINSAW LICENSE! This ensures you are trained to work competently with a chain saw. There are several ways you can go about this, but a good starting point is the TKF website.

Simon always has a health and safety policy in place wherever he works. This includes things like roping up when necessary, safe use of scaffolding, storage of equipment, and safe distances for others. Although health and safety assessments can seem tedious, they really do help think through the possibilities. In turn, this ensures everybody is doing their best to stay safe. If you are planning on some chainsaw art, even if you don’t need to write a policy, think through the possibilities, assess your site, project, tools and personnel and stay safe!

Scaffolding in place for work on a sculpture

Scaffolding in place for work on a sculpture

Top Tips for Chainsaw Safety

Our other top tips include:

  • maintain the chainsaws properly.
  • always wear the correct safety equipment.
  • time invested in best practice is always worth it.
  • take time to think through best positioning of equipment, especially ladders and scaffolding, and work within the guidelines provided by the manufacturer.
  • know you limits!
    Tiredness, being distracted by hunger, using equipment too heavy for your fitness level and physical capability etc can all compromise a person’s safety. There’s no shame in knowing when to stop and take a break. This is also key in avoiding things like Repetitive Strain Injury.

We love when people get creative and try new things. BUT!!! Let’s stay safe and make sure the only blood-giving we do on world blood donor day is intentional!!!!

Arb Show 2019

Arb Show 2019 150 150 Simon O'Rourke

Every year in May, the Aboricultural Association runs its flag ship event: The Arb Show. It describes itself as being “A celebration of the science of trees”, and Arb Show 2019 definitely lives up to that!

Simon & Stihl

This year the main sponsor for the event was Stihl – who also sponsor Simon! They had a large exhibit at the event, and Simon was invited to take part. Over the two days he performed demonstrations of chain saw carving, and met with people to talk about his art.

Stihl Exhibit at The Arb Show 2019

Simon at the Stihl Exhibit, Arb Show 2019

Demonstration Time!

Simon carved two pieces over the two days, while talking people through his process. He used Stihl’s new MS500i chainsaw for the first time to make the first piece; a horse’s head. Looking at the finished piece (can you believe that was a speed carve?!), we’d say it’s a hit!

Simon O'Rourke with the finished speed carve horse

Simon with the finished speed carve horse

Arb Show 2019 Auction

At the end of each day the pieces were auctioned off for the charity Greenfingers, which creates gardens and respite spaces for children in hospice care across the UK. Thank you to the winning bidders, and we hope you enjoy your sculptures!

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If you’re thinking of coming to check out one of Simon’s demonstrations in future, we thoroughly recommend The Arb Show.

The venue (The National Arboretum), is actually worth a visit at any time of the year. However, during The Arb Show, you can also enjoy exhibits from companies who work with trees in a whole range of ways.

Stihl Exhibit at The Arb Show 2019

Stihl Exhibit at The Arb Show 2019

Beyond the Carving

Exhibitors range from manufacturers of equipment for people working in forestry to conservation groups, from forest schools to artists using trees. Tree surgeons, tree carvers, timber processors and even tree climbers also come along to enjoy the show! In fact, it is also home to the 3ATC open climbing competition!

As well as the expected food stands, there is also entertainment and the opportunity to try your own hand at some of the timber sports – or even axe throwing!

With camping on site for those who want to spend both days enjoying the show, maybe we’ll see you next year?

Woodland Friends

Woodland Friends 150 150 Simon O'Rourke

This week Simon (photographed here on day one) has been working on a couple of commissions for local gardens; transforming the trunks into some woodland friends.

Working on the first sculpture of the week

 

The Sculpture

During the week, a fox, owls, woodpecker and squirrels appeared in the timber. What a delightful group of woodland friends! Simon also gave the stripped-back timber the shape and texture of a tree. He did this by adding details like knots, branch stumps, and a nut hatch. He also created twists and imperfections in the shape and direction of the trunk. These all help capture the attention of the viewer and make the piece seem more realistic.

In addition to the texture detail, each of the woodland friends was actually given a story of its own.
Simon does this by paying attention to the focus, expression and movement of each animal. Each one of them sits, stands, flies or moves in a different direction, with a different expression.

Woodland scene number two from the week

Visual Storytelling

One of the beautiful things about Simon’s storytelling is that they are not so prescriptive that they tell the whole story. |Simon gives clues, but leaves aspects to the imagination of the onlooker:

Who or what is the fox watching?

What is it behind the owl that has caught his attention?

Is the squirrel running for play, or returning to its home in a hurry to avoid a storm? Perhaps it’s looking for escape as a local dog on a walk has broken free and is giving chase?

Maybe something about the eyes and expression or the movement reminds you of a scene from a childhood story of woodland creatures?

Visit our Facebook page for yourselves to see more photos and videos of the finished pieces. Feel free to leave a comment on our photos and videos too, letting us know what you thought!

 

Exciting start to 2018!

Exciting start to 2018! 150 150 Simon O'Rourke

A very happy new year to you all!

We hope that your January so far has been really brilliant and not blue at all.

Ours has been crazy cool, with lots of commissions, meetings, networking and travel, but the most exciting thing was having the Stihl GB team come to film Simon with their fab marketing team and film crew, HROC!

Here’s a couple of snaps from the day a couple of weeks ago and there will be some fantastic video footage being released in early March, so watch this space!