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A Phoenix Arises

A Phoenix Arises 150 150 Simon O'Rourke

There’s something very poetic about this week’s featured sculpture, where a phoenix arises from a Douglas Fir.

Unlike many commissions where a tree is damaged or diseased and a customer wants to turn it into something beautiful, in this case there was nothing wrong with the tree. Rather, it had simply become too big for its location, and couldn’t stay where it was planted. This isn’t uncommon. Lots of people plant trees in gardens not realising how big they’ll get, and they become a potential hazards. There are plenty of ways to transform the story of that tree though if that happens, including commissioning a unique piece of art!

Work in progress on Simon O'Rourke's phoenix

Work in progress

The Legend of the Phoenix

The phoenix is a bird which has come to represent new life. More specifically, it has also come to represent the birth of something beautiful out of the end of something else. Greek and Roman mythology says this long-lived bird dies in a show of flames. Then, out of the ashes from the fire, a phoenix arises in a majestic show. It then seems fitting that a tree that has seen the end of its natural life, would give birth to this stunning phoenix sculpture. The parallels don’t end there. Legend also says the phoenix dies and regenerates after 1000 years of life. Did you know that’s also the possible life span of the Douglas Fir?! As an evergreen tree, the Douglas Fir can also represent eternal life – as does the phoenix because of its legendary cycle death and regeneration.

A Phoenix Arises by Simon O'Rourke

About the Sculpture

This particular fir  had an interesting shape that Simon needed to work with. Trees always come with their own sets of twists, knots and potential for future cracks, and Simon has to constantly adapt his design as he discovers those. The shapes and textures work so well in this sculpture though, you would never know it hadn’t been specifically and intentionally designed that way!

The twists and texture from the very base of the trunk to where the phoenix arises mimic the movement of the flames that legend says consumed the first bird. These get more intense, closer together and more detailed as they travel up the trunk, until they become actual flames. Their shape is also reminiscent of the sun, which is also closely tied the the legend of the phoenix.
From the centre of these flames, Simon’s stunning phoenix rises, with its wings unfurled as if about to take flight. Stray feathers carved into the trunk further down, enhance this sense of movement, as they seem to have dropped from powerfully flapping wings.

Full length picture of A Phoenix Arises by Simon O'Rourke showing the feathers falling in flight

Full length photo showing the falling feathers from the Phoenix taking flight

The Harry Cane

Are you as fascinated by the flames as we are? We think their texture and shape is magnificent, and creates a wonderful organic-looking flame for the phoenix to rise from.
Simon had to use a few different tools to create that look. Firstly, his Manpa Tools belts and cutters. Simon was recently sponsored by the company and is enjoying their products to take some of his sculptures to the next level. He also used gouging attachments gifted to him by The Harry Cane. These attachments were devised by Harry Cane to attach to the Stihl MS170 (Stihl’s recommended entry level chainsaw) or MSE170, and are ideal for ‘gouging’ as well as to add another level of depth. Anyone wanting to get their hands on one for themselves can visit The Harry Cane shop at http://theharrycane.de/shop.html

Harry Cane chainsaw attachments as used by Simon O'Rourke

The Harry Cane attachments on the Stihl MS 170

The Douglas Fir

It isn’t just the phoenix that has its own interesting story either. The Douglas Fir has its own interesting background too. As we are lovers of all things arboricultural and forestry, we’re sharing some random ‘tree trivia’ (should that be a hashtag?!) with you:

Tree Trivia

You probably know the Douglas Fir better as a ‘Christmas Tree’. Whilst we use several species to decorate our homes over the season, the Douglas fir is the most common.

The Douglas fir isn’t actually a true fir! That’s why we sometimes know it as Oregon Pine, Douglas Pine, Douglas Spruce and Puget Sound Pine.

The tree is native to the Pacific Northwest in the US (the alternative names might have been a giveaway).  It was brought to the UK by David Douglas in 1827 and is considered naturalised in the UK, Europe, South America and New Zealand.

Douglas fir is extremely versatile, and can be used for lumber, food, drink and traditional medicine. It is also frequently used ornamentally in trees and park, and is useful to wildlife as food and shelter.

The only remaining US Navy wooden ships are made from Douglas Fir.

Close up of the upper part of "A Phoenix Arises" by Simon O'Rourke

Close up of the phoenix rising from the sun-like flames

Testimonial

We hope you enjoy learning more about the trees Simon works with. We also hope you love the phoenix as much as we do. More importantly, as much as the owner does! We leave you this week with this testimonial from a very satisfied customer.

As always, if you find yourself in the same situation as this client, contact Simon on [email protected]  to talk about ways of giving it new life.

 

Carved Day’s Night: Global Beatles Day

Carved Day’s Night: Global Beatles Day 150 150 Simon O'Rourke

June 25th was Global Beatles Day. Yes, there is such a thing!
The day celebrates the ideals of The Beatles, and honours them as individuals. We love the music of the Beatles, and with Simon also being a Liverpudlian, we couldn’t let it pass without a flashback to Simon’s Beatles carvings.

Simon carving The Beatles

Work in progress!

Simon created The Beatles sculptures over four days in Liverpool in August 2017. It was part of an event at the pier head, so locals were also able to watch Simon at work. Needless to say, they loved seeing their very own ‘fab four’ coming to life!


Beatles Sculptures outside the Liver building for Global Beatles Day

Making each figure took around six hours. From facial details to posture, each one is a great representation, and reflects Simon’s talent for human form. The ‘Fab Four’ were then auctioned off in aid of Variety charity, and ended up raising over £15,000! Global development and human rights were important to the members of the band, and as Global Beatles Day also celebrates their values, we reckon that fantastic result is another good reason to revisit these pieces today.

Simon O'Rourke Celebrating Global Beatles Day with his Beatles sculptures

Simon with the finished band!

Since then Simon has recreated lots of figures from the airman at Highclere Castle to other Liverpudlians like Cilla Black and Ken Dodd. You can see some of his human form portfolio here.

If there are events, anniversaries etc that you would like marked with your own sculpture, get in touch with us at [email protected] to find out more.

Face to Face

Face to Face 150 150 Simon O'Rourke

Earlier in May, Simon had the privilege of being one of the artists to take part in The Sculpture Garden 2019; the launch event of The Cookham Art Festival in Berkshire. He created this fantastic exhibit ‘Face to Face as part of that event.

THE FESTIVAL

The festival itself is over 40 years old, has around 15,000 attendees, and celebrates art in several forms. This year includes the sculpture garden, music, galleries, food, poetry, spoken word, and theatre to name a few. What an amazing, rounded celebration of creativity, talent and skill!

THE EVENT

The Sculpture Garden was a brilliant launch to the festival. It was held at The Odney Club, a private house and gardens owned by the John Lewis Partnership. The venue is not normally open to the public, so the exclusivity added to the festival atmosphere. Visitors to the sculpture garden enjoyed some beautiful carved creations, and live demonstrations of works in progress. They could also the beauty of creation itself as they walked round the stunning gardens. In total there were around 150 exhibits for people to enjoy over the two weeks of the show, created by around 30 different artists, all working in different mediums and styles. Such rich variety in this exhibition alone!

The Odney Club, venue for the 2019 Sculpture Garden

The Odney Club, venue for the 2019 Sculpture Garden

 

SIMON’S EXHIBITS

Simon’s contribution were two finished faces, one which was first created during the APF Show last year (you can flashback and watch the video here). He also exhibited a third smaller version which he completed at the exhibition as a demonstration. Watching him live is undoubtedly the most impressive, but for those who are reading this blog from a distance and won’t be able to catch him at any of the shows this year, here’s the video! For those who are fascinated by the chainsaws and tools, it’s a Milwaukee Cordless Angle Grinder!

 

Face I on display at The Sculpture Garden 2019

Face I on display at The Sculpture Garden 2019

 

ABOUT THE ART

These are a very different style from Simon’s typical human form work, so we asked him to share a little bit more about his inspiration and process:

“I have always had a passion for the human form, and to recreate the human race in a realistic manner can be difficult. I wanted to zone in on sections of the face, giving the impression you’re seeing a snapshot up close. With the one with the detailed eye I wanted to recreate the feel of a real eye sculpturally, and capture the reflection and depth without the use of colour. When we see a face our brains determine what we are seeing with the help of colour and light. When you remove the colour element it really helps you to break down what makes us see and perceive depth. I make cuts deeper than they would be in reality in order to cast a darker shadow to give the illusion of depth.”

 

Face II on display at The Sculpture Garden 2019

Face II on display at The Sculpture Garden 2019

Face I, Face II and Face III are on show as part of the sculpture garden and can be purchased by contacting curator Lucy Irvine on [email protected]. If you who would like to commission a bespoke ‘Face’, email [email protected]

For those who enjoy watching the videos of Simon working, we are now in festival and competition season, so he will be competing and demonstrating in various locations over the next few months. If you would like to see him in action, watch this space or our Facebook page for details!

 

 

 

 

 

 

 

Earth Day 2019

Earth Day 2019 700 400 Simon O'Rourke
,Honouring Earth Day 2019

We’re marking Earth Day 2019, by talking about one of Earth’s (and Tree Carving’s!) most vital resources: Trees!

Trees are the biggest plants on the planet. They give us oxygen, store carbon, stabilise the soil and give life to the world’s wildlife. They are also the material that forms the basis for everything that Simon produces , whether life size human form commission, furniture, or accessories (have you ever seen his bowties?!)

Carving a dragon into a fallen tree

Carving a dragon into a fallen tree

Why Tree Carving?

Simon definitely hadn’t planned on tree carving as a career. After A levels, he began a degree in illustration. He actually hoped and planned to be a freelance illustrator of children’s books. After graduation however, he took a job with Acorn Arbor Care as a tree surgeon. The idea was, this would give him an income while he built up his illustration portfolio. And so, at this time he began working with chainsaws. In fact, the first saw Simon used was made by Stihl, . In one of those ‘full circle’ kind of stories, they are now his current sponsors!

Realising he could be creative as well as practical with a chain saw, Simon tried his hand at carving. There was something special for him in discovering that “such a potentially destructive tool can be used to create beauty”. After that discover, the rest – as they say – is history!

As well as the appeal of the chain saw, the wood itself is full of appeal. Part of this is in its ever-changing nature, which then shapes the finished product, beyond Simon’s first idea. He can plan a piece with detailed sketches and have an idea of what he wants it to look like. However it has to evolve a lot once the carving actually begins. The grain dictates where the natural strength of the timber is and can give so much inspiration for the shape of a sculpture. Every tree is unique and you never know what you’re going to find when you cut into a piece.

 

The timber used for this carving of a shire horse. The natural grain enhances the texture and shape of the horse.

The timber used for this carving of a shire horse. The natural grain enhances the texture and shape of the horse.

Sourcing Wood Responsibly

On Earth Day 2019  when we are thinking about preserving the world’s resources, it is also natural to be wondering where all this wood is coming from. Is tree carving damaging to the environment?

Far from it. Tree carving is one of the more sustainable mediums for sculpture. Working with a natural material means that although it weathers well, eventually it will degrade, as all wood does. At this point, it is returned to the earth – no land or ocean filling here!
In addition, Simon uses trees that have either fallen naturally, or trees that have become dangerous or diseased. Most importantly, he always uses wood that has come from a sustainable managed location. This includes domestic housing and managed forests and woodlands. One example of this which went viral earlier this year, is his carving ‘ ‘The Dragon of Bethesda‘. This dragon commission actually came about because of an arboretum owner wishing to do something with a storm-damaged fallen tree.

The Dragon of Bethesda, before and after

The Dragon of Bethesda, before and after

Forest Education

As lovers of the outdoors and environmentally aware citizens, Simon and his wife Liz enjoy the opportunities that they get to educate others too about the resources we have and how to take care of them through their work. Whether it takes the form of educational captions on a nature trail commission, sharing their hearts in interviews, or through Liz’s role as a forest school teacher, their appreciation for the world around them is clear, and not only do they model responsible use of the world’s resources as individuals and businesses, but they also inspire others to do the same.

Liz at a forest school session. They even recycle the re-purposed wood, using off-cuts from scupltures for classroom supplies like these wood chips!

Liz at a forest school session. They even recycle the repurposed wood, using off-cuts from sculptures for classroom supplies like these wood chips!

You can talk to us about Simon tranforming your own damaged or fallen trees at [email protected]

 

At Home in Page’s Wood – Installation of the Sculptures

At Home in Page’s Wood – Installation of the Sculptures 150 150 Simon O'Rourke
Return to Page’s Wood

Last week Simon traveled down to London to install the sculpture trail in Page’s Wood that we featured in our blog two weeks ago. We can now say that the 12 sculptures are safely in their new home. It’s just in time for the warmer weather and the Easter holidays (free time for exploring outdoors) too! We thought you might like to see the sculptures installed and at home in Page’s Wood….

 

Owl by Simon O'Rourke at home in Page's Wood

Page’s Wood Tawny Owl

 

The Journey of a Sculpture

It’s a satisfying feeling to see a sculpture go from a sketch and a proposal, through the process of bringing it shape and life in the timber, to the final stage of seeing it in its new home. Often, once it’s sitting it its ‘right’ environment there seems to be much more life and colour to the piece. This collage shows the original sketch, the frog in the workshop and finally at home in Page’s Wood. What do you think?

 

Frog by Simon O'Rourke at home in Page's Wood

Page’s Wood Frog by Simon O’Rourke

More Than Just A Sculpture: Our Role As Educators

We believe art will always have purpose for its own sake, but it’s also a privilege for us when our art also serves a greater purpose. In the case of this sculpture trail, it hopefully serves to encourage people (children especially) to finish a walk when it might be more tempting  to return to a game of Fortnite (if your kids are anything like some of the ones we know!), or for the grown ups, return to the to-do list of jobs around the house!

The animal sculptures themselves reflect the local population too and help raise awareness of the environment. Then, the stories with each one, help educate the reader about what we can do to help steward and protect that environment. We hope that as people wander these two trails, not only will they enjoy finding and viewing the sculptures, but they will also warm to the characters and feel inspired to take small steps to help protect their beautiful surroundings.

Enjoy the Trail!

We’ll leave you with the full range of sculptures in their woodland setting, in the order of the stories. If you happen to be walking through Page’s Wood why not take a photo with the animals along the trail, and tag us in it. We’d love to see you ‘meeting’  our timber friends, and hear what you thought!

 

TRAIL ONE

Sculpture Trail by Simon O'Rourke in Page's Wood

Verity Vole at home in Page’s Wood

 

Sculpture Trail by Simon O'Rourke in Page's Wood

The dragonfly Verity encounters

 

Sculpture Trail by Simon O'Rourke in Page's Wood

The One Where Verity meets a frog!

 

Sculpture Trail by Simon O'Rourke in Page's Wood

The newt and Verity meet

 

Sculpture Trail by Simon O'Rourke in Page's Wood

Verity meets a Reed Warbler

 

Bench as part of the Sculpture Trail by Simon O'Rourke in Page's Wood

Riverside reed bench reflecting the animals and environment along the riverbank

 

TRAIL TWO

Sculpture Trail Two in Page's Wood by Simon O'Rourke

Introducing Horatio Hedgehog

 

Sculpture Trail Two in Page's Wood by Simon O'Rourke

The wise owl Horatio meets

 

Sculpture Trail Two in Page's Wood by Simon O'Rourke

An encounter with a badger

 

Sculpture Trail Two in Page's Wood by Simon O'Rourke

Horatio meets a squirrel

 

Sculpture Trail Two in Page's Wood by Simon O'Rourke

When Horatio meets a fox

 

Final bench of Sculpture Trail Two in Page's Wood by Simon O'Rourke

Final bench of the woodland trail, reflecting the animals and environment

It Takes a (Lego) Village

It Takes a (Lego) Village 150 150 Simon O'Rourke

What could the well-known proverb in the title and Lego possibly have to do with tree carving?!

Well, it’s our privilege and joy both as a company and in our personal lives to be able to share what we have, and use it to help, support, sow into, and encourage others – whether that be with time, energy, or finances. In the past Simon has auctioned off various carvings and the gift of bespoke carving to order for a range of charities including local hospices and national charities. This week we were excited to pop over to England and plant a Lego tree which represented our donation to The Big Lego Brick Hospital fundraiser for a new Clatterbridge Cancer Centre. Read on for the full story……!!!

Planting our Lego tree on the model Clatterbridge

 

A chance encounter last year led to us running a  fundraiser for Clatterbridge Hospital from our workshop in North Wales. They are building a new Cancer Centre in Liverpool, and have been running a scheme where people can sponsor things like bricks, flower beds, benches and even figures of staff, to help build a model hospital out of Lego, which is a copy of the actual hospital which is currently under construction.
With half a million bricks and an army of builders, the Lego hospital itself is something worth checking out! When it’s finished it’ll be just under three metres long and almost two metres high. It will taken around 1000 hours over two years to build, and will hopefully have raised £500,000 for the Clatterbridge charity by the time it is completed. If you look closely you will find over 100 rooms with chemotherapy clinics, radiotherapy machines, toilet blocks, kitchens, lift shafts, MRI scanners, and more, including 150 hospital beds! As an artist, and a team that loves creativity and ingenuity, we can’t help but be impressed! OK, and let’s be honest, aside from the artistry and engineering, nobody ever really outgrows their appreciation of all things Lego!

Comparison of the lego construction with the current build as of 17/01/19

 

Our fundraiser itself was held just before Christmas, and we opened the doors of our workshop and welcomed people for mince pies, cake, tea and coffee. They had the opportunity to wander round the workshop and see works in progress as well as completed pieces, and even got to have their photo taken with a dragon! With donations and the raffle, we raised around £250, which enabled us to buy a tree in the model hospital.

One of our youngest visitors exploring the workshop – photographed with Groot and Hemlock the Dragon

 

Jo, one of our team at the fundraiser where she was able to share about the great care she has received from Clatterbridge staff with some of the other guests

 

It’s always a privilege to be able to contribute and invest in something which will play such a vital part in the lives of others. This fundraiser took on more meaning for us though, when we realised that one of our team (Jo) here at Simon O’Rourke Tree Carving has often been taken care of on a Clatterbridge ward! And so, it was an even greater privilege to be able to go this week and plant our tree, knowing that we are investing in something that not only benefits and serves the wider community, but directly impacts and helps one of our own team and friends.

Jo pictured with two of the nurses who have helped look after her recently – thanks to Leanne and Aysha who are not only awesome nurses, but were still willing to take a photo for their patient at the end of a shift!

A huge thank you to those who came and visited the workshop and donated to the fundraiser. Every little helps, and whether it be investing to get a facility built, or walking alongside those who will need to use this hospital, it really does ‘take a village’, and we are thankful for ours!

Y Ddraig Derw: An Adventure Worth Telling

Y Ddraig Derw: An Adventure Worth Telling 150 150 Simon O'Rourke

“IT SIMPLY ISN’T AN ADVENTURE WORTH TELLING IF THERE AREN’T ANY DRAGONS
A quick internet search shows nobody really knows who said this any more. Whoever it was, it still holds true that there is something about a dragon story which captures imagination. That’s even more true in Wales, where dragons have been linked with the identity of the nation since the 600AD! And it certainly seems the case with Y Ddraig Derw who has gone viral this week!

Y ddraig derw in Bethesday, North Wales

An Adventure Worth Telling

We already shared that this year has a bit of ‘dragon’ theme for us, and last week saw us working on another dragon sculpture. This time, Simon carved on location in beautiful North Wales, and it has been named ‘Y Ddraig Derw‘ (The Oak Dragon) by locals.
This dragon captured the attention and hearts of people who saw it in person and online, even before it was finished,and we’ve been overwhelmed by the positive messages, and the number of people sharing online. It even appeared in the Daily Post  and BBC!
We’re grateful and humbled, but also delighted so many of you have already been able to enjoy our Dragon of Bethesda.

The Commission

Several years ago, a 200 year old oak split, and half that fell was lying across a rock.  Sometimes in carving, we find the tree and sometimes the tree finds us! In this case it was the latter. This piece of timber was simply begging to be carved! Everything about it was perfect, from the type of tree, the length, positioning and its 30″ diameter. The commission itself came from the owner of the arboretum close to Bangor, Dr Alofs.

 Fallen oak that was to be transformed into Y ddraig derw

 

The Process

Y Ddraig Derw took six days to complete, making the most of the hours of daylight that we had. Simon completed the entire dragon on-site rather than transporting things from the workshop. This meant carrying large pieces up to the site use for the wings and legs. Definitely a good work out!
With wood that large and heavy, the process of incorporating them into the sculpture isn’t easy, but with patience and team work, we got there! The first few days focused on the head and then the shape and movement in the body, with the last two focused on texture and details. For those who would like to see more of the process, we uploaded video like this one during the week on our Facebook page.

The Finished Dragon

The finished sculpture is about 25′ long, and overlooks the road. With its craning head and open mouth, it looks like a guard dragon, roaring over those who would seek to enter its territory! Although it is on private land, there are a few public footpaths nearby for viewing, and it is visible from the southbound A5 between the first and second exits.

Simon O'Rourke pictured with Y ddraig derw in Bethesda, North Wales

Simon at work!

Visiting the Dragon

Although Y Ddraig Derw is visible from the road, it’s a tricky spot to stop for photos. We’d love for you to see him in person, but encourage you all to do it safely please! For exact location and tips for parking, please visit THIS POST on our Facebook page (it’s public, so you don’t need Facebook to see it).

Thank you once again for all the kind words and encouragement, and for sharing your photos. It’s always great to hear from you, and to see you enjoying our pieces. We’d love it if you could tag us in your posts so we can see them too! Use #simonorourke and #dragonofbethesda for this dragon.

Y ddraig derw by night.

PS: For those of you who can’t get to this dragon, why not have our dragons come to you?
Hemlock the Dragon is available for hire for shows, weddings, parties etc, and is always a big hit!

 

Photos of Y Ddraig Derw at night are taken by local photographer Derfel Owen and used with permission

Autumnal fun!

Autumnal fun! 150 150 Simon O'Rourke

The wonderful fruits of the season are upon us, and boy have we been enjoying them!

September saw us heading down to London for Landscape 2017,  our very first landscape and design trade show. That was really good fun and we made some good contacts.

October has been busy making an apple trail for Erddig house, Wrexham,  where Simon’s ‘Artist in Residency’ is going very well indeed, and he has also been making a large bespoke sculpture trail for a community group on the Wirral that he has written the actual story for.

This colourful month has also had Dan making some stunning Oak table legs for our new friends at Concrete designs in Cheshire, and Simon and I attending the Llangollen food festival,  where the general public got to ride Hemlock the Dragon in aid of the Welsh Air Ambulance service,  and others registered to take part in the first official Welsh pumpkin carving championships that Simon proudly precided over.

Winner to be announced on Halloween!

Other exciting news is that our Shop page is now LIVE on our website, and so you can now see all the fab items we have for sale in our mezzanine gallery at the workshop!!

Off now for a very well earned few days rest whilst Dan holds the fort!

More adventures soon!

 

 

 

 

We Also Make Furniture!

We Also Make Furniture! 150 150 Simon O'Rourke

Most of the news focus has naturally been on my sculpture work, but there’s so much more to the business!

I employed Daniel Barnes over two years ago, primarily to create furniture from the wonderful left over timber from my sculptures…

Take a look here at a few of the beautiful items Daniel has made…