Fantasy Sculpture

Radagast the Brown, (Blue and Pink).

Radagast the Brown, (Blue and Pink). 150 150 Simon O'Rourke

Isn’t he amazing?!

Radagast the Brown by Simon O'Rourke

 

Simon recently worked on this sculpture of Radagast the Brown from Tolkien’s ‘Lord of the Rings’.

We think he makes a striking figure rising up among the shrubbery. We love the detail too like his wise, all-seeing eyes and wild beard. It’s so easy to imagine birds nesting in it, as the story goes. The bird on his head and the bottle of medicine are perfect references to the series. Radagast is known to communicate with ‘beasts and birds’, so it is especially appropriate that this sculpture is found outdoors.

Radagast the Brown by Simon O'Rourke

 

 

Why the decision to have a wizard in this otherwise typical garden?

Sadly, it came about because of disease in the tree: a blue atlas cedar.

The fungus responsible is sirococcus, and its incidence has gradually been increasing throughout the UK since 2016. It’s thought that it spreads through rain splash, strong winds, and possibly seed transmission, and there is unfortunately no known cure. Damaged trees must be cut back. Although it will sometimes kill younger trees, the RHS reports mature trees can live for many years.

If you are the owner of a Blue Atlas Cedar, there are a couple of signs to watch out for. The main one is pink needles. This is a sign of death, and they will later turn brown and drop off. The tree may also get cankers, gum bleeds, and grow fruiting bodies on the dead leaves. Click HERE to find out more and see images of things to look out for. Forest Research have also published a helpful article HERE.

Sirococcus-conigenus-on-cedar-of-Lebanon-

Example of the typical pink needles of an infected tree.

Government bodies are also trying to track the spread.

That means it’s important to report it, if you see a tree you think may be infected. The link and everything you need to know to make a report can be found HERE. Reporting is so important, so we ask you to PLEASE consider doing your part.

Radagast the Brown by Simon O'Rourke

All is not lost though if  your own tree is infected!

Simon is on hand to transform it and give it new life. Whether a fantasy sculpture like this, or something more ‘natural’ like THESE are your thing, Simon is able to create something beautiful for your garden.

Email  [email protected] to find out how he can help you.

 

Skulptur Rabbatz: A Cacophony of Carvers!

Skulptur Rabbatz: A Cacophony of Carvers! 150 150 Simon O'Rourke

Skulptur Rabatz 2019 certainly lived up to its name! ‘Rabatz’ translates as ‘din’, and with 13 simultaneous sculptures in production, there certainly was a ‘din’! There was also a lot of fun, community, and creativity on show at this event hosted by Florian Lindner.

Florian is a well-known character in the tree carving world. He hosts an event around this time each year, usually called ‘Holz-Flori & Friends’. This year, the change of name reflected the task: creating an ‘orchestra’ of zodiac figures.

Participants in Skulptur Rabatz

Participants in Skulptur Rabatz

 

Skulptur Rabatz stands 2019

Participant ‘booths’ at Skulptur Rabatz, displaying the flag of each participant

Over the event, 15 tree carvers took part and each created a ‘sign of the zodiac’ playing an instrument. When displayed together, they make up a ‘zodiac orchestra’. The sculptures will be displayed in a circle, as if they mark numbers on a clock. Simon carved the conductor, who will stand in the centre as the ‘gnomon’ (the piece that casts the shadow).

The rabbit gnomon by Simon O'Rourke

The rabbit gnomon

The idea of zodiac figures playing instruments is quite comic, and meant the artists could all really use their imaginations.  Most are oversized and have a cartoon or caricature-like quality, adding to the fun of the concept. Simon’s finished sculpture is an ‘Alice-in-Wonderland’-like moon-gazing hare (fits with the zodiac/astrology theme) with a fly-away tail coat and over-sized feet and ears. And what better thing to use to conduct such an orchestra than a chainsaw with a blade Stihl would be proud of!

Rabbit Gnomon with chainsaw baton by Simon O'Rourke

The rabbit conductor ‘gnomon’ with chainsaw ‘baton’

There was also a speed carve where Simon carved this elegant-looking lady in under an hour!

elegant lady Speed carve by Simon O'Rourke

Simon’s speed carve from the event

As with all these events, there is far more happening than just the carving – impressive as that is. As well as other attractions, Skulptur Rabatz also featured ‘The Sprockets’ – a band made up of some of the carvers and their wives, including Si and Liz! No footage has emerged yet, but if you give Skulptur Rabatz a follow on their Facebook page, some might appear soon!

The 13 sculptures completed for the sundial

The 13 sculptures completed for the sundial

Pets and family are also welcome and get incorporated into the fun. This gave @poppystihl chance to build her own following/fan club!
Poppy is Liz and Si’s dog, and can often be found ‘helping’ at events. You can follow her tree carving adventures separate from Simon on Instagram. If you ever stop to see Simon and Liz at an event, feel free to give her a belly rub!

If you are able, we fully recommend coming to a tree carving event. Not only is it impressive to watch the artists at work, but the events are great fun. There is a wonderful sense of community and inspired creativity. They usually happen surrounded by beautiful scenery, and there is often plenty to do for the whole family.

Did you enjoy the ‘zodiac’ theme? Maybe it’s something you’d like to incorporate into your own garden, using the star signs of your family? If so, message us on [email protected] to talk about possibilities and costs.

A Bavarian Fairy Tale

A Bavarian Fairy Tale 150 150 Simon O'Rourke

Every two years friends of ours organise and host ‘Allgauer Schnitzevent‘ in the Bavaria region of Germany. As well as tree carving, there’s an opportunity to enjoy beautiful scenery and take part in family activities and games. Oh, and of course, there’s great German food and beer! The event is a wonderful way of preserving the Bavarian tree carving tradition, and it’s an honour to take part.

Entrance to Allegauer Schnitzevent

This year Simon carved this fairy. She beautifully balances realistic human form (especially with her wistful or pensive expression) and whimsy or fantasy (her toadstool seat, and delicately patterned wings). Whilst Simon often uses a lot of texture to bring life to his human sculptures, we love how her smooth limbs and delicate hands and feet add to the sense of a delicate, whimsical being.

Apologies the video I posted yesterday was the wrong one so I deleted it! This one walks around the whole sculpture!!

Posted by Simon O'Rourke – Tree Carving on Sunday, 7 July 2019

Carving faces is no easy task. In fact, Simon had to actually cut this one right back and start again! Part of the challenge he faces (pun intended?!) is getting a sense of depth when carving right on top of the sculpture. The face can look great up close, but it’s only when stepping back that it’s possible to get a sense of depth, and see if it’s ‘correct’.
Do the nose, cheeks and lips protrude the right amount?
How deeply set are the eyes?
Is everything in the right place in relation to each other?

Even then, it’s often not easy to say what needs fixing. Sometimes it’s only when it’s ‘right’ that both artist and viewer can see what was wrong before.

The fairy with her face in profile.

This is where training, and technical knowledge come into play. Simon has found researching what’s under the surface is essential for carving human form accurately.
What bones are there?
What about muscle definition?
Does that part actually move that way from that joint?

When carving faces, like many artists before him, Simon has been fascinated by The Golden Ratio.
“What’s the golden ratio?”
For those wanting to know more about the technical side to Simon’s work, read on!

Close up of a perfectly proportioned face.

The Golden Ratio has been studied by mathematicians since Euclid. It’s a ‘special number’ (1.618) and describes how the length and width of an object relate to each other. You can find a simple explanation here.

Throughout time people have studied how it appears in different areas. This includes, geometry, nature (eg the human face) and even man made systems, such as financial markets. The artist Dali is known to have incorporated it into his work. Others have speculated that Da Vinci did too, although he seems to deny this. Even architects (eg Le Corbusier) and composers (eg Ravel, Satie, Debussy) have used the golden ratio their work!

 

In recreating faces, the golden ration applies in how the different parts of the face relate to each other, as well as their size and shape. It applies in at least eight different ways, maybe more! For those who are interested, some examples can be found here.

Although studying the golden ration can get quite in-depth and intense, it can often be simplified into a few simple pointers. For example:

  • The distance between the crown of the head and chin, is equal to the distance between the nose and back of the head
  • The gap between the eyes is approximately the size of one eye
  • The tip of the nose and the pupils form a triangle
  • The spaces from the forehead to the eyebrows, from the eyebrows to the bottom of the nose, and from the bottom of the nose, will be a third of the face each

As you can tell from this short ‘lesson’, there’s a LOT more to recreating human form than just jumping in with a brush, pencil or even chainsaw! And to succeed and improve, art, like most areas of life, needs study, practice, and – as with this fairy – humility of the part of the artist to recognise when something isn’t quite right, and re-work it.

What are some of the things you’ve studied or tips you’ve been given that made most difference to your art? Leave us a comment below and let us know!

 

A Throne Fit for a King Officer

A Throne Fit for a King Officer 150 150 Simon O'Rourke

Sometimes you don’t need an excuse like an anniversary to install a piece of art.
From time to time, you just have to see something you admire and think ‘I’d like one of those’ – and that’s kind of what happened with this week’s featured sculpture: The dragon throne!

Close up of the RAF Valley Dragon by Simon O'Rourke

The story of this sculpture actually began back in February, not long after Simon revealed The Dragon of Bethesda . Squadron Leader Leah Richmond at RAF Valley ( a Royal Air Force base on Anglesey in North Wales) saw the dragon, had a space on the base that needed ‘something’, and contacted Simon about getting their very own dragon! Or at least, that’s the quick summary! Simon got to work on this rather dignified looking beast in the Spring, and it was unveiled this week during the annual base reception and sunset parade.

RAF Valley Dragon Throne by Simon O'Rourke in progress

Early work on the dragon throne

RAF Valley provides fast-jet training as well as training for aircrew working with search and rescue. It became known in the UK when Prince William was stationed there 2010-2013, but was known long before that to the North Welsh population. Many a holiday-goer in Snowdonia has been treated to the sight (and sound!!!) of a low flying Hawk!

The dragon was a meaningful choice for this base, as not only is the dragon on the national flag of Wales, but it is also on the RAF Valley emblem. This side by side shows how Simon has taken the very simplistic image from the badge, and re-imagined how that would translate into a real animal. The dragon’s expression and more rugged texturing (rather than smooth, even scales) really enhance the sense of a rugged,  aged guardian.

Comparison of RAF Valley Dragon with Simon O'Rourke's Sculpture

Comparison of the dragons

Making the dragon took six days of work, from the initial hollowing out of the oak that is the main frame for the thone, to completing the fine detail. The shape of the wings which provide the back and sides of the throne, remain faithful to the dragon on the badge, and the overall scale provides a fittingly regal overall impression. Truly a throne fit for an officer!

As the oak ages, it will take on a much darker colour and warmer tones. It will contrast beautifully with the seat which is made from Cedar of Lebanon. The cedar will also darken in time, but take on grey hues – coincidentally reminiscent of the RAF uniforms!

As always, Simon used his faithful Stihl chainsaws to create the throne. For those who are interested in this side of what Simon does, check out the MS 500i and the MSA 200 which were both used for this sculpture. Both have been great additions to his collection of tools. The MS500i is great for its power, lightweight design and how easy it is to operate when there is heavy duty ‘chopping’, hollowing and shaping to do! The MSA 200 gives Simon the usual Stihl functionality as well as all the benefits of using a battery operated saw – and is quiet enough to use on site in residential or public areas.

Completed Dragon Throne by Simon O'Rourke

The finished throne!

The throne was unveiled at the annual base reception and was admired by the staff, local dignitaries and other attendees who saw it.

Simon O'Rourke with RAF Valley Station Commander Chris Jones and the completed dragon throne

Simon O’Rourke with RAF Valley Station Commander Chris Jones and the completed dragon throne

 

Liz O'Rourke with Sqn Ldr Leah Richmond who envisioned and initiated the throne

Liz O’Rourke with Sqn Ldr Leah Richmond who envisioned and initiated the throne

This sculpture began life when somebody saw and admired another of Simon’s pieces. Which carvings have you seen and thought ‘I want one of those’? Drop us a comment below!
Even better, why not email [email protected] and have a chat about how you could have your own?

Huskycup 2019

Huskycup 2019 150 150 Simon O'Rourke

And just like that, Huskycup 2019 is over! After a week of carving by some of the best chainsaw carvers in the world, Blockhausen now has several dragons added to its exhibits – including the fabulous Water Dragon by Simon and Japanese tree carver Keiji Kidokoro.

As we wrote in THIS BLOG, Simon and Keiji had the freedom to make anything relating to the theme ‘dragons’. They decided to create a dragon which would reflect both their cultures, in an ‘east meets west’ Water Dragon.

Simon and Keiji with the finished water dragon

Simon and Keiji with the finished water dragon

Initially the dragon seems predominantly Asian because of the serpentine shape and the wave it rests on. Closer look shows a beautiful merging of the cultures though. For example, the wings are very much the scale of those seen in western interpretations of dragons. It also features a more typically western profile with the sloped nose. Up close, we can also see scales more consistent with the dragons of Hollywood movies than those of Asian design.
What other features can you see belonging to each culture?

Initial sketch of Water Dragon by Simon O Rourke and Keiji

The initial concept sketch by Simon

 

Profile view of the finished Water Dragon

Profile view of the finished Water Dragon

Part of the success of this dragon was working to each of their strengths. Simon and Keiji have carved together before (Japan 2015 & 2016) which was an asset when designing the piece. Simon imagined and drew the initial design, but very much incorporated Keiji’s skill in fine detailing and consistent texturing. Keiji is also talented with an airbrush, and painted the eyes and a piece of tail. We think both are lovely finishing touches which help bring life to the sculpture.

Keiji painting the eye

Keiji painting the eye

 

View showing the scales over the entire body

View showing the scales over the entire body

 

View from the tail shows another airbrushed touch of colour

View from the tail shows another airbrushed touch of colour

One of Simon’s strengths is creating movement and story in his pieces. As such, he enjoyed working on the coils that create the shape and movement of the dragon. That meant creating the shape of each piece, but also working out placement, so it would be realistic and retain the overall flow of the sculpture. We think he did a great job!

Focus on the coils that gave the eastern serpentine feel

Focus on the coils that gave the eastern serpentine feel

Those who follow us on our Facebook page will have seen that the dragon wasn’t without its challenges though! Reaching some parts of the dragon needed some serious climbing and balancing skills! They also drew the smallest pieces of timber in the lottery, and later discovered some rotten wood which meant pausing work to resource something more suitable. Small challenges though in a week which was otherwise packed with successful carving, being inspired by others and enjoying time with the tree carving community.

Their initial wood supply

 

Carving those hard-to-reach places!

Carving those hard-to-reach places!

Simon also got to try some new tools. As always, Stihl (Stihl DE) were faithful to provide chainsaws which are always up to the task! He also got to try some new angle grinding tools provided by Korean company, Manpa. It can be a bit of a gamble working with unfamiliar tools, but in this case it worked out. Both the Stihl and Manpa tools turned out to be great choices for Simon.

Simon working on some fine detail

 

Working on some fine detail on the wings

Working on some fine detail on the wings

Huskycup is about more than the carving though. Blockhausen itself is always worth a visit, but part of what makes the event great and draws back such a high calibre of artist, is the atmosphere and community. The venue even features its own Walk of Fame, honouring artists in the tree carving community! Simon received his star in 2012, and he felt this year’s additions were great choices.

The finished head

The finished head

 

A final photo of the finished Water Dragon

A final photo of the finished Water Dragon

Oh, and for those who noticed the little guy at the front right of the photo? This baby dragon is not only bringing the cute to your screen right now (and showing Simon’s versatility in dragon carving!), but will feature in a charity auction.

Baby dragon for charity auction

Baby dragon for charity auction

For those wanting to see more, the organisers have already started to upload photos and videos which you can enjoy HERE.
Of course, there’s nothing quite like experiencing it for yourself! Huskycup is open to the public, and Blockhausen is open all year round where you can see the Water Dragon for yourself, as well as other creations from over the years.

Earth Day 2019

Earth Day 2019 700 400 Simon O'Rourke

In honour of this year’s Earth Day, we thought that we would spend some time in this blog talking about one of Earth’s most vital resources, and the basis for all of Simon’s work: trees!

As the biggest plants on the planet, they give us oxygen, store carbon, stabilise the soil and give life to the world’s wildlife. They are also the material that forms the basis for everything that Simon produces , whether life size human form commission, furniture, or accessories (have you ever seen his bowties?!)

Carving a dragon into a fallen tree

Carving a dragon into a fallen tree

Working with trees as a ‘medium’ wasn’t something Simon had planned as a career when he left school and began his degree in illustration. After graduation however, he took a job with Acorn Arbor Care as a tree surgeon while he built up his illustration portfolio, and began working for the first time with chainsaws – notably Stihl, who, in one of those ‘full circle’ kind of stories, are now his current sponsors!
Realising he could be creative as well as practical with a chain saw, he tried his hand at carving. There was something special for him in discovering that “such a potentially destructive tool can be used to create beauty”, and the rest, as they say, is history!

As well as the appeal of the chain saw, the wood itself is full of appeal. Even though a sculpture may be planned with sketches drawn and an idea of what it should look like when realised, it has to evolve a lot once the carving actually begins. The grain dictates where the natural strength of the timber is and can give so much inspiration for the shape of a sculpture. Every tree is unique and you never know what you’re going to find when you cut into a piece.

 

The timber used for this carving of a shire horse. The natural grain enhances the texture and shape of the horse.

The timber used for this carving of a shire horse. The natural grain enhances the texture and shape of the horse.

On a day like earth day when we are thinking about preserving the world’s resources, it is also natural to be wondering where all this wood is coming from and how good it is for the environment.

One advantage of working with a natural material is that although it weathers well (the colouring changes very quickly once outside, and becomes even more interesting with age), eventually it will degrade as all wood does, and is returned to the earth. In addition, all of Simon’s work is carved from trees that have either fallen naturally, or on trees that have become dangerous or diseased. Most importantly, he always uses wood that has come from a sustainable managed location, such as domestic housing or managed forests and woodlands.One of the most popular examples of this is his carving from earlier in the year of The Dragon of Bethesda, a commission that had its birth in an arboretum owner wishing to do something with a storm-damaged fallen tree.

The Dragon of Bethesda, before and after

The Dragon of Bethesda, before and after

As lovers of the outdoors and environmentally aware citizens, Simon and his wife Liz enjoy the opportunities that they get to educate others too about the resources we have and how to take care of them through their work. Whether it takes the form of educational captions on a nature trail commission, sharing their hearts in interviews, or through Liz’s role as a forest school teacher, their appreciation for the world around them is clear, and not only do they model responsible use of the world’s resources as individuals and businesses, but they also inspire others to do the same.

Liz at a forest school session. They even recycle the re-purposed wood, using off-cuts from scupltures for classroom supplies like these wood chips!

Liz at a forest school session. They even recycle the repurposed wood, using off-cuts from sculptures for classroom supplies like these wood chips!

If you find yourself with a tree that has fallen or been damaged, why not talk to us about giving it new life as a sculpture for your home or garden? Simon is available to talk about possibilities at [email protected]

 

Three Wise Dragons

Three Wise Dragons 150 150 Simon O'Rourke

Well, we promised you a year of dragons, and we don’t like to disappoint!

This past week has featured more of Simon’s dragons being installed in Hafan Y Mor Holiday Park in Pwllheli. They are part of the new Dragon Lakes Adventure Village which opens later this month. They will eventually be surround by astro turf and other parts of the development, so don’t worry if they look a little out of place at the moment – their ‘home’ is still being built around them, and in a few weeks they will be the perfect addition to a holiday selfie!

 

The Three Wise Dragons at Dragon Lakes Adventure Village, Hafan-y-Mor, Pwllheli

The Three Wise Dragons at Dragon Lakes Adventure Village, Hafan-y-Mor, Pwllheli

 

As well as the sleeping dragon bench, we have three lovable dragons: ‘ Hear No Evil’, ‘See No Evil’ and ‘Speak No Evil’ – a Welsh twist on the traditional Japanese monkeys, we’re sure are more familiar to you than these characters! Although the saying itself can be traced back to the 2nd or 3rd century, it was actually a 17th century wooden carving of the monkeys that launched the characters into the renown they have today, so it seems fitting not only to have a dragon version for Wales, but to continue that tradition of carving them in wood.

 

Hear No Evil – Clywed Dim Drwg

 

See No Evil – Gweld Dim Drwg

 

Speak No Evil – Dweud Dim Drwg

 

Sleeping Dragon Bench

 

‘Hafan Y Mor’ can be translated as either ‘sea haven’ which makes it an appropriate name for this spot in Pwllheli – a Llyn Peninsula market town which has won several awards for its beaches an marina. If you happen to be enjoying the area, why not tag us in a photo of yourself with our Three Wise Dragons, and let us know which one is your favourite?

Spring it On!!!!

Spring it On!!!! 150 150 Simon O'Rourke

Well, it was the first day of Spring this week and that means our thoughts (or at least the shop displays, even if we haven’t quite caught up!) turn to longer days, birds singing, sun shining, walks in the park, nature bursting into new life, and all the cute and fluffy newborn animals! People in the streets seem more smiley as the weather warms, and even those wet, rainy days seem better as the newly budded blossom on the trees and the touch of colour of daffodils and tulips springing from the ground remind us of the hope of new life that comes after a Winter – whether literally or metaphorically.

To mark the shift in season, we’re bringing you some ‘Spring themed’ carvings this week as well as (hopefully) some inspiration for your own gardens!

Featured above are some ‘animal family’ or ‘new life’ carvings Simon has completed in the past. It’s definitely not an easy thing to make something that is so small and detailed in real life into something this size whilst keeping it realistic (like the sheep). Shape alone doesn’t work unless the desired result is something very modern and stylised, so what we see here – especially in the birds – represents a lot of time spent on detail and texture.

As well as the change in weather, we’ve noticed the supermarket aisles filling up with chocolate (anyone else looking forward to April 22nd when it all goes on sale???!!!) which means we also can’t help but think of Easter, and the ‘bringer’ of all that sugary goodness – the Easter Bunny! As carving in a material like wood lends itself beautifully to garden ornaments, woodland trails etc, it’s no surprise that Simon is no stranger to our leporine friends, whether real or imagined…..

Our teams are also no strangers to the garden ‘Spring Clean’, and if you’re anything like us, are only just starting the real work of cleaning up the garden after winter, and beginning the preparation work that will pay off in summer when it’s all organised and in bloom, or in Autumn when you reap the harvest.

If you find storm damaged trees or pieces of timber in your garden as part of your clean up, or after cleaning up, find yourself with some spots that somehow don’t seem complete, why not consider commissioning something unique from us?
Whether a loved pet, favourite animal, creating your own whimsical fairy garden or adding something with a touch of humour, we’re sure Simon can create something that will be the perfect completion to your garden Spring Clean up.

We hope that whatever the start of Spring has looked like for you, that it’s one that, just like the season, is full of new life and hope.
As always, if something has caught your attention and you’d like to commission something, contact us on [email protected]

For The Throne

For The Throne 150 150 Simon O'Rourke

Toward the end of last year, Simon received one of his most exciting projects to date – the opportunity to take part in HBO’s #forthethrone campaign, promoting season eight of the popular TV series.
18 artists from around the world were selected by HBO, who then sent them an original prop from the Game of Thrones series, and each artist either had to come up with a way to make them ‘their own’, or received a brief for the prop.

Simon was sent the three dragon eggs that were given to Daenerys as a wedding gift during season one. Not only was it awe-inspiring to be able to see and hold in person such an iconic object, but as pieces of art they were even more beautiful in real life with their detailed scaly texture and incredible ombre, blended metallic colouring.  His task was to create a new casket for the eggs that would not only be both functional and aesthetically pleasing, but would also tie-in with the era and location of the series. You can see Simon receiving the eggs in this video of the making of the Dragon Egg Casket.

Opening the dragon eggs from HBO

 

Simon has had lots of experience of the years in carving dragons of all scales and for all projects, so the ideas for shape, texture, and details were flowing. There were some very practical considerations though which added to the challenge.

  • The casket had to actually be large enough to hold all three eggs.
  • It needed to be able to open and close without damaging the eggs.
  • The eggs had to be held securely in place to withstand travel – both in real life to get it back to HBO, but also in the series, the eggs are a gift from far away and would have to be carried to the wedding.
  • The casket needed to be weatherproof, as in the series, it would have needed to withstand various weather conditions.
  • It needed to have some way of being transportable.
  • It needed to sit on a flat surface, or have some additional stand or similar that would enable it to do so.

The open dragon mouth lid

With those practicalities in place there was then the artistic side to consider. In Simon’s own words:
The concept was the first thing to get right. My first idea was to include dragon-like wings shrouding the eggs, but moved on to a skull because I felt it would look more impressive. After hearing the dragon skull idea would clash with another design I moved back to my original thought and explored the shroud idea. I went through several design ideas about what to include, whether or not to put a dragons eye in the design, or a representation of a head. I settled on a simple organic looking lid that opened like a bread bin. I was inspired by a real mixture of Nature, Alien, Star Wars and of course Game of Thrones! The almost Alien egg like texture is also representative of dragon scales, and the mismatched teeth give it a slight feel of Saarlach from Star Wars with a hint of alligator!”

Showing the texture and details of the mouth

The casket was carved out of yew, which in itself had some beautiful markings and colouring, and the design was actually altered as Simon went along to allow this to be seen. An added bonus was that this colouring and texture was reminiscent of Danerys’ hair! Seemingly random Dragon teeth throughout the interior hold the eggs securely in place, with the random placing, irregular shapes and texture lending the feel of danger or uncertainty.
There is an organic, unsymmetrical feel to the lid which snaps shut to protect and hide the eggs, “Like a mutated dragon”. Again, the random placing and irregular shaping and direction of the teeth adds not only an organic feel, but heightens the sense of danger. Whilst feeling dangerous, the scales and the misshaping of the teeth invite touch, in the same way the eggs themselves do. Just as the eggs are experienced differently in the series, with Daenerys being the only one who feels life within them, (and is drawn inexplicably to them), each person will experience or focus on something slightly different as they are drawn to feel the texture of the casket.

Finished project with the lid closed to hide the eggs

The dragon mouth casing is then shrouded in abstract dragon wings, which further protects the eggs, and perfectly exhibits the grain of the wood. The smooth finish is contrast to the scales of the inner shell and the rippled texture of the outer wood. Finally, “the ash wood carrying poles were a functional and useful addition, as well as giving an impression of a very valuable cargo, needing two or four slaves to bear the precious gift! I [Simon] chose stainless steel rings to thread the poles through as the shiny steel is a real compliment to the natural material of the wood.”

Image taken from HBO For the Throne campaign, ‘The fire collection’.


Simon is quoted as saying the biggest challenge was  “getting a lid mechanism to cover the eggs when closed, sit nicely on the edges of the wings, and not touch the eggs when opening and closing” In retrospect however, we wonder if his greater challenge was actually keeping such an exciting project secret until now! We’re all excited here at Simon O Rourke Tree Carving to see the rest of the pieces produced by the other artists, which will be revealed in a series of five collections leading up to the release of the newest season of Game of Thrones.
This campaign isn’t just for professionals though! HBO would love to see other work inspired by the series, so you are invited to post your own projects online. Simply use the hashtag #forthethrone for the opportunity for your own work to be included in the campaign.

A Very Wooden Valentines

A Very Wooden Valentines 150 150 Simon O'Rourke

After a January seemed to last forever, February is finally here and that means love is in the air! Or at least, all things pink and glittery are!
Whether you view Valentines Day as a romantic celebration or a money-making Hallmark Holiday, we thought you might enjoy some of these ‘love’ themed creations from Simon, and maybe be inspired for some of your own gifts for loved ones, whether for Valentines, birthday, anniversary or even a wedding.

Beauty and the Beast

 

For many of us, Disney was our first introduction to romance, and Beauty and the Beast has enthralled and entertained since Celine Dion first sang ‘Tale As Old As Time’ in 1992. We often get asked about the colouring in this sculpture. It was actually accidental (steel in the log) but has really grown on us, and as the wood weathers, will make for a stunning rustic look in a few year’s time.

 

 

These elephants in love already warm our hearts, but will take on an even more whimsical, fairy tale look when the magnolia behind them is in full bloom! Designs like this are perfect to make something more personal and romantic out of a practical/functional gift like this bench. Ideal for that fifth (wooden) or ninth (willow) wedding anniversary!

 

Photo used by permission of Abbi Photography

 

If it’s going to be a wooden gift, it doesn’t just have to be a sculpture. Last year our friends wanted something truly unique and personal to them, and commissioned these wedding rings for their colourful autumn wedding. Jewelry is a classic gift for a loved one, and if the source is something meaningful to you like a tree from your favourite park or a first home, how much more special!

 

Custom wedding rings and ring stand

 

Whether you spend Valentines Day with a loved one, friends, or going solo, we hope you enjoy the day and feel loved and appreciated – and find plenty of discount priced chocolate in the days that follow!!!!!

Wedding rings and bouquet photo supplied by and used by permission of Abbi Photography